Songs like Illusie by Klaas Van Beeck
Based on a tempo of (+/- 10%) and a similar genre
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Claude Hopkins Orchestra
Washington Squabble
109 bpm • C Maj • 03:04 • -17.43db
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Klaas Van Beeck
Illusie
109 bpm • A# min • 02:44 • -14.23db
3% Popularity • 72% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 71% Positiveness
3% Popularity • 72% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 71% Positiveness
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B. A. Rolfe & His Lucky Strike Orchestra
Makin' Whoopee!
109 bpm • G Maj • 03:17 • -12.4db
14% Popularity • 86% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 81% Positiveness
14% Popularity • 86% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 81% Positiveness
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Mills Blue Rhythm Band
Tallahassee
109 bpm • G min • 02:34 • -8.94db
10% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
10% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
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Lud Gluskin and His Orchestra
Singin' in the Rain
109 bpm • G Maj • 02:57 • -12.28db
10% Popularity • 75% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 74% Positiveness
10% Popularity • 75% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 74% Positiveness
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Country Washburn & Ted Weems Orchestra
Remarkable Girl
109 bpm • D# min • 03:03 • -13.44db
14% Popularity • 76% Danceability • 42% Energy • 38% Liveness
80% Instrumentalness • 93% Positiveness
14% Popularity • 76% Danceability • 42% Energy • 38% Liveness
80% Instrumentalness • 93% Positiveness
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The Red Heads
Dynamite
109 bpm • G# Maj • 02:37 • -12.12db
8% Popularity • 83% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 66% Positiveness
8% Popularity • 83% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 66% Positiveness
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Barney Rapp and His Orchestra
Bagpipe Stomp
109 bpm • A# Maj • 02:45 • -11.36db
9% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
9% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
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Nat King Cole
Swanee River - 1938, Standard transcript...
109 bpm • C# Maj • 02:28 • -16.39db
12% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Raymond Scott
In a 20th Century Accordion Parlor - 194...
109 bpm • C Maj • 02:47 • -10.59db
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
39% Instrumentalness • 86% Positiveness
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
39% Instrumentalness • 86% Positiveness
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Original Dixieland Jazz Band
One Step 1 - Remastered
109 bpm • A# Maj • 02:34 • -7.76db
9% Popularity • 75% Danceability • 53% Energy • 4% Liveness
95% Instrumentalness • 96% Positiveness
9% Popularity • 75% Danceability • 53% Energy • 4% Liveness
95% Instrumentalness • 96% Positiveness
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C. Warren & Jan Garber Orchestra
What Do I Care What Somebody Said
108 bpm • D# Maj • 03:07 • -13.47db
8% Popularity • 67% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
8% Popularity • 67% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Red Nichols and His Big Ten
At Last I'm Happy
110 bpm • D# Maj • 02:50 • -9.8db
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
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Carolina Cotton Pickers
Western (Moten) Swing (A.K.A. Moten Swin...
110 bpm • A# Maj • 02:29 • -11db
11% Popularity • 71% Danceability • 45% Energy • 18% Liveness
93% Instrumentalness • 88% Positiveness
11% Popularity • 71% Danceability • 45% Energy • 18% Liveness
93% Instrumentalness • 88% Positiveness
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Raymond Scott
The Skyrocket - 1939
109 bpm • F min • 02:45 • -11.38db
9% Popularity • 71% Danceability • 41% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
9% Popularity • 71% Danceability • 41% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
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Art Landry & His Orchestra
Five Foot Two, Eyes Of Blue
110 bpm • A# Maj • 03:34 • -16db
15% Popularity • 79% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 85% Positiveness
15% Popularity • 79% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 85% Positiveness
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DJ T0B1
Life
110 bpm • D min • 01:34 • -10.44db
13% Popularity • 80% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
13% Popularity • 80% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
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Hans Rehmstedt
Wenn froh ein Lied erklingt
110 bpm • G# Maj • 02:50 • -5.07db
8% Popularity • 53% Danceability • 52% Energy • 26% Liveness
86% Instrumentalness • 72% Positiveness
8% Popularity • 53% Danceability • 52% Energy • 26% Liveness
86% Instrumentalness • 72% Positiveness
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Coon-Sanders' Original Nighthawk Orchestra
Sittin' Around
108 bpm • C min • 02:52 • -14.08db
9% Popularity • 88% Danceability • 22% Energy • 23% Liveness
25% Instrumentalness • 76% Positiveness
9% Popularity • 88% Danceability • 22% Energy • 23% Liveness
25% Instrumentalness • 76% Positiveness
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George Olsen
Who?
108 bpm • D# Maj • 03:25 • -13db
12% Popularity • 71% Danceability • 28% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
12% Popularity • 71% Danceability • 28% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
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Una Mae Carlisle
Anything
110 bpm • C Maj • 02:41 • -14.66db
9% Popularity • 77% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 77% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Barber
Double Check Stomp
108 bpm • D# Maj • 04:35 • -12.19db
11% Popularity • 81% Danceability • 57% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
11% Popularity • 81% Danceability • 57% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
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Friedrich Hollaender
Destry Rides Again: The Boys in the Back...
110 bpm • F Maj • 01:59 • -11.5db
11% Popularity • 77% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 77% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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The Seven Blues Babies
That's Him Now
110 bpm • G# Maj • 03:38 • -11.53db
14% Popularity • 92% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
14% Popularity • 92% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
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Clarence Williams & His Orchestra
Speakeasy
111 bpm • A# Maj • 02:58 • -12db
11% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
11% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Paul Specht & His Orchestra
Cornfed!
108 bpm • D# Maj • 03:06 • -11db
8% Popularity • 84% Danceability • 40% Energy • 13% Liveness
85% Instrumentalness • 96% Positiveness
8% Popularity • 84% Danceability • 40% Energy • 13% Liveness
85% Instrumentalness • 96% Positiveness
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Chick Webb
Shine
111 bpm • E min • 03:08 • -15.47db
3% Popularity • 59% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 59% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jimmy Johnson & His Orchestra
Chicago Blues
111 bpm • F# min • 02:50 • -17.27db
12% Popularity • 66% Danceability • 27% Energy • 37% Liveness
45% Instrumentalness • 78% Positiveness
12% Popularity • 66% Danceability • 27% Energy • 37% Liveness
45% Instrumentalness • 78% Positiveness
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Abe Lyman's California Orchestra
Shake That Thing
111 bpm • G min • 03:02 • -11db
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
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Mezz Mezzrow And His Swing Band
The Panic is On
111 bpm • D min • 02:39 • -15.25db
12% Popularity • 68% Danceability • 28% Energy • 14% Liveness
72% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 28% Energy • 14% Liveness
72% Instrumentalness • 96% Positiveness
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Gene Goldkette
I`m Looking Over A Four Leaf Clover
111 bpm • A# Maj • 03:14 • -13db
16% Popularity • 77% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
16% Popularity • 77% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Raymond Scott
The Penguin - 1938 Orchestral Version
107 bpm • F min • 02:34 • -7.51db
9% Popularity • 68% Danceability • 65% Energy • 7% Liveness
85% Instrumentalness • 89% Positiveness
9% Popularity • 68% Danceability • 65% Energy • 7% Liveness
85% Instrumentalness • 89% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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Sydney Clare
Keepin' Myself For You
111 bpm • D min • 03:15 • -6.45db
9% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Bert Ambrose Orchestra
'leven Thirty Saturday Night
111 bpm • D# Maj • 02:49 • -12.39db
10% Popularity • 88% Danceability • 35% Energy • 16% Liveness
40% Instrumentalness • 67% Positiveness
10% Popularity • 88% Danceability • 35% Energy • 16% Liveness
40% Instrumentalness • 67% Positiveness
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Cab Calloway
There's a Cabin in the Cotton
107 bpm • G min • 03:25 • -12.58db
8% Popularity • 66% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
8% Popularity • 66% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Jack Shaindlin
Just Whisper
111 bpm • B min • 01:49 • -13.52db
11% Popularity • 26% Danceability • 33% Energy • 37% Liveness
88% Instrumentalness • 35% Positiveness
11% Popularity • 26% Danceability • 33% Energy • 37% Liveness
88% Instrumentalness • 35% Positiveness
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Keith Nichols
Time to Quickstep
107 bpm • G Maj • 02:35 • -16.74db
12% Popularity • 77% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
12% Popularity • 77% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Chris Barber
Bogalusa Strut
111 bpm • C Maj • 03:05 • -8.21db
11% Popularity • 64% Danceability • 52% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
11% Popularity • 64% Danceability • 52% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
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Will Glahé
Fräulein Mathilde
111 bpm • D# Maj • 03:01 • -8db
9% Popularity • 85% Danceability • 51% Energy • 5% Liveness
79% Instrumentalness • 86% Positiveness
9% Popularity • 85% Danceability • 51% Energy • 5% Liveness
79% Instrumentalness • 86% Positiveness
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Dixieland Band
Ring On Her Fingers
111 bpm • G# Maj • 02:19 • -15.78db
10% Popularity • 60% Danceability • 46% Energy • 14% Liveness
32% Instrumentalness • 97% Positiveness
10% Popularity • 60% Danceability • 46% Energy • 14% Liveness
32% Instrumentalness • 97% Positiveness
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Billy Cotton Band
Aurora
111 bpm • D Maj • 02:19 • -10.49db
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
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Billy Mayerl
Country Revelry
111 bpm • G Maj • 02:44 • -12.39db
9% Popularity • 72% Danceability • 28% Energy • 14% Liveness
90% Instrumentalness • 76% Positiveness
9% Popularity • 72% Danceability • 28% Energy • 14% Liveness
90% Instrumentalness • 76% Positiveness
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Ina Ray Hutton and Her Melodears
And I Still Do
107 bpm • D Maj • 02:31 • -13db
18% Popularity • 58% Danceability • 31% Energy • 24% Liveness
76% Instrumentalness • 83% Positiveness
18% Popularity • 58% Danceability • 31% Energy • 24% Liveness
76% Instrumentalness • 83% Positiveness
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Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
8% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
8% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
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Red McKenzie
I Can't Get Started with You
111 bpm • F Maj • 02:58 • -12.7db
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Dick Robertson & Gene Kardos Orchestra
Red Headed Baby
112 bpm • D# min • 02:51 • -14db
11% Popularity • 76% Danceability • 38% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
11% Popularity • 76% Danceability • 38% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
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Claude Hopkins
Harlem Rhythm Dance (01-11-34)
112 bpm • F min • 03:29 • -16.16db
6% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
6% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Neva Raphaello & The Dutch Swing College Band
Dr. Jazz
112 bpm • G# Maj • 02:23 • -12.13db
9% Popularity • 70% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 70% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Don Redman
After Sundown (11-14-33)
112 bpm • B Maj • 02:56 • -20.46db
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
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John Kirby
Then I'll Be Happy
112 bpm • C# Maj • 02:48 • -12.78db
10% Popularity • 68% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 90% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 90% Positiveness
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Benny Goodman & His Orchestra; Vocal by Helen Forrest
Dreaming Out Loud
106 bpm • D Maj • 03:00 • -15.76db
7% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Casa Loma Orchestra
Blue prelude
106 bpm • D# Maj • 03:12 • -5.18db
0% Popularity • 40% Danceability • 50% Energy • 11% Liveness
68% Instrumentalness • 39% Positiveness
0% Popularity • 40% Danceability • 50% Energy • 11% Liveness
68% Instrumentalness • 39% Positiveness
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Cootie Williams
Alabamy Home
112 bpm • F min • 03:01 • -16db
5% Popularity • 76% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
5% Popularity • 76% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
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Russo & Fiorito's Oriole Orchestra
Nothing Else to Do but Sit Around and Th...
106 bpm • A# min • 02:56 • -10.88db
10% Popularity • 84% Danceability • 36% Energy • 14% Liveness
79% Instrumentalness • 88% Positiveness
10% Popularity • 84% Danceability • 36% Energy • 14% Liveness
79% Instrumentalness • 88% Positiveness
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Alix Combelle
Fariboles
106 bpm • A# Maj • 02:47 • -10db
10% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
10% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
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Henry Hall & The BBC Dance Orchestra
Hands Across the Table
106 bpm • A# min • 03:07 • -18db
12% Popularity • 33% Danceability • 16% Energy • 17% Liveness
79% Instrumentalness • 38% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 17% Liveness
79% Instrumentalness • 38% Positiveness
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John Kirby
Temptation (05-27-40)
112 bpm • G# Maj • 03:10 • -22.22db
9% Popularity • 47% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
9% Popularity • 47% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Phil Napoleon & His Orchestra
Go Joe Go
112 bpm • A# Maj • 02:52 • -13.23db
11% Popularity • 80% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 69% Positiveness
11% Popularity • 80% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 69% Positiveness
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Bonet de San Pedro
Triste Esperar
112 bpm • D min • 03:17 • -19.49db
1% Popularity • 50% Danceability • 5% Energy • 12% Liveness
67% Instrumentalness • 45% Positiveness
1% Popularity • 50% Danceability • 5% Energy • 12% Liveness
67% Instrumentalness • 45% Positiveness
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Ben Bernie and His Hotel Roosevelt Orchestra
Cannon Ball Rag
106 bpm • F Maj • 02:52 • -10.35db
12% Popularity • 81% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 92% Positiveness
12% Popularity • 81% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 92% Positiveness
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High Hatters
Low Down Rhythm
112 bpm • A# Maj • 02:57 • -10.99db
14% Popularity • 93% Danceability • 33% Energy • 5% Liveness
59% Instrumentalness • 97% Positiveness
14% Popularity • 93% Danceability • 33% Energy • 5% Liveness
59% Instrumentalness • 97% Positiveness
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Connee Boswell
In the Middle of a Kiss
106 bpm • G Maj • 02:58 • -20.68db
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
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The Savoy Orpheans
The Blue Room
113 bpm • F Maj • 03:12 • -15.1db
9% Popularity • 79% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 72% Positiveness
9% Popularity • 79% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 72% Positiveness
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Midnight Serenaders
How'd Ya Do
106 bpm • A Maj • 03:18 • -14.88db
10% Popularity • 68% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 34% Positiveness
10% Popularity • 68% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 34% Positiveness
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Fats Waller
Tisket A-Tasket
113 bpm • D# Maj • 02:33 • -11.57db
7% Popularity • 67% Danceability • 55% Energy • 46% Liveness
1% Instrumentalness • 91% Positiveness
7% Popularity • 67% Danceability • 55% Energy • 46% Liveness
1% Instrumentalness • 91% Positiveness
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Abe Lyman's California Orchestra
Shake That Thing
113 bpm • F min • 02:57 • -10.58db
21% Popularity • 75% Danceability • 50% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
21% Popularity • 75% Danceability • 50% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
► Preview
Charlie Barnet & His Orchestra
Where Was I?
113 bpm • F min • 03:20 • -12db
13% Popularity • 48% Danceability • 15% Energy • 20% Liveness
10% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 20% Liveness
10% Instrumentalness • 39% Positiveness
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New Orleans Rhythm Kings
Golden Leaf Strut
105 bpm • C# Maj • 02:51 • -11db
8% Popularity • 70% Danceability • 39% Energy • 23% Liveness
63% Instrumentalness • 90% Positiveness
8% Popularity • 70% Danceability • 39% Energy • 23% Liveness
63% Instrumentalness • 90% Positiveness
► Preview
The New Yorkers
Music and Moonlight
113 bpm • F min • 02:33 • -11.95db
13% Popularity • 65% Danceability • 58% Energy • 32% Liveness
90% Instrumentalness • 64% Positiveness
13% Popularity • 65% Danceability • 58% Energy • 32% Liveness
90% Instrumentalness • 64% Positiveness
► Preview
Eddie Condon
Wherever There's Love (There's You and I...
105 bpm • G# Maj • 02:32 • -19.64db
11% Popularity • 46% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
11% Popularity • 46% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Eddie Condon and his Orchestra
Toogaloo Shout
105 bpm • G# Maj • 02:57 • -13.95db
10% Popularity • 83% Danceability • 39% Energy • 43% Liveness
72% Instrumentalness • 86% Positiveness
10% Popularity • 83% Danceability • 39% Energy • 43% Liveness
72% Instrumentalness • 86% Positiveness
► Preview
Lionel Hampton
Just for Laffs
105 bpm • C Maj • 03:06 • -11.77db
8% Popularity • 85% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 27% Positiveness
8% Popularity • 85% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 27% Positiveness
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George Formby
Who Are You A-Shoving Of
105 bpm • D Maj • 03:33 • -15.16db
9% Popularity • 89% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 89% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Golden Gate Orchestra
Dusting The Donkey - aka "The Pay-Off"
113 bpm • C Maj • 03:01 • -12.59db
8% Popularity • 80% Danceability • 45% Energy • 18% Liveness
90% Instrumentalness • 90% Positiveness
8% Popularity • 80% Danceability • 45% Energy • 18% Liveness
90% Instrumentalness • 90% Positiveness
► Preview
Kay Kyser & His Orchestra
Can't You Read Between the Lines?
105 bpm • C# Maj • 03:15 • -17.47db
11% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Harry Roy and His Orchestra
Okay Toots
113 bpm • F Maj • 02:33 • -23db
12% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
12% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
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Bunk Johnson
Bunk's Blues
105 bpm • A# Maj • 02:52 • -13.24db
8% Popularity • 60% Danceability • 22% Energy • 24% Liveness
92% Instrumentalness • 66% Positiveness
8% Popularity • 60% Danceability • 22% Energy • 24% Liveness
92% Instrumentalness • 66% Positiveness
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John Kirby
Close Shave
113 bpm • D# Maj • 02:27 • -13.15db
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
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Bennie Moten's Kansas City Orchestra
Kater Street Rag
105 bpm • F min • 02:36 • -10db
8% Popularity • 61% Danceability • 47% Energy • 19% Liveness
88% Instrumentalness • 77% Positiveness
8% Popularity • 61% Danceability • 47% Energy • 19% Liveness
88% Instrumentalness • 77% Positiveness
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Joe Sanders And His Orchestra
Here Comes My Ball and Chain
113 bpm • G Maj • 02:36 • -13.4db
9% Popularity • 75% Danceability • 42% Energy • 35% Liveness
31% Instrumentalness • 71% Positiveness
9% Popularity • 75% Danceability • 42% Energy • 35% Liveness
31% Instrumentalness • 71% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Yerkes Famous Flotilla Orchestra
That Bran' New Gal O' Mine
105 bpm • D# Maj • 02:53 • -12.77db
10% Popularity • 54% Danceability • 32% Energy • 31% Liveness
68% Instrumentalness • 67% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 31% Liveness
68% Instrumentalness • 67% Positiveness
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Art Jarret & Ted Weems Orchestra
There's Too Many Eyes
104 bpm • F min • 03:10 • -14.83db
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
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Martha Raye
If You Can't Sing It (You'll Have To Swi...
114 bpm • F min • 03:10 • -14.94db
10% Popularity • 66% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 66% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Silvio Hein
Maurice Tango
114 bpm • C min • 02:41 • -11.2db
7% Popularity • 53% Danceability • 80% Energy • 53% Liveness
89% Instrumentalness • 91% Positiveness
7% Popularity • 53% Danceability • 80% Energy • 53% Liveness
89% Instrumentalness • 91% Positiveness
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Raymond Scott
Key West - 1941
104 bpm • A# Maj • 02:11 • -9.68db
14% Popularity • 74% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
14% Popularity • 74% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
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Carroll Gibbons & His Boyfriends
Isn't It a Lovely Day?
114 bpm • A# Maj • 02:58 • -22.01db
1% Popularity • 40% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 40% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Vincent Lopez and His Orchestra
Sing (It's Good for You)
114 bpm • D# Maj • 02:07 • -8.91db
8% Popularity • 32% Danceability • 82% Energy • 60% Liveness
10% Instrumentalness • 37% Positiveness
8% Popularity • 32% Danceability • 82% Energy • 60% Liveness
10% Instrumentalness • 37% Positiveness
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Anson Weeks & His Orchestra
Rain, Rain, Go Away
114 bpm • G Maj • 02:05 • -17db
8% Popularity • 85% Danceability • 32% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
8% Popularity • 85% Danceability • 32% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
104 bpm • G# Maj • 02:42 • -18.14db
12% Popularity • 84% Danceability • 22% Energy • 75% Liveness
37% Instrumentalness • 91% Positiveness
12% Popularity • 84% Danceability • 22% Energy • 75% Liveness
37% Instrumentalness • 91% Positiveness
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Bea Wain
Dancing in the Dark
114 bpm • E Maj • 03:22 • -12.34db
15% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Bud Freeman and his Windy City Five
The Buzzard
114 bpm • D# min • 03:10 • -10.46db
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
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Ben Bernie and His Hotel Roosevelt Orchestra
Fallen Arches
104 bpm • C Maj • 03:06 • -12.15db
8% Popularity • 87% Danceability • 32% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
8% Popularity • 87% Danceability • 32% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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The London West End Orchestra
Hallo! Budapest
104 bpm • G min • 02:46 • -12.07db
10% Popularity • 80% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
10% Popularity • 80% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Elmer Schoebel and His Orchestra
Copenhagen
115 bpm • A# Maj • 02:31 • -9.7db
12% Popularity • 85% Danceability • 38% Energy • 31% Liveness
91% Instrumentalness • 92% Positiveness
12% Popularity • 85% Danceability • 38% Energy • 31% Liveness
91% Instrumentalness • 92% Positiveness
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The New Orleans Owls
Piccadilly
115 bpm • D# Maj • 03:03 • -17.38db
7% Popularity • 72% Danceability • 24% Energy • 29% Liveness
52% Instrumentalness • 76% Positiveness
7% Popularity • 72% Danceability • 24% Energy • 29% Liveness
52% Instrumentalness • 76% Positiveness