Songs like Illness as a Metaphor by Benjamin Walker
Based on a tempo of (+/- 10%) and a similar genre
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Dirty Rotten Scoundrels Original Broadway Cast
Great Big Stuff
119 bpm • D Maj • 04:02 • -11.21db
22% Popularity • 75% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 75% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Benjamin Walker
Illness as a Metaphor
119 bpm • C min • 02:16 • -17db
16% Popularity • 60% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 60% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Troy Britton Johnson
Accident Waiting to Happen
119 bpm • F Maj • 03:05 • -11db
26% Popularity • 51% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 51% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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John Cullum
Mr. Cladwell
119 bpm • C# Maj • 02:43 • -10.67db
30% Popularity • 58% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 58% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Polycarpou
Joe
120 bpm • D Maj • 05:16 • -15.13db
8% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Aaron Tveit
Aftershocks
120 bpm • F# min • 01:47 • -19db
32% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Steven Weber
Mary Jane / Mary Lane
120 bpm • A# Maj • 06:12 • -8.68db
18% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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![I Love My Daughter (But Not In A Creepy Way) [feat. Pete Gardner] cover art](https://i.scdn.co/image/ab67616d00001e02cfd044717c71ac2e1d55e9d1)
Crazy Ex-Girlfriend Cast
I Love My Daughter (But Not In A Creepy ...
120 bpm • C# min • 02:15 • -6.6db
24% Popularity • 79% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 79% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Christopher J. Hanke
Coffee Break
118 bpm • G min • 03:30 • -11db
20% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Burstein
Sunrise, Sunset
120 bpm • D min • 03:27 • -7db
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Miller
Reasons to Run
120 bpm • G Maj • 04:29 • -6db
13% Popularity • 40% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 40% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie Korbich
George's Triumph
118 bpm • G# Maj • 02:00 • -9db
21% Popularity • 69% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 69% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
26% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Love's Labour's Lost Original Cast
The Tuba Song
118 bpm • C Maj • 03:35 • -9db
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Corey Cott
Just Like It Was Before
121 bpm • F min • 08:06 • -8db
19% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Patti Murin
Daphne Dreams
121 bpm • C Maj • 03:03 • -6.74db
15% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I'm Not That Smart
117 bpm • A Maj • 02:39 • -10db
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Price
It Hurts Me
121 bpm • F Maj • 02:01 • -10db
25% Popularity • 54% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 54% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Sherman Edwards
1776: Piddle, Twiddle, and Resolve / Til...
116 bpm • C# Maj • 04:54 • -13.74db
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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James Barry
Rock Star
122 bpm • B min • 02:26 • -3.69db
20% Popularity • 60% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 60% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Bob Martin
As We Stumble Along - Reprise
116 bpm • F Maj • 02:35 • -10db
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lindsay Mendez
Give Way
122 bpm • G# Maj • 03:21 • -10.81db
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Benjamin Walker
Glorious
122 bpm • D Maj • 02:13 • -11.35db
5% Popularity • 69% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 69% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Andrew Kober
Fell in Love with Crazy
122 bpm • F# Maj • 02:54 • -9.61db
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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James Snyder
I'm Infected
122 bpm • E min • 03:28 • -6.51db
23% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Lilli Cooper
There Was John
122 bpm • E Maj • 04:07 • -15db
22% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Miller
One of These Nights
116 bpm • F Maj • 04:48 • -8.07db
10% Popularity • 29% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 29% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Lewis Cleale
In a Little While
116 bpm • C# Maj • 03:12 • -14.8db
21% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Natasha Richardson
Don't Tell Mama
116 bpm • A Maj • 04:12 • -8.28db
36% Popularity • 66% Danceability • 56% Energy • 86% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 66% Danceability • 56% Energy • 86% Liveness
0% Instrumentalness • 67% Positiveness
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Carmen Cusack
If You Knew My Story
116 bpm • G Maj • 03:18 • -8db
33% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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James Davis
Kansas City
122 bpm • G# Maj • 02:02 • -8.91db
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Rannells
All-American Prophet
116 bpm • C# Maj • 06:14 • -9.89db
47% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Spencer Kayden
We're Not Sorry
115 bpm • C# Maj • 01:56 • -8.49db
28% Popularity • 62% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Lawrence Clayton
Many Moons Ago
116 bpm • D Maj • 03:38 • -21.57db
18% Popularity • 42% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 42% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Dave Malloy
Solo
123 bpm • D# Maj • 08:59 • -13.61db
14% Popularity • 55% Danceability • 30% Energy • 56% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 55% Danceability • 30% Energy • 56% Liveness
0% Instrumentalness • 13% Positiveness
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Molly Gordon
West of Words
123 bpm • A Maj • 02:18 • -10.67db
36% Popularity • 64% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 64% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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David Hyde Pierce
It Takes a Woman
123 bpm • G Maj • 02:36 • -10db
24% Popularity • 65% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 65% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
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Denée Benton
Natasha & Bolkonskys
115 bpm • B min • 03:28 • -11.2db
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Phillipa Soo
Natasha & Anatole
115 bpm • G Maj • 04:52 • -17.66db
18% Popularity • 82% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 64% Positiveness
18% Popularity • 82% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 64% Positiveness
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James Barry
Crisis Averted
115 bpm • F# min • 01:52 • -8.34db
15% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Raúl Esparza
Hair
115 bpm • D# Maj • 03:07 • -4.5db
11% Popularity • 60% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
25% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Denée Benton
Natasha & Anatole
115 bpm • E min • 04:30 • -10.56db
35% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Bette Midler
So Long Dearie
124 bpm • G# Maj • 02:43 • -8.52db
23% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Emily Young
Ten Little Indians
115 bpm • D Maj • 02:26 • -10.51db
15% Popularity • 66% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 66% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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'Come From Away' Company
Blankets And Bedding
124 bpm • E min • 02:51 • -6.8db
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Charlie Pollack
Rich People
114 bpm • G# Maj • 02:26 • -6.77db
8% Popularity • 68% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 68% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Susan Blackwell
Give Me Your Attention
114 bpm • A# min • 04:47 • -8db
8% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Megan McGinnis
The Oldest Orphan in the John Grier Home
124 bpm • E Maj • 02:56 • -8.59db
21% Popularity • 53% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 53% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Kooman & Dimond
To Excess
124 bpm • G# Maj • 05:02 • -8db
22% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Anna Kendrick
A Miracle Would Happen / When You Come H...
124 bpm • D Maj • 05:19 • -7.43db
34% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Jeff Bowen
An Original Musical
124 bpm • D Maj • 03:54 • -9db
14% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Mitch Tebo
The Farmer And The Cowman
124 bpm • D Maj • 03:22 • -9.21db
18% Popularity • 76% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 76% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Josh Groban
Find Anatole
114 bpm • C# Maj • 02:10 • -8db
34% Popularity • 71% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 71% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Brynn O'Malley
Anywhere But Here - Honeymoon In Vegas B...
124 bpm • G Maj • 03:48 • -10.53db
17% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John Kassir
Little Mary Sunshine
125 bpm • E min • 03:11 • -7.45db
19% Popularity • 43% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 43% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
28% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Crazy Ex-Girlfriend Cast
Who's the New Guy?
125 bpm • G min • 01:25 • -9.3db
26% Popularity • 94% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 94% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Brian D'Arcy James
Let Me Drown
113 bpm • D Maj • 04:11 • -5db
23% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Meredith Willson
Iowa Stubborn
113 bpm • G Maj • 01:59 • -12.76db
10% Popularity • 61% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 61% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Jeff Blumenkrantz
Coffee Break
113 bpm • F Maj • 03:27 • -14.23db
10% Popularity • 62% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 62% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Melanie Moore
Matchmaker
126 bpm • E Maj • 04:33 • -8.1db
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Alan Cumming
I Don't Care Much
126 bpm • G min • 02:53 • -14.15db
33% Popularity • 28% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 28% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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Joy Franz
How I Saved Roosevelt
126 bpm • D Maj • 04:33 • -15.53db
13% Popularity • 73% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 73% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Brian D'Arcy James
What Is It About Her?
125 bpm • F min • 02:53 • -5.87db
28% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Steven Weber
Tell 'Em the Truth
126 bpm • A# Maj • 05:47 • -7.43db
14% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Steven Pasquale
Wondering
112 bpm • C Maj • 03:51 • -10db
29% Popularity • 34% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 34% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Brian Stokes Mitchell
Henry Ford
112 bpm • A Maj • 01:41 • -7db
25% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Benjamin Walker
The Saddest Song
112 bpm • A Maj • 02:15 • -5.33db
18% Popularity • 60% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 60% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Jeanine Tesori
Welcome to Our House on Maple Avenue
112 bpm • G Maj • 04:30 • -11.46db
26% Popularity • 63% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 63% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Dirty Rotten Number
112 bpm • A# Maj • 03:04 • -12.41db
17% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Heidi Blickenstaff
What You Got
112 bpm • G Maj • 03:00 • -5db
31% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Marissa Jaret Winokur
I Can Hear the Bells
112 bpm • C Maj • 04:04 • -5.78db
34% Popularity • 72% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 72% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Choksi
Preparations
112 bpm • F# Maj • 03:48 • -9.68db
34% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Urinetown Musicians
Act One Finale
127 bpm • C min • 06:28 • -9.2db
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Danny Kosarin
Lost in the Wilderness
112 bpm • D Maj • 02:28 • -10.29db
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
24% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Michele Pawk
Tomorrow Belongs to Me (Reprise)
111 bpm • A# Maj • 02:27 • -11.11db
27% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Jeff Bowen
Two Nobodies in New York
127 bpm • C Maj • 02:50 • -9.2db
19% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Georgia Engel
I Remember Love
127 bpm • G Maj • 02:41 • -11.45db
19% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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John Cullum
Don't Be the Bunny
127 bpm • B min • 03:02 • -13.14db
28% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Grace McLean
In My House
111 bpm • B min • 03:13 • -10.77db
19% Popularity • 65% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 65% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Radcliffe
The Company Way
128 bpm • G# min • 02:52 • -12db
28% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Hedwig's Lament
128 bpm • B min • 01:52 • -15.42db
16% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
Secondary Characters
111 bpm • C Maj • 02:25 • -7.24db
26% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Pays to Be an Animal
128 bpm • F# Maj • 03:55 • -9.84db
29% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Steven Weber
Jimmy Takes a Hit / The Orgy
128 bpm • F min • 06:24 • -8.68db
17% Popularity • 38% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Andy Karl
Stuck
128 bpm • F# Maj • 03:34 • -8.19db
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Michael Mulheren
A Man's Gotta Do
128 bpm • G Maj • 02:06 • -6.83db
26% Popularity • 69% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 69% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Brynn O'Malley
Betsy's Getting Married / The Game - Hon...
110 bpm • F min • 05:00 • -6.81db
12% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Mary Louise Wilson
So What?
110 bpm • C# Maj • 03:13 • -9.84db
28% Popularity • 62% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 62% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness