Songs like I'll See You in My Dreams by Django Reinhardt
Based on a tempo of (+/- 10%) and a similar genre
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Tchavolo Schmitt
L'indien
113 bpm • F Maj • 03:42 • -8.34db
26% Popularity • 63% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
26% Popularity • 63% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
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Tchan-Tchou Vidal
Premier rendez-vous
113 bpm • G Maj • 02:39 • -15.51db
36% Popularity • 59% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
36% Popularity • 59% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
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Django Reinhardt
Django's Tiger
113 bpm • A Maj • 02:38 • -9.42db
39% Popularity • 74% Danceability • 57% Energy • 11% Liveness
71% Instrumentalness • 96% Positiveness
39% Popularity • 74% Danceability • 57% Energy • 11% Liveness
71% Instrumentalness • 96% Positiveness
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Stéphane Grappelli
I'm Confessin' (That I Love You)
113 bpm • D Maj • 02:53 • -19.89db
29% Popularity • 76% Danceability • 17% Energy • 9% Liveness
25% Instrumentalness • 64% Positiveness
29% Popularity • 76% Danceability • 17% Energy • 9% Liveness
25% Instrumentalness • 64% Positiveness
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Raymond Scott
The Toy Trumpet
113 bpm • C Maj • 02:57 • -15.61db
14% Popularity • 78% Danceability • 31% Energy • 18% Liveness
90% Instrumentalness • 61% Positiveness
14% Popularity • 78% Danceability • 31% Energy • 18% Liveness
90% Instrumentalness • 61% Positiveness
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The Ink Spots
I'm Beginning To See The Light
113 bpm • F Maj • 02:42 • -12db
52% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Patrick Saussois
Venez donc chez moi
114 bpm • G Maj • 02:35 • -11.75db
37% Popularity • 74% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 62% Positiveness
37% Popularity • 74% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 62% Positiveness
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Tchan-Tchou Vidal
Mack the Knife
113 bpm • D Maj • 03:00 • -11.18db
37% Popularity • 64% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 86% Positiveness
37% Popularity • 64% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 86% Positiveness
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Django Reinhardt
I'll See You in My Dreams
113 bpm • F Maj • 02:33 • -12db
48% Popularity • 76% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
48% Popularity • 76% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
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Oscar Aleman
Russian Lullaby
112 bpm • B Maj • 02:56 • -16.46db
14% Popularity • 58% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
14% Popularity • 58% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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Henry Mancini
Walkin' Bass
114 bpm • A# min • 04:24 • -16.42db
15% Popularity • 73% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 25% Positiveness
15% Popularity • 73% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 25% Positiveness
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Les Baxter
Quiet Village
112 bpm • D min • 03:19 • -15.22db
24% Popularity • 26% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
24% Popularity • 26% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Patrick Saussois
Degringolade
112 bpm • E Maj • 02:40 • -5.1db
27% Popularity • 61% Danceability • 78% Energy • 22% Liveness
53% Instrumentalness • 91% Positiveness
27% Popularity • 61% Danceability • 78% Energy • 22% Liveness
53% Instrumentalness • 91% Positiveness
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Tuba Skinny
Tupelo Pine
111 bpm • D# Maj • 04:42 • -6.07db
30% Popularity • 57% Danceability • 44% Energy • 30% Liveness
95% Instrumentalness • 81% Positiveness
30% Popularity • 57% Danceability • 44% Energy • 30% Liveness
95% Instrumentalness • 81% Positiveness
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Django Reinhardt
Tea for Two
113 bpm • G Maj • 02:48 • -10.23db
16% Popularity • 66% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
16% Popularity • 66% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Vernon Duke
Taking A Chance On Love
111 bpm • G min • 04:47 • -14db
26% Popularity • 52% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
26% Popularity • 52% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Rodolphe Raffalli
Récréation gitane
111 bpm • G Maj • 01:30 • -14.1db
40% Popularity • 62% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 88% Positiveness
40% Popularity • 62% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 88% Positiveness
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Benny Goodman Sextet
If I Had You
111 bpm • C Maj • 03:01 • -19db
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Zez Confrey
Kitten on the Keys
115 bpm • F Maj • 03:11 • -22.48db
13% Popularity • 49% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 84% Positiveness
13% Popularity • 49% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 84% Positiveness
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Lionel Hampton
Central Avenue Breakdown
111 bpm • F min • 03:04 • -8.61db
8% Popularity • 59% Danceability • 81% Energy • 22% Liveness
18% Instrumentalness • 89% Positiveness
8% Popularity • 59% Danceability • 81% Energy • 22% Liveness
18% Instrumentalness • 89% Positiveness
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Django Reinhardt
Blue Drag
114 bpm • D min • 02:53 • -16.78db
22% Popularity • 78% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
22% Popularity • 78% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
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Dexter Gordon
Cheese Cake - Remastered 1999/Rudy Van G...
111 bpm • F min • 06:33 • -6db
42% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Cannonball Adderley
Autumn Leaves
111 bpm • G min • 10:59 • -9db
56% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eddie Lang
Feeling My Way
115 bpm • A Maj • 02:58 • -10.98db
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 57% Positiveness
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Sonny Rollins
St. Thomas
111 bpm • G Maj • 03:55 • -11db
31% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
31% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
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Django Reinhardt
Swing 39
114 bpm • A# Maj • 02:37 • -11.35db
30% Popularity • 64% Danceability • 51% Energy • 11% Liveness
69% Instrumentalness • 82% Positiveness
30% Popularity • 64% Danceability • 51% Energy • 11% Liveness
69% Instrumentalness • 82% Positiveness
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Dave Brubeck
Theme From "Mr. Broadway"
111 bpm • F min • 02:27 • -14.5db
36% Popularity • 60% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 60% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Dinah Washington
September In The Rain
111 bpm • C# Maj • 02:09 • -13.12db
60% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Oscar Peterson Trio
C Jam Blues
115 bpm • F Maj • 03:23 • -18.66db
50% Popularity • 47% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
50% Popularity • 47% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
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Benny Goodman Septet
7 Come 11
116 bpm • C# Maj • 02:46 • -16db
19% Popularity • 70% Danceability • 45% Energy • 19% Liveness
82% Instrumentalness • 92% Positiveness
19% Popularity • 70% Danceability • 45% Energy • 19% Liveness
82% Instrumentalness • 92% Positiveness
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The Modern Jazz Quartet
Django
110 bpm • F min • 07:03 • -16.19db
27% Popularity • 62% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
27% Popularity • 62% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Django Reinhardt
Tears
114 bpm • F min • 02:37 • -14.47db
24% Popularity • 83% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
24% Popularity • 83% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Tchan-Tchou Vidal
La gitane
110 bpm • D Maj • 02:40 • -11.3db
34% Popularity • 56% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 88% Positiveness
34% Popularity • 56% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 88% Positiveness
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Herbie Hancock
Cantaloupe Island - Remastered 1999/Rudy...
116 bpm • C min • 05:33 • -8.18db
61% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lester Young
Dickie's Dream (Take 2)
110 bpm • C min • 02:47 • -15.7db
27% Popularity • 77% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
27% Popularity • 77% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Hoagy Carmichael
Hong Kong Blues
116 bpm • D min • 02:28 • -15.05db
27% Popularity • 83% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 83% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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John Coltrane Quartet
Nancy (With The Laughing Face)
116 bpm • F Maj • 03:11 • -14db
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
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Django Reinhardt
St. Louis Blues
115 bpm • G Maj • 02:42 • -10.9db
25% Popularity • 73% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
25% Popularity • 73% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Quintette du Hot Club de France
Nuages
110 bpm • G Maj • 03:04 • -20db
16% Popularity • 53% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 62% Positiveness
16% Popularity • 53% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 62% Positiveness
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Angelo Badalamenti
Dance of the Dream Man - Instrumental
110 bpm • F min • 03:41 • -16.92db
42% Popularity • 71% Danceability • 24% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
42% Popularity • 71% Danceability • 24% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
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Tchan-Tchou Vidal
Flots du Danube
117 bpm • A min • 03:24 • -11db
34% Popularity • 66% Danceability • 62% Energy • 14% Liveness
85% Instrumentalness • 94% Positiveness
34% Popularity • 66% Danceability • 62% Energy • 14% Liveness
85% Instrumentalness • 94% Positiveness
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Kid Ory
Eh, La Bas
109 bpm • A# Maj • 04:48 • -9.91db
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
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John Coltrane
Equinox
117 bpm • G# min • 08:07 • -15.6db
39% Popularity • 62% Danceability • 20% Energy • 6% Liveness
50% Instrumentalness • 27% Positiveness
39% Popularity • 62% Danceability • 20% Energy • 6% Liveness
50% Instrumentalness • 27% Positiveness
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Django Reinhardt
Swing Guitars
111 bpm • F Maj • 03:00 • -11.45db
15% Popularity • 80% Danceability • 30% Energy • 9% Liveness
74% Instrumentalness • 87% Positiveness
15% Popularity • 80% Danceability • 30% Energy • 9% Liveness
74% Instrumentalness • 87% Positiveness
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Lester Young
I Can't Get Started
117 bpm • C Maj • 03:37 • -21db
52% Popularity • 59% Danceability • 2% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
52% Popularity • 59% Danceability • 2% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
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Hoagy Carmichael
Baltimore Oriole
117 bpm • D# min • 03:54 • -19.35db
12% Popularity • 44% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 44% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Grant Green
Django - Rudy Van Gelder Edition / Remas...
117 bpm • A# min • 08:44 • -11.57db
45% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Diknu Schneeberger
Lulu's Swing
109 bpm • A Maj • 03:09 • -11.49db
28% Popularity • 75% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 75% Positiveness
28% Popularity • 75% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 75% Positiveness
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Django Reinhardt
Brazil
111 bpm • C Maj • 02:48 • -14db
47% Popularity • 83% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 83% Positiveness
47% Popularity • 83% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 83% Positiveness
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Elmo Hope
It's A Lovely Day Today
109 bpm • C Maj • 02:47 • -13db
37% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
37% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
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Lionel Hampton
On the Sunny Side of the Street
109 bpm • C Maj • 03:16 • -9db
27% Popularity • 71% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 59% Positiveness
27% Popularity • 71% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 59% Positiveness
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Louis Jordan
Is You Is Or Is You Ain't (My Baby)
117 bpm • A# min • 03:16 • -11.48db
48% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmy Giuffre
Two Kinds of Blues
109 bpm • G Maj • 05:17 • -26db
19% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
19% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Billy May & His Orchestra
The Odd Couple
109 bpm • E Maj • 02:17 • -17db
38% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
38% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
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Django Reinhardt
When Day Is Done
117 bpm • G Maj • 03:12 • -10.73db
17% Popularity • 69% Danceability • 31% Energy • 5% Liveness
86% Instrumentalness • 75% Positiveness
17% Popularity • 69% Danceability • 31% Energy • 5% Liveness
86% Instrumentalness • 75% Positiveness
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Cannonball Adderley
One For Daddy-O
108 bpm • F min • 08:25 • -7.26db
47% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lionel Hampton
Vibraphone Blues
108 bpm • G# Maj • 05:07 • -17.22db
27% Popularity • 70% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 70% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Earl Hines
Song Of The Islands
108 bpm • G# Maj • 02:37 • -7.32db
32% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
32% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
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Grant Green
Joshua Fit De Battle Of Jericho
108 bpm • A min • 08:04 • -11.2db
31% Popularity • 67% Danceability • 48% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
31% Popularity • 67% Danceability • 48% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Wes Montgomery Trio
'Round Midnight
118 bpm • D# min • 04:53 • -25.45db
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Jelly Roll Morton
Georgia Swing
108 bpm • G# Maj • 02:29 • -13.45db
36% Popularity • 79% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 89% Positiveness
36% Popularity • 79% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 89% Positiveness
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Herb Ellis
A Simple Tune
118 bpm • C Maj • 04:11 • -11db
29% Popularity • 80% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 59% Positiveness
29% Popularity • 80% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 59% Positiveness
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Havana Swing
Les Croquants
108 bpm • A Maj • 02:35 • -6.44db
27% Popularity • 69% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 70% Positiveness
27% Popularity • 69% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 70% Positiveness
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Lester Young
Ad Lib Blues
108 bpm • C Maj • 05:51 • -15.04db
29% Popularity • 70% Danceability • 28% Energy • 22% Liveness
81% Instrumentalness • 78% Positiveness
29% Popularity • 70% Danceability • 28% Energy • 22% Liveness
81% Instrumentalness • 78% Positiveness
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Django Reinhardt
Blues clair
108 bpm • C Maj • 03:03 • -9.57db
20% Popularity • 79% Danceability • 49% Energy • 6% Liveness
86% Instrumentalness • 86% Positiveness
20% Popularity • 79% Danceability • 49% Energy • 6% Liveness
86% Instrumentalness • 86% Positiveness
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Bud Powell
You Go To My Head - Remastered 1998/Rudy...
119 bpm • F Maj • 03:15 • -12.82db
46% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
46% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
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Stéphane Grappelli
I Saw Stars
108 bpm • G Maj • 02:29 • -20.63db
35% Popularity • 84% Danceability • 14% Energy • 26% Liveness
82% Instrumentalness • 64% Positiveness
35% Popularity • 84% Danceability • 14% Energy • 26% Liveness
82% Instrumentalness • 64% Positiveness
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Benny Goodman Sextet
Limehouse Blues
108 bpm • F min • 02:27 • -15.89db
23% Popularity • 82% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 89% Positiveness
23% Popularity • 82% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 89% Positiveness
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Herb Alpert & The Tijuana Brass
El Lobo (The Wolf)
119 bpm • F min • 03:04 • -11.92db
9% Popularity • 45% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 35% Positiveness
9% Popularity • 45% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 35% Positiveness
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Havana Swing
Tchavolo Swing
119 bpm • A Maj • 02:33 • -4db
38% Popularity • 78% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 78% Positiveness
38% Popularity • 78% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 78% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Django Reinhardt
Baby
108 bpm • G Maj • 02:39 • -7.13db
19% Popularity • 68% Danceability • 45% Energy • 8% Liveness
65% Instrumentalness • 94% Positiveness
19% Popularity • 68% Danceability • 45% Energy • 8% Liveness
65% Instrumentalness • 94% Positiveness
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Quintette du Hot Club de France
Charleston
119 bpm • A# Maj • 02:53 • -6db
15% Popularity • 84% Danceability • 69% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
15% Popularity • 84% Danceability • 69% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
30% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
30% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Hazel Scott
Blues in B Flat
107 bpm • F Maj • 02:49 • -18.06db
31% Popularity • 55% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 47% Positiveness
31% Popularity • 55% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 47% Positiveness
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Buena Vista Social Club
Pueblo Nuevo
107 bpm • C Maj • 06:06 • -16.12db
52% Popularity • 63% Danceability • 26% Energy • 12% Liveness
56% Instrumentalness • 71% Positiveness
52% Popularity • 63% Danceability • 26% Energy • 12% Liveness
56% Instrumentalness • 71% Positiveness
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Mary Lou Williams
Night life
119 bpm • F min • 02:59 • -9.53db
25% Popularity • 72% Danceability • 48% Energy • 26% Liveness
93% Instrumentalness • 72% Positiveness
25% Popularity • 72% Danceability • 48% Energy • 26% Liveness
93% Instrumentalness • 72% Positiveness
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Yorgui Loeffler
For Magnio
119 bpm • G Maj • 03:22 • -9db
37% Popularity • 56% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
37% Popularity • 56% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
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Lester Young
Blue Lester
119 bpm • G# Maj • 03:25 • -20db
46% Popularity • 72% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
46% Popularity • 72% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
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Quintette du Hot Club de France
I Found a New Baby
107 bpm • A min • 03:06 • -14.49db
34% Popularity • 86% Danceability • 28% Energy • 15% Liveness
61% Instrumentalness • 65% Positiveness
34% Popularity • 86% Danceability • 28% Energy • 15% Liveness
61% Instrumentalness • 65% Positiveness
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Dorado Schmitt
Bleu citron
120 bpm • A min • 02:31 • -7.46db
38% Popularity • 74% Danceability • 58% Energy • 6% Liveness
71% Instrumentalness • 71% Positiveness
38% Popularity • 74% Danceability • 58% Energy • 6% Liveness
71% Instrumentalness • 71% Positiveness
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Django Reinhardt
Fiddle's Blues
107 bpm • G Maj • 02:46 • -6.11db
20% Popularity • 73% Danceability • 51% Energy • 18% Liveness
72% Instrumentalness • 90% Positiveness
20% Popularity • 73% Danceability • 51% Energy • 18% Liveness
72% Instrumentalness • 90% Positiveness
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Alain Romans
How Is the Weather In Paris
120 bpm • C min • 02:14 • -23db
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Tchan-Tchou Vidal
Bye Bye Blue
106 bpm • G Maj • 02:33 • -9.47db
33% Popularity • 61% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 86% Positiveness
33% Popularity • 61% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 86% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
43% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
43% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Quintette du Hot Club de France
Sweet Georgia Brown
107 bpm • B min • 03:09 • -14.57db
22% Popularity • 83% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
22% Popularity • 83% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
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Coleman Hawkins
What a Difference a Day Makes
120 bpm • F Maj • 03:23 • -13.45db
36% Popularity • 58% Danceability • 36% Energy • 36% Liveness
89% Instrumentalness • 53% Positiveness
36% Popularity • 58% Danceability • 36% Energy • 36% Liveness
89% Instrumentalness • 53% Positiveness
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Django Reinhardt
Sweet Georgia Brown
106 bpm • B min • 03:07 • -16.83db
32% Popularity • 82% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
32% Popularity • 82% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Patrick Saussois
Swing Puces
106 bpm • F Maj • 02:25 • -9.82db
29% Popularity • 56% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
29% Popularity • 56% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Louis Armstrong & His Hot Five
Basin Sreet Blues - Remastered
106 bpm • A# Maj • 03:14 • -10db
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
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Dave Brubeck
Bossa Nova U.S.A.
106 bpm • F Maj • 02:24 • -19.49db
41% Popularity • 62% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
41% Popularity • 62% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
13% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
13% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Earl Hines
My Monday Date
120 bpm • F Maj • 06:41 • -11.74db
9% Popularity • 74% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
9% Popularity • 74% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
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Yorgui Loeffler
Minor Swing
121 bpm • E min • 03:20 • -8.65db
33% Popularity • 66% Danceability • 72% Energy • 33% Liveness
88% Instrumentalness • 95% Positiveness
33% Popularity • 66% Danceability • 72% Energy • 33% Liveness
88% Instrumentalness • 95% Positiveness
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Paul Desmond
El Condor Pasa
121 bpm • C Maj • 03:03 • -14.13db
43% Popularity • 62% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 58% Positiveness
43% Popularity • 62% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 58% Positiveness
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Dexter Gordon
I Guess I'll Hang My Tears Out To Dry - ...
121 bpm • D# Maj • 05:22 • -8.97db
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
