Songs like I’ll Get By by Helen Forrest
Based on a tempo of (+/- 10%) and a similar genre
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Kay Kyser
There Goes That Song Again
95 bpm • C# Maj • 02:22 • -12db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
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Midge Williams
Lazy Bones
95 bpm • G min • 03:33 • -17.45db
5% Popularity • 59% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 59% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Glen Gray & The Casa Loma Orchestra
A Lover's Lullaby (Twilight Reverie)
94 bpm • G# Maj • 03:05 • -14.12db
11% Popularity • 48% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 41% Positiveness
11% Popularity • 48% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 41% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
8% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
8% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Kay Kyser & His Orchestra
Let's get lost
94 bpm • D min • 03:11 • -13.23db
1% Popularity • 37% Danceability • 12% Energy • 41% Liveness
16% Instrumentalness • 20% Positiveness
1% Popularity • 37% Danceability • 12% Energy • 41% Liveness
16% Instrumentalness • 20% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Teddy Wilson
When You're Smiling (01-06-38)
94 bpm • D# Maj • 02:52 • -12db
35% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
35% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
14% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
14% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Annette Hanshaw
I Can't Give You Anything But Love
94 bpm • A# Maj • 02:59 • -14.8db
18% Popularity • 55% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 55% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
8% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Munn
Jazzy Interlude
97 bpm • D# Maj • 02:54 • -8.45db
39% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
39% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Connie Boswell
I Cover the Waterfront
97 bpm • G Maj • 02:59 • -16.04db
15% Popularity • 40% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 40% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Glen Gray & The Casa Loma Orchestra
Meet Me Tonight In Dreamland
97 bpm • G min • 02:47 • -11.93db
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
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Ethel Waters
Second Handed Man
93 bpm • D# Maj • 02:50 • -10db
12% Popularity • 63% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 63% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Annette Hanshaw
What Wouldn't I Do for That Man
97 bpm • G# min • 02:49 • -13.6db
22% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Sammy Kaye
The Old Lamp-Lighter
92 bpm • D Maj • 03:00 • -17.87db
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
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Eddy Howard
You're Getting To Be A Habit With Me
98 bpm • G min • 02:01 • -15.11db
10% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Freddy Martin & His Orchestra
To Each His Own
92 bpm • A min • 03:11 • -8.17db
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
30% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
30% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Betty Hutton
He's a Demon, He's a Devil, He's a Doll
92 bpm • F min • 03:16 • -9.86db
25% Popularity • 55% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 55% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
17% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
17% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
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Tennessee Ernie Ford
Singin’ in the Rain
98 bpm • A Maj • 01:30 • -9.49db
17% Popularity • 83% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 83% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
7% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
7% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Bob Crosby
Sing to Me
92 bpm • A# Maj • 02:24 • -14db
21% Popularity • 40% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 24% Positiveness
21% Popularity • 40% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 24% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
When The Roses Bloom Again
91 bpm • A min • 02:54 • -12.8db
2% Popularity • 31% Danceability • 12% Energy • 58% Liveness
15% Instrumentalness • 23% Positiveness
2% Popularity • 31% Danceability • 12% Energy • 58% Liveness
15% Instrumentalness • 23% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:16 • -21.62db
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
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Cab Calloway
Blues In The Night
91 bpm • C Maj • 03:09 • -15.81db
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Selvin & His Orchestra
Let Me Sing and I'm Happy
99 bpm • D min • 03:04 • -14.82db
16% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
16% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
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Lionel Hampton
When Lights Are Low
99 bpm • C# Maj • 02:14 • -9.3db
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Bob Crosby
Happy Times
91 bpm • A min • 02:45 • -13.36db
37% Popularity • 49% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
37% Popularity • 49% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
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Betty Hutton
Hes a Demon Hes a Devil Hes a Doll (Alte...
91 bpm • F min • 02:14 • -11.15db
19% Popularity • 49% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 49% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
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Nat King Cole Trio
Who Do You Know In Heaven (That Made You...
91 bpm • D Maj • 02:38 • -16.77db
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Artie Shaw
Bill
91 bpm • G Maj • 02:38 • -6.36db
0% Popularity • 50% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 50% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
19% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Benny Carter
Nightfall
90 bpm • C Maj • 03:13 • -17.28db
23% Popularity • 52% Danceability • 13% Energy • 9% Liveness
36% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 13% Energy • 9% Liveness
36% Instrumentalness • 31% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Crosby
Let'S Go Around Together
100 bpm • C Maj • 02:28 • -13.25db
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Lionel Hampton
I Don't Stand a Ghost of a Chance With Y...
90 bpm • F Maj • 02:55 • -11.13db
7% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Helen Forrest
I Had The Craziest Dream
101 bpm • G# Maj • 02:41 • -12.45db
11% Popularity • 31% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ella Fitzgerald and Her Savoy Eight
I Was Doing All Right
101 bpm • C# Maj • 02:54 • -11.93db
21% Popularity • 75% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 75% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Helen Forrest
My Heart Belongs to Daddy
101 bpm • G min • 02:17 • -8.83db
6% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Gerhard Trede
Swinging World
101 bpm • A# Maj • 02:49 • -9.28db
21% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
21% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
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Jimmy Dorsey & His Orchestra
All This and Heaven Too
101 bpm • G min • 03:02 • -9.27db
9% Popularity • 48% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 48% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Buddy Clark
Linda
101 bpm • F Maj • 03:18 • -19db
15% Popularity • 55% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
15% Popularity • 55% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Frankie Carle and His Orchestra
One More Tomorrow
89 bpm • A Maj • 03:20 • -11.96db
30% Popularity • 39% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Helen Forrest
My Man (Mon Homme)
89 bpm • C min • 02:08 • -8.08db
4% Popularity • 42% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 42% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Ted Heath
Stardust
101 bpm • C# Maj • 02:42 • -13db
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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The Dorsey Brothers
My Melancholy Baby
101 bpm • D# Maj • 03:00 • -9.87db
20% Popularity • 73% Danceability • 34% Energy • 21% Liveness
14% Instrumentalness • 85% Positiveness
20% Popularity • 73% Danceability • 34% Energy • 21% Liveness
14% Instrumentalness • 85% Positiveness
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Rudy Vallee
If I Had a Girl Like You
102 bpm • F# min • 03:08 • -13.54db
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Dick Haymes
All Through the Day
102 bpm • E Maj • 03:01 • -19.52db
5% Popularity • 23% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
5% Popularity • 23% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
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Kay Kyser
How Long Did I Dream
89 bpm • F min • 03:21 • -10.71db
7% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
26% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
13% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Helen Forrest
Mean to Me
88 bpm • C# Maj • 01:46 • -14.46db
3% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
13% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Frankie Carle
Rumors Are Flying (Alternate Take)
88 bpm • F# Maj • 02:52 • -11.99db
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
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Connie Boswell
Blue Moon
88 bpm • A# Maj • 03:11 • -16.82db
19% Popularity • 38% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 38% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Maxine Sullivan
When Your Lover Has Gone
103 bpm • G Maj • 02:45 • -14.9db
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Woody Herman
LAURA
88 bpm • D# Maj • 03:16 • -14.08db
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Cab Calloway
Evenin'
103 bpm • G min • 02:47 • -15.01db
15% Popularity • 49% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Eddie Fisher
After I Say I'm Sorry?
103 bpm • A# Maj • 02:05 • -16.49db
34% Popularity • 52% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
34% Popularity • 52% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
20% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
20% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
29% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Larry Clinton & His Orchestra
Deep Purple
104 bpm • D# Maj • 02:52 • -11db
14% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Helen Forrest
I Don't Want to Walk Without You
86 bpm • A# Maj • 02:48 • -10.21db
13% Popularity • 27% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 27% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Les Brown
'Tis Autumn
86 bpm • C Maj • 03:10 • -16.53db
8% Popularity • 29% Danceability • 8% Energy • 52% Liveness
2% Instrumentalness • 15% Positiveness
8% Popularity • 29% Danceability • 8% Energy • 52% Liveness
2% Instrumentalness • 15% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
22% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness