Songs like I'll Follow You by Amy Lauren
Based on a tempo of (+/- 10%) and a similar genre
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Michael Dulin
Bedtime For Little John
97 bpm • D Maj • 05:11 • -17.12db
15% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
15% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Joseph Akins
A Southern Sun
97 bpm • C Maj • 04:16 • -16.14db
30% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
30% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Amy Lauren
I'll Follow You
97 bpm • A Maj • 05:04 • -21.14db
23% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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DCant
Winter Guils
97 bpm • A# Maj • 03:23 • -19.13db
13% Popularity • 48% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 48% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Yira
Winter Story
97 bpm • C Maj • 03:19 • -27.32db
26% Popularity • 43% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
26% Popularity • 43% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Meyd!
Love at First Sight
98 bpm • C min • 01:09 • -17.79db
11% Popularity • 60% Danceability • 18% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
11% Popularity • 60% Danceability • 18% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
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Michael Dulin
Lullabye For Alexa
97 bpm • G# Maj • 03:20 • -19.65db
11% Popularity • 67% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 25% Positiveness
11% Popularity • 67% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 25% Positiveness
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Wayne Gratz
White Winter Dusk
96 bpm • A# Maj • 03:07 • -22.71db
10% Popularity • 44% Danceability • 10% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
10% Popularity • 44% Danceability • 10% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
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Eugenia Cristiani
Incontro
98 bpm • A# min • 02:39 • -26db
15% Popularity • 48% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
15% Popularity • 48% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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David Hicken
Celeste
98 bpm • D Maj • 04:30 • -23db
19% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
19% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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George Nascimento
A Sense of Freedom
98 bpm • D# Maj • 04:55 • -24.46db
20% Popularity • 44% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Jiřà Horák
Golden Hour
98 bpm • E min • 01:55 • -20.69db
16% Popularity • 40% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 40% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Janie Becker
The Dance
98 bpm • D Maj • 03:14 • -20db
45% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
45% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Rachel Currea
New Beginnings
96 bpm • B min • 04:14 • -19.06db
11% Popularity • 31% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
11% Popularity • 31% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Silvard
Forever Yours
98 bpm • D Maj • 04:26 • -14.51db
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Amy Lauren
Tannin Falls
98 bpm • F# Maj • 02:46 • -25.44db
28% Popularity • 37% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 9% Positiveness
28% Popularity • 37% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 9% Positiveness
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John Fluker
Night Prelude
96 bpm • D min • 01:08 • -14.15db
22% Popularity • 52% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
22% Popularity • 52% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Andy Tallent
You Are There
95 bpm • D# Maj • 03:32 • -40.11db
22% Popularity • 34% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
22% Popularity • 34% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Tom Ameen
Lavender Dreams
95 bpm • C Maj • 04:22 • -22.3db
13% Popularity • 43% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
13% Popularity • 43% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Fiona Joy Hawkins
For The Roses (Solo Piano)
95 bpm • G Maj • 03:28 • -17.4db
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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Passa Porto
Aereo
95 bpm • A min • 02:01 • -16.22db
40% Popularity • 64% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
40% Popularity • 64% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Amy Lauren
Tahquamenon
98 bpm • F min • 04:17 • -20.42db
2% Popularity • 36% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
2% Popularity • 36% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Anne Trenning
Real Love
99 bpm • A min • 03:22 • -20.28db
17% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
17% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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William Ogmundson
Great Expectations
95 bpm • A Maj • 04:13 • -18db
9% Popularity • 48% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 38% Positiveness
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Arian Müller
Comptine D'un Autre Été, L'après-Midi...
95 bpm • D Maj • 03:22 • -33.34db
11% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Laura Sullivan
Porch Swing Night Romance
99 bpm • D# Maj • 04:39 • -19.01db
11% Popularity • 51% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 51% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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Silvard
At Peace
95 bpm • C Maj • 03:36 • -16.55db
17% Popularity • 35% Danceability • 13% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
17% Popularity • 35% Danceability • 13% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
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Amy Lauren
Starfall
95 bpm • D# Maj • 03:07 • -24.24db
25% Popularity • 51% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
25% Popularity • 51% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Jeff Bjorck
Sculptor Of The Sky
100 bpm • F Maj • 06:41 • -21db
8% Popularity • 37% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
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Crying Cello
Below The Bottom (Sad Piano)
100 bpm • A min • 03:06 • -14.13db
21% Popularity • 46% Danceability • 30% Energy • 14% Liveness
95% Instrumentalness • 38% Positiveness
21% Popularity • 46% Danceability • 30% Energy • 14% Liveness
95% Instrumentalness • 38% Positiveness
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Rachel Currea
The Crossing
100 bpm • E min • 01:32 • -24.65db
10% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
10% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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James Todd
Quiet Beauty - Reprise
100 bpm • G Maj • 05:16 • -19.9db
8% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
8% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Chemayne
Simple Gifts
94 bpm • E Maj • 01:36 • -24.03db
15% Popularity • 26% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
15% Popularity • 26% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Alejandro Clavijo
She Carries Her Own Light
100 bpm • C Maj • 04:22 • -19.41db
17% Popularity • 56% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
17% Popularity • 56% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
38% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
38% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Amy Lauren
Search the Stars
94 bpm • C Maj • 02:25 • -28.07db
3% Popularity • 55% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
3% Popularity • 55% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
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Anne Trenning
And I'll Fly Away
94 bpm • C Maj • 04:22 • -19db
23% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
23% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
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James Todd
I Wonder.....
100 bpm • A Maj • 05:52 • -13.36db
10% Popularity • 29% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
10% Popularity • 29% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Michael Allen Harrison
Hidden Sanctuary
100 bpm • A min • 03:17 • -22.94db
26% Popularity • 31% Danceability • 14% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
26% Popularity • 31% Danceability • 14% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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David Hicken
Michael
100 bpm • A Maj • 05:09 • -26.47db
8% Popularity • 22% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Kristin Amarie
Midnight Kiss
94 bpm • D Maj • 03:12 • -23.22db
23% Popularity • 38% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
23% Popularity • 38% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Spencer Brewer
Where We Used To Play
93 bpm • B min • 04:05 • -29db
27% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
27% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Johan Bylin
In the beginning was the Word
93 bpm • C Maj • 03:34 • -22db
22% Popularity • 32% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 38% Positiveness
22% Popularity • 32% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 38% Positiveness
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James Todd
New Day
93 bpm • C Maj • 07:11 • -13.98db
12% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
12% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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Steven Cravis
The Shining Star
101 bpm • E Maj • 03:16 • -17.63db
28% Popularity • 38% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
28% Popularity • 38% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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David Hicken
Aphrodite
101 bpm • F Maj • 03:45 • -21.11db
11% Popularity • 30% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
11% Popularity • 30% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Flávio Franco Araujo
Flávia Jogando Bola
102 bpm • G Maj • 04:06 • -16.56db
13% Popularity • 31% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
13% Popularity • 31% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Peter Jennison
Solitary Peace (For Will Ackerman)
102 bpm • F Maj • 03:45 • -22.32db
13% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
13% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Amy Lauren
Nighttime Falls
92 bpm • A# Maj • 03:50 • -24.52db
3% Popularity • 44% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
3% Popularity • 44% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Ru's Piano
Sekai ga Owaru Made wa
102 bpm • C Maj • 05:41 • -17.16db
9% Popularity • 50% Danceability • 13% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
9% Popularity • 50% Danceability • 13% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
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John Fluker
A Father's Love
102 bpm • C Maj • 02:04 • -15.54db
26% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
26% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Ilse Van Den Broeck
Dreamily Romantic
91 bpm • C Maj • 05:59 • -18db
22% Popularity • 42% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
22% Popularity • 42% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Sarah Modene
Crossing the Trail
91 bpm • D min • 04:38 • -24db
12% Popularity • 22% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
12% Popularity • 22% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Fiona Joy Hawkins
Ancient Albatross
91 bpm • D Maj • 04:43 • -19.53db
19% Popularity • 24% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
19% Popularity • 24% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Amy Lauren
The Autumnal Sessions
91 bpm • E Maj • 05:14 • -17.34db
4% Popularity • 33% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 33% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Bylin
The Crucifixion and the Ascension
91 bpm • C min • 05:50 • -21.9db
22% Popularity • 27% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
22% Popularity • 27% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Laura Sullivan
Lullaby Wind
104 bpm • D min • 04:22 • -20.92db
8% Popularity • 46% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
8% Popularity • 46% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Janie Becker
When I Dream Of You
91 bpm • A# Maj • 02:26 • -20db
45% Popularity • 47% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Fiona Joy Hawkins
Love Forever (Remastered)
91 bpm • D Maj • 04:26 • -15.85db
27% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
27% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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Amy Lauren
Waterline
104 bpm • F# min • 03:30 • -17.3db
31% Popularity • 46% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
31% Popularity • 46% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Silvard
Irish Sailor
104 bpm • E min • 03:30 • -16.87db
22% Popularity • 51% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
22% Popularity • 51% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Ulvi Gurbanov Piano
Black Rose
104 bpm • C Maj • 01:46 • -30.04db
18% Popularity • 40% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 40% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Steven Cravis
Resolution
90 bpm • A min • 02:14 • -19.53db
32% Popularity • 55% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
32% Popularity • 55% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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![Abbie Marie (Cello and Piano) [feat. Emil Miland] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
Abbie Marie (Cello and Piano)
90 bpm • G# Maj • 03:28 • -22.04db
26% Popularity • 17% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
26% Popularity • 17% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Fiona Joy Hawkins
Ciney's Theme (Wedding March)
90 bpm • A Maj • 02:41 • -22db
34% Popularity • 31% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
34% Popularity • 31% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
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Amy Lauren
Circle of Steps
104 bpm • D# Maj • 03:51 • -23.29db
25% Popularity • 42% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
25% Popularity • 42% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
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Sarah Modene
Forgetting Yesterday
90 bpm • D# Maj • 03:28 • -25.04db
22% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
22% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Michael Whalen
Cupid Blindfolded
105 bpm • C Maj • 04:05 • -19.99db
10% Popularity • 41% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
10% Popularity • 41% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Marlowe Carruth
Theme from Schindler's List
105 bpm • G min • 02:22 • -19.49db
13% Popularity • 55% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
13% Popularity • 55% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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MaryAnn Siebert
A Poor Wayfaring Man of Grief/Waterways
105 bpm • G# Maj • 05:38 • -21.11db
10% Popularity • 55% Danceability • 9% Energy • 30% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 55% Danceability • 9% Energy • 30% Liveness
87% Instrumentalness • 7% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
35% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
35% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Amy Lauren
Begin to Dream
91 bpm • D Maj • 03:41 • -26.17db
5% Popularity • 46% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
5% Popularity • 46% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Neil Patton
Toccata
89 bpm • F Maj • 03:59 • -16.47db
11% Popularity • 21% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Rhonda Mackert
A Wild Beauty
106 bpm • E min • 03:54 • -22db
8% Popularity • 38% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
8% Popularity • 38% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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James Todd
Quiet Beauty
89 bpm • G Maj • 06:25 • -15.96db
30% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
30% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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GIGI
Oriental Feeling
106 bpm • A# min • 03:00 • -16.04db
33% Popularity • 36% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 36% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
41% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
41% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Matthew Mayer
Ocean Sunset
106 bpm • G min • 03:43 • -18.09db
11% Popularity • 48% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
11% Popularity • 48% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Steven Cravis
Snowfall Sunrise
107 bpm • F# Maj • 04:54 • -16.68db
16% Popularity • 33% Danceability • 28% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
16% Popularity • 33% Danceability • 28% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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David Hicken
Desirée
88 bpm • A# Maj • 04:42 • -21.95db
8% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
8% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Rachel Currea
Desert Night
107 bpm • B min • 03:41 • -21.28db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Louis Landon
Walking the Plains
87 bpm • C min • 04:49 • -20.56db
27% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
27% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Amy Lauren
Native Peace
88 bpm • G min • 03:02 • -22.11db
6% Popularity • 37% Danceability • 5% Energy • 21% Liveness
79% Instrumentalness • 10% Positiveness
6% Popularity • 37% Danceability • 5% Energy • 21% Liveness
79% Instrumentalness • 10% Positiveness
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Silvard
Zenshine
87 bpm • E min • 05:30 • -19.4db
9% Popularity • 40% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
9% Popularity • 40% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Steven Cravis
Radiant Love
87 bpm • G Maj • 02:57 • -16.09db
29% Popularity • 38% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
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Denise Young
Above the Clouds
109 bpm • C min • 04:31 • -21.64db
30% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
30% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Janie Becker
Sea Of Dreams
86 bpm • C min • 02:48 • -21.94db
34% Popularity • 46% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Jon Dahlander
Evergreen Rain
86 bpm • C min • 03:25 • -25.46db
9% Popularity • 37% Danceability • 19% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 37% Danceability • 19% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Amy Lauren
Precious Journey
108 bpm • F# Maj • 03:50 • -18.65db
3% Popularity • 53% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
3% Popularity • 53% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Silvard
Anthem of Love
87 bpm • G Maj • 03:35 • -15db
15% Popularity • 47% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
15% Popularity • 47% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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Solomon Keal
Memories
109 bpm • G Maj • 04:04 • -25db
11% Popularity • 41% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
11% Popularity • 41% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
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RW Beruhigende Hundemelodien
Wiegenlied auf dem Klavier
86 bpm • G# Maj • 03:04 • -28.3db
25% Popularity • 56% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
25% Popularity • 56% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Enrique Lacárcel Bautista
I - Winter
86 bpm • A min • 02:05 • -22.22db
8% Popularity • 23% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Silvano Zanatto
Op. 1 No 2
86 bpm • A min • 04:00 • -36db
14% Popularity • 21% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
14% Popularity • 21% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Jeremy Hand
Nocturne II
86 bpm • F# min • 08:27 • -17.95db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Marina Marinov
Auf dem Weg
110 bpm • D min • 04:12 • -18.87db
18% Popularity • 42% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
18% Popularity • 42% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
