Songs like Il sacrifizio di Abram: Part II: Recitative: Ferma, fermati Abramo! (Angiolo) by Camilla de Rossi
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Handel: Theodora, HWV 68, Act 3: "Thithe...
106 bpm • D# min • 03:24 • -20.55db
9% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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František Tůma
Motetto per ogni Tempo: IV. Aria. Amen
106 bpm • C# Maj • 01:45 • -23.79db
9% Popularity • 44% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 91% Positiveness
9% Popularity • 44% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 91% Positiveness
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Dario Castello
Sonata Quarta In D Minor
106 bpm • G# min • 07:03 • -17.37db
8% Popularity • 27% Danceability • 12% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Polonaise in F Major, BWV Anh. 117
106 bpm • E Maj • 01:18 • -33.97db
10% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Jan Dismas Zelenka
Miserere, ZWV 57: III. Gloria Patri I
106 bpm • D# min • 03:57 • -14.55db
9% Popularity • 39% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
9% Popularity • 39% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 1: Part I: Aria: Basta...
106 bpm • C# min • 03:25 • -18.94db
0% Popularity • 46% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 46% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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George Frideric Handel
Concerto grosso in F Major, Op. 6 No. 2,...
106 bpm • E Maj • 03:14 • -17.47db
8% Popularity • 35% Danceability • 10% Energy • 30% Liveness
48% Instrumentalness • 26% Positiveness
8% Popularity • 35% Danceability • 10% Energy • 30% Liveness
48% Instrumentalness • 26% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: III. Coro...
106 bpm • A Maj • 01:05 • -18.42db
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Francesco Cavalli
Egisto, Atto III Scena 10: Amanti, se cr...
106 bpm • F# Maj • 01:31 • -20.4db
14% Popularity • 44% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
14% Popularity • 44% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
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Marc-Antoine Charpentier
Charpentier: Magnificat, H. 74: VII. Sus...
105 bpm • D min • 02:40 • -28.18db
9% Popularity • 23% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Andrea Falconieri
Il primo libro di Canzone (Arr. for Viol...
105 bpm • G# min • 02:26 • -14.44db
8% Popularity • 27% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 27% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Aria: Duol...
106 bpm • C# min • 06:21 • -23.28db
0% Popularity • 34% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 34% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Rognoni Taeggio
Diminutions After Vestiva i colli (madri...
105 bpm • G# min • 04:04 • -20.2db
8% Popularity • 33% Danceability • 7% Energy • 8% Liveness
74% Instrumentalness • 41% Positiveness
8% Popularity • 33% Danceability • 7% Energy • 8% Liveness
74% Instrumentalness • 41% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul avec ...
105 bpm • F min • 02:43 • -20.53db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": For ...
107 bpm • B Maj • 02:33 • -25.87db
12% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Antonio Caldara
Sinfonia No. 4 in si minore (Morte e sep...
105 bpm • B min • 01:03 • -13db
29% Popularity • 57% Danceability • 45% Energy • 6% Liveness
97% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 45% Energy • 6% Liveness
97% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
Beatus vir, ZWV 75: Beatus vir - After P...
105 bpm • G# min • 05:18 • -22.27db
7% Popularity • 42% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
7% Popularity • 42% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 1: Part I: Aria: Quand...
107 bpm • F# min • 05:41 • -20.71db
0% Popularity • 35% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 35% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 7: V. Viv...
107 bpm • C Maj • 01:05 • -18.8db
12% Popularity • 55% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 55% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul avec ...
105 bpm • G# Maj • 03:18 • -19.31db
9% Popularity • 47% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 83% Positiveness
9% Popularity • 47% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 83% Positiveness
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Jean-Philippe Rameau
Concerts en Sextuor, Cinquième Concert:...
107 bpm • C# Maj • 02:13 • -17.18db
8% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Biagio Marini
Affetti musicali, Op. 1: No. 27, La Mart...
105 bpm • D min • 01:17 • -18.15db
17% Popularity • 50% Danceability • 13% Energy • 6% Liveness
98% Instrumentalness • 68% Positiveness
17% Popularity • 50% Danceability • 13% Energy • 6% Liveness
98% Instrumentalness • 68% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Virgam virtutis t...
107 bpm • E Maj • 06:13 • -19.14db
11% Popularity • 32% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 28% Positiveness
11% Popularity • 32% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 28% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Reprise de l'ouv...
105 bpm • F min • 02:47 • -13.85db
13% Popularity • 35% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 46% Positiveness
13% Popularity • 35% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 46% Positiveness
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Camilla de Rossi
Il sacrifizio di Abram: Part I: Aria: Ch...
104 bpm • F# min • 03:33 • -19.53db
1% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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George Frideric Handel
Laudate pueri, HWV 237: VIII. Gloria Pat...
108 bpm • C# Maj • 03:11 • -20.5db
27% Popularity • 36% Danceability • 18% Energy • 16% Liveness
16% Instrumentalness • 51% Positiveness
27% Popularity • 36% Danceability • 18% Energy • 16% Liveness
16% Instrumentalness • 51% Positiveness
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Tomaso Albinoni
Sonata in C Major, Op. 6, No. 1: IV. All...
104 bpm • B Maj • 02:39 • -22.99db
9% Popularity • 40% Danceability • 6% Energy • 19% Liveness
93% Instrumentalness • 44% Positiveness
9% Popularity • 40% Danceability • 6% Energy • 19% Liveness
93% Instrumentalness • 44% Positiveness
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Henri Desmarets
Te Deum "de Lyon": III. Te gloriosus apo...
104 bpm • A# Maj • 01:38 • -19.35db
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul et ba...
104 bpm • D# min • 02:46 • -19.87db
16% Popularity • 24% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
16% Popularity • 24% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Joseph Bodin de Boismortier
Sonata No.6 in D Major, Op. 50: IV. Alle...
104 bpm • C# Maj • 02:33 • -16.12db
10% Popularity • 52% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 4 in A Major, Wq. 182: I. A...
104 bpm • D# Maj • 04:30 • -17.04db
10% Popularity • 43% Danceability • 15% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
10% Popularity • 43% Danceability • 15% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata seco...
104 bpm • D Maj • 06:41 • -19.9db
9% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Redempti...
108 bpm • G# min • 04:26 • -24.76db
11% Popularity • 18% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Accademia Bizantina
I - Grave from: Concerto No. 1 in f mino...
108 bpm • E min • 01:36 • -25.12db
13% Popularity • 16% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
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António Pereira da Costa
Concerto IX in A Major: I. Grave
108 bpm • A Maj • 01:24 • -16.31db
12% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
12% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
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Pierre-Montan Berton
Sylvie: Air pour les cyclopes
104 bpm • F# min • 01:46 • -19.78db
15% Popularity • 37% Danceability • 9% Energy • 18% Liveness
87% Instrumentalness • 36% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 18% Liveness
87% Instrumentalness • 36% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
16% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
16% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 5 in D Major, SF ...
109 bpm • C# Maj • 01:14 • -12.31db
16% Popularity • 41% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
16% Popularity • 41% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act I: Sarabande
109 bpm • F# min • 01:48 • -21.25db
33% Popularity • 27% Danceability • 5% Energy • 64% Liveness
36% Instrumentalness • 14% Positiveness
33% Popularity • 27% Danceability • 5% Energy • 64% Liveness
36% Instrumentalness • 14% Positiveness
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Anónimo
Pasión: Omnes Vidéntes. Alto Y Bajo,...
103 bpm • A Maj • 03:29 • -14.68db
13% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Act II: Reprise de l'Air d...
103 bpm • F min • 01:02 • -16.5db
9% Popularity • 60% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 45% Positiveness
9% Popularity • 60% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 45% Positiveness
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Unico Wilhelm van Wassenaer
Sonata Prima in F Major: IV. Giga Presto
109 bpm • E Maj • 01:30 • -22.13db
11% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Johann David Heinichen
Trio Sonata in F Major, S. 256: IV. Alle...
109 bpm • B Maj • 01:41 • -15.82db
10% Popularity • 55% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 55% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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António Pereira da Costa
Concerto VII in F Major: IV. Allegro
109 bpm • F Maj • 01:32 • -16.99db
9% Popularity • 49% Danceability • 19% Energy • 14% Liveness
46% Instrumentalness • 78% Positiveness
9% Popularity • 49% Danceability • 19% Energy • 14% Liveness
46% Instrumentalness • 78% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
109 bpm • B min • 04:11 • -24.34db
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Organ Sonata No. 2 in C Minor, BWV 526 "...
109 bpm • C# min • 03:22 • -19.07db
8% Popularity • 45% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 59% Positiveness
8% Popularity • 45% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 59% Positiveness
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Camilla de Rossi
Oratorium San Alessio: No. 3, Aria Io ti...
109 bpm • A Maj • 03:03 • -14.04db
0% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
Beatus vir, ZWV 75: Gloria Patri - After...
103 bpm • G# min • 01:00 • -22.63db
16% Popularity • 46% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Christoph Graupner
Sonata for Violin and Basso Continuo in ...
109 bpm • D# min • 01:50 • -17.27db
8% Popularity • 19% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 19% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Anónimo
Pasión: Pater, In manus Tuas
103 bpm • E Maj • 01:36 • -14.48db
16% Popularity • 53% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 53% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Marche po...
110 bpm • F min • 01:15 • -20.82db
9% Popularity • 38% Danceability • 27% Energy • 67% Liveness
74% Instrumentalness • 79% Positiveness
9% Popularity • 38% Danceability • 27% Energy • 67% Liveness
74% Instrumentalness • 79% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
109 bpm • A# min • 01:17 • -17.96db
12% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 1: Part I: Aria: Sonor...
110 bpm • B Maj • 03:46 • -17.51db
0% Popularity • 53% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 53% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act II Scene 1,...
102 bpm • C# min • 01:13 • -19db
11% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dietrich Buxtehude
Trio Sonata in C Minor, BuxWV 262: II. A...
102 bpm • B min • 02:10 • -15.15db
14% Popularity • 35% Danceability • 24% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
14% Popularity • 35% Danceability • 24% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
► Preview
Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
110 bpm • F# Maj • 01:26 • -27.47db
10% Popularity • 48% Danceability • 7% Energy • 11% Liveness
22% Instrumentalness • 74% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 11% Liveness
22% Instrumentalness • 74% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: V. Prest...
102 bpm • C# Maj • 01:47 • -16.27db
13% Popularity • 34% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 34% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 3...
102 bpm • D Maj • 01:31 • -25db
12% Popularity • 29% Danceability • 4% Energy • 34% Liveness
18% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 4% Energy • 34% Liveness
18% Instrumentalness • 16% Positiveness
► Preview
Camilla de Rossi
Il sacrifizio di Abram: Part I: Aria: Pe...
102 bpm • B Maj • 03:16 • -18.43db
0% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
110 bpm • D Maj • 02:00 • -17.61db
7% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Henry Purcell
The Fairy Queen, Semi-Opera, Z. 629: Fir...
110 bpm • F# min • 01:03 • -21.01db
14% Popularity • 33% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 33% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Giovanni Battista Bassani
Sonata a tre in re maggiore: II. Adagio
102 bpm • C# Maj • 01:25 • -26db
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
► Preview
Dietrich Buxtehude
Trio Sonata in C Major, BuxWV 256: V. Ad...
102 bpm • B Maj • 02:48 • -15.17db
15% Popularity • 39% Danceability • 32% Energy • 15% Liveness
27% Instrumentalness • 46% Positiveness
15% Popularity • 39% Danceability • 32% Energy • 15% Liveness
27% Instrumentalness • 46% Positiveness
► Preview
Alessandro Scarlatti
La Giuditta: Part I: Aria: A che giova d...
111 bpm • G# min • 02:08 • -22.43db
14% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Camilla de Rossi
Il sacrifizio di Abram: Part II: Duet: S...
102 bpm • E Maj • 02:08 • -17.43db
0% Popularity • 48% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 48% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
110 bpm • D Maj • 04:51 • -15.98db
7% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
George Frideric Handel
Handel: Semele, HWV 58, Act 1: "You’ve...
102 bpm • D# min • 02:19 • -15.95db
7% Popularity • 47% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 47% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Giovanni Maria Bononcini
Sonata a tre in sol minore: II. Adagio
111 bpm • F# min • 01:01 • -22.04db
13% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Johann Gottlieb Janitsch
Sonata da camera in G Minor, "O Haupt vo...
101 bpm • E Maj • 03:55 • -18.5db
13% Popularity • 14% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 2, Q...
111 bpm • A# min • 04:55 • -22.61db
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
111 bpm • F min • 02:41 • -13.8db
17% Popularity • 38% Danceability • 24% Energy • 22% Liveness
30% Instrumentalness • 36% Positiveness
17% Popularity • 38% Danceability • 24% Energy • 22% Liveness
30% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
111 bpm • E min • 03:08 • -16.49db
7% Popularity • 33% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
7% Popularity • 33% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Camilla de Rossi
Il sacrifizio di Abram: Part II: Aria: A...
101 bpm • B Maj • 03:17 • -17.6db
0% Popularity • 48% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 48% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Joseph Bodin de Boismortier
Sonata No.6 in D Major, Op. 50: II. Alle...
111 bpm • C# Maj • 03:10 • -17.15db
9% Popularity • 46% Danceability • 27% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
9% Popularity • 46% Danceability • 27% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Sanctus
111 bpm • C# Maj • 01:14 • -15.73db
15% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
15% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
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Giuseppe Antonio Brescianello
Overture in G Minor: III. Aria: Presto
112 bpm • F# min • 01:39 • -17.86db
13% Popularity • 46% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 65% Positiveness
13% Popularity • 46% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 65% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part I: Part I:...
112 bpm • D Maj • 01:00 • -16.89db
11% Popularity • 25% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: VII. Sancta Mat...
112 bpm • B min • 01:57 • -19.21db
8% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Camilla de Rossi
Il sacrifizio di Abram: Part I: Recitati...
101 bpm • F# Maj • 01:14 • -18.71db
0% Popularity • 47% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 47% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Hexachordum Apollinis: No. 3 in F Major,...
112 bpm • E Maj • 07:28 • -15.84db
6% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: I. Ad...
101 bpm • G# min • 01:43 • -16.38db
17% Popularity • 16% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Rondeau
112 bpm • G min • 00:45 • -27.66db
9% Popularity • 17% Danceability • 2% Energy • 12% Liveness
56% Instrumentalness • 9% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 12% Liveness
56% Instrumentalness • 9% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
112 bpm • B Maj • 01:03 • -24.37db
20% Popularity • 45% Danceability • 8% Energy • 33% Liveness
80% Instrumentalness • 54% Positiveness
20% Popularity • 45% Danceability • 8% Energy • 33% Liveness
80% Instrumentalness • 54% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
100 bpm • G# Maj • 03:27 • -22.93db
13% Popularity • 53% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
13% Popularity • 53% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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![Ascanio, Sinfonia: II. [Sarabande] cover art](https://i.scdn.co/image/ab67616d00001e020b1485e6a9002ac41793a89c)
Antonio Lotti
Ascanio, Sinfonia: II. [Sarabande]
112 bpm • F# min • 01:02 • -13.36db
17% Popularity • 18% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Missa Charitatis, ZWV 10: Gloria in exce...
101 bpm • G# Maj • 02:08 • -14.17db
12% Popularity • 40% Danceability • 33% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
12% Popularity • 40% Danceability • 33% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BUXWV 75, cantata V ...
112 bpm • G# min • 01:25 • -25.8db
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 4 en ...
100 bpm • A Maj • 01:03 • -20.87db
8% Popularity • 41% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
8% Popularity • 41% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
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Camilla de Rossi
Sant'Alessio, Pt. 2: Part II: Trio: Io t...
112 bpm • A Maj • 02:59 • -18.47db
0% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Marc'Antonio Ziani
La flora: Trombe d'Ausonia
100 bpm • C# Maj • 01:30 • -13.43db
13% Popularity • 48% Danceability • 30% Energy • 13% Liveness
24% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 30% Energy • 13% Liveness
24% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 3.,...
100 bpm • E min • 01:40 • -21.34db
16% Popularity • 38% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 38% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Suite in E Minor, RCT 2: Musette en rond...
100 bpm • D# Maj • 02:22 • -17.81db
7% Popularity • 33% Danceability • 29% Energy • 28% Liveness
1% Instrumentalness • 66% Positiveness
7% Popularity • 33% Danceability • 29% Energy • 28% Liveness
1% Instrumentalness • 66% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Prologue: Ouverture (Re...
112 bpm • A# Maj • 01:48 • -20.36db
9% Popularity • 35% Danceability • 20% Energy • 22% Liveness
18% Instrumentalness • 50% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 22% Liveness
18% Instrumentalness • 50% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 1 en ...
112 bpm • B Maj • 01:51 • -19.74db
7% Popularity • 43% Danceability • 24% Energy • 34% Liveness
4% Instrumentalness • 64% Positiveness
7% Popularity • 43% Danceability • 24% Energy • 34% Liveness
4% Instrumentalness • 64% Positiveness
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Agostino Steffani
Begl’occhi, oh Dio, non più: Per te, ...
100 bpm • C# min • 01:36 • -20.75db
16% Popularity • 32% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 32% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Claudio Monteverdi
Chiome d'oro
113 bpm • B Maj • 03:37 • -21.75db
13% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Chaconn...
100 bpm • C# min • 02:58 • -21.45db
8% Popularity • 30% Danceability • 12% Energy • 16% Liveness
37% Instrumentalness • 34% Positiveness
8% Popularity • 30% Danceability • 12% Energy • 16% Liveness
37% Instrumentalness • 34% Positiveness
