Songs like Il Reste Du Temps by Lo Mimieux
Based on a tempo of (+/- 10%) and a similar genre
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Lo Mimieux
Il Reste Du Temps
76 bpm • F# min • 03:13 • -21.26db
39% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
39% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Joaquin Mans
Requiem
76 bpm • A min • 02:02 • -26.26db
35% Popularity • 58% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
35% Popularity • 58% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Oskar Schuster
Singur
76 bpm • E min • 02:53 • -21db
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Arden Forest
Coral Red
76 bpm • G# Maj • 02:17 • -25db
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Edward MacDowell
10 Woodland Sketches, Op. 51: No. 1, To ...
76 bpm • A Maj • 02:46 • -28.55db
33% Popularity • 56% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
33% Popularity • 56% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
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Kasper Schill
Ava
76 bpm • F Maj • 02:48 • -27.79db
41% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
41% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Alina Yanovna
Toska
76 bpm • G min • 02:06 • -24.71db
32% Popularity • 49% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
32% Popularity • 49% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
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S.A. Karl
Pollux
77 bpm • C Maj • 02:22 • -25db
39% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
39% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
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Lo Mimieux
Voyage à l'Ouest
76 bpm • C# Maj • 02:55 • -24.98db
40% Popularity • 49% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 54% Positiveness
40% Popularity • 49% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 54% Positiveness
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Arden Forest
Sapphire
76 bpm • C# Maj • 03:22 • -20db
21% Popularity • 42% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 42% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Zachary Bruno
(prelude)
77 bpm • A min • 02:10 • -21.03db
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Oskar Schuster
Eleonoras Träume
75 bpm • A min • 03:01 • -22.53db
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Sophie Hutchings
Empty City
77 bpm • G min • 03:16 • -31db
36% Popularity • 25% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
36% Popularity • 25% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Megan Wofford
An Elevation
75 bpm • A# min • 02:53 • -22db
31% Popularity • 59% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 59% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Serouj
Monmartre
77 bpm • A min • 01:41 • -20.57db
37% Popularity • 66% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
37% Popularity • 66% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Jordane Tumarinson
Ambiance Dimanche
75 bpm • D# Maj • 02:29 • -30.84db
35% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Oskar Schuster
Maribel
77 bpm • C Maj • 02:44 • -20.4db
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
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Piano Novel
Sand Shelter
77 bpm • B min • 02:17 • -25.48db
35% Popularity • 24% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
35% Popularity • 24% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Dominique Charpentier
One Minute and a Half of Peace
77 bpm • A# min • 01:34 • -23.6db
49% Popularity • 26% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
49% Popularity • 26% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
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Samuel Lindon
La Tour - Orchestral Version
75 bpm • D min • 02:19 • -18.99db
37% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Thomas Farnon
Impromptu, No. 1
75 bpm • D Maj • 03:26 • -20.48db
35% Popularity • 28% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
35% Popularity • 28% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Becky Ainge
There Is Always a Way
77 bpm • D# min • 02:23 • -24db
45% Popularity • 26% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
45% Popularity • 26% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Oskar Schuster
Isobel
75 bpm • D min • 02:23 • -18.6db
32% Popularity • 53% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
32% Popularity • 53% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
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Max Richter
Lamentation for a Lost Life
75 bpm • C min • 02:21 • -30.16db
43% Popularity • 52% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
43% Popularity • 52% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Lama House
Before the War
78 bpm • C Maj • 02:59 • -18.82db
27% Popularity • 68% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
27% Popularity • 68% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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GabrÃel Ólafs
The Drifter
78 bpm • B min • 02:48 • -26db
39% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Adelisé
Unmasked
74 bpm • A min • 01:38 • -23.3db
35% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Megan Wofford
In the Stillness
78 bpm • F Maj • 02:29 • -22.04db
36% Popularity • 55% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
36% Popularity • 55% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Lo Mimieux
L'adieu du marin solitaire
78 bpm • D Maj • 02:15 • -28.6db
5% Popularity • 49% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 45% Positiveness
5% Popularity • 49% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 45% Positiveness
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Jordane Tumarinson
Au gré du vent
78 bpm • B min • 05:24 • -26.72db
22% Popularity • 31% Danceability • 4% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 4% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Matt van Stern
Simplistique
74 bpm • D min • 03:38 • -23.98db
25% Popularity • 40% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
25% Popularity • 40% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Floriscope
Petals
74 bpm • B Maj • 02:37 • -23.47db
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Peter Cavallo
The Weight Of Fear
74 bpm • A min • 03:13 • -27db
35% Popularity • 26% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Matt Stewart-Evans
Anonymous Waltz
78 bpm • F min • 02:55 • -21db
39% Popularity • 33% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
39% Popularity • 33% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Viljar Iversen
Novaturient
74 bpm • D# min • 01:52 • -22.37db
33% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
33% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
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Christopher Dicker
Impromptu No 1: Hope
78 bpm • B Maj • 03:47 • -23.41db
38% Popularity • 33% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
38% Popularity • 33% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Silvan Rupp
Silence
78 bpm • A min • 02:29 • -24.57db
34% Popularity • 29% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
34% Popularity • 29% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: Low Mist Var...
74 bpm • C Maj • 02:29 • -39.93db
45% Popularity • 15% Danceability • 0% Energy • 16% Liveness
95% Instrumentalness • 42% Positiveness
45% Popularity • 15% Danceability • 0% Energy • 16% Liveness
95% Instrumentalness • 42% Positiveness
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Elder Lockhart
Fac, si facis
73 bpm • E Maj • 01:44 • -31.16db
33% Popularity • 38% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
33% Popularity • 38% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
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15.
Motions
74 bpm • E min • 02:18 • -32.84db
25% Popularity • 27% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
25% Popularity • 27% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Milo Edale
Waltz For Tomorrow
73 bpm • E min • 02:08 • -12.17db
34% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jakob Lindhagen
Forgotten
79 bpm • A# min • 02:51 • -21.99db
30% Popularity • 23% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
30% Popularity • 23% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Aron Edwards
Indigo
73 bpm • E min • 04:04 • -27.11db
16% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
16% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Elder Lockhart
Ex Nihilo Nihil Fit
73 bpm • B Maj • 02:35 • -27.46db
33% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 7: Campfire Var...
79 bpm • D min • 06:05 • -25.03db
31% Popularity • 31% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
31% Popularity • 31% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Franz Gordon
Humdrum Days
79 bpm • C min • 02:53 • -25.88db
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Austin Farwell
I Miss That Time
73 bpm • D# Maj • 01:20 • -22.38db
55% Popularity • 25% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
55% Popularity • 25% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
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Stephan Moccio
Le Temps Qui Passe
73 bpm • A# min • 03:27 • -27.87db
34% Popularity • 44% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
34% Popularity • 44% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Carl Bonet
Fluctuations of the Mind
80 bpm • C min • 03:16 • -27db
28% Popularity • 50% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
28% Popularity • 50% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Improline
Woods
73 bpm • D min • 01:45 • -31.38db
47% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
47% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Jef Martens
Papillons
72 bpm • F# min • 01:02 • -23.46db
39% Popularity • 38% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
39% Popularity • 38% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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James Spiteri
Staring into Space
72 bpm • D# min • 01:36 • -22.43db
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
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Megan Wofford
Simplicity
80 bpm • A min • 01:58 • -23.72db
30% Popularity • 54% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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Chafa
Toulouse
72 bpm • F Maj • 02:14 • -17.72db
30% Popularity • 48% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
30% Popularity • 48% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
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Hans-Günter Heumann
Melody of Rapture
80 bpm • F# min • 02:32 • -20db
19% Popularity • 48% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 13% Positiveness
19% Popularity • 48% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 13% Positiveness
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Aron Edwards
Couronne
80 bpm • G min • 03:30 • -27.34db
15% Popularity • 32% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
15% Popularity • 32% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Emiliano Blangero
Libertà d'infanzia
72 bpm • D# Maj • 03:25 • -26.63db
39% Popularity • 32% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
39% Popularity • 32% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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David Ross Lawn
Valerian
80 bpm • E Maj • 02:24 • -15.85db
33% Popularity • 31% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 31% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Jonas Holmes
Ouroboros
81 bpm • C min • 02:05 • -25.64db
38% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
38% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Ali Toygar
Morpho
72 bpm • D Maj • 02:00 • -20.77db
37% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
37% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Francine Leblanc
Rue de Rivoli
71 bpm • A min • 02:09 • -19.44db
38% Popularity • 36% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
38% Popularity • 36% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Kasper Schill
Walk Towards Silence
71 bpm • D Maj • 03:12 • -20db
26% Popularity • 21% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
26% Popularity • 21% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Ola Gjeilo
Still
71 bpm • C Maj • 02:22 • -40db
49% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
49% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Ava Cerasoli
Reveries
71 bpm • G# Maj • 03:35 • -29.38db
34% Popularity • 38% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
34% Popularity • 38% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Davide De Angelis
Winter Night
81 bpm • E min • 03:35 • -16.08db
34% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
34% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Pieter de Graaf
Silver Lining
81 bpm • C# min • 03:48 • -23.87db
20% Popularity • 31% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
20% Popularity • 31% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Ossie Woods
Reminiscence Of Innocence
71 bpm • A Maj • 02:06 • -24.56db
36% Popularity • 44% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
36% Popularity • 44% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Matthew Mor
Timeless
71 bpm • G min • 02:06 • -27db
36% Popularity • 29% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
36% Popularity • 29% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Romaine LaGrande
Pense à moi
71 bpm • C# Maj • 02:01 • -29db
35% Popularity • 33% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
35% Popularity • 33% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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Emiliano Blangero
Pensieri
71 bpm • A min • 02:20 • -28db
60% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
60% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Sergio DÃaz De Rojas
Dreams
81 bpm • G min • 02:56 • -22.42db
38% Popularity • 34% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
38% Popularity • 34% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Edvard Kravchuk
New Dawn
71 bpm • G# min • 02:54 • -28db
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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15.
Infinityplusone
71 bpm • C Maj • 02:50 • -35.79db
25% Popularity • 24% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 24% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Genevieve Beaumont
Pour tes yeux
70 bpm • A min • 01:57 • -19.95db
39% Popularity • 50% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
39% Popularity • 50% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Leon Noel
Notre Dame, Notre Patrimoine
82 bpm • C min • 03:12 • -32.48db
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Cristian Vivaldi
Ashes
70 bpm • A# min • 01:30 • -32.43db
37% Popularity • 46% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
37% Popularity • 46% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Franz Gordon
In a Bar in Buenos Aires
70 bpm • A# min • 02:46 • -24.57db
40% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
40% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Domenik Kalinsky
Feathers
82 bpm • B Maj • 02:37 • -24.35db
33% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
33% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Franco Robert
Secrets
70 bpm • F# min • 03:13 • -22.43db
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Trevor Kowalski
Remarkable Convictions
70 bpm • F min • 02:57 • -16db
39% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Charles Bolt
No Time To Die (piano version)
70 bpm • E min • 04:04 • -24db
29% Popularity • 54% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 54% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Dominique Charpentier
Libeccio
82 bpm • F# min • 01:39 • -15.04db
43% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Infinity Ripple
The Streets of Belgrade
70 bpm • E min • 02:21 • -15.49db
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Regina Mira
The Winding Paths
70 bpm • C# Maj • 01:59 • -28.5db
42% Popularity • 28% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
42% Popularity • 28% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Franz Gordon
Nocturnal Daydream
70 bpm • F Maj • 03:30 • -23.41db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mildred Wolf
I Hear Your Wish
70 bpm • D min • 02:03 • -22.37db
29% Popularity • 32% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
29% Popularity • 32% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Pieter de Graaf
August Sings
83 bpm • C min • 02:49 • -24.5db
32% Popularity • 38% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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James Heather
Blueprint
70 bpm • C min • 04:32 • -26db
41% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
41% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Céline Aubin
Mère bien-aimée
70 bpm • D# min • 02:16 • -27.44db
40% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
40% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Noel Aspensen
Time Machine
70 bpm • C Maj • 03:48 • -21.59db
32% Popularity • 39% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
32% Popularity • 39% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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S.A. Karl
Aldebaran
70 bpm • F min • 03:18 • -21.96db
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Nelson Haynes
Bergamo
70 bpm • C Maj • 02:06 • -24.41db
37% Popularity • 26% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
37% Popularity • 26% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Garreth Broke
A Heavy Heart
69 bpm • A min • 01:58 • -22db
50% Popularity • 50% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
50% Popularity • 50% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Lo Mimieux
Je vais vous attendre
69 bpm • D# Maj • 02:19 • -33.3db
4% Popularity • 31% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
4% Popularity • 31% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Matt Stewart-Evans
Opus #24
69 bpm • A# Maj • 01:33 • -28.39db
48% Popularity • 44% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
48% Popularity • 44% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
