Songs like Il sacrifizio di Abram: Part I: Recitative: Madre (Isacco) by Camilla de Rossi
Based on a tempo of (+/- 10%) and a similar genre
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Camilla de Rossi
Il sacrifizio di Abram: Part I: Recitati...
115 bpm • G# min • 00:59 • -23.75db
0% Popularity • 56% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 56% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 2 in A Major, Op. 1: ...
115 bpm • G# Maj • 01:02 • -24.16db
17% Popularity • 36% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
17% Popularity • 36% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: VI. ...
115 bpm • A# Maj • 02:25 • -11.77db
12% Popularity • 34% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 34% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
116 bpm • G# Maj • 04:03 • -21.68db
14% Popularity • 40% Danceability • 12% Energy • 14% Liveness
35% Instrumentalness • 34% Positiveness
14% Popularity • 40% Danceability • 12% Energy • 14% Liveness
35% Instrumentalness • 34% Positiveness
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Marc-Antoine Charpentier
Les plaisirs de Versailles, H. 480: Over...
116 bpm • F# min • 01:52 • -20.46db
10% Popularity • 34% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 27% Positiveness
10% Popularity • 34% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 27% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
114 bpm • G# min • 08:05 • -20.25db
8% Popularity • 23% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
114 bpm • F# min • 02:02 • -15.89db
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: VIII. Sicut erat i...
116 bpm • F# min • 01:08 • -19.85db
11% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Aria: A gu...
116 bpm • B Maj • 02:44 • -17.23db
0% Popularity • 47% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 47% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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William Babell
Sonata in E Minor, Op. 5, No. 8 (arr. W....
114 bpm • D# min • 02:07 • -19.05db
21% Popularity • 47% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
21% Popularity • 47% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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Claudio Monteverdi
Confitebor tibi I
114 bpm • C Maj • 07:29 • -21.06db
9% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Caldara
Atenaide: Bel piacer di fido core
114 bpm • C# min • 04:03 • -17.23db
9% Popularity • 38% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Kyrie elei...
116 bpm • C# Maj • 01:21 • -13.32db
17% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
17% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Bassoon Concerto in B-Flat Major, RV 501...
116 bpm • F Maj • 03:26 • -20.04db
16% Popularity • 42% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 55% Positiveness
16% Popularity • 42% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 55% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
116 bpm • B min • 01:20 • -18.99db
11% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
8% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Joseph Haydn
Symphony No. 15 in D Major, Hob. I:15: 4...
113 bpm • D Maj • 02:13 • -18.88db
10% Popularity • 61% Danceability • 15% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
10% Popularity • 61% Danceability • 15% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Le carnaval du Parnasse: Air lent et gra...
117 bpm • C# Maj • 00:58 • -28.51db
23% Popularity • 24% Danceability • 2% Energy • 13% Liveness
54% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 2% Energy • 13% Liveness
54% Instrumentalness • 19% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act II Scene 1,...
117 bpm • E Maj • 01:05 • -21.04db
11% Popularity • 39% Danceability • 19% Energy • 35% Liveness
71% Instrumentalness • 60% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 35% Liveness
71% Instrumentalness • 60% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 2.,...
113 bpm • B min • 01:55 • -21.11db
22% Popularity • 26% Danceability • 6% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 6% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Aria: È l...
113 bpm • D# min • 03:53 • -22.54db
0% Popularity • 31% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 31% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Alessandro Scarlatti
Al fragor di lieta tromba, Sinfonia: I. ...
117 bpm • C# Maj • 00:56 • -17.6db
18% Popularity • 59% Danceability • 31% Energy • 25% Liveness
90% Instrumentalness • 50% Positiveness
18% Popularity • 59% Danceability • 31% Energy • 25% Liveness
90% Instrumentalness • 50% Positiveness
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John Jenkins
Consort Music: Fantasy Suite à 4 (Fanta...
117 bpm • F min • 08:16 • -22.56db
7% Popularity • 34% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Georg Philipp Telemann
Overture in D Major, TWV 55:D21: Overtur...
117 bpm • C# min • 01:30 • -30.32db
17% Popularity • 38% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 41% Positiveness
17% Popularity • 38% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 41% Positiveness
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George Frideric Handel
Nisi Dominus, HWV 238: V. Beatus vir
117 bpm • A# min • 02:13 • -24.8db
18% Popularity • 34% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 34% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Virgam virtutis t...
113 bpm • C# Maj • 02:13 • -24.68db
8% Popularity • 57% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 57% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Pate...
117 bpm • C# min • 06:24 • -23.17db
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
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Alessandro Scarlatti
Recorder Concerto No. 9 in A Minor: III....
117 bpm • G# min • 02:26 • -20.99db
12% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 1: Part I: Aria: Non �...
113 bpm • G# Maj • 04:29 • -20.37db
0% Popularity • 29% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 29% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Michel Richard Delalande
Symphonies pour les soupers du roy / Qua...
113 bpm • D Maj • 01:12 • -15.61db
17% Popularity • 62% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
17% Popularity • 62% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: No. 1, Chorus, "...
117 bpm • F# min • 04:48 • -12.86db
7% Popularity • 38% Danceability • 41% Energy • 29% Liveness
40% Instrumentalness • 45% Positiveness
7% Popularity • 38% Danceability • 41% Energy • 29% Liveness
40% Instrumentalness • 45% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BUXWV 75, cantata II...
113 bpm • E min • 01:11 • -31db
11% Popularity • 34% Danceability • 1% Energy • 30% Liveness
83% Instrumentalness • 11% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 30% Liveness
83% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Suite in E Minor, RCT 2: VIII. Tambourin
113 bpm • A# min • 01:24 • -12.66db
8% Popularity • 51% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
8% Popularity • 51% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: I. Nisi Dominus
113 bpm • F# min • 02:36 • -20.98db
12% Popularity • 54% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 54% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Camilla de Rossi
Il sacrifizio di Abram: Part I: Sinfonia
117 bpm • A Maj • 03:46 • -22.8db
1% Popularity • 30% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 30% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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František Tůma
Sinfonia a quattro: III. Allegro
118 bpm • C# Maj • 01:21 • -24.25db
9% Popularity • 52% Danceability • 13% Energy • 6% Liveness
97% Instrumentalness • 56% Positiveness
9% Popularity • 52% Danceability • 13% Energy • 6% Liveness
97% Instrumentalness • 56% Positiveness
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Georg Philipp Telemann
Ouverture-Suite in C Major, TWV 55:C6: I...
118 bpm • B Maj • 01:44 • -14.66db
11% Popularity • 54% Danceability • 35% Energy • 18% Liveness
95% Instrumentalness • 81% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 18% Liveness
95% Instrumentalness • 81% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: I. E...
112 bpm • A# Maj • 04:11 • -12.17db
13% Popularity • 36% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 36% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Jean-Philippe Rameau
Les fêtes d'Hébé, RCT 41, Prologue Sc...
113 bpm • F# Maj • 01:26 • -27.71db
11% Popularity • 31% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 5 en ...
118 bpm • D# min • 03:27 • -18.4db
7% Popularity • 27% Danceability • 17% Energy • 22% Liveness
79% Instrumentalness • 33% Positiveness
7% Popularity • 27% Danceability • 17% Energy • 22% Liveness
79% Instrumentalness • 33% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Trio: Io t...
112 bpm • A Maj • 02:59 • -18.47db
0% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 649, Wq. 174: II...
118 bpm • B Maj • 02:39 • -19.4db
19% Popularity • 53% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 53% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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![Ascanio, Sinfonia: II. [Sarabande] cover art](https://i.scdn.co/image/ab67616d00001e020b1485e6a9002ac41793a89c)
Antonio Lotti
Ascanio, Sinfonia: II. [Sarabande]
112 bpm • F# min • 01:02 • -13.36db
17% Popularity • 18% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: II. Pres...
118 bpm • C# min • 01:55 • -14.86db
11% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Et resurr...
112 bpm • G# Maj • 01:38 • -16.69db
10% Popularity • 44% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
10% Popularity • 44% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
112 bpm • E Maj • 02:32 • -24.45db
30% Popularity • 18% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
112 bpm • B Maj • 01:03 • -24.37db
21% Popularity • 45% Danceability • 8% Energy • 33% Liveness
80% Instrumentalness • 54% Positiveness
21% Popularity • 45% Danceability • 8% Energy • 33% Liveness
80% Instrumentalness • 54% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BUXWV 75, cantata V ...
112 bpm • G# min • 01:25 • -25.8db
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Joseph Bodin de Boismortier
Sonata No.6 in D Major, Op. 50: II. Alle...
111 bpm • C# Maj • 03:10 • -17.15db
10% Popularity • 46% Danceability • 27% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
10% Popularity • 46% Danceability • 27% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Rondeau
112 bpm • G min • 00:45 • -27.66db
8% Popularity • 17% Danceability • 2% Energy • 12% Liveness
56% Instrumentalness • 9% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 12% Liveness
56% Instrumentalness • 9% Positiveness
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Johann Pachelbel
Hexachordum Apollinis: No. 3 in F Major,...
112 bpm • E Maj • 07:28 • -15.84db
17% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Sanctus
111 bpm • C# Maj • 01:14 • -15.73db
16% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
16% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
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George Frideric Handel
Laudate pueri, HWV 237: VII. Qui habitar...
119 bpm • G# Maj • 01:46 • -27.61db
17% Popularity • 52% Danceability • 7% Energy • 19% Liveness
1% Instrumentalness • 61% Positiveness
17% Popularity • 52% Danceability • 7% Energy • 19% Liveness
1% Instrumentalness • 61% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
111 bpm • F min • 02:41 • -13.8db
15% Popularity • 38% Danceability • 24% Energy • 22% Liveness
30% Instrumentalness • 36% Positiveness
15% Popularity • 38% Danceability • 24% Energy • 22% Liveness
30% Instrumentalness • 36% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Giovanni Maria Bononcini
Sonata a tre in sol minore: II. Adagio
111 bpm • F# min • 01:01 • -22.04db
14% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Pietro Locatelli
Concerto grosso in B-Flat Major, Op. 1 N...
120 bpm • A Maj • 01:40 • -14.99db
15% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
James Oswald
Airs for the Spring: Ranunculus: III. Te...
120 bpm • A Maj • 01:24 • -13.55db
25% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
25% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
► Preview
Alessandro Scarlatti
La Giuditta: Part I: Aria: A che giova d...
111 bpm • G# min • 02:08 • -22.43db
17% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Matthew Locke
Psyche, Act V Scene 3: Rustick musick of...
120 bpm • G# Maj • 01:06 • -17.53db
25% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
25% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
► Preview
Johann Sebastian Bach
Organ Concerto in G Major, BWV 592 (Exce...
120 bpm • F# Maj • 02:37 • -17.87db
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
5% Instrumentalness • 70% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
5% Instrumentalness • 70% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626, Act II: Gitter ...
120 bpm • C# min • 03:01 • -18.49db
10% Popularity • 48% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 48% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
110 bpm • F# Maj • 01:26 • -27.47db
11% Popularity • 48% Danceability • 7% Energy • 11% Liveness
22% Instrumentalness • 74% Positiveness
11% Popularity • 48% Danceability • 7% Energy • 11% Liveness
22% Instrumentalness • 74% Positiveness
► Preview
Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
► Preview
Camilla de Rossi
Oratorium San Alessio: No. 1, Aria narze...
120 bpm • E Maj • 03:42 • -12.86db
0% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Nicola Matteis
Suite in C Minor: III. Borre
120 bpm • B Maj • 02:13 • -19.15db
13% Popularity • 46% Danceability • 17% Energy • 29% Liveness
75% Instrumentalness • 71% Positiveness
13% Popularity • 46% Danceability • 17% Energy • 29% Liveness
75% Instrumentalness • 71% Positiveness
► Preview
Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
110 bpm • D Maj • 02:00 • -17.61db
7% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Marche po...
110 bpm • F min • 01:15 • -20.82db
9% Popularity • 38% Danceability • 27% Energy • 67% Liveness
74% Instrumentalness • 79% Positiveness
9% Popularity • 38% Danceability • 27% Energy • 67% Liveness
74% Instrumentalness • 79% Positiveness
► Preview
Alessandro Scarlatti
Recorder Concerto No. 9 in A Minor: V. A...
109 bpm • G# min • 01:59 • -22.13db
13% Popularity • 60% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 60% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Christoph Graupner
Sonata for Violin and Basso Continuo in ...
109 bpm • D# min • 01:50 • -17.27db
8% Popularity • 19% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 19% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Camilla de Rossi
Sant'Alessio, Pt. 1: Part I: Aria: Sonor...
110 bpm • B Maj • 03:46 • -17.51db
0% Popularity • 53% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 53% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: V. Sicut sagittae
109 bpm • D Maj • 01:47 • -21.48db
10% Popularity • 43% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 43% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
109 bpm • A# min • 01:17 • -17.96db
19% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 02:11 • -18.65db
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
109 bpm • B min • 04:11 • -24.34db
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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António Pereira da Costa
Concerto VII in F Major: IV. Allegro
109 bpm • F Maj • 01:32 • -16.99db
7% Popularity • 49% Danceability • 19% Energy • 14% Liveness
46% Instrumentalness • 78% Positiveness
7% Popularity • 49% Danceability • 19% Energy • 14% Liveness
46% Instrumentalness • 78% Positiveness
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Camilla de Rossi
Oratorium San Alessio: No. 3, Aria Io ti...
109 bpm • A Maj • 03:03 • -14.04db
0% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
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Philipp Heinrich Erlebach
Sonata Sesta in F Major: II. Allemande
121 bpm • E Maj • 02:13 • -16.96db
12% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Organ Sonata No. 2 in C Minor, BWV 526 "...
109 bpm • C# min • 03:22 • -19.07db
7% Popularity • 45% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 59% Positiveness
7% Popularity • 45% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 59% Positiveness
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Unico Wilhelm van Wassenaer
Sonata Prima in F Major: IV. Giga Presto
109 bpm • E Maj • 01:30 • -22.13db
11% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 01:12 • -20.39db
27% Popularity • 39% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 92% Positiveness
27% Popularity • 39% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 92% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
20% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 5 in D Major, SF ...
109 bpm • C# Maj • 01:14 • -12.31db
15% Popularity • 41% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
15% Popularity • 41% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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António Pereira da Costa
Concerto IX in A Major: I. Grave
108 bpm • A Maj • 01:24 • -16.31db
11% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
11% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
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Accademia Bizantina
I - Grave from: Concerto No. 1 in f mino...
108 bpm • E min • 01:36 • -25.12db
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
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Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Redempti...
108 bpm • G# min • 04:26 • -24.76db
10% Popularity • 18% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Prologue: Passepied
122 bpm • A# Maj • 01:10 • -24.48db
16% Popularity • 53% Danceability • 7% Energy • 34% Liveness
20% Instrumentalness • 67% Positiveness
16% Popularity • 53% Danceability • 7% Energy • 34% Liveness
20% Instrumentalness • 67% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: I. Chorus...
108 bpm • B Maj • 01:41 • -20db
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
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Alessandro Scarlatti
Il Giardino d'Amore: Sinfonia
123 bpm • C# Maj • 04:18 • -16.96db
11% Popularity • 52% Danceability • 30% Energy • 8% Liveness
20% Instrumentalness • 41% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 8% Liveness
20% Instrumentalness • 41% Positiveness
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William Babell
Sonata in E Minor, Op. 5, No. 8 (arr. W....
123 bpm • D# min • 02:09 • -19.26db
16% Popularity • 54% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 54% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act I: Shake th...
123 bpm • B min • 01:06 • -16.84db
14% Popularity • 33% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 33% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Jean-Baptiste Quentin
2e Livre de Sonates à violon seul et ba...
123 bpm • D# min • 03:22 • -20.18db
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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James Paisible
Sett in D Minor, Op. 2: V. Jigg
123 bpm • E Maj • 01:16 • -21db
14% Popularity • 39% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 81% Positiveness
14% Popularity • 39% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 81% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: I. Sonata
108 bpm • C# min • 01:18 • -13.99db
21% Popularity • 23% Danceability • 23% Energy • 12% Liveness
38% Instrumentalness • 16% Positiveness
21% Popularity • 23% Danceability • 23% Energy • 12% Liveness
38% Instrumentalness • 16% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIII. Dignare Domine di...
123 bpm • C# Maj • 02:51 • -21.05db
13% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Tarquinio Merula
Op.12, No.4: Canzon La Treccia
107 bpm • G# min • 04:56 • -18db
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": For ...
107 bpm • B Maj • 02:33 • -25.87db
13% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
