Songs like Il sacrifizio di Abram: Part II: Aria: Gia preparo seno (Isacco) by Camilla de Rossi
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
81 bpm • D# Maj • 01:49 • -21.69db
18% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
18% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
81 bpm • B Maj • 02:56 • -24.97db
2% Popularity • 33% Danceability • 3% Energy • 16% Liveness
5% Instrumentalness • 35% Positiveness
2% Popularity • 33% Danceability • 3% Energy • 16% Liveness
5% Instrumentalness • 35% Positiveness
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Heinrich Ignaz Franz von Biber
Sonata No. 3 in B Minor, "The Nativity":...
81 bpm • A# min • 01:28 • -19db
8% Popularity • 26% Danceability • 15% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 15% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
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Jacques Hotteterre
Suite in D Major, Op. 2, No. 1: VI. Menu...
81 bpm • C Maj • 01:15 • -21.56db
22% Popularity • 41% Danceability • 9% Energy • 11% Liveness
54% Instrumentalness • 68% Positiveness
22% Popularity • 41% Danceability • 9% Energy • 11% Liveness
54% Instrumentalness • 68% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Reprise d...
81 bpm • F Maj • 01:48 • -19.89db
8% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jean-Philippe Rameau
Les fêtes de Polymnie: Premier et deuxi...
81 bpm • F# Maj • 03:03 • -21.28db
9% Popularity • 23% Danceability • 4% Energy • 13% Liveness
10% Instrumentalness • 34% Positiveness
9% Popularity • 23% Danceability • 4% Energy • 13% Liveness
10% Instrumentalness • 34% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: II. Pleni sunt coeli et...
82 bpm • A# Maj • 03:08 • -9.97db
17% Popularity • 18% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
17% Popularity • 18% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
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Francesco Maria Veracini
Ouverture No. 2 in F Major (c 1715): VI....
82 bpm • E Maj • 01:01 • -18.75db
24% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
24% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
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François Couperin
Concert Royal No. 2 in D: I. Prélude. G...
82 bpm • C# Maj • 01:35 • -16.02db
8% Popularity • 19% Danceability • 24% Energy • 10% Liveness
11% Instrumentalness • 58% Positiveness
8% Popularity • 19% Danceability • 24% Energy • 10% Liveness
11% Instrumentalness • 58% Positiveness
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Camilla de Rossi
"Abramo Getting Sleep" from the Oratorio...
82 bpm • A Maj • 04:53 • -26.5db
0% Popularity • 30% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: III. Qu...
80 bpm • D# Maj • 02:43 • -15.88db
13% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Andromeda liberata, RV 117: Aria. Sovven...
80 bpm • E min • 09:06 • -13.27db
18% Popularity • 22% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 8% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 4 en ...
80 bpm • A Maj • 01:20 • -21.53db
11% Popularity • 52% Danceability • 12% Energy • 14% Liveness
34% Instrumentalness • 75% Positiveness
11% Popularity • 52% Danceability • 12% Energy • 14% Liveness
34% Instrumentalness • 75% Positiveness
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Jean de Cambefort
Ballet Royal de la Nuit: Récit de la Nu...
80 bpm • E Maj • 03:57 • -27.48db
19% Popularity • 20% Danceability • 1% Energy • 10% Liveness
53% Instrumentalness • 10% Positiveness
19% Popularity • 20% Danceability • 1% Energy • 10% Liveness
53% Instrumentalness • 10% Positiveness
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George Frideric Handel
Ottone: Aria: Bel labro formato per farm...
82 bpm • C# min • 04:30 • -8.31db
7% Popularity • 29% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 29% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: V. La...
80 bpm • F# Maj • 01:04 • -19.53db
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
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Giuseppe Antonio Brescianello
Ouverture for Strings & Continuo in A Ma...
82 bpm • A Maj • 01:25 • -14.14db
7% Popularity • 31% Danceability • 17% Energy • 14% Liveness
87% Instrumentalness • 64% Positiveness
7% Popularity • 31% Danceability • 17% Energy • 14% Liveness
87% Instrumentalness • 64% Positiveness
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Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 4...
82 bpm • F# min • 01:48 • -24db
8% Popularity • 19% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 19% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 5 en ...
82 bpm • A# min • 03:15 • -24.99db
7% Popularity • 15% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
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Andre Cardinal Destouches
Le Carnaval et la Folie: Gigue
82 bpm • F# min • 01:05 • -17.4db
13% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Arcangelo Corelli
Sinfonia to Santa Beatrice d'Este in D M...
80 bpm • C min • 01:29 • -12.82db
15% Popularity • 42% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 59% Positiveness
15% Popularity • 42% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 59% Positiveness
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Dietrich Buxtehude
Trio Sonata in F Major, Op. 1 No. 1, Bux...
80 bpm • F Maj • 09:42 • -21.29db
7% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Nicola Porpora
Polifemo: Aria: Vo presagendo - Galatea,...
83 bpm • C# min • 02:05 • -14.24db
7% Popularity • 33% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 33% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Jean-Baptiste Quentin
Sonata seconda du IIème Livre de Sonate...
83 bpm • F min • 02:49 • -22.09db
13% Popularity • 24% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
13% Popularity • 24% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Joseph Bodin de Boismortier
Sonata No.6 in D Major, Op. 50: I. Largo
79 bpm • G# Maj • 04:37 • -19.13db
9% Popularity • 16% Danceability • 14% Energy • 25% Liveness
33% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 25% Liveness
33% Instrumentalness • 8% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act III: Non è amor
79 bpm • A Maj • 04:22 • -14.25db
9% Popularity • 39% Danceability • 26% Energy • 90% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 39% Danceability • 26% Energy • 90% Liveness
0% Instrumentalness • 60% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata: No. 2 in A Majo...
79 bpm • G# Maj • 01:36 • -16.56db
9% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Crucifixu...
79 bpm • A# min • 01:27 • -23.49db
18% Popularity • 20% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 16 Ari...
83 bpm • G# Maj • 03:35 • -19.98db
7% Popularity • 31% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 31% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Pachelbel
Hexachordum Apollinis: No. 2 in E Minor,...
83 bpm • F# Maj • 08:38 • -15db
4% Popularity • 27% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 27% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
83 bpm • A Maj • 01:25 • -15db
15% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
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Charles Dieupart
Suite No. 1 en la majeur, pour flûte de...
83 bpm • G# Maj • 05:18 • -19.5db
8% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 2 in Dorian Mode, C. 1...
79 bpm • C# min • 01:21 • -21.92db
8% Popularity • 9% Danceability • 5% Energy • 14% Liveness
83% Instrumentalness • 5% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 14% Liveness
83% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 6.,...
79 bpm • E min • 01:38 • -20.48db
14% Popularity • 37% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 37% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Alessandro Scarlatti
Cello Sonata No. 1 in D Minor: I. Largo
84 bpm • F# min • 01:24 • -19.88db
10% Popularity • 23% Danceability • 11% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
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Antonio Caldara
Ave Regina Caelorum: II. Gaude Virgo
78 bpm • F# Maj • 01:21 • -16.61db
19% Popularity • 32% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 32% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act II: Entrée des Song...
84 bpm • G# Maj • 02:12 • -20.65db
30% Popularity • 30% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 32% Positiveness
30% Popularity • 30% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 32% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Sar...
84 bpm • G# Maj • 01:09 • -27.88db
14% Popularity • 17% Danceability • 3% Energy • 26% Liveness
61% Instrumentalness • 41% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 26% Liveness
61% Instrumentalness • 41% Positiveness
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Arcangelo Corelli
Concerto in C Minor, Op. 6 No. 3: III. G...
78 bpm • D# min • 01:38 • -24.75db
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Violin and Cello i...
78 bpm • F# Maj • 02:40 • -22.42db
17% Popularity • 16% Danceability • 6% Energy • 18% Liveness
62% Instrumentalness • 24% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 18% Liveness
62% Instrumentalness • 24% Positiveness
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Leonardo Vinci
Oratorio a 4 voci: “Chi mi priega”
78 bpm • F# Maj • 08:14 • -22.47db
16% Popularity • 17% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
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Michel Blavet
6 Sonates pour flûte, op. 2: Sonate pou...
84 bpm • C# min • 03:17 • -20.77db
12% Popularity • 31% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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François Francoeur
12 Violin Sonatas, Livre 2, Sonata 12 in...
78 bpm • G min • 03:10 • -20.46db
7% Popularity • 10% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
7% Popularity • 10% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Aria: Mi p...
84 bpm • A Maj • 05:23 • -19.4db
0% Popularity • 28% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 28% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Nicola Porpora
Polifemo: Duetto: Il contento che presen...
84 bpm • G# Maj • 01:04 • -13.66db
8% Popularity • 47% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 47% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act III: Credete al mio ...
84 bpm • C# min • 09:10 • -20.67db
11% Popularity • 22% Danceability • 4% Energy • 16% Liveness
17% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 16% Liveness
17% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Symphony in D Major, H. 651, Wq. 176: II...
84 bpm • A# min • 03:45 • -25.33db
16% Popularity • 35% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
16% Popularity • 35% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Henry Purcell
The Old Bachelor, Z. 607: Aire
84 bpm • A# min • 02:01 • -23.36db
7% Popularity • 19% Danceability • 4% Energy • 12% Liveness
40% Instrumentalness • 5% Positiveness
7% Popularity • 19% Danceability • 4% Energy • 12% Liveness
40% Instrumentalness • 5% Positiveness
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Radoslaw Pallarz
Tal der Könige II - die goldene Maske
84 bpm • G min • 07:35 • -28.89db
8% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
13% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue: En...
77 bpm • F# Maj • 01:08 • -24.52db
13% Popularity • 16% Danceability • 6% Energy • 19% Liveness
10% Instrumentalness • 21% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 19% Liveness
10% Instrumentalness • 21% Positiveness
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Marc-Antoine Charpentier
Charpentier : Concert pour 4 parties de ...
85 bpm • C# min • 01:50 • -26.87db
10% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
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Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade: Air pour les T...
85 bpm • A# min • 01:31 • -27.86db
10% Popularity • 55% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 71% Positiveness
10% Popularity • 55% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 71% Positiveness
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Georg Philipp Telemann
Divertimento in E-Flat Major, TWV 50:21:...
85 bpm • D Maj • 01:12 • -32.31db
14% Popularity • 26% Danceability • 1% Energy • 9% Liveness
40% Instrumentalness • 27% Positiveness
14% Popularity • 26% Danceability • 1% Energy • 9% Liveness
40% Instrumentalness • 27% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. I: Recitative. Fly...
85 bpm • D# min • 00:58 • -18.95db
8% Popularity • 42% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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James Oswald
Airs for the Summer: Heliotrope: I. Sici...
77 bpm • D Maj • 01:20 • -13.27db
21% Popularity • 27% Danceability • 19% Energy • 32% Liveness
91% Instrumentalness • 43% Positiveness
21% Popularity • 27% Danceability • 19% Energy • 32% Liveness
91% Instrumentalness • 43% Positiveness
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John Blow
Sonata in A Major for Two Violins and Ba...
77 bpm • G# Maj • 01:07 • -23.74db
17% Popularity • 24% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
17% Popularity • 24% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
► Preview
Johann Balthasar Christian Freislich
Der Herr Dein Gott Set Gelobet: II. Reci...
77 bpm • G Maj • 00:58 • -13.91db
13% Popularity • 56% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 56% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Henry Purcell
The Gordion Knot Unty'd, Z. 597: Third A...
76 bpm • F# Maj • 01:58 • -23.02db
11% Popularity • 45% Danceability • 9% Energy • 12% Liveness
54% Instrumentalness • 68% Positiveness
11% Popularity • 45% Danceability • 9% Energy • 12% Liveness
54% Instrumentalness • 68% Positiveness
► Preview
António Pereira da Costa
Concerto VI in B Minor: I. Largo
77 bpm • A Maj • 01:15 • -18.35db
9% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
George Frideric Handel
Theodora, HWV 68, Pt. I: Air. Angels, Ev...
85 bpm • E Maj • 03:22 • -23.16db
8% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Bach
Meine Seele erhebt den Herren, BWV 648 (...
76 bpm • B Maj • 04:06 • -29.35db
9% Popularity • 11% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Violin Sonata No. 2 in Dorian Mode, C. 1...
86 bpm • C# min • 01:09 • -22.22db
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 7.,...
76 bpm • B min • 02:53 • -24.5db
15% Popularity • 45% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 45% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: VIIc. Ad f...
86 bpm • B min • 01:03 • -26.16db
21% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Giovanni Battista Draghi
Trio Sonata in G Minor: I. Adagio
76 bpm • F# min • 02:28 • -19.03db
10% Popularity • 15% Danceability • 8% Energy • 13% Liveness
76% Instrumentalness • 8% Positiveness
10% Popularity • 15% Danceability • 8% Energy • 13% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
Christoph Graupner
Concerto, GWV 308: III. Largo
76 bpm • A# min • 01:20 • -20.21db
15% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
► Preview
Camilla de Rossi
Il sacrifizio di Abram: Part II: Sinfoni...
86 bpm • C# min • 01:27 • -24.93db
0% Popularity • 18% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 18% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318, Act 1: "Vie...
76 bpm • B min • 01:04 • -16.84db
11% Popularity • 24% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 24% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
► Preview
Antonio Vivaldi
Credo, RV. 591: Coro "Et incarnatus est"
86 bpm • G# Maj • 01:18 • -19.42db
13% Popularity • 15% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Michelangelo Falvetti
Il diluvio universale, Act I "In Cielo":...
76 bpm • C# Maj • 01:01 • -22db
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: II. Ad Gen...
76 bpm • D# Maj • 06:46 • -13.33db
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
87 bpm • C# Maj • 02:23 • -15.58db
15% Popularity • 14% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 27% Positiveness
15% Popularity • 14% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 27% Positiveness
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Camilla de Rossi
Il sacrifizio di Abram: Part II: Sinfoni...
76 bpm • C# min • 02:35 • -23.51db
0% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. Te Deum laudamus
87 bpm • C Maj • 01:05 • -20.88db
10% Popularity • 24% Danceability • 14% Energy • 23% Liveness
20% Instrumentalness • 61% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 23% Liveness
20% Instrumentalness • 61% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
76 bpm • C# Maj • 02:27 • -18.86db
18% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
87 bpm • F# Maj • 04:22 • -20.83db
12% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
12% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Tomás de Torrejón y Velasco
La púrpura de la rosa: Y bien, qué es ...
87 bpm • C Maj • 02:53 • -26.57db
11% Popularity • 35% Danceability • 2% Energy • 60% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 35% Danceability • 2% Energy • 60% Liveness
0% Instrumentalness • 17% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 1 en ...
87 bpm • B Maj • 00:59 • -23.6db
9% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Sinfonia -...
87 bpm • F# Maj • 02:05 • -20.45db
0% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Giuseppe Tartini
12 Sonatas and a Pastorale, Op. 1 (1734)...
87 bpm • D min • 04:10 • -18.59db
10% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata: No. 3 in B Mino...
87 bpm • D# min • 02:10 • -19.73db
9% Popularity • 22% Danceability • 8% Energy • 14% Liveness
52% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 14% Liveness
52% Instrumentalness • 7% Positiveness
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Angelo Ragazzi
Sonata a 4 in F minor, Op.1: No.4, "Imit...
75 bpm • B min • 02:13 • -21.32db
18% Popularity • 21% Danceability • 7% Energy • 17% Liveness
18% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 7% Energy • 17% Liveness
18% Instrumentalness • 9% Positiveness
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António Pereira da Costa
Concerto IX in A Major: IV. Grave
87 bpm • A Maj • 01:40 • -16.71db
7% Popularity • 9% Danceability • 19% Energy • 31% Liveness
77% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 19% Energy • 31% Liveness
77% Instrumentalness • 5% Positiveness
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Henri Desmarets
Te Deum "de Lyon": VII. Tu rex gloriæ, ...
87 bpm • G Maj • 01:49 • -23.9db
8% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
8% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
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Camilla de Rossi
Oratorium San Alessio: No. 2, Recitativo
75 bpm • A Maj • 01:47 • -18.93db
0% Popularity • 37% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 37% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 7, No. 2 in D Minor...
88 bpm • F# min • 01:22 • -23.16db
12% Popularity • 23% Danceability • 2% Energy • 14% Liveness
20% Instrumentalness • 14% Positiveness
12% Popularity • 23% Danceability • 2% Energy • 14% Liveness
20% Instrumentalness • 14% Positiveness
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Tarquinio Merula
Canzon No. 19 In C Major, "La Pusterla"
75 bpm • B Maj • 03:03 • -17.6db
11% Popularity • 33% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 50% Positiveness
11% Popularity • 33% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 50% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 3 in D Major: I. Grav...
88 bpm • C# Maj • 02:07 • -20.67db
14% Popularity • 24% Danceability • 7% Energy • 22% Liveness
12% Instrumentalness • 12% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 22% Liveness
12% Instrumentalness • 12% Positiveness
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Dietrich Buxtehude
Trio Sonata in C Major, BuxWV 256: II. A...
75 bpm • B Maj • 01:43 • -15.26db
16% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
16% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
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Alessandro Scarlatti
Filen, mio caro bene, HanS 263: III. Chi...
88 bpm • D Maj • 06:19 • -20.16db
8% Popularity • 25% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (b) Ch�...
88 bpm • F min • 01:14 • -21.05db
22% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
22% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: V. Sanctum quoque Parac...
75 bpm • G min • 02:25 • -15.13db
15% Popularity • 14% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
15% Popularity • 14% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
88 bpm • F# Maj • 08:50 • -19.07db
9% Popularity • 25% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 1 in B-Flat Major: II...
88 bpm • F# min • 01:31 • -18.03db
8% Popularity • 30% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 1: Part I: Aria: Dove ...
88 bpm • G# Maj • 04:15 • -21.92db
0% Popularity • 26% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 26% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Carl Heinrich Graun
Concerto in E Major: III. Siciliano
75 bpm • E Maj • 01:25 • -23.09db
13% Popularity • 18% Danceability • 5% Energy • 10% Liveness
57% Instrumentalness • 32% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 10% Liveness
57% Instrumentalness • 32% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: V. Chorus...
74 bpm • B Maj • 01:37 • -18db
17% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
