Songs like I’m A Stranger Now by The Tallest Man On Earth
Based on a tempo of (+/- 10%) and a similar genre
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Alexi Murdoch
Crinan Wood
137 bpm • D# Maj • 08:43 • -18db
26% Popularity • 44% Danceability • 15% Energy • 7% Liveness
63% Instrumentalness • 11% Positiveness
26% Popularity • 44% Danceability • 15% Energy • 7% Liveness
63% Instrumentalness • 11% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Tallest Man On Earth
I’m A Stranger Now
137 bpm • C Maj • 04:21 • -7.85db
38% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Okkervil River
Westfall
138 bpm • E min • 05:54 • -5db
35% Popularity • 32% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 32% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Bear's Den
Agape
138 bpm • E Maj • 04:28 • -6db
43% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The National
Lucky You
138 bpm • E Maj • 04:22 • -8.94db
37% Popularity • 61% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
37% Popularity • 61% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Band of Horses
No One's Gonna Love You - Live from Spot...
136 bpm • C# Maj • 03:59 • -11db
41% Popularity • 55% Danceability • 19% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 55% Danceability • 19% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
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Nathaniel Rateliff
Brakeman
139 bpm • A# min • 02:17 • -10.73db
39% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Staves
Steady
139 bpm • B min • 03:28 • -8db
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Norgren
Once a Queen
135 bpm • F Maj • 03:17 • -9.03db
37% Popularity • 40% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
37% Popularity • 40% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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The Cave Singers
Beach House
135 bpm • F# Maj • 03:43 • -12db
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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The National
Runaway
135 bpm • E Maj • 05:33 • -10.32db
42% Popularity • 58% Danceability • 44% Energy • 12% Liveness
56% Instrumentalness • 34% Positiveness
42% Popularity • 58% Danceability • 44% Energy • 12% Liveness
56% Instrumentalness • 34% Positiveness
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Sun Kil Moon
I Know It's Pathetic but That Was the Gr...
139 bpm • D# Maj • 01:47 • -21.99db
44% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Horse Feathers
Thousand
140 bpm • C Maj • 03:47 • -7.07db
24% Popularity • 43% Danceability • 57% Energy • 50% Liveness
1% Instrumentalness • 60% Positiveness
24% Popularity • 43% Danceability • 57% Energy • 50% Liveness
1% Instrumentalness • 60% Positiveness
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Blind Pilot
Paint or Pollen
134 bpm • A Maj • 03:37 • -9db
39% Popularity • 69% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
39% Popularity • 69% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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The Avett Brothers
I And Love And You
140 bpm • D Maj • 05:00 • -9.98db
59% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Joe Pug
Call It What You Will
134 bpm • E Maj • 02:56 • -8.61db
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Damien Jurado
Throwing Your Voice
140 bpm • C Maj • 03:01 • -9.78db
20% Popularity • 68% Danceability • 36% Energy • 13% Liveness
10% Instrumentalness • 41% Positiveness
20% Popularity • 68% Danceability • 36% Energy • 13% Liveness
10% Instrumentalness • 41% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Beta Radio
On the Frame
140 bpm • F Maj • 03:39 • -13.99db
43% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Felice Brothers
Wonderful Life
134 bpm • C Maj • 04:02 • -11.29db
28% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Blind Pilot
Go on, Say It
134 bpm • C Maj • 03:21 • -9db
38% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
54% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
54% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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A.A. Bondy
Surfer King
141 bpm • C# Maj • 04:00 • -9.97db
3% Popularity • 41% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 35% Positiveness
3% Popularity • 41% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 35% Positiveness
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Alexi Murdoch
Slow Revolution
133 bpm • C Maj • 05:55 • -15.88db
28% Popularity • 61% Danceability • 22% Energy • 35% Liveness
59% Instrumentalness • 20% Positiveness
28% Popularity • 61% Danceability • 22% Energy • 35% Liveness
59% Instrumentalness • 20% Positiveness
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Radical Face
Wrapped In Piano Strings
141 bpm • A# Maj • 03:37 • -10.83db
44% Popularity • 39% Danceability • 44% Energy • 11% Liveness
20% Instrumentalness • 40% Positiveness
44% Popularity • 39% Danceability • 44% Energy • 11% Liveness
20% Instrumentalness • 40% Positiveness
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Benjamin Francis Leftwich
Pictures
141 bpm • C# Maj • 02:57 • -10.23db
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Trampled by Turtles
Alone
141 bpm • C Maj • 04:28 • -11db
49% Popularity • 55% Danceability • 43% Energy • 10% Liveness
40% Instrumentalness • 28% Positiveness
49% Popularity • 55% Danceability • 43% Energy • 10% Liveness
40% Instrumentalness • 28% Positiveness
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Phosphorescent
A New Anhedonia
141 bpm • E Maj • 04:03 • -9.69db
27% Popularity • 23% Danceability • 28% Energy • 17% Liveness
10% Instrumentalness • 11% Positiveness
27% Popularity • 23% Danceability • 28% Energy • 17% Liveness
10% Instrumentalness • 11% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Ben Howard
Everything
141 bpm • D# Maj • 04:45 • -16.4db
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Marling
Ghosts
142 bpm • A Maj • 02:59 • -11.55db
51% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Nicolai Dunger
Clouds
133 bpm • D# Maj • 03:07 • -16db
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Adams
Oh My Sweet Carolina
132 bpm • D Maj • 04:56 • -14.65db
46% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Roo Panes
Open Road - EP Version
132 bpm • F Maj • 04:18 • -8.28db
45% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Avett Brothers
No Hard Feelings
142 bpm • F Maj • 05:14 • -8.53db
53% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Decemberists
Don't Carry It All
143 bpm • G Maj • 04:16 • -4.33db
50% Popularity • 49% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 49% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Sufjan Stevens
For the Widows in Paradise, For the Fath...
142 bpm • D# Maj • 03:57 • -13.92db
47% Popularity • 50% Danceability • 30% Energy • 36% Liveness
23% Instrumentalness • 61% Positiveness
47% Popularity • 50% Danceability • 30% Energy • 36% Liveness
23% Instrumentalness • 61% Positiveness
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Andrew Bird
Giant of Illinois
143 bpm • D Maj • 03:31 • -12.93db
30% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Mountain Man
Animal Tracks
131 bpm • E min • 02:10 • -14.15db
23% Popularity • 36% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 36% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Band of Horses
Marry Song
143 bpm • G# Maj • 03:23 • -7.67db
34% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Horse Feathers
The Drought
143 bpm • D# Maj • 04:45 • -12.37db
23% Popularity • 40% Danceability • 13% Energy • 14% Liveness
9% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 13% Energy • 14% Liveness
9% Instrumentalness • 34% Positiveness
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Anaïs Mitchell
Coming Down
144 bpm • B Maj • 03:06 • -17.02db
22% Popularity • 44% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 44% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Blind Pilot
Oviedo
144 bpm • F Maj • 03:52 • -13.03db
47% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Adams
Shiver And Shake
144 bpm • A Maj • 03:05 • -14.78db
44% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Monsters Of Folk
Ahead of The Curve
144 bpm • A Maj • 03:40 • -6.98db
22% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel Norgren
Whatever Turns You On
130 bpm • F Maj • 02:04 • -6db
47% Popularity • 56% Danceability • 66% Energy • 12% Liveness
21% Instrumentalness • 42% Positiveness
47% Popularity • 56% Danceability • 66% Energy • 12% Liveness
21% Instrumentalness • 42% Positiveness
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Frontier Ruckus
Dark Autumn Hour
144 bpm • C min • 03:30 • -9db
27% Popularity • 47% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 47% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The National
Start a War
130 bpm • C Maj • 03:16 • -12.06db
45% Popularity • 66% Danceability • 44% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
45% Popularity • 66% Danceability • 44% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
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Andrew Bird
Fake Palindromes
144 bpm • D Maj • 02:52 • -6db
56% Popularity • 46% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 46% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Volcano Choir
Almanac
130 bpm • G Maj • 06:28 • -10.58db
29% Popularity • 48% Danceability • 43% Energy • 9% Liveness
38% Instrumentalness • 28% Positiveness
29% Popularity • 48% Danceability • 43% Energy • 9% Liveness
38% Instrumentalness • 28% Positiveness
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Daniel Norgren
The Day That's Just Begun
144 bpm • G Maj • 03:27 • -9db
41% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Phosphorescent
Terror in the Canyons (The Wounded Maste...
130 bpm • D# Maj • 04:05 • -6.68db
29% Popularity • 34% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
29% Popularity • 34% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Bon Iver
Lump Sum
145 bpm • A Maj • 03:21 • -17.72db
56% Popularity • 48% Danceability • 32% Energy • 13% Liveness
36% Instrumentalness • 39% Positiveness
56% Popularity • 48% Danceability • 32% Energy • 13% Liveness
36% Instrumentalness • 39% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Villagers
Twenty Seven Strangers
145 bpm • C Maj • 03:24 • -13db
36% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
36% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
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Phosphorescent
You Can Make Me Feel Bad
130 bpm • E Maj • 03:03 • -12.39db
21% Popularity • 73% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 73% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Low Anthem
To Ohio
145 bpm • D Maj • 03:17 • -10db
22% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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The Cave Singers
Summer Light
129 bpm • F Maj • 04:06 • -12.41db
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Bombay Bicycle Club
Ivy & Gold
129 bpm • F# Maj • 02:56 • -7.36db
47% Popularity • 62% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 89% Positiveness
47% Popularity • 62% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 89% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Matthew And The Atlas
Come Out Of The Woods
129 bpm • D Maj • 03:42 • -8.2db
18% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Phosphorescent
Sun, Arise! (An Invocation, An Introduct...
130 bpm • C Maj • 03:09 • -14db
36% Popularity • 51% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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The Barr Brothers
Widow's Lawns
129 bpm • D# Maj • 06:14 • -11.08db
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Anna Ternheim
The Longer The Waiting (The Sweeter The ...
129 bpm • A# Maj • 03:51 • -13db
43% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Horse Feathers
Hardwood Pews
147 bpm • D Maj • 02:36 • -10.69db
21% Popularity • 36% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
21% Popularity • 36% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
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Matthew And The Atlas
I Followed Fires
127 bpm • D# min • 03:49 • -9db
35% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Hiss Golden Messenger
O Little Light
127 bpm • F# Maj • 04:17 • -9.91db
22% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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James Vincent McMorrow
Sparrow & The Wolf
127 bpm • G Maj • 03:41 • -8.19db
18% Popularity • 53% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
18% Popularity • 53% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Nathaniel Rateliff
Nothing to Show For
148 bpm • F Maj • 04:09 • -7.74db
29% Popularity • 45% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 45% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Phosphorescent
We'll Be Here Soon
148 bpm • F# Maj • 03:17 • -12.26db
21% Popularity • 31% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
21% Popularity • 31% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Bon Iver
00000 Million
127 bpm • F Maj • 03:53 • -17.05db
47% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Good Old War
Amazing Eyes
148 bpm • C Maj • 03:46 • -10.82db
32% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Blind Pilot
Poor Boy
126 bpm • C# Maj • 04:06 • -14.27db
37% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
37% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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The Barr Brothers
Little Lover
127 bpm • A# Maj • 04:50 • -10db
39% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
39% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Conor Oberst
Cape Canaveral
126 bpm • A Maj • 04:04 • -10.18db
40% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
41% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
41% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Band of Horses
No One's Gonna Love You
149 bpm • C# Maj • 03:37 • -3.58db
64% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Volcano Choir
Alaskans
126 bpm • D Maj • 04:55 • -14.48db
33% Popularity • 48% Danceability • 22% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
33% Popularity • 48% Danceability • 22% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
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Villagers
The Pact (I'll Be Your Fever)
150 bpm • G Maj • 03:28 • -12db
33% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
33% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
