Songs like Il Medo / Act 1: Cervo in bosco by Leonardo Vinci
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 4. Alleluia
133 bpm • C Maj • 02:36 • -12.8db
12% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Riccardo Broschi
Artasere, Act III Scene 1: Aria "Son qua...
133 bpm • C# Maj • 07:34 • -15.87db
9% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
9% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
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Christoph Willibald Gluck
Paride ed Elena / Act 1: "O del mio dolc...
133 bpm • E min • 03:14 • -23db
11% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Maometto II / Act 1: No. 2 Cavatina: "Ah...
133 bpm • G# Maj • 07:05 • -21.54db
0% Popularity • 31% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Leonardo Vinci
Il Medo / Act 1: Cervo in bosco
133 bpm • C# Maj • 05:55 • -18.93db
10% Popularity • 60% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
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Agostino Steffani
I Trionfi del fato": "Combatton quest'al...
132 bpm • D# Maj • 02:07 • -13.56db
10% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 1: N. 1....
133 bpm • G Maj • 02:39 • -19.9db
17% Popularity • 43% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 43% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Il Bajazet (Il Tamerlano), RV 703 / Act ...
132 bpm • C Maj • 04:06 • -16.39db
10% Popularity • 59% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 74% Positiveness
10% Popularity • 59% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 74% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
134 bpm • F Maj • 02:35 • -18.73db
24% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nicola Porpora
Porpora: Arianna e Teseo: "Mira in cielo...
132 bpm • E Maj • 05:53 • -18.53db
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Antonio Caldara
La castità al cimento: "Sparga il senso...
134 bpm • B Maj • 02:57 • -13db
11% Popularity • 58% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 58% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Giulio Caccini
Tu ch'hai le penne, amore
134 bpm • G min • 02:08 • -21.96db
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto I Scene...
134 bpm • D Maj • 02:40 • -20.56db
31% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Ercole su'l Termodonte, RV 710: Zeffiret...
132 bpm • G Maj • 07:45 • -29.42db
9% Popularity • 30% Danceability • 4% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 4% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
15% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Giacomo Puccini
La Bohème / Act I: "Quando Me'n Vò"
135 bpm • F# min • 02:38 • -16.06db
31% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Il trionfo del tempo e del disinganno, H...
134 bpm • F# Maj • 05:10 • -16.02db
7% Popularity • 41% Danceability • 38% Energy • 32% Liveness
25% Instrumentalness • 61% Positiveness
7% Popularity • 41% Danceability • 38% Energy • 32% Liveness
25% Instrumentalness • 61% Positiveness
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Gioachino Rossini
Stabat Mater: 10. Amen
135 bpm • G# Maj • 05:59 • -18.03db
1% Popularity • 19% Danceability • 28% Energy • 7% Liveness
69% Instrumentalness • 10% Positiveness
1% Popularity • 19% Danceability • 28% Energy • 7% Liveness
69% Instrumentalness • 10% Positiveness
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Marco Uccellini
Uccellini : Aria sopra 'La scatola degli...
131 bpm • C# Maj • 02:45 • -18.27db
4% Popularity • 34% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
4% Popularity • 34% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Riccardo Broschi
Artaserse: Son qual nave
135 bpm • C# Maj • 07:31 • -14db
13% Popularity • 50% Danceability • 38% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
13% Popularity • 50% Danceability • 38% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
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Giuseppe Verdi
Otello*: 'Fuoco di gioia'
131 bpm • E min • 02:44 • -25.92db
15% Popularity • 35% Danceability • 13% Energy • 8% Liveness
29% Instrumentalness • 29% Positiveness
15% Popularity • 35% Danceability • 13% Energy • 8% Liveness
29% Instrumentalness • 29% Positiveness
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George Frideric Handel
Il trionfo del tiempo e del disinganno, ...
132 bpm • F# min • 03:54 • -15.55db
15% Popularity • 47% Danceability • 37% Energy • 17% Liveness
5% Instrumentalness • 52% Positiveness
15% Popularity • 47% Danceability • 37% Energy • 17% Liveness
5% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Una be...
135 bpm • C Maj • 02:24 • -20.2db
23% Popularity • 37% Danceability • 18% Energy • 9% Liveness
30% Instrumentalness • 42% Positiveness
23% Popularity • 37% Danceability • 18% Energy • 9% Liveness
30% Instrumentalness • 42% Positiveness
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Alessandro Scarlatti
Spesso vibra per suo gioco
135 bpm • G Maj • 01:03 • -22.18db
34% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Antonio Vivaldi
Il Farnace / Act 2 Scene 5: Gelido in og...
131 bpm • F min • 05:09 • -22.4db
8% Popularity • 26% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
131 bpm • D# Maj • 02:49 • -17.27db
18% Popularity • 48% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 48% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Gioachino Rossini
Le nozze di Teti e Pelo - cantata: 9. Ar...
131 bpm • A Maj • 08:31 • -22.11db
0% Popularity • 39% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 39% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
Norma / Act 2 Scene 1: "Si, fino all’o...
135 bpm • F Maj • 01:46 • -12.52db
12% Popularity • 49% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 49% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Il Giardino Armonico
Improvisation [Harpsichord]
131 bpm • D# min • 01:23 • -27.62db
12% Popularity • 25% Danceability • 6% Energy • 6% Liveness
24% Instrumentalness • 25% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 6% Liveness
24% Instrumentalness • 25% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Johann Nepomuk Hummel
Variations on 'Tyrolienne'
135 bpm • C Maj • 07:23 • -23.12db
10% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Giulio Caccini
Al fonte, al prato
131 bpm • F Maj • 01:44 • -19.51db
9% Popularity • 55% Danceability • 29% Energy • 80% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 55% Danceability • 29% Energy • 80% Liveness
0% Instrumentalness • 68% Positiveness
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Gioachino Rossini
Mi lagnerò tacendo "Stabat Mater"
131 bpm • E Maj • 00:54 • -19.04db
1% Popularity • 34% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 34% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Caldara
Selve amiche
136 bpm • A min • 03:07 • -26.38db
21% Popularity • 28% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Agostino Steffani
I trionfi del fato: E l'honor stella tir...
130 bpm • F# min • 02:01 • -14.7db
11% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 3 in ...
130 bpm • F# Maj • 04:34 • -16.39db
6% Popularity • 52% Danceability • 59% Energy • 21% Liveness
92% Instrumentalness • 92% Positiveness
6% Popularity • 52% Danceability • 59% Energy • 21% Liveness
92% Instrumentalness • 92% Positiveness
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Vincenzo Bellini
Norma / Act 1: "Casta Diva"
131 bpm • F Maj • 06:42 • -22.51db
26% Popularity • 26% Danceability • 5% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 5% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Carl Heinrich Graun
Demofoonte: Misero pargoletto
130 bpm • G# min • 10:08 • -20db
7% Popularity • 34% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 34% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Signor, la tua...
136 bpm • C# Maj • 05:53 • -12.36db
7% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Cellos in G Mi...
136 bpm • G min • 03:00 • -18.12db
6% Popularity • 45% Danceability • 14% Energy • 24% Liveness
82% Instrumentalness • 66% Positiveness
6% Popularity • 45% Danceability • 14% Energy • 24% Liveness
82% Instrumentalness • 66% Positiveness
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Francesco Mancini
Mancini : Sonata for Recorder & 2 Violin...
130 bpm • C# min • 01:53 • -16.88db
1% Popularity • 52% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 52% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Alessandro Scarlatti
San Filippo Neri: "Qui resta... L'alta R...
130 bpm • C# Maj • 04:12 • -12.85db
8% Popularity • 50% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 50% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Choir and Orchestra of the Budapest State Opera
Servants' Chorus (Don Pasquale)
137 bpm • A Maj • 04:04 • -21db
8% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Araia
Berenice: Cadrò, ma qual si mira
137 bpm • G# Maj • 06:16 • -13db
11% Popularity • 56% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
11% Popularity • 56% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Morte col fier...
137 bpm • G min • 03:37 • -11.14db
14% Popularity • 56% Danceability • 48% Energy • 30% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 56% Danceability • 48% Energy • 30% Liveness
1% Instrumentalness • 62% Positiveness
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Antonio Vivaldi
Griselda / Act 3: Agitata da due venti
137 bpm • A# Maj • 05:22 • -14.17db
22% Popularity • 61% Danceability • 32% Energy • 9% Liveness
6% Instrumentalness • 68% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 9% Liveness
6% Instrumentalness • 68% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "La mia...
128 bpm • G Maj • 01:52 • -22.15db
27% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
27% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
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Nicola Porpora
Semiramide regina dell'Assiria: Come nav...
138 bpm • D Maj • 05:03 • -13.01db
10% Popularity • 48% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 48% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Johann Nepomuk Hummel
Mandolin Concerto in G Major, S. 28: I. ...
128 bpm • G Maj • 07:22 • -16.09db
15% Popularity • 53% Danceability • 19% Energy • 11% Liveness
47% Instrumentalness • 46% Positiveness
15% Popularity • 53% Danceability • 19% Energy • 11% Liveness
47% Instrumentalness • 46% Positiveness
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Leonardo Vinci
Farnace: Chi temea Giove regnante
128 bpm • F# Maj • 06:20 • -13.69db
7% Popularity • 64% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
7% Popularity • 64% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
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Giovanni Paisiello
Nel cor più non mi sento
138 bpm • F Maj • 02:57 • -24.64db
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VI. Vidit suum
138 bpm • F min • 03:31 • -28db
35% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Orlando finto pazzo, RV 727 / Act 3: Qua...
138 bpm • G min • 02:59 • -19.33db
10% Popularity • 49% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 49% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Nicola Porpora
Polifemo: Nell' attendere mio bene (Ed. ...
128 bpm • A Maj • 05:11 • -11.94db
11% Popularity • 50% Danceability • 41% Energy • 31% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 41% Energy • 31% Liveness
1% Instrumentalness • 35% Positiveness
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Giovanni Battista Riccio
Riccio : Sonata a 4
128 bpm • G# min • 04:11 • -22.7db
5% Popularity • 22% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
5% Popularity • 22% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
127 bpm • D# Maj • 05:07 • -20.75db
9% Popularity • 28% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
9% Popularity • 28% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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George Frideric Handel
La resurrezione, HWV 47: "Disserratevi o...
127 bpm • C# Maj • 04:40 • -13db
7% Popularity • 58% Danceability • 51% Energy • 8% Liveness
23% Instrumentalness • 65% Positiveness
7% Popularity • 58% Danceability • 51% Energy • 8% Liveness
23% Instrumentalness • 65% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
139 bpm • C# Maj • 03:20 • -17db
15% Popularity • 34% Danceability • 18% Energy • 16% Liveness
36% Instrumentalness • 47% Positiveness
15% Popularity • 34% Danceability • 18% Energy • 16% Liveness
36% Instrumentalness • 47% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Violin and Cello i...
139 bpm • F Maj • 03:13 • -18.37db
5% Popularity • 51% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 49% Positiveness
5% Popularity • 51% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 49% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Canzonetta spagnuola "En medio a mis col...
127 bpm • A Maj • 04:09 • -21db
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
127 bpm • G Maj • 03:52 • -18db
22% Popularity • 49% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
22% Popularity • 49% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
► Preview
Joseph Haydn
L'Anima del Filosofo (Orfeo ed Euridice)...
127 bpm • C Maj • 06:01 • -20.19db
2% Popularity • 40% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
2% Popularity • 40% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Giovanni Pacini
"Dopo tante e tante pene" (After Rossini...
140 bpm • F Maj • 03:13 • -18.67db
2% Popularity • 40% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 40% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Antonio Vivaldi
Orlando furioso, RV 728 / Act 2: "Ah fug...
126 bpm • C Maj • 02:21 • -12.62db
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Nicola Porpora
Siface: Come Nave in mezzo all'onde
140 bpm • E Maj • 04:05 • -13.69db
21% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Antonio Caldara
Il martirio di Santa Caterina: "Ahi quan...
126 bpm • F# Maj • 03:04 • -18.84db
5% Popularity • 44% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 44% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Agostino Steffani
La superbia d'Alessandro: "Non prendo co...
126 bpm • G# Maj • 01:16 • -16.54db
11% Popularity • 66% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 87% Positiveness
11% Popularity • 66% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 87% Positiveness
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Gioachino Rossini
La donna del lago / Act 1: "Mura felici....
126 bpm • E Maj • 10:13 • -22.61db
7% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Il Giustino, RV 717 / Act 2: Sventurata ...
140 bpm • G Maj • 02:00 • -21.79db
10% Popularity • 52% Danceability • 14% Energy • 8% Liveness
25% Instrumentalness • 63% Positiveness
10% Popularity • 52% Danceability • 14% Energy • 8% Liveness
25% Instrumentalness • 63% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
22% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Scarlatti, D: Mandolin Sonata in D Minor...
141 bpm • C# min • 02:51 • -24db
1% Popularity • 39% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
1% Popularity • 39% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
125 bpm • F Maj • 04:21 • -14db
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Violin and Two Cel...
126 bpm • G Maj • 02:45 • -18.55db
4% Popularity • 44% Danceability • 18% Energy • 14% Liveness
70% Instrumentalness • 71% Positiveness
4% Popularity • 44% Danceability • 18% Energy • 14% Liveness
70% Instrumentalness • 71% Positiveness
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Tarquinio Merula
Merula : Canzon 'La Cattarina'
142 bpm • A# min • 03:24 • -16db
4% Popularity • 37% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 37% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Ebben? che diavol ...
125 bpm • D# Maj • 01:12 • -20db
35% Popularity • 55% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 55% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Domenico Scarlatti
Scarlatti, D: Mandolin Sonata in D Minor...
141 bpm • C# min • 03:27 • -32db
1% Popularity • 44% Danceability • 1% Energy • 8% Liveness
74% Instrumentalness • 19% Positiveness
1% Popularity • 44% Danceability • 1% Energy • 8% Liveness
74% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Ch'io mi scordi di te... Non temer, amat...
141 bpm • D# Maj • 10:25 • -21.46db
10% Popularity • 34% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 34% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Georges Bizet
Carmen / Act 1: "Près des remparts de S...
124 bpm • D Maj • 02:36 • -21db
18% Popularity • 47% Danceability • 35% Energy • 67% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 47% Danceability • 35% Energy • 67% Liveness
0% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Francesco Rognoni
Rognoni : Vestiva i colli
124 bpm • A# min • 03:16 • -16.8db
4% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Giacomo Puccini
Puccini : Messa di Gloria : I Kyrie
123 bpm • G# Maj • 05:09 • -21.64db
17% Popularity • 17% Danceability • 14% Energy • 34% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 14% Energy • 34% Liveness
84% Instrumentalness • 4% Positiveness
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Francesco Durante
Durante : Concerto for 2 Violins & Viola...
143 bpm • F# min • 03:41 • -16.9db
2% Popularity • 46% Danceability • 17% Energy • 7% Liveness
4% Instrumentalness • 47% Positiveness
2% Popularity • 46% Danceability • 17% Energy • 7% Liveness
4% Instrumentalness • 47% Positiveness
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Antonio Caldara
Sedecia: Profezie, di me diceste
124 bpm • F# Maj • 07:38 • -22db
10% Popularity • 27% Danceability • 6% Energy • 12% Liveness
37% Instrumentalness • 8% Positiveness
10% Popularity • 27% Danceability • 6% Energy • 12% Liveness
37% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Griselda, RV 718 / Act 3: Dopo un' orrid...
125 bpm • C Maj • 04:09 • -19db
11% Popularity • 53% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
11% Popularity • 53% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
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Giovanni Paolo Cima
Cima : Sonata
123 bpm • D# min • 04:24 • -20.52db
3% Popularity • 28% Danceability • 9% Energy • 9% Liveness
75% Instrumentalness • 9% Positiveness
3% Popularity • 28% Danceability • 9% Energy • 9% Liveness
75% Instrumentalness • 9% Positiveness
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Gioachino Rossini
L'italiana in Algeri / Act 1: "Cruda sor...
123 bpm • F Maj • 04:57 • -23.17db
10% Popularity • 41% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 41% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Nicola Porpora
Semiramide: In braccio a mille furie
144 bpm • B Maj • 02:52 • -13db
11% Popularity • 54% Danceability • 46% Energy • 12% Liveness
43% Instrumentalness • 88% Positiveness
11% Popularity • 54% Danceability • 46% Energy • 12% Liveness
43% Instrumentalness • 88% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 3. Tu virgin...
123 bpm • A Maj • 06:24 • -18.9db
10% Popularity • 29% Danceability • 10% Energy • 28% Liveness
52% Instrumentalness • 7% Positiveness
10% Popularity • 29% Danceability • 10% Energy • 28% Liveness
52% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Scarlatti, D: Mandolin Sonata in D Minor...
122 bpm • C# min • 04:41 • -19.69db
1% Popularity • 59% Danceability • 27% Energy • 6% Liveness
40% Instrumentalness • 76% Positiveness
1% Popularity • 59% Danceability • 27% Energy • 6% Liveness
40% Instrumentalness • 76% Positiveness
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Georges Bizet
Adieux de l'hôtesse arabe
145 bpm • A min • 04:59 • -21.54db
7% Popularity • 31% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 31% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gioacchino Rossini
Rossini: La Cenerentola, Act 2: "Nacqui ...
122 bpm • E Maj • 06:22 • -15.82db
10% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
