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Ile estoit une fillette (Ensemble of Renaissance T...
Songs like
Ile estoit une fillette (Ensemble of Renaissance Traversos)
by
Eustache du Caurroy
Based on a tempo of (+/- 10%) and a similar genre
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Eustache du Caurroy
Fantasie X sur Requiem Aeternam (A Quatr...
64 bpm • E Maj • 05:52 • -14.03db
0% Popularity • 6% Danceability • 14% Energy • 17% Liveness
91% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Stabat Mater: I. Stabat Mater
64 bpm • C min • 02:46 • -18db
16% Popularity • 10% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: IV. Sanctu...
65 bpm • B min • 02:28 • -22.83db
11% Popularity • 8% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Orlande de Lassus
Quia vidisti me, Thoma
63 bpm • A min • 02:05 • -26db
16% Popularity • 21% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
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Pierre de la Rue
Requiem: VI. Agnus Dei
63 bpm • D# min • 03:03 • -22db
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Gregorio Allegri
Miserere: III. Tibi soli peccavi ; Ecce ...
63 bpm • B min • 01:18 • -23.78db
18% Popularity • 27% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Eustache du Caurroy
Ile estoit une fillette (Ensemble of Ren...
64 bpm • C min • 01:24 • -32.25db
4% Popularity • 26% Danceability • 1% Energy • 15% Liveness
82% Instrumentalness • 30% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Fanfares (Cathédra...
63 bpm • C min • 02:01 • -20.74db
7% Popularity • 27% Danceability • 28% Energy • 35% Liveness
97% Instrumentalness • 35% Positiveness
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Christopher Tye
In Nomine à 5 "Trust"
62 bpm • C min • 02:05 • -23db
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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Orlando Gibbons
The Lord of Salisbury his Pavin
66 bpm • D min • 02:39 • -30.2db
14% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Gilles Binchois
Triste plaisirs
66 bpm • F min • 02:19 • -32.32db
12% Popularity • 19% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Gregorio Allegri
Miserere: IX. Quoniam si voluisses sacri...
66 bpm • B min • 01:17 • -25.74db
25% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eustache du Caurroy
Fantasie No. 33 on "Une jeune fillette" ...
62 bpm • C# min • 01:46 • -21.72db
0% Popularity • 23% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 18% Positiveness
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Jordi Savall
Trentequatriesme Fantasie. A Cinq
62 bpm • G Maj • 02:42 • -27.47db
0% Popularity • 23% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Adam von Fulda
O Jupiter / O diva sollers virgo
67 bpm • F# Maj • 01:33 • -38.2db
12% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 22% Positiveness
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Jakob Handl-Gallus
Si tibi gratia
66 bpm • A min • 01:12 • -26.18db
20% Popularity • 20% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 62% Positiveness
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Marbrianus de Orto
Dulces exuviae
67 bpm • A min • 02:46 • -19db
8% Popularity • 21% Danceability • 15% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
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Andreas Hammerschmidt
Der Tod ist verschlungen
67 bpm • D min • 06:00 • -15.22db
8% Popularity • 16% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Eustache du Caurroy
Je suis déshéritée: Fantasie XXXXII �...
65 bpm • C min • 02:20 • -28.29db
0% Popularity • 16% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 11% Positiveness
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Jordi Savall
Dixiesme Fantasie. A Quatre
62 bpm • F Maj • 04:03 • -19.99db
0% Popularity • 15% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:41 • -30.38db
11% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
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Gregor Aichinger
Factus est repente
67 bpm • C Maj • 02:18 • -27db
14% Popularity • 18% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
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Matthew Locke
A Consort for Severall Friends - Suite i...
67 bpm • A min • 01:12 • -21.64db
10% Popularity • 39% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 20% Positiveness
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Xavier Puertas
Lachrimæ Dolcissima (Improvisation)
67 bpm • C min • 02:34 • -27.23db
9% Popularity • 7% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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Eustache du Caurroy
Fantasie XXXIII sur "Une jeune fillette"
65 bpm • C min • 01:26 • -29.86db
0% Popularity • 21% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Te Deum à 8, MWV B 15: II. Te Aeternum ...
68 bpm • A# min • 02:19 • -28.6db
19% Popularity • 7% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:21 • -30.41db
11% Popularity • 23% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Philippe Basiron
D'ung aultre amer / Lhome arme
60 bpm • E min • 01:57 • -25.04db
13% Popularity • 21% Danceability • 4% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
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Orlande de Lassus
Missa "Congratulamini mihi": Kyrie a 6
68 bpm • C Maj • 03:35 • -21.16db
17% Popularity • 6% Danceability • 24% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
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The Royal Wind Music
Mille regretz, de vous abandonner
68 bpm • A# min • 01:44 • -31.77db
7% Popularity • 15% Danceability • 0% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Eustache du Caurroy
Trente septiesme fantaisie à cinq, La S...
65 bpm • A# min • 03:47 • -35.69db
1% Popularity • 20% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 17% Positiveness
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Thomas Ford
Baggepipes
60 bpm • E Maj • 01:21 • -26.47db
9% Popularity • 23% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Christopher Tye
ln Nomine Crye
68 bpm • D# min • 01:50 • -13.72db
18% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Pavel Jurkovič
Pro Tetuu Kapraňovou
68 bpm • G Maj • 02:15 • -22.63db
10% Popularity • 36% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Guillaume Dufay
Flos florum
68 bpm • G min • 03:54 • -22.77db
9% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Giles Farnaby
Farnabys Humour
68 bpm • G Maj • 01:24 • -23db
26% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Eustache du Caurroy
Fantasie I
61 bpm • F Maj • 01:56 • -36.96db
0% Popularity • 25% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 53% Positiveness
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The Sixteen
Messa à 4 da cappella
68 bpm • F Maj • 02:14 • -22db
8% Popularity • 18% Danceability • 12% Energy • 16% Liveness
84% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VI. Te ergo quæsumus f...
69 bpm • C Maj • 02:31 • -22.78db
11% Popularity • 21% Danceability • 2% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
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Henry Purcell
Thus the Ever Grateful Spring (Spring)
69 bpm • A# min • 02:26 • -21db
18% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
Sestina, prima parte: "Incenerite spogli...
69 bpm • A# min • 02:13 • -27.8db
10% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Fantasia chromatica
69 bpm • D min • 05:00 • -24db
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Eustache du Caurroy
Missa Pro Defunctis: Kyrie
69 bpm • A Maj • 02:02 • -18.4db
0% Popularity • 16% Danceability • 15% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Robert de Visée
Suite in E Minor: V. Gavotte
59 bpm • C Maj • 01:09 • -27.15db
21% Popularity • 49% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Michel Lambert
D'un feu secret je me sens consumer
70 bpm • C min • 03:02 • -29.41db
14% Popularity • 12% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Andrea Falconieri
Brando dicho el Melo
70 bpm • C Maj • 01:27 • -15.9db
9% Popularity • 41% Danceability • 61% Energy • 75% Liveness
48% Instrumentalness • 96% Positiveness
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Andrea Gabrieli
Maria stabat ad momentum (Concerti, 1587...
70 bpm • F Maj • 04:44 • -24db
10% Popularity • 10% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
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Johannes Ockeghem
Alma redemptoris mater
70 bpm • F Maj • 03:49 • -28.88db
15% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Eustache du Caurroy
Missa pro defunctis: VIII. Sanctus
69 bpm • D min • 03:56 • -18.23db
0% Popularity • 6% Danceability • 13% Energy • 21% Liveness
18% Instrumentalness • 4% Positiveness
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Michael Praetorius
Spagnoletta
70 bpm • A# Maj • 01:00 • -19db
22% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Jean-Baptiste Lully
Ballet des muses, LWV 32: Trop indiscret...
70 bpm • F min • 05:37 • -21.1db
11% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tomás Luis de Victoria
Feria quinta in coena domini: Lamentatio...
70 bpm • E Maj • 01:05 • -12.91db
8% Popularity • 14% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Giaches de Wert
Vezzosi augelli
70 bpm • F# Maj • 02:32 • -23db
9% Popularity • 13% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Samuel Scheidt
Jesus Christus, unser Heiland
70 bpm • D min • 03:48 • -28db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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John Dunstable
Puzzle Canon
70 bpm • C# Maj • 01:53 • -22.65db
10% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
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Eustache du Caurroy
5 fantaisies sur "Une jeune fillette": T...
59 bpm • E Maj • 01:47 • -24.64db
0% Popularity • 30% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Gasparo Zanetti
Aria del Gran Duca
71 bpm • F Maj • 02:52 • -19.34db
9% Popularity • 34% Danceability • 28% Energy • 11% Liveness
98% Instrumentalness • 48% Positiveness
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Antonio Lotti
Missa Pro Defunctis: Kyrie 1
71 bpm • C# min • 01:18 • -24.46db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Giovanni Domenico del Giovane da Nola
Fontana che dai acqua
71 bpm • E Maj • 02:36 • -21db
14% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Giovanni Paolo Cima
Capriccio
70 bpm • D min • 03:30 • -26db
12% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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The Royal Wind Music
The Blue Dream (Sininen Uni)
71 bpm • G# min • 02:04 • -35.17db
16% Popularity • 11% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Eustache du Caurroy
Missa pro defunctis: VI. Fantaise à l'i...
71 bpm • G Maj • 02:57 • -22.1db
0% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Pierre de la Rue
O Salutaris Hostia
71 bpm • F Maj • 03:39 • -33.3db
11% Popularity • 20% Danceability • 1% Energy • 7% Liveness
16% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 06. Bene...
71 bpm • D# Maj • 01:08 • -24db
15% Popularity • 11% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gregorian Chants
Miserere Nostri
71 bpm • E min • 02:02 • -14.32db
10% Popularity • 22% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Paolo Cima
Canzon la Gentile
70 bpm • C Maj • 01:43 • -27.43db
28% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VIII. Daleth
72 bpm • G# min • 01:26 • -23db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Eustache du Caurroy
Fantasie VI
71 bpm • G min • 02:10 • -21.87db
0% Popularity • 22% Danceability • 4% Energy • 10% Liveness
16% Instrumentalness • 13% Positiveness
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Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
13% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Palisander
Tarantellas I (Arr. for Recorders and Ba...
73 bpm • G min • 02:04 • -22.34db
13% Popularity • 48% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 43% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
26% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Jan Pieterszoon Sweelinck
Mein junges Leben hat ein End
70 bpm • A min • 02:53 • -26.29db
11% Popularity • 12% Danceability • 1% Energy • 14% Liveness
51% Instrumentalness • 33% Positiveness
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Montserrat Figueras
Segunda Parte - Morir Cuerdo Y Vivir Loc...
73 bpm • G min • 01:09 • -26.68db
17% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Eustache du Caurroy
Missa pro defunctis: VII. Antiphone ad o...
72 bpm • D min • 05:09 • -17.35db
0% Popularity • 6% Danceability • 18% Energy • 16% Liveness
70% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
O presul vere civitatis, BN 45
73 bpm • F# min • 06:12 • -26.44db
10% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada Doulce Mem...
73 bpm • D min • 03:01 • -20.79db
9% Popularity • 28% Danceability • 10% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
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Claudin de Sermisy
Au joly boys
73 bpm • G# min • 01:57 • -31.57db
11% Popularity • 14% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Ivo de Vento
Levita Laurentius
71 bpm • F Maj • 01:31 • -26db
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
9% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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Eustache du Caurroy
Fantasie XXX sur "Une jeune fillette"
72 bpm • C min • 01:27 • -30.5db
1% Popularity • 23% Danceability • 1% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
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Jordi Savall
Unziesme Fantasie. A Quatre
73 bpm • F Maj • 01:07 • -23.46db
0% Popularity • 39% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Una Verge Naixer�...
73 bpm • G min • 01:55 • -24db
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Victoria: O Ildephonse
74 bpm • D min • 03:01 • -20.39db
12% Popularity • 22% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Bartolomé de Selma y Salaverde
Canzon quinta a tre
74 bpm • C Maj • 03:37 • -18db
7% Popularity • 17% Danceability • 30% Energy • 69% Liveness
39% Instrumentalness • 37% Positiveness
► Preview
Eustache du Caurroy
Missa pro defunctis: IX. Anamesis, Pie J...
73 bpm • A min • 01:02 • -22.99db
0% Popularity • 14% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Jordi Savall
Vingtsixiesme Fantasie. A Trois
74 bpm • C Maj • 02:05 • -18.85db
0% Popularity • 26% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Anonymous
Cancionero musical de palacio: No. 277, ...
75 bpm • C Maj • 01:48 • -27.54db
10% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Henri d'Anglebert
La Bergère Annette
75 bpm • G min • 04:41 • -21.34db
11% Popularity • 31% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Agnus Dei
75 bpm • G# min • 02:34 • -19.33db
19% Popularity • 22% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Eustache du Caurroy
Missa Pro Defunctis: Sanctus
74 bpm • F# min • 03:46 • -20.56db
0% Popularity • 17% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Vingtiesme Fantasie. A Quatre
75 bpm • C Maj • 02:05 • -17.78db
0% Popularity • 27% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
► Preview
John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
26% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Thomas Simpson
Suite from Taffel-Consort: Volta
75 bpm • G# Maj • 01:05 • -22.15db
20% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
► Preview
Antoine Boësset
Airs de cour mis en tablature de luth: S...
75 bpm • C Maj • 05:40 • -19.95db
13% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Orlando Gibbons
The silver Swanne
75 bpm • C Maj • 01:15 • -25.71db
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Eustache du Caurroy
Missa pro defunctis: Requiem
75 bpm • G Maj • 04:39 • -30.19db
0% Popularity • 7% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Nicola Vicentino
Canzon da sonar, "La bella"
75 bpm • D min • 03:18 • -27.44db
7% Popularity • 24% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Michael Praetorius
Pavane d'Espaigne
54 bpm • G Maj • 01:25 • -16.01db
8% Popularity • 44% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 36% Positiveness
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Ile estoit une fillette (Ensemble of Renaissance T...