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I'll Be Gone
Songs like
I'll Be Gone
by
Oblivians
Based on a tempo of (+/- 10%) and a similar genre
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Thee Headcoatees
Don't Wanna Hold Your Hand
154 bpm • E Maj • 02:10 • -5db
15% Popularity • 26% Danceability • 94% Energy • 7% Liveness
5% Instrumentalness • 70% Positiveness
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The Gizmos
The Midwest Can Be Allright - 1981 Demos
154 bpm • B Maj • 02:06 • -10.75db
22% Popularity • 66% Danceability • 83% Energy • 12% Liveness
45% Instrumentalness • 95% Positiveness
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Dead Moon
A Fix on You
154 bpm • A# Maj • 03:07 • -5.35db
26% Popularity • 43% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Les Sexareenos
Hey Sah-Lo-Ney
154 bpm • D# Maj • 02:27 • -3.18db
10% Popularity • 36% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 61% Positiveness
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Mr. Airplane Man
Commit a Crime
154 bpm • F# Maj • 03:30 • -13.57db
29% Popularity • 43% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 63% Positiveness
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The Exploding Hearts
Boulevard Trash
153 bpm • D Maj • 02:10 • -2.29db
17% Popularity • 40% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Oblivians
I'll Be Gone
154 bpm • A Maj • 02:03 • -5.15db
19% Popularity • 39% Danceability • 100% Energy • 37% Liveness
12% Instrumentalness • 29% Positiveness
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The Dirtbombs
Ode to a Black Man
155 bpm • D Maj • 03:38 • -3.39db
26% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Thee Mighty Caesars
1977
153 bpm • C Maj • 01:56 • -4.11db
7% Popularity • 34% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Black Lips
Drugs
155 bpm • F# min • 02:31 • -6.83db
30% Popularity • 38% Danceability • 81% Energy • 10% Liveness
88% Instrumentalness • 74% Positiveness
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King Khan and the Shrines
Mr. Supernatural
155 bpm • F Maj • 04:10 • -4.24db
16% Popularity • 50% Danceability • 82% Energy • 16% Liveness
48% Instrumentalness • 84% Positiveness
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Digital Leather
Young Doctors in Love
155 bpm • D Maj • 03:15 • -3.24db
10% Popularity • 49% Danceability • 97% Energy • 32% Liveness
30% Instrumentalness • 26% Positiveness
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The Gories
Feral
153 bpm • B min • 02:06 • -10.21db
13% Popularity • 39% Danceability • 83% Energy • 16% Liveness
2% Instrumentalness • 47% Positiveness
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The Dirtbombs
I Can't Stop Thinking About It
153 bpm • G min • 03:03 • -4.18db
30% Popularity • 58% Danceability • 100% Energy • 41% Liveness
4% Instrumentalness • 42% Positiveness
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The Monsters
Burn in My Mind
155 bpm • D Maj • 03:01 • -5.37db
9% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Pierced Arrows
Caroline
155 bpm • D Maj • 03:42 • -9.57db
14% Popularity • 24% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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King Khan and the Shrines
No Regrets
153 bpm • D Maj • 02:30 • -1.24db
30% Popularity • 38% Danceability • 94% Energy • 11% Liveness
33% Instrumentalness • 42% Positiveness
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Dead Moon
Dead Moon Night
156 bpm • A Maj • 04:47 • -7.36db
37% Popularity • 53% Danceability • 65% Energy • 25% Liveness
2% Instrumentalness • 43% Positiveness
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The Gories
Outta Here
156 bpm • C# Maj • 01:55 • -11.53db
21% Popularity • 63% Danceability • 69% Energy • 34% Liveness
70% Instrumentalness • 67% Positiveness
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The Coathangers
Trailer Park Boneyard
152 bpm • D Maj • 03:29 • -8.85db
11% Popularity • 42% Danceability • 81% Energy • 27% Liveness
4% Instrumentalness • 95% Positiveness
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The Detroit Cobras
Hey Sa-Lo-Ney
152 bpm • C# Maj • 02:27 • -4db
34% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Oblivians
Em
152 bpm • D Maj • 01:48 • -5.03db
13% Popularity • 39% Danceability • 100% Energy • 26% Liveness
8% Instrumentalness • 37% Positiveness
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Richard Hell
Love Comes in Spurts - 2013 Remaster
152 bpm • D Maj • 02:04 • -4db
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Dead Moon
Out on a Wire
152 bpm • C# Maj • 02:50 • -6.2db
20% Popularity • 47% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
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Love As Laughter
Stakes Avenue
156 bpm • A# Maj • 03:01 • -3.65db
14% Popularity • 19% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Mark Sultan
Something Wrong
156 bpm • A Maj • 02:38 • 0.75db
12% Popularity • 40% Danceability • 96% Energy • 8% Liveness
16% Instrumentalness • 71% Positiveness
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The Detroit Cobras
He Did It
152 bpm • B Maj • 02:22 • -3.54db
22% Popularity • 18% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Obits
Widow Of My Dreams
157 bpm • A Maj • 04:21 • -5.64db
19% Popularity • 37% Danceability • 94% Energy • 13% Liveness
85% Instrumentalness • 72% Positiveness
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Oblivians
He's Your Man
157 bpm • D Maj • 02:14 • -5.16db
6% Popularity • 45% Danceability • 98% Energy • 19% Liveness
84% Instrumentalness • 50% Positiveness
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Nobunny
It's True
157 bpm • C# Maj • 01:23 • -0.67db
24% Popularity • 61% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Make-Up
Joy Of Sound
151 bpm • G Maj • 03:38 • -8.02db
14% Popularity • 57% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Dirty Fences
Kilsythe
151 bpm • A Maj • 02:22 • -5.68db
24% Popularity • 29% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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The Gun Club
Preaching the Blues
157 bpm • A Maj • 04:00 • -10db
24% Popularity • 34% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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The Dirtbombs
Chains of Love
151 bpm • D min • 02:21 • -3db
34% Popularity • 50% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Oblivians
Call the Police
151 bpm • A Maj • 03:33 • -4db
27% Popularity • 45% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Cheater Slicks
Refried Dreams
151 bpm • C Maj • 03:55 • -4db
12% Popularity • 32% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Cynics
What She Said
157 bpm • E Maj • 03:00 • -6.55db
11% Popularity • 33% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Reatards
Blew My Mind
151 bpm • G Maj • 01:49 • -4.58db
18% Popularity • 30% Danceability • 79% Energy • 36% Liveness
20% Instrumentalness • 70% Positiveness
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Personal and The Pizzas
Brain Damage
158 bpm • A# min • 02:37 • -2.16db
11% Popularity • 13% Danceability • 100% Energy • 32% Liveness
91% Instrumentalness • 18% Positiveness
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Lost Sounds
Clones Don't Love
150 bpm • C Maj • 03:48 • -3.67db
8% Popularity • 40% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Oblivians
I Don't Wanna Live Alone
150 bpm • E Maj • 01:56 • -4.65db
8% Popularity • 26% Danceability • 100% Energy • 29% Liveness
2% Instrumentalness • 13% Positiveness
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Dead Moon
Graveyard
150 bpm • E min • 02:32 • -5.78db
30% Popularity • 36% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Thee Oh Sees
Contraption/Soul Desert
158 bpm • A# min • 05:21 • -4.82db
30% Popularity • 14% Danceability • 88% Energy • 32% Liveness
82% Instrumentalness • 47% Positiveness
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Reatards
When I Get Mad
158 bpm • F# Maj • 02:51 • -2.89db
17% Popularity • 19% Danceability • 98% Energy • 18% Liveness
80% Instrumentalness • 66% Positiveness
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Johnny Thunders & The Heartbreakers
One Track Mind
158 bpm • C Maj • 02:32 • -9db
27% Popularity • 20% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Compulsive Gamblers
The Way I Feel About You
150 bpm • C Maj • 02:29 • -3db
19% Popularity • 20% Danceability • 94% Energy • 32% Liveness
82% Instrumentalness • 37% Positiveness
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The Dirtbombs
I'm Qualified to Satisfy You
150 bpm • G Maj • 03:53 • -5.28db
14% Popularity • 32% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Dead Moon
Not the Only One
158 bpm • D# min • 02:03 • -5.48db
26% Popularity • 41% Danceability • 93% Energy • 19% Liveness
26% Instrumentalness • 75% Positiveness
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The Zeros
Cosmetic Couple
158 bpm • F min • 02:13 • -12db
24% Popularity • 26% Danceability • 61% Energy • 12% Liveness
26% Instrumentalness • 73% Positiveness
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Thee Oh Sees
Ghost in the Trees
150 bpm • D# min • 02:14 • -4.29db
25% Popularity • 45% Danceability • 100% Energy • 14% Liveness
80% Instrumentalness • 71% Positiveness
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Black Lips
Ain't No Deal
149 bpm • A Maj • 02:25 • -6.89db
14% Popularity • 34% Danceability • 96% Energy • 23% Liveness
69% Instrumentalness • 78% Positiveness
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Richard Hell
The Kid with the Replaceable Head - Sing...
159 bpm • B min • 02:23 • -3.98db
28% Popularity • 51% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Mummies
Your Ass (Is Next In Line)
159 bpm • D Maj • 02:26 • -7.81db
22% Popularity • 29% Danceability • 89% Energy • 18% Liveness
7% Instrumentalness • 55% Positiveness
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The Exploding Hearts
You're Black and Blue
149 bpm • A Maj • 02:05 • -8.67db
19% Popularity • 46% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Hot Snakes
Braintrust
149 bpm • C# min • 02:00 • -3.8db
12% Popularity • 35% Danceability • 98% Energy • 15% Liveness
72% Instrumentalness • 66% Positiveness
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The White Wires
Let's Go to the Beach
159 bpm • A Maj • 02:24 • -2.98db
14% Popularity • 26% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ex-Cult
Knives on Both Sides
159 bpm • D Maj • 03:29 • -5.27db
20% Popularity • 32% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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Oblivians
Bad Man
149 bpm • C Maj • 02:42 • -5db
24% Popularity • 25% Danceability • 98% Energy • 14% Liveness
60% Instrumentalness • 19% Positiveness
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Thee Oh Sees
Block of Ice
149 bpm • F Maj • 02:14 • -4db
29% Popularity • 43% Danceability • 99% Energy • 36% Liveness
50% Instrumentalness • 54% Positiveness
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The Marked Men
Get to You
149 bpm • C# Maj • 02:14 • -2.53db
12% Popularity • 23% Danceability • 92% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
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The Cynics
Waste of Time
148 bpm • A min • 02:12 • -4.18db
19% Popularity • 34% Danceability • 94% Energy • 7% Liveness
76% Instrumentalness • 87% Positiveness
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Dead Moon
Sorrow's Forecast
160 bpm • F min • 02:56 • -4.96db
15% Popularity • 36% Danceability • 78% Energy • 11% Liveness
30% Instrumentalness • 82% Positiveness
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Hot Snakes
Plenty for All
148 bpm • D Maj • 03:15 • -4.64db
36% Popularity • 48% Danceability • 97% Energy • 8% Liveness
15% Instrumentalness • 72% Positiveness
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Oblivians
Nigger Rich
160 bpm • A min • 01:21 • -5.07db
5% Popularity • 38% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
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The Milkshakes
Please Don't Tell My Baby
160 bpm • D# min • 01:43 • -2.11db
11% Popularity • 37% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Supercharger
Sooprize Package for Mr. Mineo
160 bpm • C Maj • 01:40 • -3.57db
17% Popularity • 40% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Mission Of Burma
Devotion
160 bpm • E Maj • 03:41 • -5db
20% Popularity • 20% Danceability • 83% Energy • 31% Liveness
66% Instrumentalness • 57% Positiveness
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The Cynics
Buisness As Usual
160 bpm • E Maj • 01:42 • -5.92db
29% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Vaselines
Sex Sux (Amen)
160 bpm • D Maj • 03:10 • -6.89db
22% Popularity • 24% Danceability • 85% Energy • 15% Liveness
10% Instrumentalness • 26% Positiveness
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Thee Mighty Caesars
You Make Me Die
148 bpm • D Maj • 01:32 • -3.07db
19% Popularity • 47% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Grant Hart
You're the Reflection of the Moon on the...
148 bpm • E min • 04:20 • -5db
22% Popularity • 39% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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The Detroit Cobras
Bad Girl
161 bpm • A# Maj • 02:30 • -7db
31% Popularity • 38% Danceability • 84% Energy • 19% Liveness
68% Instrumentalness • 66% Positiveness
► Preview
The Make-Up
Born On The Floor
147 bpm • B Maj • 04:25 • -5.38db
16% Popularity • 46% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Dead Moon
The 99's
148 bpm • C Maj • 02:39 • -4db
24% Popularity • 46% Danceability • 89% Energy • 21% Liveness
40% Instrumentalness • 67% Positiveness
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The Cynics
No Friend of Mine
147 bpm • C Maj • 02:24 • -4.14db
16% Popularity • 34% Danceability • 88% Energy • 18% Liveness
89% Instrumentalness • 53% Positiveness
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The Real Kids
Better Be Good
161 bpm • E Maj • 04:12 • -14.91db
15% Popularity • 32% Danceability • 66% Energy • 31% Liveness
75% Instrumentalness • 71% Positiveness
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The Gories
Sovereignty Flight
147 bpm • B min • 02:35 • -10.75db
14% Popularity • 51% Danceability • 52% Energy • 7% Liveness
6% Instrumentalness • 27% Positiveness
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The Detroit Cobras
Feel Good
161 bpm • F# Maj • 02:30 • -3.41db
29% Popularity • 27% Danceability • 91% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Nobunny
I Know I Know
147 bpm • C Maj • 01:50 • -2.25db
24% Popularity • 43% Danceability • 98% Energy • 18% Liveness
58% Instrumentalness • 58% Positiveness
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Dead Moon
Parchment Farm
161 bpm • B Maj • 03:35 • -5.6db
23% Popularity • 36% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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Wire
Ex Lion Tamer - 2006 Remastered Version
162 bpm • D Maj • 02:19 • -4.67db
47% Popularity • 34% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Personal and The Pizzas
Brass Knuckles
162 bpm • F# min • 02:32 • -3.75db
12% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Oblivians
You Better Behave
162 bpm • C Maj • 01:45 • -3.6db
8% Popularity • 19% Danceability • 98% Energy • 32% Liveness
10% Instrumentalness • 34% Positiveness
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Thee Headcoatees
Swallow My Pride
162 bpm • D Maj • 02:06 • -9.62db
12% Popularity • 34% Danceability • 74% Energy • 32% Liveness
59% Instrumentalness • 63% Positiveness
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Coachwhips
I Put It in, Way Down South
163 bpm • A min • 01:45 • -5.12db
19% Popularity • 28% Danceability • 98% Energy • 9% Liveness
61% Instrumentalness • 63% Positiveness
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Dead Moon
It's O.K.
163 bpm • C Maj • 03:35 • -5.33db
26% Popularity • 41% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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The Marked Men
Right Here with You
163 bpm • F Maj • 02:58 • -5.03db
16% Popularity • 26% Danceability • 67% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
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Thee Headcoats
Troubled Times
146 bpm • D Maj • 02:24 • -4.48db
21% Popularity • 59% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Oblivians
Pinball King
146 bpm • E Maj • 01:54 • -3.9db
18% Popularity • 50% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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The Zeros
Rico Amour
146 bpm • A min • 02:42 • -12.96db
25% Popularity • 27% Danceability • 56% Energy • 36% Liveness
86% Instrumentalness • 56% Positiveness
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Lost Sounds
Black Coats / Whitefear
146 bpm • A min • 01:59 • -4.06db
18% Popularity • 31% Danceability • 92% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
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The Detroit Cobras
Funnel of Love
145 bpm • G Maj • 02:02 • -11.31db
24% Popularity • 44% Danceability • 65% Energy • 45% Liveness
2% Instrumentalness • 73% Positiveness
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The Intelligence
(They Found Me On The Back Of) The Galax...
145 bpm • D Maj • 02:39 • -5.48db
17% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Exploding Hearts
Still Crazy
163 bpm • E Maj • 04:04 • -2.47db
17% Popularity • 35% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Oblivians
Come a Little Closer
146 bpm • C Maj • 02:36 • -5.2db
9% Popularity • 40% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Country Teasers
Thank You God for Making Me an Angel
164 bpm • E Maj • 02:38 • -3.31db
24% Popularity • 38% Danceability • 98% Energy • 49% Liveness
71% Instrumentalness • 54% Positiveness
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Lost Sounds
No Count
145 bpm • A min • 01:47 • -4.54db
21% Popularity • 36% Danceability • 75% Energy • 8% Liveness
96% Instrumentalness • 61% Positiveness
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King Khan and the Shrines
Le Fils de Jacques Dutronc
164 bpm • E Maj • 02:43 • -1.33db
13% Popularity • 22% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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The White Wires
Did You Forget My Name
145 bpm • A Maj • 02:13 • -3.47db
8% Popularity • 29% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Dan Sartain
Atheist Funeral
165 bpm • C# Maj • 02:30 • -6.17db
10% Popularity • 46% Danceability • 76% Energy • 23% Liveness
1% Instrumentalness • 78% Positiveness
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I'll Be Gone