Songs like I'll Be Waiting - Acoustic by Cian Ducrot
Based on a tempo of (+/- 10%) and a similar genre
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Benson Boone
In The Stars
78 bpm • A# Maj • 03:36 • -6.03db
64% Popularity • 36% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 36% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Camylio
monsters
78 bpm • B Maj • 02:53 • -7.23db
59% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Dean Lewis
How Do I Say Goodbye - Orchestral
78 bpm • D# Maj • 02:40 • -8db
41% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Cian Ducrot
I'll Be Waiting - Acoustic
78 bpm • C# Maj • 02:55 • -5.31db
51% Popularity • 56% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 56% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Clinton Kane
I GUESS I'M IN LOVE
78 bpm • C Maj • 03:24 • -6.37db
68% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
68% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander Stewart
i wish you cheated (acoustic)
78 bpm • B Maj • 03:13 • -7.52db
39% Popularity • 29% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 29% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rachel Grae
It'll Be Okay
78 bpm • D# Maj • 03:52 • -9.14db
57% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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JP Saxe
When You Think Of Me
78 bpm • C# Maj • 03:29 • -10.59db
39% Popularity • 36% Danceability • 31% Energy • 49% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 36% Danceability • 31% Energy • 49% Liveness
0% Instrumentalness • 15% Positiveness
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Jamie Miller
I Lost Myself In Loving You
78 bpm • C# Maj • 03:21 • -5.45db
62% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Abe Parker
Last First Kiss
78 bpm • D Maj • 02:51 • -9.61db
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth B.
28
77 bpm • C Maj • 03:28 • -6.34db
71% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Rosie Darling
Coping - Stripped
79 bpm • F# Maj • 03:01 • -6.86db
48% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Zach Hood
never knew a heart could break itself
79 bpm • A Maj • 02:35 • -7.26db
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Benson Boone
Empty Heart Shaped Box
77 bpm • C Maj • 02:56 • -7db
62% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
62% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jamie Miller
Maybe Next Time (Acoustic)
79 bpm • B Maj • 03:12 • -7.3db
35% Popularity • 55% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 55% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Grae
Enough of Me
79 bpm • G min • 02:28 • -5.28db
59% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Ed Sheeran
Life Goes On
77 bpm • C# Maj • 03:30 • -7.61db
61% Popularity • 63% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 63% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Forest Blakk
I Choose You - Wedding Version
79 bpm • C Maj • 02:59 • -6.87db
37% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Cian Ducrot
How Do You Know - Strings Version
79 bpm • D Maj • 03:48 • -5.39db
23% Popularity • 33% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 33% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Leroy Sanchez
Stay For A While
77 bpm • F Maj • 03:57 • -12.34db
34% Popularity • 44% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 44% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Bradley Marshall
off my mind
77 bpm • C# Maj • 03:43 • -16.1db
30% Popularity • 37% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 37% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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vaultboy
this is what i get
79 bpm • D Maj • 03:05 • -6db
41% Popularity • 35% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 35% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Maximillian
Miss Her
76 bpm • A# Maj • 03:03 • -10db
32% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Forest Blakk
Foolish
77 bpm • F Maj • 03:32 • -7.92db
42% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Frawley
Austin's Song
80 bpm • D# Maj • 03:07 • -12.41db
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rachel Grae
Daughter
80 bpm • D Maj • 02:42 • -7.4db
51% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Brent Morgan
Forever and Ever, Amen
80 bpm • D Maj • 03:31 • -9.1db
47% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Daniel Schulz
Walk Away
80 bpm • C Maj • 02:40 • -11.36db
22% Popularity • 77% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 77% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cian Ducrot
Everyone Who Falls In Love (Has Someone ...
80 bpm • F# min • 02:35 • -6.59db
42% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Zach Hood
never knew a heart could break itself - ...
76 bpm • A Maj • 02:48 • -8db
54% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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JESSIA
Somehow
76 bpm • D Maj • 02:41 • -7.53db
46% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jonah Kagen
georgia
80 bpm • G# Maj • 03:30 • -11db
40% Popularity • 33% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 33% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Jamie Miller
Maybe Next Time
80 bpm • B Maj • 03:08 • -6.82db
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Here At Last
All In
76 bpm • C Maj • 03:27 • -6.95db
31% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Cian Ducrot
21 Seconds
76 bpm • B min • 03:17 • -6.59db
28% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Ruxley
this song should not exist
80 bpm • C# Maj • 02:56 • -9.82db
37% Popularity • 60% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 60% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Camylio
leaving home
80 bpm • C Maj • 02:53 • -8.48db
48% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lewis Capaldi
Leaving My Love Behind
76 bpm • D Maj • 03:30 • -4.84db
66% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
66% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Liv Harland
Lonely
80 bpm • F Maj • 02:31 • -5.37db
31% Popularity • 55% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Madison Watkins
Lose To Love
75 bpm • F# Maj • 03:29 • -9db
37% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Cian Ducrot
Midnight in Paris
80 bpm • G Maj • 03:49 • -12db
31% Popularity • 59% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 59% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Rico Greene
Till It Hurts - Acoustic Dance Sessions
75 bpm • F Maj • 02:39 • -12.92db
32% Popularity • 40% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 40% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Keenan Te
overthinking about you
81 bpm • B Maj • 03:16 • -6.51db
55% Popularity • 51% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 51% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Jillian Rossi
Bare Minimum
81 bpm • G Maj • 03:12 • -5.81db
42% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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waybackwhen
Pompeii - Acoustic Version
75 bpm • D Maj • 02:09 • -8db
40% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Hanniou
unanswered
75 bpm • G Maj • 03:49 • -10.24db
45% Popularity • 43% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 43% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cian Ducrot
anyone but her
81 bpm • F Maj • 03:36 • -13db
27% Popularity • 40% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 40% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Abe Parker
Until Now
81 bpm • C# Maj • 03:09 • -7.84db
38% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Theo Tams
Cowboy Take Me Away
81 bpm • B Maj • 02:41 • -7.86db
29% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Matthew Nolan
Falling - Acoustic
81 bpm • A min • 02:58 • -8db
33% Popularity • 53% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 53% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Caleb Hearn
Damage
81 bpm • F# Maj • 02:32 • -10db
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Brent Morgan
My Time Machine
75 bpm • C# Maj • 02:25 • -9.13db
50% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Cian Ducrot
Aftertaste
80 bpm • G Maj • 03:30 • -11db
35% Popularity • 53% Danceability • 43% Energy • 54% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 53% Danceability • 43% Energy • 54% Liveness
0% Instrumentalness • 12% Positiveness
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Dean Lewis
How Do I Say Goodbye
82 bpm • G# Maj • 02:43 • -6db
76% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
76% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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AWIN
My Home
82 bpm • B Maj • 02:09 • -11.48db
51% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bradley Marshall
Better Left Unsaid
82 bpm • F# Maj • 03:12 • -7.79db
28% Popularity • 50% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 50% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Mack
Did You Love Me Ever?
82 bpm • C Maj • 02:06 • -11.41db
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Gerow
Rewrite the Stars
75 bpm • A# Maj • 02:31 • -7.62db
49% Popularity • 40% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 40% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Cian Ducrot
Him - Strings Version
81 bpm • C Maj • 02:50 • -3.99db
28% Popularity • 35% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 35% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Rosa Linn
SNAP - Acoustic
74 bpm • C Maj • 03:28 • -5db
49% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Atli
Loved To Be Loved By You
82 bpm • G Maj • 02:59 • -9.36db
24% Popularity • 29% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 29% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Cat Burns
you don't love me anymore
82 bpm • G# Maj • 03:24 • -6.83db
48% Popularity • 55% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 55% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Bradley Marshall
Lost
82 bpm • D Maj • 03:33 • -15.7db
36% Popularity • 46% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 46% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Charlie Oriain
Getting Over You
74 bpm • C# min • 02:10 • -13.04db
34% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Cian Ducrot
somebody else
82 bpm • C# Maj • 04:19 • -6.6db
33% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Francis Karel
Seeing Other People
74 bpm • C# Maj • 03:30 • -10.03db
39% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Matthew Nolan
Falling
74 bpm • C Maj • 03:28 • -11.4db
31% Popularity • 48% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 48% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Jonah Kagen
broken (Acoustic)
82 bpm • C# Maj • 02:57 • -10db
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Brent Morgan
Stop Calling Me
82 bpm • C Maj • 02:45 • -6.75db
48% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Lewis Capaldi
Before You Go - Guitar Acoustic
83 bpm • D# Maj • 03:38 • -5.4db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Leroy Sanchez
I'll Stay
73 bpm • D# Maj • 03:29 • -8.56db
54% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Michal Leah
Think I'm Gonna Love You
83 bpm • C Maj • 02:44 • -12.27db
60% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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ADMT
Prison - Acoustic
84 bpm • A Maj • 02:35 • -7.61db
39% Popularity • 79% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 79% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mimi Webb
Last Train To London (I Won't Look Back)
73 bpm • A Maj • 03:52 • -6.92db
37% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Morgan
Breathe in, Breathe Out
72 bpm • F# Maj • 03:20 • -9.46db
46% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lewis Capaldi
Any Kind Of Life
84 bpm • F# Maj • 03:15 • -3.71db
50% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Bradley Marshall
Hurts The Most
84 bpm • B Maj • 03:22 • -9.01db
43% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Cian Ducrot
Victory
84 bpm • C Maj • 03:11 • -4.58db
42% Popularity • 45% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 45% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Katelyn Tarver
The Only Exception
84 bpm • D# Maj • 04:22 • -11db
53% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Nolan
Dear The Old Me
85 bpm • D Maj • 03:09 • -11.39db
36% Popularity • 53% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 53% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Hanniou
what do i do now
85 bpm • D# Maj • 03:05 • -8.94db
54% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alexander Stewart
i wish you cheated
85 bpm • B Maj • 03:10 • -7.69db
70% Popularity • 35% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 35% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie Miller
In The Cards
85 bpm • C Maj • 03:00 • -7.62db
58% Popularity • 63% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 63% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Cian Ducrot
fucked up all the time
84 bpm • F Maj • 03:29 • -10.84db
29% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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James Smith
Got the Love
85 bpm • B Maj • 03:03 • -10db
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mimi Webb
Last Train To London
71 bpm • A Maj • 03:47 • -7.09db
47% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Rachel Grae
Colorblind
71 bpm • D# Maj • 02:35 • -9.22db
58% Popularity • 51% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 51% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Camylio
hurting me, hurting you
86 bpm • C# Maj • 02:39 • -9.8db
49% Popularity • 36% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 36% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jessica Baio
start over
71 bpm • F Maj • 03:24 • -9.27db
51% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Cian Ducrot
Victory - Choir Version
85 bpm • C Maj • 03:00 • -5.08db
24% Popularity • 43% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 43% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 43% Positiveness
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Anson Seabra
I Can Love Anyone (As Long As It's You)
70 bpm • A Maj • 03:22 • -9.06db
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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elijah woods
who you could be
87 bpm • E Maj • 02:17 • -10.68db
55% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Beatrice
Attention
88 bpm • D# min • 02:58 • -14.03db
33% Popularity • 60% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 60% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Moncrieff
Talk
88 bpm • F Maj • 02:52 • -6.74db
33% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Forest Blakk
Fall Into Me - Acoustic
88 bpm • C Maj • 03:55 • -8db
43% Popularity • 50% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 50% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Cian Ducrot
All For You - In The Bathroom At A Party
70 bpm • D Maj • 03:41 • -20.32db
15% Popularity • 24% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
15% Popularity • 24% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Bradley Marshall
How Do I
88 bpm • C Maj • 02:23 • -8.74db
33% Popularity • 48% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 48% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander Stewart
october
88 bpm • F# Maj • 02:47 • -7.14db
48% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
