Songs like Il trovatore, Act I: Deserto sulla terra by Giuseppe Verdi
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] cover art](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6)
Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
98 bpm • D min • 01:29 • -11db
7% Popularity • 48% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 48% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Di Madride noi si...
98 bpm • G Maj • 02:23 • -18db
20% Popularity • 51% Danceability • 31% Energy • 20% Liveness
9% Instrumentalness • 40% Positiveness
20% Popularity • 51% Danceability • 31% Energy • 20% Liveness
9% Instrumentalness • 40% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
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Luciano Pavarotti
La Traviata - Act. I - Libiam Ne' Lieti ...
97 bpm • A# Maj • 03:12 • -12db
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Oh, chi piange? / Del...
98 bpm • B Maj • 03:53 • -14.68db
20% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene I: A...
98 bpm • F# Maj • 03:24 • -16.57db
16% Popularity • 43% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 43% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "Votre toast" (To...
105 bpm • F Maj • 05:20 • -14.2db
24% Popularity • 36% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 36% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Il Trovatore / Act III: "Di quella pira"
101 bpm • C Maj • 03:42 • -12.91db
12% Popularity • 33% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 36% Positiveness
12% Popularity • 33% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 36% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
25% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
25% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Due vaticini compiuti or...
97 bpm • F Maj • 03:22 • -19.65db
12% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
91 bpm • G# Maj • 02:31 • -21db
23% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Séguedille...
90 bpm • G Maj • 04:15 • -20.02db
13% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
La traviata / Act 1: "Libiamo ne'lieti c...
101 bpm • A# Maj • 03:05 • -15.32db
36% Popularity • 36% Danceability • 35% Energy • 96% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 36% Danceability • 35% Energy • 96% Liveness
0% Instrumentalness • 52% Positiveness
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Ruggero Leoncavallo
Pagliacci, Act I: "Recitar! Vesti la giu...
89 bpm • E Maj • 03:35 • -19.59db
22% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Una furtiva l...
88 bpm • F min • 04:20 • -20db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Turandot / Act 1: Non piangere Liù
111 bpm • D# min • 05:03 • -12.13db
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Aida / Act 1: "Sì: corre voce che l'Eti...
102 bpm • G Maj • 01:20 • -21db
15% Popularity • 34% Danceability • 16% Energy • 19% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 34% Danceability • 16% Energy • 19% Liveness
1% Instrumentalness • 40% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Georges Bizet
Carmen / Act II: Toreador Song: "Votre t...
112 bpm • A# min • 03:49 • -12.54db
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
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Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto: Overture (Preludio)
101 bpm • G Maj • 03:19 • -20.89db
18% Popularity • 19% Danceability • 2% Energy • 3% Liveness
69% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 3% Liveness
69% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
113 bpm • F Maj • 04:53 • -15.69db
25% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
La forza del destino, Act III, Scene III...
102 bpm • B Maj • 02:48 • -19.87db
11% Popularity • 48% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 48% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
114 bpm • E Maj • 03:54 • -23.55db
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Il trovatore: Condotta ell'era in ceppi
85 bpm • A min • 04:50 • -20.09db
1% Popularity • 32% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 32% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma!
84 bpm • D Maj • 02:57 • -12.51db
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Georges Bizet
Bizet: Carmen: Prelude - Act One
118 bpm • A min • 03:59 • -15.14db
26% Popularity • 24% Danceability • 30% Energy • 30% Liveness
95% Instrumentalness • 23% Positiveness
26% Popularity • 24% Danceability • 30% Energy • 30% Liveness
95% Instrumentalness • 23% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Nabucco: Overture
96 bpm • C Maj • 07:31 • -20.57db
25% Popularity • 28% Danceability • 6% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 6% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Luigi Denza
Funiculì, funiculÃ
126 bpm • F Maj • 02:46 • -13.48db
35% Popularity • 48% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
35% Popularity • 48% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
25% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
25% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Giuseppe Verdi
La traviata / Act III: Prelude
96 bpm • G# Maj • 03:38 • -32.03db
31% Popularity • 15% Danceability • 2% Energy • 20% Liveness
15% Instrumentalness • 7% Positiveness
31% Popularity • 15% Danceability • 2% Energy • 20% Liveness
15% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Georges Bizet
Bizet: Carmen: Prélude
125 bpm • A Maj • 02:14 • -13db
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Nessun dorma"...
134 bpm • D Maj • 03:26 • -12db
25% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
25% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Ernani: 'Si ridenste il Leon di Castigli...
96 bpm • F# Maj • 01:39 • -20.12db
25% Popularity • 54% Danceability • 24% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 54% Danceability • 24% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
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Eduardo di Capua
'O sole mio (Arr. Chiaramello)
135 bpm • A Maj • 03:22 • -14db
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
136 bpm • F min • 01:57 • -10.62db
5% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
22% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Popoli di Pekino!"
134 bpm • G# Maj • 05:35 • -15.95db
19% Popularity • 34% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
19% Popularity • 34% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Rigoletto: Act III: La donna e mobile (D...
135 bpm • B Maj • 02:11 • -30.3db
18% Popularity • 37% Danceability • 3% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 37% Danceability • 3% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
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Alfred Scholz
The Marriage Of Figaro KV.592
142 bpm • D Maj • 04:15 • -21.11db
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 2, A...
142 bpm • C Maj • 04:39 • -14.33db
25% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
25% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
129 bpm • D min • 03:33 • -16.85db
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Nabucco / Act I: Sperate, o figli!
137 bpm • C Maj • 01:24 • -18db
29% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
45% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
45% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act I: No. 2 C...
148 bpm • C Maj • 04:58 • -15.22db
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
129 bpm • D Maj • 04:14 • -15db
20% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio babbino caro"
171 bpm • G# Maj • 02:06 • -20.22db
26% Popularity • 19% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 19% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata / Act III: "Signora" - "Che ...
102 bpm • C# Maj • 04:45 • -21db
24% Popularity • 39% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 39% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Luigi Arditi
Il bacio
173 bpm • G Maj • 03:54 • -18.53db
30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
171 bpm • E Maj • 07:46 • -24.15db
38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "L'amour est un oi...
134 bpm • D Maj • 04:22 • -17.33db
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
175 bpm • F min • 06:40 • -20db
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
