Songs like Il burbero di buon cuore: Act I: Ehi, Castagna! (Ferramondo) by Vicente Martín Y Soler
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Haydn
Symphony No.103 In E Flat Major Hob.I.10...
130 bpm • D# Maj • 04:51 • -20.07db
9% Popularity • 45% Danceability • 2% Energy • 8% Liveness
10% Instrumentalness • 17% Positiveness
9% Popularity • 45% Danceability • 2% Energy • 8% Liveness
10% Instrumentalness • 17% Positiveness
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Leopold Mozart
Spängler-Menuett III
130 bpm • D Maj • 02:10 • -15.66db
10% Popularity • 36% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Wranitzky
Das listige Bauernmädchen: No. 8, Contr...
130 bpm • A Maj • 02:29 • -18.33db
17% Popularity • 52% Danceability • 13% Energy • 12% Liveness
45% Instrumentalness • 44% Positiveness
17% Popularity • 52% Danceability • 13% Energy • 12% Liveness
45% Instrumentalness • 44% Positiveness
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Gioachino Rossini
Sonata a quattro No. 2 in A: 3. Allegro
130 bpm • A Maj • 02:06 • -20.92db
13% Popularity • 61% Danceability • 18% Energy • 34% Liveness
80% Instrumentalness • 82% Positiveness
13% Popularity • 61% Danceability • 18% Energy • 34% Liveness
80% Instrumentalness • 82% Positiveness
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Franz Schubert
5 German Dances with 7 Trios and Coda, D...
129 bpm • D Maj • 01:45 • -14.85db
21% Popularity • 53% Danceability • 8% Energy • 11% Liveness
62% Instrumentalness • 24% Positiveness
21% Popularity • 53% Danceability • 8% Energy • 11% Liveness
62% Instrumentalness • 24% Positiveness
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Vicente MartĂn Y Soler
Dirò che Perfida. Per Pietà non vi S...
129 bpm • F Maj • 03:30 • -30.05db
0% Popularity • 39% Danceability • 2% Energy • 9% Liveness
69% Instrumentalness • 52% Positiveness
0% Popularity • 39% Danceability • 2% Energy • 9% Liveness
69% Instrumentalness • 52% Positiveness
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Joseph Haydn
Symphony No.92 In G Major Hob.I92: III. ...
130 bpm • G Maj • 06:02 • -20.51db
8% Popularity • 52% Danceability • 3% Energy • 37% Liveness
41% Instrumentalness • 29% Positiveness
8% Popularity • 52% Danceability • 3% Energy • 37% Liveness
41% Instrumentalness • 29% Positiveness
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Leopold Mozart
Spängler-Menuett VIII
130 bpm • F Maj • 01:59 • -18.7db
11% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
129 bpm • B min • 02:54 • -20.24db
8% Popularity • 53% Danceability • 7% Energy • 14% Liveness
96% Instrumentalness • 39% Positiveness
8% Popularity • 53% Danceability • 7% Energy • 14% Liveness
96% Instrumentalness • 39% Positiveness
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Paul Wranitzky
Das listige Bauernmädchen: Ouvertura. A...
129 bpm • C Maj • 03:36 • -16.2db
22% Popularity • 54% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
22% Popularity • 54% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
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Carl Philipp Emanuel Bach
Sinfonia In D Major, Wq. 183/1, H. 663 :...
131 bpm • A Maj • 02:43 • -21.21db
18% Popularity • 47% Danceability • 21% Energy • 14% Liveness
70% Instrumentalness • 57% Positiveness
18% Popularity • 47% Danceability • 21% Energy • 14% Liveness
70% Instrumentalness • 57% Positiveness
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Ludwig van Beethoven
Romanze in G Major, Op. 40
131 bpm • G Maj • 06:20 • -25.51db
8% Popularity • 32% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Rudolf Zumsteeg
Cello Concerto in A Major: I. Allegro
128 bpm • C# min • 08:36 • -24.22db
16% Popularity • 33% Danceability • 8% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
16% Popularity • 33% Danceability • 8% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
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Leopold Mozart
Spängler-Menuett X
131 bpm • F Maj • 01:09 • -15.63db
12% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Josef MysliveÄŤek
MysliveÄŤek: Demetrio: "Sarete al fin co...
132 bpm • C Maj • 01:25 • -21.45db
13% Popularity • 51% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 51% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Anonymous
Mall Sims
132 bpm • D# min • 01:16 • -31.71db
7% Popularity • 60% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
7% Popularity • 60% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Paul Wranitzky
Das listige Bauernmädchen: No. 14, Temp...
128 bpm • A# Maj • 01:48 • -22.91db
25% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
25% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
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Vicente MartĂn Y Soler
In Quegli Anni in Cui Solea
132 bpm • G Maj • 03:54 • -28.33db
0% Popularity • 51% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 62% Positiveness
0% Popularity • 51% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 62% Positiveness
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Samuel Arnold
Overture in B-Flat Major, Op. 8, No. 1: ...
128 bpm • A# Maj • 03:12 • -20db
16% Popularity • 47% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
16% Popularity • 47% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Various Artists
Concerto For Piano And Orchestra
128 bpm • A Maj • 00:59 • -15.8db
8% Popularity • 50% Danceability • 29% Energy • 24% Liveness
94% Instrumentalness • 54% Positiveness
8% Popularity • 50% Danceability • 29% Energy • 24% Liveness
94% Instrumentalness • 54% Positiveness
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Josef MysliveÄŤek
MysliveÄŤek: L'Olimpiade: "Siam navi" (A...
128 bpm • C Maj • 05:21 • -22.16db
9% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Ignaz Pleyel
String Quartet in B-Flat Major, Op. 2, N...
128 bpm • A# Maj • 04:14 • -26db
17% Popularity • 48% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 55% Positiveness
17% Popularity • 48% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 55% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Gloria: D...
132 bpm • D Maj • 01:33 • -19.16db
13% Popularity • 35% Danceability • 15% Energy • 11% Liveness
23% Instrumentalness • 32% Positiveness
13% Popularity • 35% Danceability • 15% Energy • 11% Liveness
23% Instrumentalness • 32% Positiveness
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Vicente MartĂn Y Soler
Divertimento No. 2 in B-flat Major: III....
132 bpm • A# Maj • 01:53 • -21.45db
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: V. A...
132 bpm • B Maj • 06:30 • -26.13db
11% Popularity • 16% Danceability • 4% Energy • 13% Liveness
42% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 13% Liveness
42% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
128 bpm • C Maj • 03:49 • -17.1db
10% Popularity • 64% Danceability • 9% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
10% Popularity • 64% Danceability • 9% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
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Josef MysliveÄŤek
MysliveÄŤek: L'Olimpiade: "Se cerca se d...
133 bpm • G# Maj • 06:03 • -17.67db
9% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Paul Wranitzky
Die Spanier in Peru, oder Rollas Tod, Ac...
127 bpm • D Maj • 05:05 • -21.44db
16% Popularity • 30% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
16% Popularity • 30% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Louise Bertin
Fausto, Act I: Aria. Il vago sol del mon...
127 bpm • C# min • 02:20 • -17.98db
8% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Vicente MartĂn Y Soler
Il burbero di buon cuore: Act I: Overtur...
128 bpm • A Maj • 02:55 • -18.54db
0% Popularity • 50% Danceability • 14% Energy • 24% Liveness
69% Instrumentalness • 61% Positiveness
0% Popularity • 50% Danceability • 14% Energy • 24% Liveness
69% Instrumentalness • 61% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: III....
133 bpm • D Maj • 03:20 • -23.07db
12% Popularity • 16% Danceability • 7% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Rossini: La cambiale di matrimonio: Over...
133 bpm • D# Maj • 05:39 • -22.1db
18% Popularity • 39% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
18% Popularity • 39% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Carl Stamitz
Orchestral Quartet in C Major, Op. 14, N...
127 bpm • G Maj • 03:26 • -21.81db
9% Popularity • 39% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 49% Positiveness
9% Popularity • 39% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 49% Positiveness
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Josef MysliveÄŤek
Symphony in F Major, F. 28: III. Presto
133 bpm • F Maj • 02:29 • -23.14db
11% Popularity • 52% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 54% Positiveness
11% Popularity • 52% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 54% Positiveness
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Joseph Leopold Eybler
Quartet Op.1 no.1 in D Major Adagio Cant...
127 bpm • G Maj • 05:41 • -24.05db
9% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Vicente MartĂn Y Soler
L'arbore di Diana: Act I Scene 3: Da par...
128 bpm • F Maj • 02:11 • -18.44db
0% Popularity • 54% Danceability • 26% Energy • 49% Liveness
1% Instrumentalness • 89% Positiveness
0% Popularity • 54% Danceability • 26% Energy • 49% Liveness
1% Instrumentalness • 89% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
127 bpm • C Maj • 02:08 • -20db
10% Popularity • 45% Danceability • 22% Energy • 21% Liveness
14% Instrumentalness • 40% Positiveness
10% Popularity • 45% Danceability • 22% Energy • 21% Liveness
14% Instrumentalness • 40% Positiveness
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Joseph Haydn
Symphony No.99 In E Flat Major Hob.I.99:...
127 bpm • D# Maj • 04:35 • -21.38db
9% Popularity • 46% Danceability • 10% Energy • 28% Liveness
27% Instrumentalness • 30% Positiveness
9% Popularity • 46% Danceability • 10% Energy • 28% Liveness
27% Instrumentalness • 30% Positiveness
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Luigi Cherubini
Cherubini: Medea, Act 1: "Che? Quando gi...
133 bpm • A# Maj • 06:55 • -24db
9% Popularity • 29% Danceability • 10% Energy • 82% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 10% Energy • 82% Liveness
0% Instrumentalness • 10% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
127 bpm • C min • 03:05 • -19.58db
9% Popularity • 35% Danceability • 12% Energy • 7% Liveness
34% Instrumentalness • 16% Positiveness
9% Popularity • 35% Danceability • 12% Energy • 7% Liveness
34% Instrumentalness • 16% Positiveness
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Daniel Auber
La bergère châtelaine, S. 5 (Excerpts)...
127 bpm • A# Maj • 01:12 • -19.35db
25% Popularity • 58% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 87% Positiveness
25% Popularity • 58% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 87% Positiveness
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Vicente MartĂn Y Soler
L'arbore di Diana: Act I Scene 10: Oh, s...
127 bpm • D# Maj • 06:21 • -17.78db
0% Popularity • 46% Danceability • 15% Energy • 74% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 46% Danceability • 15% Energy • 74% Liveness
0% Instrumentalness • 31% Positiveness
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Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
133 bpm • A min • 03:33 • -29.91db
7% Popularity • 17% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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George Frideric Handel
Concerto a due cori No. 2, HWV 333: II. ...
127 bpm • F Maj • 02:05 • -18.11db
17% Popularity • 59% Danceability • 16% Energy • 11% Liveness
70% Instrumentalness • 59% Positiveness
17% Popularity • 59% Danceability • 16% Energy • 11% Liveness
70% Instrumentalness • 59% Positiveness
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Jean-Benjamin de La Borde
Thétis et Pelée: Ouverture
134 bpm • E Maj • 02:30 • -17.97db
12% Popularity • 35% Danceability • 16% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
12% Popularity • 35% Danceability • 16% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
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Dick Walter
Mini Romance
134 bpm • C Maj • 01:03 • -17.38db
26% Popularity • 30% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
26% Popularity • 30% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Linda Campanella
Die Zauberflöte, K. 620: Der Hölle Rac...
126 bpm • F Maj • 03:28 • -13.57db
5% Popularity • 47% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 47% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Vicente MartĂn Y Soler
Il tutore burlato, Act I: Act I: Finale ...
133 bpm • G Maj • 01:26 • -21.06db
0% Popularity • 41% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 41% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major, Op. 2 No. 2:...
126 bpm • D Maj • 09:53 • -22.19db
14% Popularity • 38% Danceability • 8% Energy • 9% Liveness
60% Instrumentalness • 35% Positiveness
14% Popularity • 38% Danceability • 8% Energy • 9% Liveness
60% Instrumentalness • 35% Positiveness
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Alberto Lizzio
Haydn Symphony No. 4 in D Major: I. Pres...
126 bpm • D Maj • 04:23 • -11.68db
8% Popularity • 50% Danceability • 29% Energy • 28% Liveness
90% Instrumentalness • 58% Positiveness
8% Popularity • 50% Danceability • 29% Energy • 28% Liveness
90% Instrumentalness • 58% Positiveness
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Joseph Haydn
Symphony No.101 In D Major Hob.I.101: IV...
134 bpm • D Maj • 04:42 • -19.12db
13% Popularity • 39% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Joseph Haydn
Stabat Mater: IX. Fac me vere tecum fler...
134 bpm • G min • 06:34 • -23db
7% Popularity • 27% Danceability • 8% Energy • 21% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 27% Danceability • 8% Energy • 21% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: XIII. Et resurrexit
134 bpm • C min • 02:22 • -21.17db
8% Popularity • 26% Danceability • 16% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
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Vicente MartĂn Y Soler
La mercede
133 bpm • A Maj • 01:29 • -20.91db
0% Popularity • 50% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 50% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ria Mbanefo
I Miss You Sometimes
134 bpm • A# Maj • 02:47 • -17.75db
15% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
15% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
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Franz Schubert
5 German Dances with 7 Trios and Coda, D...
134 bpm • G Maj • 03:06 • -17.23db
20% Popularity • 41% Danceability • 10% Energy • 32% Liveness
24% Instrumentalness • 40% Positiveness
20% Popularity • 41% Danceability • 10% Energy • 32% Liveness
24% Instrumentalness • 40% Positiveness
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Jean-Xavier Lefèvre
Clarinet Sonata in B-Flat Major, Op. 1: ...
126 bpm • A# Maj • 01:46 • -23db
10% Popularity • 34% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
10% Popularity • 34% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Johann Christian Bach
Symphony in G Major, Op. 3, No. 6, W. C6...
134 bpm • D Maj • 03:11 • -19.94db
13% Popularity • 32% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 38% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 38% Positiveness
► Preview
Ludwig van Beethoven
Missa solemnis in D major, Op. 123: III....
134 bpm • D# Maj • 03:42 • -15.52db
13% Popularity • 25% Danceability • 25% Energy • 53% Liveness
83% Instrumentalness • 10% Positiveness
13% Popularity • 25% Danceability • 25% Energy • 53% Liveness
83% Instrumentalness • 10% Positiveness
► Preview
Vicente MartĂn Y Soler
Obertura
134 bpm • D Maj • 04:05 • -13.48db
1% Popularity • 42% Danceability • 19% Energy • 17% Liveness
33% Instrumentalness • 36% Positiveness
1% Popularity • 42% Danceability • 19% Energy • 17% Liveness
33% Instrumentalness • 36% Positiveness
► Preview
Bavarian Radio Chorus
Zar und Zimmermann: Schon seit geraumer ...
126 bpm • D# Maj • 08:51 • -16.82db
10% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Carl Philipp Emanuel Bach
Symphony No. 6 in E Major, Wq. 182: I. A...
126 bpm • D# Maj • 02:25 • -15.99db
14% Popularity • 46% Danceability • 30% Energy • 8% Liveness
14% Instrumentalness • 56% Positiveness
14% Popularity • 46% Danceability • 30% Energy • 8% Liveness
14% Instrumentalness • 56% Positiveness
► Preview
Paul Wranitzky
Divertissement, Vorstellungen 1803: No. ...
135 bpm • C Maj • 02:13 • -26db
17% Popularity • 54% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 46% Positiveness
17% Popularity • 54% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 46% Positiveness
► Preview
Joseph Haydn
Symphony No.88 In G Major Hob.I88: I. Ad...
135 bpm • G Maj • 06:18 • -16.56db
8% Popularity • 50% Danceability • 27% Energy • 4% Liveness
45% Instrumentalness • 22% Positiveness
8% Popularity • 50% Danceability • 27% Energy • 4% Liveness
45% Instrumentalness • 22% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: II. Glori...
125 bpm • A Maj • 02:54 • -18.81db
8% Popularity • 35% Danceability • 25% Energy • 19% Liveness
57% Instrumentalness • 16% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 19% Liveness
57% Instrumentalness • 16% Positiveness
► Preview
Vicente MartĂn Y Soler
Il tutore burlato, Act I: Act I: Recitat...
134 bpm • F Maj • 01:11 • -25.02db
0% Popularity • 56% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 56% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Antonio Salieri
Armida, Atto primo Scena 3: Ecco l'onda ...
125 bpm • A# Maj • 02:24 • -17db
8% Popularity • 41% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 41% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Carl Philipp Emanuel Bach
Symphony No. 4 in A Major, Wq. 182: III....
125 bpm • G# Maj • 04:29 • -15.81db
11% Popularity • 50% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 53% Positiveness
11% Popularity • 50% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 53% Positiveness
► Preview
Mozart
Divertimento in F for String Ensemble, K...
135 bpm • F Maj • 05:25 • -19.78db
7% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
7% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
► Preview
Paul Wranitzky
Die Spanier in Peru, oder Rollas Tod, Ac...
125 bpm • A# Maj • 05:51 • -19.22db
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Ludwig van Beethoven
Missa solemnis in D major, Op. 123: II. ...
136 bpm • F Maj • 02:26 • -19.22db
15% Popularity • 20% Danceability • 21% Energy • 18% Liveness
80% Instrumentalness • 8% Positiveness
15% Popularity • 20% Danceability • 21% Energy • 18% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Vicente MartĂn Y Soler
Il burbero di buon cuore: Act I: Infelic...
134 bpm • D# Maj • 04:49 • -21.76db
0% Popularity • 31% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Niccolò Jommelli
Requiem, Sanctus: I. Sanctus
136 bpm • A# Maj • 01:47 • -23.21db
13% Popularity • 22% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Mass in B-Flat Major, Hob. XXII:1...
136 bpm • A# Maj • 04:16 • -15.6db
7% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
7% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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Joseph Haydn
Symphony No.88 In G Major Hob.I88: IV. F...
136 bpm • G Maj • 03:30 • -18.23db
13% Popularity • 60% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
13% Popularity • 60% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
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Johann Christian Bach
Symphonie concertante in C Major, W. C36...
124 bpm • C Maj • 06:04 • -19.67db
8% Popularity • 44% Danceability • 10% Energy • 6% Liveness
90% Instrumentalness • 43% Positiveness
8% Popularity • 44% Danceability • 10% Energy • 6% Liveness
90% Instrumentalness • 43% Positiveness
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Samuel Arnold
Overture in D Major, Op. 8, No. 2: III. ...
137 bpm • D Maj • 01:35 • -18.21db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Vicente MartĂn Y Soler
Finale II: Su, Su, Cacciatori. Compatite...
135 bpm • C Maj • 03:39 • -29.5db
0% Popularity • 50% Danceability • 2% Energy • 12% Liveness
16% Instrumentalness • 62% Positiveness
0% Popularity • 50% Danceability • 2% Energy • 12% Liveness
16% Instrumentalness • 62% Positiveness
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Johann Baptist Vanhal
Symphony in C Major, Bryan C11 "Il comis...
137 bpm • G Maj • 04:24 • -18.74db
12% Popularity • 52% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
12% Popularity • 52% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
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Joseph Haydn
Mass in C Major, Hob. XXII:9, "Paukenmes...
124 bpm • C Maj • 05:50 • -23.69db
8% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Brahms
Brahms / Orch. Hidas: 21 Hungarian Dance...
137 bpm • D min • 03:01 • -17.92db
15% Popularity • 35% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 28% Positiveness
15% Popularity • 35% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 28% Positiveness
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Paul Wranitzky
Achmet und Zenide, Act II: Ouverture Cap...
123 bpm • G Maj • 03:19 • -23.93db
22% Popularity • 47% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 23% Positiveness
22% Popularity • 47% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 23% Positiveness
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Danubius Quartet
Guitar Quintet No. 3 In B Flat Major, G....
123 bpm • D# Maj • 04:13 • -27db
14% Popularity • 29% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
14% Popularity • 29% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Vicente MartĂn Y Soler
Il burbero di buon cuore: Act I: Degli a...
135 bpm • A# Maj • 03:37 • -16.27db
0% Popularity • 40% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 40% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Atto Ii. Finale Ii...
137 bpm • D Maj • 02:56 • -13.38db
8% Popularity • 35% Danceability • 65% Energy • 87% Liveness
34% Instrumentalness • 34% Positiveness
8% Popularity • 35% Danceability • 65% Energy • 87% Liveness
34% Instrumentalness • 34% Positiveness
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Joseph Haydn
Der Frühling: "Ewiger, mächtiger, güt...
124 bpm • A# Maj • 04:46 • -17db
11% Popularity • 31% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 31% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Andreas Jakob Romberg
Violin Concerto No. 3 in D minor, Op. 46...
123 bpm • A# Maj • 06:22 • -29.84db
8% Popularity • 23% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 12% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 12% Positiveness
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Francesco Geminiani
Concerti Grossi, Op. 7: No. 6 in B-Flat ...
137 bpm • A# Maj • 02:33 • -13.81db
11% Popularity • 26% Danceability • 27% Energy • 24% Liveness
68% Instrumentalness • 16% Positiveness
11% Popularity • 26% Danceability • 27% Energy • 24% Liveness
68% Instrumentalness • 16% Positiveness
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Johann Nepomuk Hummel
Concerto in E Major, S 49, WoO 1: I. All...
123 bpm • B Maj • 10:19 • -19.57db
8% Popularity • 44% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
8% Popularity • 44% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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Vicente MartĂn Y Soler
Una cosa rara, Atto I: No. 4 PiĂą bianca...
135 bpm • C Maj • 01:47 • -28.73db
1% Popularity • 27% Danceability • 1% Energy • 16% Liveness
96% Instrumentalness • 32% Positiveness
1% Popularity • 27% Danceability • 1% Energy • 16% Liveness
96% Instrumentalness • 32% Positiveness
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Michael Haydn
Missa Sanctae Ursulae, MH 546: Gloria (S...
138 bpm • C Maj • 10:36 • -24.53db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
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Joseph Haydn
Sinfonia Concertante in B-Flat Major, Ho...
136 bpm • A# Maj • 06:48 • -18.9db
9% Popularity • 47% Danceability • 11% Energy • 20% Liveness
32% Instrumentalness • 31% Positiveness
9% Popularity • 47% Danceability • 11% Energy • 20% Liveness
32% Instrumentalness • 31% Positiveness
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Joseph Haydn
String Quartet No.54 In B Flat Major Op....
138 bpm • A# Maj • 03:29 • -18.05db
9% Popularity • 44% Danceability • 22% Energy • 12% Liveness
27% Instrumentalness • 60% Positiveness
9% Popularity • 44% Danceability • 22% Energy • 12% Liveness
27% Instrumentalness • 60% Positiveness
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Johann Strauss I
Kettenbrucke Galoppe (Chain-Bridge Galop...
123 bpm • F Maj • 01:21 • -14.9db
16% Popularity • 56% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 65% Positiveness
16% Popularity • 56% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 65% Positiveness
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Paul Wranitzky
Das Fest der Lazaronen (Excerpts): Alleg...
123 bpm • A# Maj • 02:04 • -18db
21% Popularity • 60% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
21% Popularity • 60% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
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Vicente MartĂn Y Soler
7 Canzonette: 1. Amor e gelosia
135 bpm • B Maj • 02:07 • -17.8db
0% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: II. ...
138 bpm • G Maj • 02:55 • -19.91db
15% Popularity • 20% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 20% Positiveness
15% Popularity • 20% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 20% Positiveness
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Joseph Haydn
Mass in C Major, Hob. XXII:9, "Paukenmes...
124 bpm • D# Maj • 05:29 • -25.27db
10% Popularity • 18% Danceability • 3% Energy • 22% Liveness
24% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 22% Liveness
24% Instrumentalness • 3% Positiveness
