Songs like I'll Think Of You by Kurt Hugo Schneider
Based on a tempo of (+/- 10%) and a similar genre
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GOLDHOUSE
i don't wanna know - acoustic
120 bpm • A# Maj • 03:06 • -8.74db
48% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Struan Shields
That's When I Wake Up
120 bpm • D# Maj • 03:56 • -8.28db
24% Popularity • 70% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 70% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Schulte
Someone
120 bpm • A# Maj • 03:37 • -4.36db
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Brent Morgan
Deserve You
120 bpm • A# min • 03:00 • -17.14db
33% Popularity • 68% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 68% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Victoria Anthony
Breathe Underwater
120 bpm • F min • 04:28 • -4.39db
27% Popularity • 47% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 47% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Lasso the Sun
Reunite - Acoustic Version
120 bpm • C# min • 03:06 • -6.46db
11% Popularity • 66% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 66% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Madilyn
Survive
120 bpm • E Maj • 03:24 • -12.55db
32% Popularity • 65% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 65% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Becoming Young
Coming Back
120 bpm • F Maj • 03:08 • -9.59db
11% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Kurt Hugo Schneider
Maps
120 bpm • C# min • 03:18 • -6.65db
34% Popularity • 80% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 80% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Chord Overstreet
I Love You More
120 bpm • G Maj • 03:18 • -9db
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Cash Cash
42 - Acoustic
120 bpm • E min • 02:19 • -3.51db
16% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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JJ Heller
Good Idea
120 bpm • A Maj • 03:12 • -10.2db
20% Popularity • 73% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 73% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Tim Be Told
Me to You
120 bpm • C# Maj • 03:37 • -4db
32% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Liahona Olayan
Boom
120 bpm • A Maj • 02:36 • -9.2db
16% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Kurt Hugo Schneider
I'll Think Of You
120 bpm • C Maj • 02:16 • -11.57db
0% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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BANNERS
Serenade - Acoustic
120 bpm • C Maj • 03:55 • -11.99db
19% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Elijah Mann
Cut to the Feeling
120 bpm • B Maj • 03:32 • -10.9db
33% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ross Copperman
Not Believe
120 bpm • C# Maj • 03:25 • -8.34db
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Be Told
Me To You - String Version
120 bpm • C# Maj • 03:28 • -5.42db
7% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Madilyn
All My Oxygen
120 bpm • A# Maj • 03:32 • -4db
26% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Miller
I Hope I Die First
120 bpm • F# Maj • 02:56 • -8db
29% Popularity • 52% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 52% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Lexi Walker
Teach Me - Acoustic
120 bpm • C Maj • 02:31 • -7.68db
21% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Catrien
Erase You
119 bpm • F Maj • 04:00 • -8.34db
33% Popularity • 41% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 41% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Francois Klark
Back Together
120 bpm • A# Maj • 03:26 • -12db
21% Popularity • 34% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 34% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kurt Hugo Schneider
7 Years
119 bpm • A# Maj • 03:07 • -6.82db
20% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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James Smith
When You Love Somebody
121 bpm • C Maj • 03:24 • -10.26db
29% Popularity • 67% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 67% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Elise Lieberth
According to You (Acoustic)
121 bpm • F# Maj • 03:22 • -7.39db
15% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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HIGHST
Breaking
121 bpm • D min • 02:13 • -5.95db
28% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Grace Davies
i met a boy online
121 bpm • C Maj • 03:14 • -9db
36% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Chloe Adams
Time Machine
122 bpm • C Maj • 02:25 • -7db
28% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
50% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Madilyn
Red Ribbon
122 bpm • F# min • 03:23 • -8db
40% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chad Graham
Broadway Love Medley: As Long as You're ...
118 bpm • D# Maj • 03:50 • -6.47db
22% Popularity • 47% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 47% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Kurt Hugo Schneider
I Really Like You
122 bpm • F# Maj • 03:11 • -2.01db
0% Popularity • 55% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 55% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Gabriel Conte
When The World Changes
122 bpm • F# Maj • 03:23 • -10.51db
29% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Howard
Our Time
122 bpm • A Maj • 03:26 • -6.3db
21% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Annette Lee
Song for the Underdog
118 bpm • C# Maj • 02:54 • -5.67db
23% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Lady Bri
Do What I Do (KHS Remix)
118 bpm • B min • 03:13 • -6.51db
7% Popularity • 87% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 87% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Goot
you broke me first (Acoustic)
122 bpm • D# Maj • 02:46 • -8.41db
19% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Hugo Schneider
There's Nothing Holdin' Me Back
122 bpm • D Maj • 03:24 • -5.93db
26% Popularity • 74% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 74% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Juniper Vale
Can You Feel My Love? - Acoustic Version
118 bpm • B Maj • 03:56 • -8.14db
27% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jules Aurora
Elevated
118 bpm • B min • 03:54 • -7.58db
5% Popularity • 67% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 67% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Reese Oliveira
Daisies
122 bpm • F# Maj • 03:01 • -5.7db
12% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Munn
maybe we're both right
118 bpm • F Maj • 02:41 • -7.6db
28% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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alex
Confrontations
117 bpm • G Maj • 03:43 • -11.9db
20% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Conor Maynard
Dance With Somebody
123 bpm • D Maj • 03:15 • -7.79db
52% Popularity • 56% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 56% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Loving Caliber
Why I Try
117 bpm • C Maj • 03:07 • -11.42db
28% Popularity • 59% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 59% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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BLÜ EYES
halcyon
123 bpm • C# Maj • 03:19 • -8db
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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ATC
Red
123 bpm • C# min • 03:06 • -3.65db
32% Popularity • 61% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 61% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Reeves
Forever Isn't Long Enough
117 bpm • G Maj • 03:48 • -7db
23% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Nightbirde
New Year's Eve
124 bpm • D Maj • 03:21 • -5.41db
34% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Late Night Thoughts
Get Back Up
124 bpm • C Maj • 04:00 • -8.47db
13% Popularity • 61% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 61% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 21% Positiveness
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Kurt Hugo Schneider
Sweater Weather
124 bpm • A# Maj • 03:48 • -7.82db
59% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Gabriel Conte
The Hard Things
116 bpm • F Maj • 03:14 • -8.94db
13% Popularity • 63% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 63% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Derek Hough
Say It Now
116 bpm • E Maj • 03:39 • -5.11db
21% Popularity • 66% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 66% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Foster
Open Up My Heart
116 bpm • F Maj • 02:58 • -12db
40% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nightbirde
Girl In A Bubble
116 bpm • D Maj • 03:59 • -14.44db
34% Popularity • 82% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 82% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Joel Adams
Papercuts
116 bpm • D Maj • 05:23 • -10.43db
36% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kurt Hugo Schneider
Anyone
116 bpm • G min • 03:10 • -11.86db
0% Popularity • 74% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 74% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Hunter Hayes
Tell Me
125 bpm • F Maj • 03:54 • -5.84db
38% Popularity • 44% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 44% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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George Shelley
Lose To Find
125 bpm • A# Maj • 03:17 • -9.77db
13% Popularity • 39% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 39% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Bella Taylor Smith
Higher - Acoustic
125 bpm • E Maj • 03:40 • -5.81db
27% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Elijah N
Missing What's You
125 bpm • G# Maj • 03:09 • -4.82db
34% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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3rd Silhouette
Forgotten Heroes
125 bpm • C Maj • 02:47 • -14.09db
22% Popularity • 60% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 60% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Kurt Hugo Schneider
Still I Fly
125 bpm • C# Maj • 03:49 • -6.72db
0% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Angelica Hale
Looking Up
125 bpm • A# Maj • 03:15 • -8.57db
22% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Alayna Grace
all i've got
125 bpm • G min • 03:25 • -6.04db
10% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Grayson Ty
Fall Again
125 bpm • E min • 03:18 • -11.54db
8% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Annelle Staal
dragons - Acoustic
115 bpm • B Maj • 03:44 • -5db
27% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Brent Morgan
Should I Leave
115 bpm • D Maj • 04:11 • -5.99db
32% Popularity • 66% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 66% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Kurt Hugo Schneider
Wolves
125 bpm • D Maj • 03:17 • -14.19db
0% Popularity • 60% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
0% Popularity • 60% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
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Rasmus Hagen
Learn to Love
115 bpm • C Maj • 03:37 • -6.52db
20% Popularity • 61% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 61% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Valerie Broussard
Wildflowers
115 bpm • F# min • 03:19 • -6db
25% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Anson Seabra
Magazines
115 bpm • F Maj • 03:40 • -12.28db
34% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jade
When I Cry - Acoustic
114 bpm • G# Maj • 03:06 • -9.15db
20% Popularity • 56% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 56% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Jamie Harrison
Flawless
126 bpm • A Maj • 03:48 • -11.01db
29% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kurt Hugo Schneider
Speechless
126 bpm • E min • 03:23 • -7.57db
22% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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River Atley
Fixing Me Breaking You
126 bpm • D Maj • 03:32 • -6.82db
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ava Bryant
Always You
126 bpm • C# Maj • 03:45 • -9.09db
34% Popularity • 72% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 72% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Loving Caliber
It Should Have Been You
126 bpm • F# Maj • 02:53 • -9.89db
36% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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James TW
Playlist
126 bpm • F# Maj • 03:19 • -8db
41% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Calum Scott
Rise - Acoustic
114 bpm • A Maj • 03:33 • -6.5db
39% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Kurt Hugo Schneider
This Town
114 bpm • A# min • 02:55 • -10.71db
27% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Arden Cho
Try
126 bpm • G Maj • 04:05 • -9.7db
19% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Becoming Young
Stand Down - Reimagined
114 bpm • G min • 03:13 • -5.67db
14% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Fischer
What Other People Say - Original Demo
127 bpm • C Maj • 03:17 • -9db
20% Popularity • 62% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 62% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Greyson Chance
Overloved
127 bpm • G Maj • 03:03 • -7.57db
26% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Howard
In It Together
127 bpm • C# min • 03:19 • -9db
31% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Pace Randolph
Walking In Pieces
127 bpm • G Maj • 03:24 • -7db
18% Popularity • 72% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 72% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Danny Padilla
Isn't Me
127 bpm • G# Maj • 03:31 • -10.9db
22% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Loving Caliber
Left in the Rain
127 bpm • F# Maj • 03:16 • -5.58db
34% Popularity • 42% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 42% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 36% Positiveness
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Francis Karel
Another
113 bpm • D Maj • 02:50 • -5.97db
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Be Told
When Someone Loves You
128 bpm • A# Maj • 02:37 • -12.79db
29% Popularity • 47% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 47% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Roses & Revolutions
Someone to You
128 bpm • F Maj • 03:49 • -11db
32% Popularity • 67% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 67% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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VINCINT
Be Me - Acoustic / For "Queer Eye" Seaso...
113 bpm • F# Maj • 02:39 • -7db
34% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Kurt Hugo Schneider
Can't Stop The Feeling!
113 bpm • A min • 03:47 • -4.71db
14% Popularity • 75% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 75% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Katrina Stone
Soul On Fire
128 bpm • A Maj • 03:38 • -5.01db
22% Popularity • 50% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 50% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
