Songs like I'm a Hundred Per Cent for You - Instrumental by Fats Waller
Based on a tempo of (+/- 10%) and a similar genre
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Jonathan Stout and his Campus Five
Massachusetts
139 bpm • F Maj • 03:48 • -13.54db
30% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Louis Jordan & His Tympany Five
Is You Is Or Is You Ain't (My Baby)
139 bpm • G# Maj • 02:43 • -16db
30% Popularity • 80% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 80% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmy Dorsey & His Orchestra
Sorghum Switch
139 bpm • F Maj • 03:24 • -10.74db
23% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
23% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Kid Ory
My Bucket's Got A Hole In It
139 bpm • F Maj • 04:55 • -13.1db
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Rosemary Clooney
In the Cool, Cool, Cool of the Evening
138 bpm • D# Maj • 02:59 • -8.06db
42% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop
138 bpm • F Maj • 03:09 • -10.37db
21% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
21% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
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Lucky Millinder
Big Fat Mama
140 bpm • G min • 03:03 • -10db
16% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Louis Jordan & His Tympany Five
Is You or Is You Ain't My Baby
138 bpm • F min • 02:45 • -8.81db
32% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Hodges
Gal From Joe's
140 bpm • A# min • 02:27 • -16db
30% Popularity • 66% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 66% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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James P. Johnson
Crying For The Carolines
137 bpm • E min • 03:01 • -17.78db
26% Popularity • 59% Danceability • 27% Energy • 32% Liveness
85% Instrumentalness • 71% Positiveness
26% Popularity • 59% Danceability • 27% Energy • 32% Liveness
85% Instrumentalness • 71% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop - Remastered - 1995
141 bpm • F Maj • 03:06 • -17.2db
21% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
21% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
37% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Ethel Waters
I Got Rhythm
142 bpm • F Maj • 03:06 • -11.1db
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
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Hot Sugar Band
Harlem Swing
136 bpm • C min • 03:05 • -7.3db
33% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
33% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
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Fats Waller
All That Meat And No Potatoes
142 bpm • C Maj • 02:45 • -18.82db
23% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Bobby Darin
I'm Beginning To See The Light - 2001 Di...
136 bpm • A min • 02:18 • -12db
53% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Martha Tilton
I’ll Get By
136 bpm • G Maj • 01:50 • -17db
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Gene Krupa & His Orchestra; Vocal by Anita O'Day
Just A Little Bit South Of North Carolin...
142 bpm • A min • 02:41 • -8db
14% Popularity • 70% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 60% Positiveness
14% Popularity • 70% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 60% Positiveness
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Woody Herman & His Orchestra
The Northwest Passage
136 bpm • D# Maj • 03:04 • -8.08db
17% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
17% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Carmen McRae
Exactly Like You
135 bpm • F Maj • 02:10 • -7.71db
28% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Eddie Condon
Makin' Friends
143 bpm • F min • 03:05 • -14.01db
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
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Naomi & Her Handsome Devils
Take It Easy Greasy
134 bpm • G min • 03:45 • -9.46db
37% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Annie Ross
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • G# Maj • 02:09 • -7.79db
29% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Fats Waller
How Can You Face Me?
144 bpm • C Maj • 02:46 • -15.38db
19% Popularity • 70% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 71% Positiveness
19% Popularity • 70% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 71% Positiveness
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Bennie Moten's Kansas City Orchestra
Lafayette
145 bpm • C min • 02:47 • -16.37db
32% Popularity • 51% Danceability • 36% Energy • 13% Liveness
82% Instrumentalness • 86% Positiveness
32% Popularity • 51% Danceability • 36% Energy • 13% Liveness
82% Instrumentalness • 86% Positiveness
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James P. Johnson
Charleston
145 bpm • F# min • 01:47 • -9db
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
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Gene Austin
Please Don't Talk About Me When I'm Gone
145 bpm • G min • 02:29 • -17.83db
12% Popularity • 57% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 63% Positiveness
12% Popularity • 57% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 63% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Shine
145 bpm • D Maj • 02:50 • -10.51db
16% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Fats Waller
Christopher Columbus
134 bpm • A# Maj • 02:49 • -16.22db
9% Popularity • 70% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 84% Positiveness
9% Popularity • 70% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 84% Positiveness
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Kid Ory
The Bucket's Got a Hole in It
145 bpm • F Maj • 02:30 • -8.52db
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Johnny Dodds
Blue Piano Stomp
132 bpm • D# Maj • 03:10 • -14.72db
17% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
27% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
27% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Fats Waller
Have a Little Dream On Me
145 bpm • F Maj • 02:52 • -14.96db
18% Popularity • 64% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 72% Positiveness
18% Popularity • 64% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 72% Positiveness
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James P. Johnson
Ain't Misbehavin'
132 bpm • C min • 02:57 • -17.13db
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Count Basie Orchestra
Whirly-Bird
132 bpm • G# Maj • 03:52 • -10.58db
36% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
36% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Fats Waller
The Minor Drag
132 bpm • C# Maj • 02:38 • -8.79db
19% Popularity • 69% Danceability • 66% Energy • 16% Liveness
90% Instrumentalness • 93% Positiveness
19% Popularity • 69% Danceability • 66% Energy • 16% Liveness
90% Instrumentalness • 93% Positiveness
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Naomi & Her Handsome Devils
I Can't Give You Anything but Love
131 bpm • A min • 03:49 • -11.45db
31% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
21% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
21% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Fletcher Henderson
Hot And Anxious
131 bpm • A# Maj • 03:19 • -10.05db
21% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
21% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Julia Lee And Her Boyfriends
King Size Papa
149 bpm • G# Maj • 02:40 • -12db
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
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Jonathan Stout and his Campus Five
Oomph Fa Fa
130 bpm • F Maj • 03:35 • -16.21db
23% Popularity • 76% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 62% Positiveness
23% Popularity • 76% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 62% Positiveness
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Woody Herman & His Orchestra
Who Dat up Dere?
130 bpm • D min • 03:09 • -14.31db
20% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Helen Humes
Flippity Flop Flop
130 bpm • C Maj • 02:03 • -10.21db
31% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Condon
Nobody Knows
129 bpm • D# Maj • 02:29 • -16.73db
44% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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Fats Waller
A Good Man Is Hard to Find
149 bpm • C Maj • 03:03 • -16.15db
12% Popularity • 67% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 79% Positiveness
12% Popularity • 67% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 79% Positiveness
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Joe Williams
Woman's Got Soul
129 bpm • C# Maj • 02:22 • -11.45db
34% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Eddie Condon
My Melancholy Baby
128 bpm • C min • 02:48 • -14.48db
30% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
30% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
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Louis Jordan & His Tympany Five
Ain't Nobody Here but Us Chickens
151 bpm • D min • 03:05 • -6.17db
27% Popularity • 73% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 73% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Fats Waller
Cash for Your Trash
151 bpm • D# Maj • 03:22 • -18.91db
12% Popularity • 75% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Slim Gaillard
Drei Six Cents
128 bpm • G min • 02:43 • -13.48db
15% Popularity • 76% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 64% Positiveness
15% Popularity • 76% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 64% Positiveness
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Jonah Jones
Bill Bailey (Won't You Please Come Home)...
151 bpm • F min • 02:19 • -10db
14% Popularity • 68% Danceability • 40% Energy • 19% Liveness
52% Instrumentalness • 83% Positiveness
14% Popularity • 68% Danceability • 40% Energy • 19% Liveness
52% Instrumentalness • 83% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Fats Waller
Sugar Rose
128 bpm • C Maj • 03:09 • -16.5db
13% Popularity • 75% Danceability • 16% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 75% Danceability • 16% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
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Illinois Jacquet
Port Of Rico (07-22-52)
127 bpm • C Maj • 02:44 • -11.14db
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
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Red Norvo
Says My Heart
152 bpm • D# Maj • 02:56 • -13.29db
14% Popularity • 67% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
14% Popularity • 67% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
41% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
41% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
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Fats Waller
Handful Of Keys
127 bpm • F Maj • 02:53 • -19.89db
15% Popularity • 60% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
15% Popularity • 60% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
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James P. Johnson
Keep Off The Grass
126 bpm • D min • 02:40 • -17.16db
25% Popularity • 73% Danceability • 41% Energy • 15% Liveness
81% Instrumentalness • 90% Positiveness
25% Popularity • 73% Danceability • 41% Energy • 15% Liveness
81% Instrumentalness • 90% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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John Kirby
Rehearsin' for a Nervous Breakdown
126 bpm • G# Maj • 02:43 • -7.47db
7% Popularity • 73% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
7% Popularity • 73% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
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Cleo Brown
The Stuff Is Here And It's Mellow (03-12...
125 bpm • A min • 02:44 • -13.71db
12% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
12% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
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Fats Waller
Buckin' The Dice
153 bpm • G min • 03:32 • -15.29db
29% Popularity • 58% Danceability • 30% Energy • 15% Liveness
19% Instrumentalness • 78% Positiveness
29% Popularity • 58% Danceability • 30% Energy • 15% Liveness
19% Instrumentalness • 78% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Louis Jordan
Keep a Knockin' (But You Can't Come In)
155 bpm • C# Maj • 02:32 • -10.52db
44% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
44% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
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Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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The Big 18
Easy Does It
125 bpm • C# Maj • 05:14 • -20.58db
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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King Oliver
When You're Smiling
125 bpm • C min • 03:20 • -12db
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness