Songs like Il bacio by Dame Joan Sutherland
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Dame Joan Sutherland
Handel: Alcina: Ma quando tornerai
101 bpm • F Maj • 04:39 • -14.18db
1% Popularity • 55% Danceability • 22% Energy • 15% Liveness
10% Instrumentalness • 39% Positiveness
1% Popularity • 55% Danceability • 22% Energy • 15% Liveness
10% Instrumentalness • 39% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
101 bpm • E Maj • 05:03 • -18db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Franco Corelli
Adriana Lecouvreur: Act Ii L'anima Ho St...
101 bpm • B min • 01:38 • -10db
25% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Ermes Alessandro Mario
Santa Lucia luntana (Arr. Chiaramello)
102 bpm • E Maj • 05:45 • -16.61db
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
100 bpm • E Maj • 05:18 • -19.76db
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Act I: Piano, p...
100 bpm • G Maj • 02:57 • -28db
14% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Vado, ma dove? oh Dei!, K. 583
100 bpm • D# Maj • 04:11 • -20db
8% Popularity • 25% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 25% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Dame Joan Sutherland
Samson
103 bpm • D Maj • 05:52 • -13.37db
6% Popularity • 35% Danceability • 22% Energy • 37% Liveness
7% Instrumentalness • 21% Positiveness
6% Popularity • 35% Danceability • 22% Energy • 37% Liveness
7% Instrumentalness • 21% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 2: Ron...
102 bpm • F Maj • 05:01 • -22.11db
3% Popularity • 27% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 27% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Traditional
The Last Rose of Summer (Arr. for Sopran...
99 bpm • E Maj • 03:28 • -16.67db
1% Popularity • 32% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
1% Popularity • 32% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Offenbach: Robinson Crusoë, Act 2: Vals...
100 bpm • A Maj • 03:57 • -18.64db
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: "Porg...
103 bpm • D# Maj • 03:57 • -21.41db
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Philharmonia Orchestra
Pagliacci: Recitar!...Vesti la giubba (A...
98 bpm • E Maj • 03:56 • -19db
12% Popularity • 22% Danceability • 18% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Offenbach: Les contes d'Hoffmann, Act 2:...
103 bpm • G# Maj • 05:05 • -18db
4% Popularity • 46% Danceability • 6% Energy • 22% Liveness
31% Instrumentalness • 17% Positiveness
4% Popularity • 46% Danceability • 6% Energy • 22% Liveness
31% Instrumentalness • 17% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Sur la place" (Ch...
105 bpm • A# Maj • 07:22 • -21db
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Luciano Pavarotti
La Traviata - Act. I - Libiam Ne' Lieti ...
97 bpm • A# Maj • 03:12 • -12db
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen: Act II: Couplets: Votre toast, j...
105 bpm • F Maj • 05:00 • -15.83db
11% Popularity • 40% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 40% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Gioachino Rossini
Petite Messe solennelle - Gloria: Domine...
96 bpm • D Maj • 06:16 • -19.84db
8% Popularity • 31% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 31% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Katia Ricciarelli
A. Vucchella
96 bpm • F Maj • 02:04 • -14.24db
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
35% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Dame Joan Sutherland
Nel cor più non mi sento
96 bpm • G Maj • 04:04 • -19.41db
2% Popularity • 36% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
2% Popularity • 36% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Montserrat Caballé
Sposa, son disprezzata
106 bpm • F min • 06:30 • -23.98db
10% Popularity • 33% Danceability • 10% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 10% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
28% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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George Frideric Handel
Samson, HWV 57: Let the bright seraphim
106 bpm • D Maj • 05:51 • -16.44db
1% Popularity • 39% Danceability • 20% Energy • 31% Liveness
75% Instrumentalness • 14% Positiveness
1% Popularity • 39% Danceability • 20% Energy • 31% Liveness
75% Instrumentalness • 14% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: "O Lola ...
96 bpm • F min • 02:10 • -30.45db
13% Popularity • 20% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
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Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen, Act I: Habanera. L'amour est un ...
107 bpm • E min • 04:51 • -21db
14% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Die Entführung aus dem Serail
95 bpm • C Maj • 08:44 • -13.64db
2% Popularity • 33% Danceability • 21% Energy • 5% Liveness
3% Instrumentalness • 9% Positiveness
2% Popularity • 33% Danceability • 21% Energy • 5% Liveness
3% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Silenzo!..."L...
95 bpm • C Maj • 04:34 • -16.85db
14% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jerónimo Giménez
"La tarántula e un bicho"
108 bpm • C Maj • 01:32 • -19.52db
24% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Salvatore Cammarano
Hamlet: "The Mad Scene"
95 bpm • E Maj • 08:46 • -17.18db
2% Popularity • 30% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
2% Popularity • 30% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
95 bpm • E min • 05:16 • -18db
7% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
14% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 2: "Tous les...
95 bpm • D Maj • 03:00 • -19db
9% Popularity • 46% Danceability • 24% Energy • 89% Liveness
1% Instrumentalness • 33% Positiveness
9% Popularity • 46% Danceability • 24% Energy • 89% Liveness
1% Instrumentalness • 33% Positiveness
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Vincenzo Bellini
Norma / Act 2: Mira, o Norma
108 bpm • D# Maj • 05:13 • -23db
18% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: Int...
94 bpm • A# Maj • 01:21 • -14.01db
6% Popularity • 54% Danceability • 30% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 54% Danceability • 30% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliet: Je veux vivre (Act I -...
108 bpm • G Maj • 03:53 • -20db
14% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Voici les...
109 bpm • G Maj • 05:10 • -16.42db
7% Popularity • 34% Danceability • 22% Energy • 18% Liveness
12% Instrumentalness • 24% Positiveness
7% Popularity • 34% Danceability • 22% Energy • 18% Liveness
12% Instrumentalness • 24% Positiveness
► Preview
Gaetano Donizetti
Lucrezia Borgia / Act 2: Era desso il fi...
108 bpm • D# min • 05:23 • -18db
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "No...
94 bpm • F Maj • 05:34 • -21.33db
6% Popularity • 36% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
6% Popularity • 36% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Ave Maria
109 bpm • E Maj • 03:49 • -23.34db
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Dame Joan Sutherland
Handel: Rodelinda: Mio caro bene
109 bpm • G Maj • 04:37 • -13.02db
1% Popularity • 44% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 44% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Francesco Cilea
L'Arlesiana / Act 2: "È la solita stori...
93 bpm • A min • 04:59 • -18.06db
13% Popularity • 18% Danceability • 13% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act 2: Introduzione -...
94 bpm • C Maj • 03:34 • -14.72db
16% Popularity • 55% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 57% Positiveness
16% Popularity • 55% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 57% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Tu qui, Santuzza?...
109 bpm • F Maj • 03:20 • -13.96db
22% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Dame Joan Sutherland
Ah! Tardai troppo… O luce di quest ani...
109 bpm • C Maj • 06:13 • -18.65db
17% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
17% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
32% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Dell'elisir m...
92 bpm • C min • 04:28 • -15.39db
14% Popularity • 36% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 36% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Georges Bizet
Carmen / Act II: Chanson: "Les tringles ...
111 bpm • C Maj • 04:46 • -19.58db
15% Popularity • 40% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
15% Popularity • 40% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Viva il vino spum...
91 bpm • G Maj • 02:23 • -11.46db
26% Popularity • 36% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
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Dame Joan Sutherland
Rossini: Semiramide: Se la vita
110 bpm • A# Maj • 03:50 • -15.28db
1% Popularity • 40% Danceability • 23% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
1% Popularity • 40% Danceability • 23% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
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Jacques Offenbach
La Grande-Duchesse de Gérolstein / Act ...
92 bpm • A Maj • 03:45 • -15.25db
1% Popularity • 40% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 40% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Ambroise Thomas
Hamlet / Act 4: "A vos jeux, mes amis, p...
91 bpm • B Maj • 08:51 • -17.26db
1% Popularity • 28% Danceability • 9% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
1% Popularity • 28% Danceability • 9% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act II: "Il segreto pe...
110 bpm • C Maj • 02:45 • -20.17db
11% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Georges Bizet
Carmen: Carmen, Act II: Toreado Song: Vo...
111 bpm • F Maj • 04:59 • -12.05db
35% Popularity • 39% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 39% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Handel: Alcina: Di cor io, quanto t'amai
111 bpm • A# Maj • 05:57 • -16.03db
3% Popularity • 39% Danceability • 14% Energy • 13% Liveness
55% Instrumentalness • 21% Positiveness
3% Popularity • 39% Danceability • 14% Energy • 13% Liveness
55% Instrumentalness • 21% Positiveness
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Jacques Offenbach
Robinson Crusoe: Conduisez-moi vers celu...
92 bpm • A Maj • 04:12 • -12.84db
0% Popularity • 30% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:48 • -21db
27% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
19% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 2: Ah!, c'es...
91 bpm • A# Maj • 02:05 • -15.98db
6% Popularity • 37% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
6% Popularity • 37% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
19% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
27% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
27% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: Amis! Amo...
111 bpm • G# Maj • 02:28 • -9.81db
6% Popularity • 43% Danceability • 52% Energy • 76% Liveness
10% Instrumentalness • 60% Positiveness
6% Popularity • 43% Danceability • 52% Energy • 76% Liveness
10% Instrumentalness • 60% Positiveness
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Richard Wagner
Wagner: Die Walküre, Act 1: "Winterstü...
91 bpm • F Maj • 02:50 • -20.3db
13% Popularity • 26% Danceability • 16% Energy • 38% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 16% Energy • 38% Liveness
1% Instrumentalness • 22% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 2: Entr'acte...
112 bpm • D Maj • 02:38 • -27.53db
6% Popularity • 57% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 57% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:55 • -14.15db
18% Popularity • 22% Danceability • 34% Energy • 17% Liveness
60% Instrumentalness • 11% Positiveness
18% Popularity • 22% Danceability • 34% Energy • 17% Liveness
60% Instrumentalness • 11% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
113 bpm • F Maj • 04:53 • -15.69db
22% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
