Songs like Il burbero di buon cuore: Act I: Son trent anni che port livrea (Castagna) by Vicente Martín Y Soler
Based on a tempo of (+/- 10%) and a similar genre
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Vicente Martín Y Soler
7 Canzonette: 1. Amor e gelosia
135 bpm • B Maj • 02:07 • -17.8db
0% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Wranitzky
Divertissement, Vorstellungen 1803: No. ...
135 bpm • C Maj • 02:13 • -26db
17% Popularity • 54% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 46% Positiveness
17% Popularity • 54% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 46% Positiveness
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Joseph Haydn
Symphony No. 18 in G Major, Hob. I:18: 3...
135 bpm • G Maj • 03:47 • -22.96db
8% Popularity • 43% Danceability • 2% Energy • 12% Liveness
14% Instrumentalness • 34% Positiveness
8% Popularity • 43% Danceability • 2% Energy • 12% Liveness
14% Instrumentalness • 34% Positiveness
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Mozart
Divertimento in F for String Ensemble, K...
135 bpm • F Maj • 05:25 • -19.78db
11% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
11% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: III....
134 bpm • D# Maj • 03:42 • -15.52db
11% Popularity • 25% Danceability • 25% Energy • 53% Liveness
83% Instrumentalness • 10% Positiveness
11% Popularity • 25% Danceability • 25% Energy • 53% Liveness
83% Instrumentalness • 10% Positiveness
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Ria Mbanefo
I Miss You Sometimes
134 bpm • A# Maj • 02:47 • -17.75db
15% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
15% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
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Vicente Martín Y Soler
Una cosa rara, Atto I: No. 4 Più bianca...
135 bpm • C Maj • 01:47 • -28.73db
1% Popularity • 27% Danceability • 1% Energy • 16% Liveness
96% Instrumentalness • 32% Positiveness
1% Popularity • 27% Danceability • 1% Energy • 16% Liveness
96% Instrumentalness • 32% Positiveness
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Niccolò Jommelli
Requiem, Sanctus: I. Sanctus
136 bpm • A# Maj • 01:47 • -23.21db
13% Popularity • 22% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Haydn
Symphony No. 2 in C Major, Hob. I:2: 3. ...
135 bpm • C Maj • 02:43 • -20.32db
11% Popularity • 60% Danceability • 18% Energy • 13% Liveness
5% Instrumentalness • 72% Positiveness
11% Popularity • 60% Danceability • 18% Energy • 13% Liveness
5% Instrumentalness • 72% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
L'Amant anonyme, Act II Scene 5: Ballet ...
136 bpm • D Maj • 02:18 • -18.08db
1% Popularity • 28% Danceability • 12% Energy • 13% Liveness
45% Instrumentalness • 40% Positiveness
1% Popularity • 28% Danceability • 12% Energy • 13% Liveness
45% Instrumentalness • 40% Positiveness
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Józef Kozłowski
Requiem in E-Flat Minor: II. Dies irae
134 bpm • C min • 03:17 • -15.5db
20% Popularity • 34% Danceability • 26% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
20% Popularity • 34% Danceability • 26% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
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Jean-Benjamin de La Borde
Thétis et Pelée: Ouverture
134 bpm • E Maj • 02:30 • -17.97db
16% Popularity • 35% Danceability • 16% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
16% Popularity • 35% Danceability • 16% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
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Vicente Martín Y Soler
Finale II: Su, Su, Cacciatori. Compatite...
135 bpm • C Maj • 03:39 • -29.5db
0% Popularity • 50% Danceability • 2% Energy • 12% Liveness
16% Instrumentalness • 62% Positiveness
0% Popularity • 50% Danceability • 2% Energy • 12% Liveness
16% Instrumentalness • 62% Positiveness
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Samuel Arnold
Overture in D Major, Op. 8, No. 2: III. ...
137 bpm • D Maj • 01:35 • -18.21db
23% Popularity • 53% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
23% Popularity • 53% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Joseph Haydn
Symphony No. 4 in D Major, Hob. I:4: 1. ...
135 bpm • A Maj • 05:51 • -18.53db
10% Popularity • 52% Danceability • 17% Energy • 7% Liveness
19% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 17% Energy • 7% Liveness
19% Instrumentalness • 55% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Quatuor No. 2 en mi bémol majeur: Ronde...
133 bpm • D# Maj • 01:53 • -17db
21% Popularity • 32% Danceability • 20% Energy • 33% Liveness
34% Instrumentalness • 34% Positiveness
21% Popularity • 32% Danceability • 20% Energy • 33% Liveness
34% Instrumentalness • 34% Positiveness
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Johann Baptist Vanhal
Symphony in C Major, Bryan C11 "Il comis...
137 bpm • G Maj • 04:24 • -18.74db
13% Popularity • 52% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
13% Popularity • 52% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
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Johannes Brahms
Brahms / Orch. Hidas: 21 Hungarian Dance...
137 bpm • D min • 03:01 • -17.92db
16% Popularity • 35% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 28% Positiveness
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Vicente Martín Y Soler
Il burbero di buon cuore: Act I: Deponet...
136 bpm • D# Maj • 03:44 • -18.6db
0% Popularity • 46% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 46% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Atto Ii. Finale Ii...
137 bpm • D Maj • 02:56 • -13.38db
9% Popularity • 35% Danceability • 65% Energy • 87% Liveness
34% Instrumentalness • 34% Positiveness
9% Popularity • 35% Danceability • 65% Energy • 87% Liveness
34% Instrumentalness • 34% Positiveness
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Joseph Haydn
Haydn: Mass in B-Flat Major, Hob. XXII:1...
136 bpm • A# Maj • 04:16 • -15.6db
8% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
8% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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Josef Mysliveček
Symphony in F Major, F. 28: III. Presto
133 bpm • F Maj • 02:29 • -23.14db
10% Popularity • 52% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 54% Positiveness
10% Popularity • 52% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 54% Positiveness
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Johann Christian Bach
Symphonie concertante in A Major, W. C34...
137 bpm • A Maj • 05:51 • -22.94db
8% Popularity • 34% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
8% Popularity • 34% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: III....
133 bpm • D Maj • 03:20 • -23.07db
11% Popularity • 16% Danceability • 7% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Vicente Martín Y Soler
Il tutore burlato, Act I: Act I: Recitat...
134 bpm • F Maj • 01:11 • -25.02db
0% Popularity • 56% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 56% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Gioachino Rossini
Rossini: La cambiale di matrimonio: Over...
133 bpm • D# Maj • 05:39 • -22.1db
15% Popularity • 39% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
15% Popularity • 39% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Francesco Geminiani
Concerti Grossi, Op. 7: No. 6 in B-Flat ...
137 bpm • A# Maj • 02:33 • -13.81db
11% Popularity • 26% Danceability • 27% Energy • 24% Liveness
68% Instrumentalness • 16% Positiveness
11% Popularity • 26% Danceability • 27% Energy • 24% Liveness
68% Instrumentalness • 16% Positiveness
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Joseph Haydn
Symphony No. 10 in D Major, Hob. I:10: 1...
136 bpm • D Maj • 05:28 • -16.58db
9% Popularity • 52% Danceability • 17% Energy • 4% Liveness
10% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 17% Energy • 4% Liveness
10% Instrumentalness • 52% Positiveness
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Josef Mysliveček
Mysliveček: L'Olimpiade: "Se cerca se d...
133 bpm • G# Maj • 06:03 • -17.67db
9% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Leopold Mozart
Spängler-Menuett VI
138 bpm • G Maj • 00:56 • -16.7db
13% Popularity • 44% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 44% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Vicente Martín Y Soler
Il tutore burlato: Act I. Finale Primo: ...
136 bpm • C Maj • 03:46 • -17.8db
0% Popularity • 44% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 44% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Haydn
Missa Sanctae Ursulae, MH 546: Gloria (S...
138 bpm • C Maj • 10:36 • -24.53db
10% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: V. A...
132 bpm • B Maj • 06:30 • -26.13db
9% Popularity • 16% Danceability • 4% Energy • 13% Liveness
42% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 13% Liveness
42% Instrumentalness • 3% Positiveness
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Joseph Haydn
Sinfonia Concertante in B-Flat Major, Ho...
136 bpm • A# Maj • 06:48 • -18.9db
9% Popularity • 47% Danceability • 11% Energy • 20% Liveness
32% Instrumentalness • 31% Positiveness
9% Popularity • 47% Danceability • 11% Energy • 20% Liveness
32% Instrumentalness • 31% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 2 in B-Flat Major, Wq. 182:...
138 bpm • A Maj • 03:23 • -17.93db
11% Popularity • 41% Danceability • 20% Energy • 39% Liveness
4% Instrumentalness • 43% Positiveness
11% Popularity • 41% Danceability • 20% Energy • 39% Liveness
4% Instrumentalness • 43% Positiveness
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Domenico Cimarosa
Oreste: Cara parte del mio cor
138 bpm • F Maj • 05:49 • -16.91db
9% Popularity • 33% Danceability • 14% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
9% Popularity • 33% Danceability • 14% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
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Vicente Martín Y Soler
Obertura
134 bpm • D Maj • 04:05 • -13.48db
1% Popularity • 42% Danceability • 19% Energy • 17% Liveness
33% Instrumentalness • 36% Positiveness
1% Popularity • 42% Danceability • 19% Energy • 17% Liveness
33% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
138 bpm • G Maj • 01:50 • -25.09db
9% Popularity • 55% Danceability • 5% Energy • 19% Liveness
68% Instrumentalness • 51% Positiveness
9% Popularity • 55% Danceability • 5% Energy • 19% Liveness
68% Instrumentalness • 51% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: II. ...
138 bpm • G Maj • 02:55 • -19.91db
13% Popularity • 20% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 20% Positiveness
13% Popularity • 20% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 20% Positiveness
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Joseph Haydn
Mass in C Major, Hob. XXII:9, "Paukenmes...
138 bpm • C Maj • 02:24 • -19.72db
9% Popularity • 30% Danceability • 22% Energy • 28% Liveness
7% Instrumentalness • 33% Positiveness
9% Popularity • 30% Danceability • 22% Energy • 28% Liveness
7% Instrumentalness • 33% Positiveness
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Carlo Tessarini
Violin Concerto in D Major, Op. 3, No. 1...
138 bpm • A Maj • 01:11 • -20.58db
15% Popularity • 36% Danceability • 10% Energy • 18% Liveness
67% Instrumentalness • 78% Positiveness
15% Popularity • 36% Danceability • 10% Energy • 18% Liveness
67% Instrumentalness • 78% Positiveness
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Josef Mysliveček
Mysliveček: Demetrio: "Sarete al fin co...
132 bpm • C Maj • 01:25 • -21.45db
13% Popularity • 51% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 51% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Vicente Martín Y Soler
La mercede
133 bpm • A Maj • 01:29 • -20.91db
0% Popularity • 50% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 50% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
French Suite No. 6 in E Major, BWV 817: ...
132 bpm • F Maj • 01:13 • -23.96db
22% Popularity • 58% Danceability • 10% Energy • 12% Liveness
51% Instrumentalness • 73% Positiveness
22% Popularity • 58% Danceability • 10% Energy • 12% Liveness
51% Instrumentalness • 73% Positiveness
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Carl Philipp Emanuel Bach
Sinfonia In D Major, Wq. 183/1, H. 663 :...
131 bpm • A Maj • 02:43 • -21.21db
19% Popularity • 47% Danceability • 21% Energy • 14% Liveness
70% Instrumentalness • 57% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 14% Liveness
70% Instrumentalness • 57% Positiveness
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Leopold Mozart
Spängler-Menuett X
131 bpm • F Maj • 01:09 • -15.63db
11% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Joseph Haydn
Der Herbst: "So lohnet die Natur den Fle...
139 bpm • C Maj • 05:39 • -17.85db
7% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
String Quartet No. 4 in C Minor, Op. 1: ...
139 bpm • C min • 01:42 • -20.07db
22% Popularity • 39% Danceability • 9% Energy • 10% Liveness
28% Instrumentalness • 48% Positiveness
22% Popularity • 39% Danceability • 9% Energy • 10% Liveness
28% Instrumentalness • 48% Positiveness
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Vicente Martín Y Soler
L'arbore di Diana: Act I Scene 5: Di Cin...
137 bpm • G Maj • 02:30 • -20.16db
0% Popularity • 57% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 57% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Unknown
Divertimento for 2 Flutes and Cello (Bas...
131 bpm • G Maj • 03:05 • -21.28db
12% Popularity • 29% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 29% Positiveness
12% Popularity • 29% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 29% Positiveness
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Josef Mysliveček
Symphony in B-Flat Major, F. 30: III. Pr...
140 bpm • F Maj • 02:49 • -22.69db
10% Popularity • 52% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 42% Positiveness
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Paul Wranitzky
Das listige Bauernmädchen: No. 8, Contr...
130 bpm • A Maj • 02:29 • -18.33db
17% Popularity • 52% Danceability • 13% Energy • 12% Liveness
45% Instrumentalness • 44% Positiveness
17% Popularity • 52% Danceability • 13% Energy • 12% Liveness
45% Instrumentalness • 44% Positiveness
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Joseph Haydn
Symphony No. 37 in C Major, Hob. I:37: 2...
131 bpm • C Maj • 03:33 • -23.08db
12% Popularity • 51% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
12% Popularity • 51% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Gioachino Rossini
Sonata a quattro No. 2 in A: 3. Allegro
130 bpm • A Maj • 02:06 • -20.92db
13% Popularity • 61% Danceability • 18% Energy • 34% Liveness
80% Instrumentalness • 82% Positiveness
13% Popularity • 61% Danceability • 18% Energy • 34% Liveness
80% Instrumentalness • 82% Positiveness
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Vicente Martín Y Soler
Il tutore burlato, Act I: Act I: Finale ...
133 bpm • G Maj • 01:26 • -21.06db
0% Popularity • 41% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 41% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Missa solemnis in D major, Op. 123: III....
140 bpm • F Maj • 01:12 • -14.6db
12% Popularity • 24% Danceability • 22% Energy • 57% Liveness
91% Instrumentalness • 20% Positiveness
12% Popularity • 24% Danceability • 22% Energy • 57% Liveness
91% Instrumentalness • 20% Positiveness
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Leopold Mozart
Spängler-Menuett III
130 bpm • D Maj • 02:10 • -15.66db
10% Popularity • 36% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Paul Wranitzky
Das Waldmädchen: No. 20, Allegro vivace
130 bpm • C Maj • 01:22 • -14.39db
20% Popularity • 56% Danceability • 37% Energy • 15% Liveness
94% Instrumentalness • 76% Positiveness
20% Popularity • 56% Danceability • 37% Energy • 15% Liveness
94% Instrumentalness • 76% Positiveness
► Preview
Carl Philipp Emanuel Bach
Symphony No. 1 in G Major, Wq. 182: III....
140 bpm • F# Maj • 04:00 • -17.12db
11% Popularity • 42% Danceability • 25% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 25% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
► Preview
Joseph Haydn
Symphony No. 26 in D Minor, Hob. I:26: I...
140 bpm • A min • 07:08 • -30.53db
7% Popularity • 27% Danceability • 4% Energy • 26% Liveness
13% Instrumentalness • 8% Positiveness
7% Popularity • 27% Danceability • 4% Energy • 26% Liveness
13% Instrumentalness • 8% Positiveness
► Preview
Vicente Martín Y Soler
L'arbore di Diana: Act I Scene 7: Si dic...
138 bpm • A Maj • 02:16 • -20.92db
0% Popularity • 45% Danceability • 6% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
0% Popularity • 45% Danceability • 6% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
► Preview
Leopold Hofmann
Sinfonia in B-Flat Major, Badley Bb1: II...
130 bpm • F Maj • 02:39 • -23db
21% Popularity • 61% Danceability • 9% Energy • 17% Liveness
54% Instrumentalness • 73% Positiveness
21% Popularity • 61% Danceability • 9% Energy • 17% Liveness
54% Instrumentalness • 73% Positiveness
► Preview
Leopold Mozart
Spängler-Menuett VIII
130 bpm • F Maj • 01:59 • -18.7db
11% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Paul Wranitzky
Das Waldmädchen: No. 6, Allegretto
140 bpm • D# Maj • 01:49 • -24.11db
23% Popularity • 36% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 41% Positiveness
23% Popularity • 36% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 41% Positiveness
► Preview
Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
141 bpm • C min • 02:26 • -19.39db
8% Popularity • 43% Danceability • 16% Energy • 26% Liveness
93% Instrumentalness • 56% Positiveness
8% Popularity • 43% Danceability • 16% Energy • 26% Liveness
93% Instrumentalness • 56% Positiveness
► Preview
Joseph Haydn
Mass in C Major, Hob. XXII:9, "Paukenmes...
141 bpm • C Maj • 02:42 • -20.28db
9% Popularity • 34% Danceability • 24% Energy • 41% Liveness
7% Instrumentalness • 40% Positiveness
9% Popularity • 34% Danceability • 24% Energy • 41% Liveness
7% Instrumentalness • 40% Positiveness
► Preview
Franz Ignaz Beck
Overture in E-Flat Major, Op. 1, No. 4: ...
141 bpm • A# Maj • 01:15 • -18.35db
22% Popularity • 56% Danceability • 15% Energy • 17% Liveness
9% Instrumentalness • 93% Positiveness
22% Popularity • 56% Danceability • 15% Energy • 17% Liveness
9% Instrumentalness • 93% Positiveness
► Preview
Vicente Martín Y Soler
Divertimento No. 2 in B-flat Major: III....
132 bpm • A# Maj • 01:53 • -21.45db
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
► Preview
Johann Rudolf Zumsteeg
Cello Concerto in A Major: III. Rondo. A...
141 bpm • C# min • 05:09 • -25.02db
14% Popularity • 35% Danceability • 6% Energy • 16% Liveness
80% Instrumentalness • 17% Positiveness
14% Popularity • 35% Danceability • 6% Energy • 16% Liveness
80% Instrumentalness • 17% Positiveness
► Preview
Gioachino Rossini
L'italiana in Algeri: Atto Ii. Recitativ...
141 bpm • B min • 01:01 • -22.7db
7% Popularity • 46% Danceability • 33% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 46% Danceability • 33% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Paul Wranitzky
Das listige Bauernmädchen: Ouvertura. A...
129 bpm • C Maj • 03:36 • -16.2db
21% Popularity • 54% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
21% Popularity • 54% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
► Preview
Joseph Haydn
Symphony No. 15 in D Major, Hob. I:15: 1...
129 bpm • D Maj • 05:42 • -19.93db
11% Popularity • 38% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
11% Popularity • 38% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
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Carl Stamitz
Duo No. 2 for Violin and Viola in D Mino...
141 bpm • D Maj • 01:35 • -21.8db
24% Popularity • 37% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 55% Positiveness
24% Popularity • 37% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 55% Positiveness
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Vicente Martín Y Soler
In Quegli Anni in Cui Solea
132 bpm • G Maj • 03:54 • -28.33db
0% Popularity • 51% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 62% Positiveness
0% Popularity • 51% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 62% Positiveness
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Ludwig van Beethoven
Quintet for Piano & Winds in E-Flat Majo...
141 bpm • D# Maj • 05:52 • -24.5db
10% Popularity • 33% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
10% Popularity • 33% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
141 bpm • A min • 02:19 • -22.15db
27% Popularity • 61% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
27% Popularity • 61% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Johann Rudolf Zumsteeg
Cello Concerto in A Major: I. Allegro
128 bpm • C# min • 08:36 • -24.22db
17% Popularity • 33% Danceability • 8% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
17% Popularity • 33% Danceability • 8% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
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Joseph Haydn
Symphony No. 18 in G Major, Hob. I:18: 2...
141 bpm • D Maj • 04:48 • -19.8db
8% Popularity • 58% Danceability • 24% Energy • 18% Liveness
56% Instrumentalness • 74% Positiveness
8% Popularity • 58% Danceability • 24% Energy • 18% Liveness
56% Instrumentalness • 74% Positiveness
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Antonio Salieri
Armida, Atto primo Scena 3: Qual è la m...
142 bpm • C# min • 00:57 • -14.03db
9% Popularity • 32% Danceability • 30% Energy • 58% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 58% Liveness
1% Instrumentalness • 38% Positiveness
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Vicente Martín Y Soler
Divertimento No. 4 in B-flat Major: I. A...
139 bpm • F Maj • 02:52 • -21.98db
0% Popularity • 43% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
0% Popularity • 43% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Josef Mysliveček
Mysliveček: L'Olimpiade: "Siam navi" (A...
128 bpm • C Maj • 05:21 • -22.16db
9% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Wranitzky
Das listige Bauernmädchen: No. 14, Temp...
128 bpm • A# Maj • 01:48 • -22.91db
23% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
23% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XV. A...
143 bpm • D Maj • 01:38 • -16db
23% Popularity • 40% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 36% Positiveness
23% Popularity • 40% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 36% Positiveness
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Joseph Haydn
Symphony No. 2 in C Major, Hob. I:2: 1. ...
129 bpm • C Maj • 03:09 • -19.38db
11% Popularity • 51% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 54% Positiveness
11% Popularity • 51% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 54% Positiveness
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Samuel Arnold
Overture in B-Flat Major, Op. 8, No. 1: ...
128 bpm • A# Maj • 03:12 • -20db
14% Popularity • 47% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
14% Popularity • 47% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Vicente Martín Y Soler
Una cosa rara: Dov'è dunque il mio ben?...
139 bpm • A# Maj • 05:42 • -20.55db
1% Popularity • 40% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 40% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Orquesta Filarmónica De Londres
Misa No. 14 para orquesta y cantantes in...
143 bpm • C Maj • 04:17 • -16.47db
7% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Carlo Monza
Quartetto "Gli amanti rivali" in C Major...
143 bpm • E min • 01:55 • -19.85db
11% Popularity • 54% Danceability • 19% Energy • 16% Liveness
62% Instrumentalness • 56% Positiveness
11% Popularity • 54% Danceability • 19% Energy • 16% Liveness
62% Instrumentalness • 56% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
128 bpm • C Maj • 03:49 • -17.1db
9% Popularity • 64% Danceability • 9% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
9% Popularity • 64% Danceability • 9% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
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Johann Christian Bach
Notturno in E-Flat Major, W. C40: II. Mi...
128 bpm • D# Maj • 01:14 • -19.95db
15% Popularity • 57% Danceability • 3% Energy • 13% Liveness
43% Instrumentalness • 72% Positiveness
15% Popularity • 57% Danceability • 3% Energy • 13% Liveness
43% Instrumentalness • 72% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Atto I. Sinfonia
143 bpm • G Maj • 08:10 • -19.75db
13% Popularity • 34% Danceability • 26% Energy • 23% Liveness
64% Instrumentalness • 18% Positiveness
13% Popularity • 34% Danceability • 26% Energy • 23% Liveness
64% Instrumentalness • 18% Positiveness
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Vicente Martín Y Soler
Il burbero di buon cuore: Act I: Maledet...
130 bpm • C Maj • 02:22 • -12.58db
0% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Wranitzky
Die Spanier in Peru, oder Rollas Tod, Ac...
127 bpm • D Maj • 05:05 • -21.44db
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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A Nanut
Water Music: Presto
127 bpm • F Maj • 04:12 • -20db
18% Popularity • 63% Danceability • 2% Energy • 9% Liveness
3% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 2% Energy • 9% Liveness
3% Instrumentalness • 71% Positiveness
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Carl Stamitz
Orchestral Quartet in C Major, Op. 14, N...
127 bpm • G Maj • 03:26 • -21.81db
11% Popularity • 39% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 49% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 49% Positiveness
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リボル・ペシェック
交響曲 第39番 K.543～第4楽章
127 bpm • D# Maj • 05:51 • -15.53db
9% Popularity • 48% Danceability • 29% Energy • 30% Liveness
89% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 30% Liveness
89% Instrumentalness • 38% Positiveness
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Joseph Leopold Eybler
Quartet Op.1 no.1 in D Major Adagio Cant...
127 bpm • G Maj • 05:41 • -24.05db
9% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Vicente Martín Y Soler
Più Bianca di Giglio
140 bpm • C Maj • 02:03 • -30.5db
0% Popularity • 29% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 48% Positiveness
0% Popularity • 29% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 48% Positiveness
