Songs like Il Turco in Italia, Act I: No, mia vita, mio tesoro by Gioachino Rossini
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Otello, ossia Il moro di Venezia: Act I:...
120 bpm • D Maj • 06:50 • -17.7db
16% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Carl Orff
Carmina Burana: II. Fortune plango vulne...
120 bpm • A min • 02:49 • -22.71db
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Wagner
Das Liebesverbot: Overture
120 bpm • G Maj • 08:52 • -13.92db
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Gioachino Rossini
Rossini: Duetto buffo di due gatti (Cat ...
120 bpm • D min • 03:39 • -26.39db
19% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude To Act III
120 bpm • G Maj • 03:18 • -16db
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
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Johann Strauss I
Strauss Party
118 bpm • G Maj • 03:25 • -5.91db
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Denza
Funiculì, funiculÃ
126 bpm • F Maj • 02:46 • -13.48db
35% Popularity • 48% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
35% Popularity • 48% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
123 bpm • G# Maj • 03:20 • -23.59db
3% Popularity • 37% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 37% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
The Hebrides Overture, Op. 26, MWV P7 "F...
126 bpm • D Maj • 10:22 • -20db
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Petite Messe solennelle, Kyrie: III. Kyr...
119 bpm • A Maj • 02:22 • -30db
28% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
28% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Gustav Holst
Holst: The Planets, Op. 32: IV. Jupiter,...
127 bpm • C min • 04:48 • -12db
37% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
37% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
115 bpm • A Maj • 10:27 • -20db
28% Popularity • 26% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
28% Popularity • 26% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
124 bpm • G Maj • 05:06 • -17db
8% Popularity • 46% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Vincenzo Bellini
I Puritani / Act 2: Cinta di fiori
129 bpm • G# Maj • 05:01 • -16.87db
25% Popularity • 26% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 9% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: IV. Chanson d...
113 bpm • F Maj • 02:39 • -18db
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
118 bpm • C Maj • 04:46 • -14.59db
6% Popularity • 32% Danceability • 50% Energy • 34% Liveness
61% Instrumentalness • 36% Positiveness
6% Popularity • 32% Danceability • 50% Energy • 34% Liveness
61% Instrumentalness • 36% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Carl Maria von Weber
Oberon, J.306: Ouvertüre
131 bpm • D Maj • 08:58 • -19db
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
118 bpm • C Maj • 01:18 • -30.12db
3% Popularity • 59% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 59% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: 1812 Overture in E-Flat Maj...
110 bpm • D# Maj • 03:35 • -10.69db
29% Popularity • 30% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
29% Popularity • 30% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
125 bpm • D Maj • 01:56 • -12.47db
8% Popularity • 58% Danceability • 47% Energy • 19% Liveness
12% Instrumentalness • 47% Positiveness
8% Popularity • 58% Danceability • 47% Energy • 19% Liveness
12% Instrumentalness • 47% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
125 bpm • F Maj • 03:44 • -19.13db
4% Popularity • 42% Danceability • 28% Energy • 42% Liveness
5% Instrumentalness • 20% Positiveness
4% Popularity • 42% Danceability • 28% Energy • 42% Liveness
5% Instrumentalness • 20% Positiveness
► Preview
Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
41% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
41% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Sir Roger Norrington
Symphony No. 5 in C minor Op. 67: I. All...
107 bpm • C min • 06:32 • -20.12db
18% Popularity • 39% Danceability • 15% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 39% Danceability • 15% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Gioachino Rossini
La scala di seta: I. Sinfonia
125 bpm • C Maj • 06:20 • -24.62db
3% Popularity • 38% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
3% Popularity • 38% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31: Moderato in modo...
106 bpm • A# min • 09:49 • -19db
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Jacques Offenbach
La belle Hélène: Overture
138 bpm • E Maj • 08:31 • -19.19db
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
125 bpm • D# Maj • 00:32 • -23.97db
2% Popularity • 68% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 68% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 2 i...
138 bpm • G Maj • 04:55 • -14.77db
24% Popularity • 26% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
24% Popularity • 26% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
106 bpm • A# min • 09:51 • -10.03db
23% Popularity • 28% Danceability • 52% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
23% Popularity • 28% Danceability • 52% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
105 bpm • B min • 02:43 • -22db
11% Popularity • 46% Danceability • 7% Energy • 17% Liveness
89% Instrumentalness • 41% Positiveness
11% Popularity • 46% Danceability • 7% Energy • 17% Liveness
89% Instrumentalness • 41% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 1: Pas d'ar...
126 bpm • G Maj • 03:46 • -15.8db
5% Popularity • 55% Danceability • 44% Energy • 57% Liveness
83% Instrumentalness • 33% Positiveness
5% Popularity • 55% Danceability • 44% Energy • 57% Liveness
83% Instrumentalness • 33% Positiveness
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Vincenzo Bellini
Norma: Sinfonia
140 bpm • G Maj • 06:08 • -17.53db
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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The Slovak Philharmonic Orchestra, Libor Pesek
Symphony No 40: Molto Allegro
104 bpm • G min • 07:51 • -18db
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Donizetti: Don Pasquale, Act I: Overture
103 bpm • D Maj • 06:10 • -18.46db
18% Popularity • 33% Danceability • 19% Energy • 42% Liveness
32% Instrumentalness • 32% Positiveness
18% Popularity • 33% Danceability • 19% Energy • 42% Liveness
32% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
117 bpm • G Maj • 01:50 • -22.45db
3% Popularity • 57% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 57% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
31% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
31% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 6...
144 bpm • E Maj • 01:19 • -21db
34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness
34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: III. Kyrie. Kyr...
116 bpm • A Maj • 02:31 • -28.8db
21% Popularity • 21% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Norma: Overture
144 bpm • G Maj • 05:32 • -16db
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
145 bpm • G min • 02:18 • -16db
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
