Songs like I'll Walk Beside You by Alan Murray
Based on a tempo of (+/- 10%) and a similar genre
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The Kraken Consort
Bridget O’Malley (Arr. for Ensemble by...
78 bpm • G Maj • 03:47 • -10.23db
9% Popularity • 27% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 27% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Martin Hayes & Dennis Cahill
Coleman's March
78 bpm • F Maj • 02:32 • -17.47db
12% Popularity • 52% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 52% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Elizabeth Davidson-Blythe
The Croft
78 bpm • E min • 04:49 • -6.37db
8% Popularity • 20% Danceability • 67% Energy • 10% Liveness
66% Instrumentalness • 68% Positiveness
8% Popularity • 20% Danceability • 67% Energy • 10% Liveness
66% Instrumentalness • 68% Positiveness
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Alan Murray
I'll walk beside you
78 bpm • F Maj • 02:52 • -19.24db
0% Popularity • 27% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 27% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Project Smok
Angela
77 bpm • F Maj • 03:41 • -11.18db
9% Popularity • 22% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Archer Jonathan
A New Scottish Tune
77 bpm • A Maj • 03:47 • -13.72db
22% Popularity • 31% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 31% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Burke
Walsh’s Hornpipe/The Old Torn Petticoa...
77 bpm • A Maj • 06:35 • -17db
7% Popularity • 40% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 40% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Fara
The Hampshire
79 bpm • D Maj • 04:15 • -12.44db
11% Popularity • 13% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 13% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Martin Hayes & Dennis Cahill
The Girl That Broke My Heart
77 bpm • G min • 02:42 • -18.43db
9% Popularity • 47% Danceability • 10% Energy • 8% Liveness
9% Instrumentalness • 93% Positiveness
9% Popularity • 47% Danceability • 10% Energy • 8% Liveness
9% Instrumentalness • 93% Positiveness
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Jackie Oates
Mormond Braes
79 bpm • A Maj • 04:45 • -12.2db
10% Popularity • 28% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 28% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Breabach
Dear Green
76 bpm • G# Maj • 05:22 • -9.39db
12% Popularity • 24% Danceability • 44% Energy • 11% Liveness
9% Instrumentalness • 32% Positiveness
12% Popularity • 24% Danceability • 44% Energy • 11% Liveness
9% Instrumentalness • 32% Positiveness
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Luinn
Donegal Set
76 bpm • D Maj • 04:32 • -12.71db
11% Popularity • 35% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 72% Positiveness
11% Popularity • 35% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 72% Positiveness
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Martin Hayes
Bill Malley's Barndance/Kilnamona Barnda...
76 bpm • C Maj • 05:06 • -15.34db
12% Popularity • 48% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 48% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Planxty
The Irish Marche
80 bpm • G Maj • 03:35 • -9.59db
18% Popularity • 22% Danceability • 36% Energy • 6% Liveness
38% Instrumentalness • 47% Positiveness
18% Popularity • 22% Danceability • 36% Energy • 6% Liveness
38% Instrumentalness • 47% Positiveness
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Heather Lewin
Arlo's Delight
80 bpm • A Maj • 02:43 • -22.82db
12% Popularity • 44% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 44% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Alan Murray
I`ll Walk Beside You (Arr. for Cornet, O...
76 bpm • D# Maj • 03:13 • -29.74db
0% Popularity • 16% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Barry Phillips and Friends
The Rights Of Man
80 bpm • E min • 03:20 • -15db
7% Popularity • 53% Danceability • 24% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
7% Popularity • 53% Danceability • 24% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
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Natalie Haas
Eileen’s Farewell / Lady Crysler of Co...
80 bpm • G Maj • 04:42 • -14.79db
8% Popularity • 36% Danceability • 29% Energy • 7% Liveness
90% Instrumentalness • 53% Positiveness
8% Popularity • 36% Danceability • 29% Energy • 7% Liveness
90% Instrumentalness • 53% Positiveness
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Martin Hayes & Dennis Cahill
The Wind Swept Hill Of Tulla
81 bpm • A# Maj • 04:11 • -17.1db
8% Popularity • 25% Danceability • 3% Energy • 12% Liveness
17% Instrumentalness • 45% Positiveness
8% Popularity • 25% Danceability • 3% Energy • 12% Liveness
17% Instrumentalness • 45% Positiveness
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Alan Stivell
Oidche Mhaith
75 bpm • G min • 01:54 • -14.33db
12% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lars Cleveman
I´ll Walk Beside You
75 bpm • F# Maj • 02:32 • -14.69db
0% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Alan Murray
I'll Walk Beside You
74 bpm • F# Maj • 02:06 • -14.54db
2% Popularity • 48% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 48% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Scottish Fish
Furry Flats / The Famous Baravan
82 bpm • D Maj • 05:07 • -13.73db
10% Popularity • 23% Danceability • 18% Energy • 10% Liveness
8% Instrumentalness • 61% Positiveness
10% Popularity • 23% Danceability • 18% Energy • 10% Liveness
8% Instrumentalness • 61% Positiveness
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David Algeo Smith
Long Mae Ping River
82 bpm • D Maj • 03:24 • -9.2db
11% Popularity • 27% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
11% Popularity • 27% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Dolores Keane
Green Grow the Laurels
82 bpm • C# Maj • 03:28 • -10.7db
11% Popularity • 62% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 62% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Blazin' Fiddles
Carronside
82 bpm • C Maj • 01:51 • -15.05db
24% Popularity • 38% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
24% Popularity • 38% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
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Virginia Company
Nottingham Ale
74 bpm • F Maj • 03:09 • -12.59db
8% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Murray
I'll Walk Beside You
83 bpm • F Maj • 03:34 • -14.11db
0% Popularity • 25% Danceability • 18% Energy • 8% Liveness
7% Instrumentalness • 17% Positiveness
0% Popularity • 25% Danceability • 18% Energy • 8% Liveness
7% Instrumentalness • 17% Positiveness
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Sharon Shannon
The Pernod Waltz
83 bpm • B min • 02:03 • -8.8db
10% Popularity • 36% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 36% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Arthur Johnstone
Scots Wha Hae
73 bpm • G Maj • 02:08 • -9.72db
26% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Lauren MacColl
Tomnahurich
83 bpm • E min • 04:16 • -10.46db
8% Popularity • 23% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 23% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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JenliSisters
Brocéliande / La Complainte De La Blanc...
83 bpm • G min • 02:54 • -18.03db
11% Popularity • 22% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Declan Masterson
Paddy O'Brien's / Tumble the Tinker
84 bpm • D Maj • 03:11 • -11.86db
8% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Alan Murray
Alan Murray My Heart Is in Vienna Still
73 bpm • G# Maj • 03:13 • -15.93db
0% Popularity • 35% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Reverie Road
naked and bare
84 bpm • E min • 04:04 • -10.47db
7% Popularity • 17% Danceability • 22% Energy • 10% Liveness
18% Instrumentalness • 18% Positiveness
7% Popularity • 17% Danceability • 22% Energy • 10% Liveness
18% Instrumentalness • 18% Positiveness
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Tommy Fitzharris and Donal McCague
The Flower of the Flock / The Mason’s ...
84 bpm • D# Maj • 04:39 • -14.18db
9% Popularity • 34% Danceability • 22% Energy • 13% Liveness
60% Instrumentalness • 89% Positiveness
9% Popularity • 34% Danceability • 22% Energy • 13% Liveness
60% Instrumentalness • 89% Positiveness
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Old Bay Ceili Band
The Bluemont Waltz (Waltz)
84 bpm • G Maj • 03:36 • -15db
8% Popularity • 51% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 51% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Robert Matheson
Stand Ye Up, Charaid
85 bpm • D Maj • 01:42 • -16.23db
21% Popularity • 36% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 28% Positiveness
21% Popularity • 36% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 28% Positiveness
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Jenna Reid
Neil Gow's Lament for the Death of his S...
85 bpm • D Maj • 04:19 • -13.81db
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Alan Murray
I'll Walk Beside You
84 bpm • D# Maj • 02:33 • -27.21db
0% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Saltfishforty
The Sweetness Of Mary
85 bpm • D Maj • 01:59 • -15.8db
8% Popularity • 32% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 32% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Fara
At the Ebb
86 bpm • A Maj • 02:34 • -10.81db
19% Popularity • 29% Danceability • 23% Energy • 27% Liveness
3% Instrumentalness • 34% Positiveness
19% Popularity • 29% Danceability • 23% Energy • 27% Liveness
3% Instrumentalness • 34% Positiveness
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Cherish The Ladies
Inisheer
86 bpm • G Maj • 03:04 • -11db
17% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Dréos
Cascade Mountain Aire
86 bpm • A Maj • 03:39 • -9.88db
10% Popularity • 33% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
10% Popularity • 33% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Whalebone
Christchurch Cathedral
87 bpm • G Maj • 03:32 • -10.63db
14% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Hart & Tom Moore
Ladies' Pleasure
69 bpm • A# Maj • 02:22 • -12.58db
9% Popularity • 54% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 68% Positiveness
9% Popularity • 54% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 68% Positiveness
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Breabach
Lochaber No More
87 bpm • C Maj • 04:21 • -11.8db
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Fiddlers' Bid
Hamnataing
88 bpm • D Maj • 04:22 • -9.89db
10% Popularity • 17% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
10% Popularity • 17% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Seamus Heaney
The Given Note / Port na bPúcaí
69 bpm • D Maj • 04:46 • -19.26db
10% Popularity • 31% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 31% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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The Tannahill Weavers
Kintail
89 bpm • G Maj • 04:24 • -10.29db
9% Popularity • 10% Danceability • 30% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 30% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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American Guitar & Country Fiddle Band
Rides
89 bpm • C Maj • 01:32 • -17.33db
21% Popularity • 56% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 56% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Nathan Gourley
An Spailpín Fánach / Step It out Joe
89 bpm • E Maj • 03:12 • -11db
14% Popularity • 37% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 37% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Julie Fowlis
Allt na Ceardaich / Fiona Rosie's
90 bpm • G Maj • 02:53 • -3.45db
11% Popularity • 57% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
11% Popularity • 57% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Kim Robertson
Piper's Despair
90 bpm • E min • 01:35 • -12.93db
20% Popularity • 55% Danceability • 34% Energy • 9% Liveness
21% Instrumentalness • 32% Positiveness
20% Popularity • 55% Danceability • 34% Energy • 9% Liveness
21% Instrumentalness • 32% Positiveness
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Liam O'Flynn
Árdaí Chuain
68 bpm • C# Maj • 02:11 • -27.11db
9% Popularity • 19% Danceability • 1% Energy • 13% Liveness
73% Instrumentalness • 84% Positiveness
9% Popularity • 19% Danceability • 1% Energy • 13% Liveness
73% Instrumentalness • 84% Positiveness
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The Tannahill Weavers
Braw Burn The Bridges
68 bpm • A# min • 05:49 • -13.97db
9% Popularity • 30% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 30% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Bill Whelan
The Humours Of Barrack Street
91 bpm • D min • 01:11 • -18.04db
12% Popularity • 53% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 53% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Bergin
Liam Ó Raghallaigh
67 bpm • D min • 02:38 • -27.19db
20% Popularity • 26% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 92% Positiveness
20% Popularity • 26% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 92% Positiveness
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Rachel Hair
Hubcaps and Potholes - Hubcaps and Potho...
91 bpm • E min • 04:20 • -12.27db
8% Popularity • 57% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
8% Popularity • 57% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
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Lucia Micarelli
Musical Priest
91 bpm • D Maj • 01:12 • -10.59db
19% Popularity • 60% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
19% Popularity • 60% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Liz Carroll
The Fruit and the Snoot / On the Offbeat
92 bpm • D Maj • 04:26 • -6.6db
10% Popularity • 36% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 32% Positiveness
10% Popularity • 36% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 32% Positiveness
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Seán Ó Riada
Máirseáil Rí Laoise (March of the Kin...
91 bpm • G Maj • 04:36 • -8db
7% Popularity • 25% Danceability • 66% Energy • 74% Liveness
79% Instrumentalness • 47% Positiveness
7% Popularity • 25% Danceability • 66% Energy • 74% Liveness
79% Instrumentalness • 47% Positiveness
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Tulua
The Minor Set
92 bpm • E min • 04:29 • -8.83db
10% Popularity • 34% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 34% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Willie Clancy
Hornpipe: Harvest Home
92 bpm • D Maj • 01:29 • -10.29db
8% Popularity • 41% Danceability • 35% Energy • 37% Liveness
94% Instrumentalness • 61% Positiveness
8% Popularity • 41% Danceability • 35% Energy • 37% Liveness
94% Instrumentalness • 61% Positiveness
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Kjell Leidhammar
Polska e. Kurt Svensson
66 bpm • A# Maj • 01:30 • -11.89db
18% Popularity • 73% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 98% Positiveness
18% Popularity • 73% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 98% Positiveness
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Jackie Daly
Ashoken Farewell
92 bpm • D Maj • 03:17 • -18db
16% Popularity • 20% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 30% Positiveness
16% Popularity • 20% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 30% Positiveness
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Runa
The Clowns Set
92 bpm • D Maj • 04:33 • -6.64db
10% Popularity • 46% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 46% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kevin Buckley
Hardiman the Fiddler
93 bpm • D min • 01:42 • -10.41db
2% Popularity • 70% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 82% Positiveness
2% Popularity • 70% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 82% Positiveness
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Alan Murray
I'll Walk Beside You
92 bpm • A# Maj • 02:35 • -13.92db
0% Popularity • 25% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 25% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mike McGoldrick, John McCusker & John Doyle
Planxty Dermot Grogan
93 bpm • D Maj • 06:41 • -14db
14% Popularity • 37% Danceability • 17% Energy • 8% Liveness
3% Instrumentalness • 28% Positiveness
14% Popularity • 37% Danceability • 17% Energy • 8% Liveness
3% Instrumentalness • 28% Positiveness
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Spiers & Boden
Cuckoo's Nest / Saltash / William Irwin'...
93 bpm • G Maj • 04:28 • -9.58db
10% Popularity • 44% Danceability • 41% Energy • 3% Liveness
6% Instrumentalness • 68% Positiveness
10% Popularity • 44% Danceability • 41% Energy • 3% Liveness
6% Instrumentalness • 68% Positiveness
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Finbar Furey
The Slender Promise
93 bpm • G Maj • 01:07 • -5.25db
14% Popularity • 47% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 47% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Martin Hayes & Dennis Cahill
The Booley House Jig
94 bpm • D Maj • 02:01 • -15db
11% Popularity • 74% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 74% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Fara
West Tide Story
94 bpm • G Maj • 04:44 • -7.53db
10% Popularity • 40% Danceability • 47% Energy • 4% Liveness
28% Instrumentalness • 74% Positiveness
10% Popularity • 40% Danceability • 47% Energy • 4% Liveness
28% Instrumentalness • 74% Positiveness
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Blazin' Fiddles
Waulking Songs
94 bpm • D Maj • 03:30 • -9.66db
9% Popularity • 45% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
9% Popularity • 45% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Adam Agee
John Naughton's / Tommy Coen's
94 bpm • A min • 02:28 • -12.03db
25% Popularity • 60% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 98% Positiveness
25% Popularity • 60% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 98% Positiveness
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Kathleen MacInnes
oganaich an Orfhuilt Bhuidhe
95 bpm • F# Maj • 03:37 • -15db
13% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rebecca Hill and Charlie Stewart
On The Mountain
95 bpm • G Maj • 03:34 • -12.21db
10% Popularity • 42% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Jacob Jolliff
Vera
96 bpm • E min • 06:10 • -10.64db
16% Popularity • 61% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 47% Positiveness
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P.J. Hayes
McGreevy's Favorite / Miss McGuinness Re...
95 bpm • G Maj • 02:24 • -12.96db
23% Popularity • 42% Danceability • 30% Energy • 18% Liveness
27% Instrumentalness • 95% Positiveness
23% Popularity • 42% Danceability • 30% Energy • 18% Liveness
27% Instrumentalness • 95% Positiveness
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Martin Hayes & Dennis Cahill
Mulqueen's
96 bpm • C Maj • 01:28 • -14db
19% Popularity • 71% Danceability • 16% Energy • 11% Liveness
62% Instrumentalness • 98% Positiveness
19% Popularity • 71% Danceability • 16% Energy • 11% Liveness
62% Instrumentalness • 98% Positiveness
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Kilfenora Céilí Band
John O'Dreams (Song)
96 bpm • C Maj • 05:19 • -7.64db
8% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Calum Stewart
Schottishe Kerlou
96 bpm • A Maj • 03:13 • -5.56db
18% Popularity • 37% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 24% Positiveness
18% Popularity • 37% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 24% Positiveness
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Liz Carroll
Lament Of The First Generation (Air)
96 bpm • G Maj • 03:40 • -11.35db
9% Popularity • 37% Danceability • 26% Energy • 11% Liveness
37% Instrumentalness • 53% Positiveness
9% Popularity • 37% Danceability • 26% Energy • 11% Liveness
37% Instrumentalness • 53% Positiveness
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Blazin' Fiddles
Norwegian
96 bpm • G Maj • 06:53 • -8.53db
8% Popularity • 37% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 37% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Jim's Red Pants
Charles Dickens' Sleeping Room
97 bpm • D Maj • 03:20 • -11.22db
8% Popularity • 29% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 29% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Martin Hayes & Dennis Cahill
Jenny's Welcome To Charlie
97 bpm • A min • 02:48 • -17db
17% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 55% Positiveness
17% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 55% Positiveness
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Brendan Hendry
The Mist in the Meadow / The Curlew's Cr...
98 bpm • D Maj • 03:30 • -8.55db
9% Popularity • 62% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 72% Positiveness
9% Popularity • 62% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 72% Positiveness
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Tony Cuffe
Yestereen I Had a Pint O Wine
97 bpm • A Maj • 04:42 • -10.82db
23% Popularity • 59% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 59% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Micho Russell
The Boys of Bluehill, hornpipe
98 bpm • F Maj • 01:22 • -17.24db
15% Popularity • 67% Danceability • 5% Energy • 44% Liveness
91% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 5% Energy • 44% Liveness
91% Instrumentalness • 96% Positiveness
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Luis Vandi
Moods
98 bpm • D# min • 01:21 • -12.32db
11% Popularity • 73% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 73% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Calum Stewart
La Légende de la Cane
98 bpm • G Maj • 04:33 • -9.6db
7% Popularity • 42% Danceability • 47% Energy • 17% Liveness
95% Instrumentalness • 52% Positiveness
7% Popularity • 42% Danceability • 47% Energy • 17% Liveness
95% Instrumentalness • 52% Positiveness
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Martin Hayes & Dennis Cahill
Tell Her I Am/Gallagher's Frolics
98 bpm • G Maj • 05:09 • -17db
12% Popularity • 48% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 48% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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McKasson & McDonald
Theme for Scotland
99 bpm • D Maj • 03:03 • -13.8db
19% Popularity • 28% Danceability • 8% Energy • 20% Liveness
82% Instrumentalness • 30% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 20% Liveness
82% Instrumentalness • 30% Positiveness
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Arcady
The Boys Of Bluehill, The Stack Of Barle...
98 bpm • D Maj • 02:42 • -12db
12% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Sean Tyrrell
Skin the Goat
99 bpm • D Maj • 03:44 • -6.68db
15% Popularity • 37% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 37% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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William Coulter
George Washington's Favorite Cotillion /...
99 bpm • D Maj • 04:18 • -8.33db
9% Popularity • 56% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 56% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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McAnna´s Band
The Road to Lisdoonvarna
99 bpm • D Maj • 02:05 • -13.32db
11% Popularity • 45% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 45% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness