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I'll Be Home For Christmas
Songs like
I'll Be Home For Christmas
by
Aimee Mann
Based on a tempo of (+/- 10%) and a similar genre
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Laura Marling
Once
84 bpm • G Maj • 03:38 • -19.92db
25% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The New Pornographers
Firework in the Falling Snow - Acoustic ...
84 bpm • F Maj • 02:54 • -12.45db
31% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Rickie Lee Jones
On Saturday Afternoons in 1963
83 bpm • D Maj • 02:31 • -17db
38% Popularity • 32% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Lemonheads
The Outdoor Type
85 bpm • B min • 02:36 • -9db
40% Popularity • 43% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Belle and Sebastian
I Know Where The Summer Goes
83 bpm • F Maj • 04:23 • -8.86db
19% Popularity • 47% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Alela Diane
To Be Still
83 bpm • G Maj • 05:26 • -9.22db
18% Popularity • 50% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Ben Folds
Landed
83 bpm • A# Maj • 04:26 • -6.1db
42% Popularity • 41% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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The New Pornographers
Challengers
83 bpm • D Maj • 03:31 • -9db
44% Popularity • 60% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
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The National
Gospel
83 bpm • C Maj • 04:29 • -12.37db
38% Popularity • 57% Danceability • 31% Energy • 11% Liveness
51% Instrumentalness • 22% Positiveness
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Joan Osborne
St. Teresa
83 bpm • A min • 05:20 • -8db
40% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Sinéad O'Connor
Last Day of Our Acquaintance
83 bpm • D# Maj • 04:38 • -13db
51% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Alela Diane
Dry Grass and Shadows
83 bpm • G Maj • 03:11 • -8.72db
22% Popularity • 53% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Edie Brickell
Take A Walk
83 bpm • B min • 04:18 • -14.23db
10% Popularity • 55% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Fiona Apple
Extraordinary Machine
85 bpm • C# Maj • 03:43 • -12db
49% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Drake
Pink Moon
82 bpm • D# Maj • 02:04 • -8.47db
69% Popularity • 64% Danceability • 43% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
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Ferron
Ain't Life A Brook
82 bpm • D Maj • 03:29 • -19.92db
24% Popularity • 60% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sinéad O'Connor
Just Like U Said It Would B
83 bpm • A min • 04:31 • -12db
48% Popularity • 58% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
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Shawn Colvin
If I Were Brave
86 bpm • C Maj • 03:11 • -12.92db
10% Popularity • 44% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Indigo Girls
Kid Fears
86 bpm • E min • 04:34 • -7.8db
36% Popularity • 23% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Jane Siberry
The Gospel According to Darkness
82 bpm • A# Maj • 04:51 • -16.06db
7% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Edie Brickell & New Bohemians
Circle
82 bpm • D Maj • 03:10 • -13.61db
50% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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M. Ward
Let's Dance
82 bpm • B min • 05:00 • -14.41db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Camera Obscura
James
82 bpm • C Maj • 03:49 • -6.99db
27% Popularity • 25% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Rilo Kiley
Science Vs. Romance
82 bpm • E min • 05:43 • -4db
36% Popularity • 46% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Adam Tressler
Soldiers' Home
82 bpm • A# Maj • 03:28 • -10.41db
5% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Neil Halstead
Driving with Bert
82 bpm • C# min • 06:17 • -9.23db
12% Popularity • 40% Danceability • 59% Energy • 7% Liveness
42% Instrumentalness • 31% Positiveness
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Shawn Colvin
Wichita Skyline
86 bpm • F Maj • 03:39 • -10.16db
13% Popularity • 55% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 34% Positiveness
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Jump, Little Children
Cathedrals
87 bpm • A Maj • 03:55 • -8db
33% Popularity • 36% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Jane Siberry
Love Is Everything - Harmony Version
87 bpm • C Maj • 05:51 • -14.69db
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Josh Rouse
1972
81 bpm • B Maj • 03:48 • -11.4db
35% Popularity • 56% Danceability • 46% Energy • 24% Liveness
8% Instrumentalness • 27% Positiveness
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Bonnie Somerville
Winding Road
81 bpm • A Maj • 03:27 • -8.77db
35% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rosie Thomas
Wedding Day
81 bpm • D Maj • 05:26 • -9db
22% Popularity • 57% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Rickie Lee Jones
Nobody Knows My Name
87 bpm • F Maj • 03:26 • -6.56db
12% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Iron & Wine
Die
81 bpm • G Maj • 01:06 • -13db
35% Popularity • 48% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Indigo Girls
Secure Yourself
81 bpm • E Maj • 03:33 • -9.38db
39% Popularity • 36% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Luscious Jackson
Why Do I Lie?
81 bpm • E Maj • 03:19 • -12db
24% Popularity • 43% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Waits
Time - 2023 Remaster
88 bpm • D Maj • 03:55 • -24.05db
45% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Cowboy Junkies
Something More Besides You
80 bpm • G Maj • 04:16 • -14db
33% Popularity • 36% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Edie Brickell & New Bohemians
Nothing
88 bpm • C Maj • 04:49 • -12.64db
38% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Edie Brickell
Once In A Blue Moon
88 bpm • E Maj • 04:22 • -10.66db
15% Popularity • 48% Danceability • 49% Energy • 10% Liveness
13% Instrumentalness • 31% Positiveness
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Indigo Girls
Romeo And Juliet
80 bpm • B min • 04:43 • -7.76db
42% Popularity • 42% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Belle and Sebastian
Get Me Away from Here, I'm Dying
80 bpm • F# Maj • 03:25 • -9.59db
54% Popularity • 54% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 70% Positiveness
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Grant Lee Buffalo
We've Only Just Begun
80 bpm • G# Maj • 03:51 • -10.23db
24% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Shawn Colvin
The Facts About Jimmy
89 bpm • A# min • 05:22 • -13.88db
15% Popularity • 65% Danceability • 38% Energy • 13% Liveness
8% Instrumentalness • 36% Positiveness
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Colin Hay
I Just Don't Think I'll Ever Get Over Yo...
79 bpm • C Maj • 05:28 • -19.38db
46% Popularity • 54% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Jane Siberry
Temple
89 bpm • C Maj • 04:49 • -12.05db
12% Popularity • 65% Danceability • 54% Energy • 34% Liveness
16% Instrumentalness • 53% Positiveness
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k.d. lang
Save Me
89 bpm • C Maj • 04:32 • -13.9db
33% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Rilo Kiley
Does He Love You?
79 bpm • G Maj • 05:13 • -6db
35% Popularity • 32% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Grant Lee Buffalo
It's the Life
79 bpm • C# Maj • 02:57 • -16.04db
29% Popularity • 40% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Shawn Colvin
You and The Mona Lisa
79 bpm • G Maj • 04:05 • -6.01db
12% Popularity • 60% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Sharon Van Etten
A Crime
79 bpm • F# min • 03:13 • -8.08db
28% Popularity • 44% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Sheila Nicholls
Fallen for You
79 bpm • G# Maj • 03:16 • -7.05db
21% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Fiona Apple
Criminal
90 bpm • G min • 05:41 • -7.91db
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Bragg
From Red to Blue
90 bpm • F Maj • 03:20 • -9.6db
17% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Adams
When The Stars Go Blue
90 bpm • A# Maj • 03:31 • -13.25db
53% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Shawn Colvin
Shotgun Down The Avalanche
89 bpm • C Maj • 05:02 • -14.44db
29% Popularity • 62% Danceability • 46% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
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The New Pornographers
The Bleeding Heart Show
90 bpm • F Maj • 04:27 • -5.54db
39% Popularity • 22% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Conor Oberst
Lua
90 bpm • D Maj • 05:53 • -9.89db
29% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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World Party
She's the One
78 bpm • A# Maj • 04:54 • -10db
39% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Clem Snide
Joan Jett of Arc
90 bpm • D Maj • 03:54 • -14.44db
6% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Edie Brickell & New Bohemians
He Said
90 bpm • G Maj • 05:30 • -12.71db
19% Popularity • 67% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Shawn Colvin
Ricochet In Time
90 bpm • A Maj • 03:09 • -19.06db
21% Popularity • 70% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Leonard Cohen
Coming Back to You
78 bpm • F Maj • 03:32 • -15db
41% Popularity • 48% Danceability • 25% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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Eleni Mandell
Girls
78 bpm • C Maj • 03:25 • -12.26db
18% Popularity • 24% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Rickie Lee Jones
Flying Cowboys
91 bpm • C# Maj • 05:05 • -14.4db
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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Belle and Sebastian
Sleep the Clock Around
78 bpm • C# min • 04:58 • -9.14db
51% Popularity • 63% Danceability • 52% Energy • 5% Liveness
61% Instrumentalness • 62% Positiveness
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The Be Good Tanyas
Broken Telephone
77 bpm • C Maj • 04:52 • -11.97db
24% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Marling
I Was An Eagle
91 bpm • C Maj • 04:21 • -13.85db
34% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Penn
Coal
91 bpm • A Maj • 03:33 • -8.68db
11% Popularity • 69% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Dawn Landes
Straight Lines
92 bpm • F# Maj • 02:57 • -8.9db
29% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Goldfrapp
Clowns
77 bpm • C# Maj • 04:08 • -14.33db
37% Popularity • 41% Danceability • 18% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
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Edie Brickell
Lost In The Moment
92 bpm • D Maj • 06:04 • -15.87db
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Hawksley Workman
Autumn's Here
77 bpm • G Maj • 04:59 • -6.42db
15% Popularity • 53% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Indigo Girls
Ghost
77 bpm • G Maj • 05:14 • -9.15db
39% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Aimee Mann
Knock It Off
92 bpm • A# Maj • 03:01 • -7.9db
21% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sharon Van Etten
Afraid of Nothing
92 bpm • G Maj • 04:05 • -9.18db
34% Popularity • 15% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jenny Lewis
Happy
92 bpm • E Maj • 04:16 • -11.41db
12% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Marling
Tap At My Window
93 bpm • D# Maj • 02:47 • -12db
34% Popularity • 38% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Rilo Kiley
Papillon
76 bpm • C Maj • 03:50 • -9.73db
20% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Cake Sale
Black Winged Bird
76 bpm • A Maj • 04:07 • -5.79db
20% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Aimee Mann
That's Just What You Are
93 bpm • A# Maj • 04:25 • -8db
35% Popularity • 65% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
44% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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Sharon Van Etten
Save Yourself
76 bpm • D Maj • 04:59 • -6.69db
27% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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American Music Club
All the Lost Souls Welcome You to San Fr...
76 bpm • G Maj • 02:43 • -11.61db
15% Popularity • 60% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Weeping Tile
In the Road
93 bpm • A Maj • 04:11 • -12db
9% Popularity • 35% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Amy Millan
Losin' You
93 bpm • C Maj • 02:24 • -10db
11% Popularity • 46% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Belle and Sebastian
This Is Just a Modern Rock Song
93 bpm • D Maj • 07:12 • -10.96db
24% Popularity • 30% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Hank Dogs
18 Dogs
93 bpm • D min • 05:19 • -9.13db
11% Popularity • 45% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Iron & Wine
The Trapeze Swinger
75 bpm • D Maj • 09:31 • -12.16db
50% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Edie Brickell & New Bohemians
Woyaho
94 bpm • E min • 02:34 • -10.7db
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
44% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Shawn Colvin
New Thing Now
94 bpm • G# Maj • 03:34 • -14.76db
8% Popularity • 50% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Marc Cohn
No Matter What
94 bpm • D Maj • 03:41 • -9.97db
8% Popularity • 67% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Katell Keineg
One Hell Of A Life
94 bpm • D Maj • 03:35 • -6.94db
13% Popularity • 58% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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The Magnetic Fields
Papa Was a Rodeo
75 bpm • G Maj • 05:01 • -8.93db
41% Popularity • 56% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Ben Folds Five
Mess
95 bpm • G min • 04:02 • -9db
31% Popularity • 40% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sharon Van Etten
Tarifa
74 bpm • C Maj • 04:50 • -9db
39% Popularity • 31% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
36% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Fiona Apple
Shadowboxer
74 bpm • D min • 05:24 • -7.3db
55% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Ryan Adams
Sylvia Plath
74 bpm • B Maj • 04:10 • -19.65db
20% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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I'll Be Home For Christmas