Songs like I'm Afraid of Americans - Show Girls OST Version by David Bowie
Based on a tempo of (+/- 10%) and a similar genre
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David Bowie
Telling Lies
160 bpm • G Maj • 04:50 • -7.76db
26% Popularity • 50% Danceability • 74% Energy • 4% Liveness
20% Instrumentalness • 38% Positiveness
26% Popularity • 50% Danceability • 74% Energy • 4% Liveness
20% Instrumentalness • 38% Positiveness
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Killing Joke
Wilful Days - 2007 Digital Remaster
160 bpm • E Maj • 05:03 • -10.12db
9% Popularity • 40% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 40% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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PJ Harvey
A Perfect Day Elise
159 bpm • B min • 03:06 • -8.73db
46% Popularity • 48% Danceability • 96% Energy • 20% Liveness
62% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 96% Energy • 20% Liveness
62% Instrumentalness • 16% Positiveness
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Adam & The Ants
Physical (You're So) - Single Version
161 bpm • A Maj • 04:27 • -9.84db
25% Popularity • 23% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 23% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The B-52's
Party out of Bounds
162 bpm • B min • 03:21 • -7.02db
37% Popularity • 66% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 66% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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The Cult
Spiritwalker - Lyceum Live
161 bpm • G Maj • 03:20 • -8.15db
10% Popularity • 27% Danceability • 95% Energy • 97% Liveness
25% Instrumentalness • 42% Positiveness
10% Popularity • 27% Danceability • 95% Energy • 97% Liveness
25% Instrumentalness • 42% Positiveness
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David Bowie
Telling Lies - Feelgood Mix
160 bpm • G Maj • 05:08 • -7.88db
13% Popularity • 51% Danceability • 92% Energy • 22% Liveness
13% Instrumentalness • 87% Positiveness
13% Popularity • 51% Danceability • 92% Energy • 22% Liveness
13% Instrumentalness • 87% Positiveness
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The Young Gods
L'eau rouge
163 bpm • G Maj • 04:20 • -7.15db
13% Popularity • 61% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
13% Popularity • 61% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
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The Human League
Life Kills - 2003 Remaster
163 bpm • A Maj • 03:07 • -5.76db
18% Popularity • 47% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Tin Machine
Amazing - 1999 Remaster
163 bpm • A Maj • 03:04 • -9.32db
19% Popularity • 22% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 22% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Primal Scream
Higher Than the Sun - Higher Than the Or...
163 bpm • C# Maj • 03:36 • -14.45db
39% Popularity • 47% Danceability • 64% Energy • 7% Liveness
12% Instrumentalness • 41% Positiveness
39% Popularity • 47% Danceability • 64% Energy • 7% Liveness
12% Instrumentalness • 41% Positiveness
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DEVO
Through Being Cool
157 bpm • B min • 03:14 • -14.9db
31% Popularity • 64% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
31% Popularity • 64% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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David Bowie
I'm Afraid of Americans
160 bpm • A# Maj • 05:00 • -7.9db
45% Popularity • 62% Danceability • 76% Energy • 22% Liveness
24% Instrumentalness • 75% Positiveness
45% Popularity • 62% Danceability • 76% Energy • 22% Liveness
24% Instrumentalness • 75% Positiveness
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Bauhaus
Lagartija Nick
164 bpm • F Maj • 03:04 • -13db
41% Popularity • 33% Danceability • 90% Energy • 42% Liveness
1% Instrumentalness • 14% Positiveness
41% Popularity • 33% Danceability • 90% Energy • 42% Liveness
1% Instrumentalness • 14% Positiveness
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The Stranglers
London Lady - 1996 Remaster
156 bpm • C Maj • 02:32 • -9db
33% Popularity • 37% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 37% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Massive Attack
Risingson
164 bpm • A# min • 04:58 • -6.91db
52% Popularity • 52% Danceability • 89% Energy • 7% Liveness
68% Instrumentalness • 30% Positiveness
52% Popularity • 52% Danceability • 89% Energy • 7% Liveness
68% Instrumentalness • 30% Positiveness
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A Flock Of Seagulls
Telecommunication
156 bpm • D Maj • 02:31 • -5.8db
35% Popularity • 62% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 62% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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DEVO
Big Mess
164 bpm • C Maj • 02:43 • -16db
37% Popularity • 67% Danceability • 65% Energy • 20% Liveness
68% Instrumentalness • 80% Positiveness
37% Popularity • 67% Danceability • 65% Energy • 20% Liveness
68% Instrumentalness • 80% Positiveness
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David Bowie
We Prick You
160 bpm • A Maj • 04:35 • -9.45db
24% Popularity • 58% Danceability • 92% Energy • 9% Liveness
10% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 92% Energy • 9% Liveness
10% Instrumentalness • 74% Positiveness
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The Cult
Spiritwalker
164 bpm • C Maj • 03:13 • -7.68db
33% Popularity • 36% Danceability • 88% Energy • 33% Liveness
12% Instrumentalness • 54% Positiveness
33% Popularity • 36% Danceability • 88% Energy • 33% Liveness
12% Instrumentalness • 54% Positiveness
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U2
Miami
156 bpm • A# min • 04:52 • -14.17db
33% Popularity • 68% Danceability • 69% Energy • 14% Liveness
15% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 69% Energy • 14% Liveness
15% Instrumentalness • 76% Positiveness
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Adam & The Ants
Digital Tenderness
155 bpm • C Maj • 03:03 • -6db
22% Popularity • 63% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 63% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Tin Machine
Under the God - 1999 Remaster
165 bpm • C Maj • 04:07 • -9.83db
24% Popularity • 26% Danceability • 92% Energy • 38% Liveness
4% Instrumentalness • 84% Positiveness
24% Popularity • 26% Danceability • 92% Energy • 38% Liveness
4% Instrumentalness • 84% Positiveness
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DEVO
Praying Hands
165 bpm • D min • 02:48 • -11db
32% Popularity • 62% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
32% Popularity • 62% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
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Primal Scream
Kill All Hippies
166 bpm • A# min • 04:57 • -5db
31% Popularity • 47% Danceability • 97% Energy • 32% Liveness
71% Instrumentalness • 64% Positiveness
31% Popularity • 47% Danceability • 97% Energy • 32% Liveness
71% Instrumentalness • 64% Positiveness
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David Bowie
I'm Afraid of Americans - Show Girls OST...
160 bpm • F Maj • 05:12 • -6.75db
16% Popularity • 60% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 60% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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The Cult
Dreamtime - Lyceum Live
154 bpm • D Maj • 02:54 • -8.1db
8% Popularity • 31% Danceability • 96% Energy • 91% Liveness
41% Instrumentalness • 42% Positiveness
8% Popularity • 31% Danceability • 96% Energy • 91% Liveness
41% Instrumentalness • 42% Positiveness
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Pulp
This Is Hardcore
154 bpm • A min • 06:23 • -7.84db
47% Popularity • 34% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 34% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Adrian Belew
Gunman
154 bpm • A# min • 03:53 • -11.29db
9% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Bauhaus
Bela Lugosi's Dead
154 bpm • B min • 09:42 • -9.31db
40% Popularity • 58% Danceability • 69% Energy • 6% Liveness
65% Instrumentalness • 55% Positiveness
40% Popularity • 58% Danceability • 69% Energy • 6% Liveness
65% Instrumentalness • 55% Positiveness
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Tin Machine
Video Crimes - 1999 Remaster
154 bpm • A Maj • 03:54 • -12.66db
13% Popularity • 45% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 45% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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David Bowie
African Night Flight - 2017 Remaster
160 bpm • D Maj • 02:56 • -10.64db
31% Popularity • 54% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 54% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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The Stranglers
Meninblack
167 bpm • E min • 04:50 • -15.27db
17% Popularity • 63% Danceability • 57% Energy • 10% Liveness
38% Instrumentalness • 89% Positiveness
17% Popularity • 63% Danceability • 57% Energy • 10% Liveness
38% Instrumentalness • 89% Positiveness
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The Human League
The Black Hit Of Space - 2003 Digital Re...
167 bpm • D Maj • 04:11 • -6.42db
23% Popularity • 61% Danceability • 91% Energy • 65% Liveness
1% Instrumentalness • 73% Positiveness
23% Popularity • 61% Danceability • 91% Energy • 65% Liveness
1% Instrumentalness • 73% Positiveness
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Talk Talk
Today - 1997 Remaster
153 bpm • F# min • 03:30 • -6.03db
38% Popularity • 54% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 54% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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The Damned
Anything
153 bpm • A Maj • 04:48 • -9.42db
25% Popularity • 45% Danceability • 92% Energy • 34% Liveness
69% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 92% Energy • 34% Liveness
69% Instrumentalness • 34% Positiveness
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Killing Joke
My Love Of This Land - 2007 Digital Rema...
153 bpm • C min • 04:12 • -9.9db
14% Popularity • 46% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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David Bowie
Battle for Britain (The Letter)
166 bpm • G Maj • 04:49 • -7.76db
27% Popularity • 52% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 52% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Massive Attack
Inertia Creeps
167 bpm • G# Maj • 05:57 • -8.95db
53% Popularity • 36% Danceability • 81% Energy • 14% Liveness
52% Instrumentalness • 39% Positiveness
53% Popularity • 36% Danceability • 81% Energy • 14% Liveness
52% Instrumentalness • 39% Positiveness
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Ultravox
Someone Else's Clothes
153 bpm • E Maj • 04:26 • -9.99db
15% Popularity • 50% Danceability • 92% Energy • 45% Liveness
7% Instrumentalness • 72% Positiveness
15% Popularity • 50% Danceability • 92% Energy • 45% Liveness
7% Instrumentalness • 72% Positiveness
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Joy Division
Digital
168 bpm • B min • 02:50 • -8.35db
49% Popularity • 54% Danceability • 77% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
49% Popularity • 54% Danceability • 77% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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The The
The Sinking Feeling
152 bpm • D Maj • 03:41 • -13db
37% Popularity • 64% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
37% Popularity • 64% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
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New Model Army
Archway Towers
152 bpm • C min • 04:54 • -17.08db
19% Popularity • 59% Danceability • 44% Energy • 8% Liveness
5% Instrumentalness • 31% Positiveness
19% Popularity • 59% Danceability • 44% Energy • 8% Liveness
5% Instrumentalness • 31% Positiveness
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David Bowie
Seven Years in Tibet
167 bpm • A# Maj • 06:21 • -6.03db
31% Popularity • 51% Danceability • 68% Energy • 11% Liveness
27% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 68% Energy • 11% Liveness
27% Instrumentalness • 50% Positiveness
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Bauhaus
In the Flat Field
152 bpm • C Maj • 05:00 • -9db
44% Popularity • 39% Danceability • 81% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
44% Popularity • 39% Danceability • 81% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Adam & The Ants
Physical - Single Version
151 bpm • A Maj • 03:56 • -6.76db
14% Popularity • 43% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 43% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Joy Division
Isolation - 2007 Remaster
152 bpm • C Maj • 02:55 • -8.12db
49% Popularity • 54% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
49% Popularity • 54% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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The The
The Mercy Beat
151 bpm • E min • 07:23 • -4.26db
17% Popularity • 57% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 57% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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U2
A Celebration - Remastered
151 bpm • A Maj • 02:57 • -8db
23% Popularity • 22% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 22% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
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David Bowie
Little Wonder - Censored Video Edit
152 bpm • C# min • 04:09 • -5.02db
20% Popularity • 54% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 54% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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A Flock Of Seagulls
Nightmares
151 bpm • B min • 04:36 • -7db
26% Popularity • 68% Danceability • 93% Energy • 33% Liveness
71% Instrumentalness • 71% Positiveness
26% Popularity • 68% Danceability • 93% Energy • 33% Liveness
71% Instrumentalness • 71% Positiveness
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XTC
Making Plans For Nigel
150 bpm • G Maj • 03:53 • -14.01db
33% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Sisters of Mercy
This Corrosion
151 bpm • C Maj • 09:30 • -10.08db
48% Popularity • 53% Danceability • 86% Energy • 70% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 53% Danceability • 86% Energy • 70% Liveness
0% Instrumentalness • 64% Positiveness
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Bauhaus
Bela Lugosi's Dead - Tomb Raider Mix
150 bpm • B min • 09:30 • -8db
18% Popularity • 64% Danceability • 74% Energy • 9% Liveness
74% Instrumentalness • 50% Positiveness
18% Popularity • 64% Danceability • 74% Energy • 9% Liveness
74% Instrumentalness • 50% Positiveness
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Killing Joke
Europe - 2007 Digital Remaster
150 bpm • F Maj • 04:34 • -8.11db
25% Popularity • 51% Danceability • 92% Energy • 10% Liveness
32% Instrumentalness • 65% Positiveness
25% Popularity • 51% Danceability • 92% Energy • 10% Liveness
32% Instrumentalness • 65% Positiveness
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David Bowie
Little Wonder - Junior Vasquez Club Mix
152 bpm • C# min • 08:17 • -7.99db
17% Popularity • 59% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
17% Popularity • 59% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
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Sparks
Something for the Girl With Everything
171 bpm • A# Maj • 03:13 • -5.6db
14% Popularity • 36% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 36% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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DEVO
Beautiful World
149 bpm • E Maj • 03:35 • -13db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sisters of Mercy
This Corrosion - 2018 Remaster
149 bpm • C Maj • 10:17 • -9.33db
39% Popularity • 50% Danceability • 89% Energy • 61% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 50% Danceability • 89% Energy • 61% Liveness
0% Instrumentalness • 57% Positiveness
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Pulp
Help The Aged
172 bpm • G Maj • 04:28 • -7.13db
41% Popularity • 24% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 24% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Elvis Costello & The Attractions
Lipstick Vogue - 2021 Remaster
149 bpm • B min • 03:33 • -7.06db
35% Popularity • 33% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
35% Popularity • 33% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
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David Bowie
A Better Future - Remix by Air
169 bpm • C# Maj • 04:56 • -10.45db
24% Popularity • 39% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
24% Popularity • 39% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
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John Foxx
Touch and Go
149 bpm • A# Maj • 05:39 • -11.43db
10% Popularity • 71% Danceability • 43% Energy • 8% Liveness
8% Instrumentalness • 68% Positiveness
10% Popularity • 71% Danceability • 43% Energy • 8% Liveness
8% Instrumentalness • 68% Positiveness
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Ultravox
Dislocation
149 bpm • C# min • 02:55 • -9db
21% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tin Machine
Sacrifice Yourself - 1999 Remaster
148 bpm • A Maj • 02:11 • -10.04db
13% Popularity • 42% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 42% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Joke
Nervous System
148 bpm • C Maj • 04:18 • -6.99db
12% Popularity • 64% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 56% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 56% Positiveness
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The Damned
Dr. Woofenstein
148 bpm • F Maj • 05:53 • -7.94db
8% Popularity • 39% Danceability • 62% Energy • 10% Liveness
9% Instrumentalness • 32% Positiveness
8% Popularity • 39% Danceability • 62% Energy • 10% Liveness
9% Instrumentalness • 32% Positiveness
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David Bowie
Get Real - Sounds Right Mix
170 bpm • B Maj • 04:17 • -3.72db
27% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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New Model Army
Stupid Questions - 2005 Remaster
147 bpm • G# min • 03:26 • -8.18db
13% Popularity • 46% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 46% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Pulp
Mis-Shapes
148 bpm • D Maj • 03:46 • -6.73db
48% Popularity • 32% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 32% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
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Tin Machine
Bus Stop - 1999 Remaster
148 bpm • D Maj • 01:43 • -10.73db
17% Popularity • 42% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 42% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Frankie Goes To Hollywood
The World Is My Oyster (Including Well /...
147 bpm • C Maj • 01:58 • -28db
39% Popularity • 25% Danceability • 9% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
39% Popularity • 25% Danceability • 9% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Killing Joke
Rubicon - Chris Kimsey Mix;2007 Digital ...
147 bpm • D# Maj • 06:35 • -7.83db
15% Popularity • 32% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 32% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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David Bowie
The Last Thing You Should Do
150 bpm • A min • 04:57 • -4.63db
24% Popularity • 48% Danceability • 100% Energy • 4% Liveness
68% Instrumentalness • 37% Positiveness
24% Popularity • 48% Danceability • 100% Energy • 4% Liveness
68% Instrumentalness • 37% Positiveness
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The Stranglers
Second Coming
147 bpm • F Maj • 04:21 • -10.81db
13% Popularity • 62% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
13% Popularity • 62% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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New Model Army
Grandmother's Footsteps
146 bpm • B min • 04:26 • -12.57db
18% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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DEVO
Should-A Said Yes
146 bpm • C Maj • 03:40 • -1db
8% Popularity • 64% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 64% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bauhaus
Ziggy Stardust
175 bpm • G Maj • 03:13 • -12db
49% Popularity • 24% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 24% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Killing Joke
Follow The Leaders
147 bpm • A Maj • 04:55 • -12.72db
16% Popularity • 47% Danceability • 74% Energy • 8% Liveness
10% Instrumentalness • 74% Positiveness
16% Popularity • 47% Danceability • 74% Energy • 8% Liveness
10% Instrumentalness • 74% Positiveness
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Tears For Fears
The Hurting
146 bpm • F# Maj • 04:16 • -5.68db
43% Popularity • 59% Danceability • 88% Energy • 12% Liveness
24% Instrumentalness • 86% Positiveness
43% Popularity • 59% Danceability • 88% Energy • 12% Liveness
24% Instrumentalness • 86% Positiveness
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David Bowie
The Pretty Things Are Going to Hell - St...
150 bpm • C Maj • 04:00 • -7.6db
9% Popularity • 57% Danceability • 94% Energy • 4% Liveness
4% Instrumentalness • 68% Positiveness
9% Popularity • 57% Danceability • 94% Energy • 4% Liveness
4% Instrumentalness • 68% Positiveness
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Grace Jones
Corporate Cannibal
146 bpm • F Maj • 05:55 • -9db
22% Popularity • 57% Danceability • 59% Energy • 15% Liveness
17% Instrumentalness • 20% Positiveness
22% Popularity • 57% Danceability • 59% Energy • 15% Liveness
17% Instrumentalness • 20% Positiveness
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The Young Gods
Crier les chiens
176 bpm • A# min • 03:15 • -8db
12% Popularity • 56% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 56% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Bush
Sat In Your Lap
146 bpm • G# min • 03:29 • -9.98db
45% Popularity • 69% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 69% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Killing Joke
Follow The Leaders
147 bpm • E Maj • 04:06 • -9.56db
12% Popularity • 42% Danceability • 89% Energy • 8% Liveness
17% Instrumentalness • 77% Positiveness
12% Popularity • 42% Danceability • 89% Energy • 8% Liveness
17% Instrumentalness • 77% Positiveness
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Ultravox
Lament - 2009 Remaster
176 bpm • C min • 04:41 • -13db
39% Popularity • 60% Danceability • 41% Energy • 8% Liveness
71% Instrumentalness • 82% Positiveness
39% Popularity • 60% Danceability • 41% Energy • 8% Liveness
71% Instrumentalness • 82% Positiveness
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David Bowie
Hallo Spaceboy
150 bpm • B min • 05:14 • -7.72db
38% Popularity • 49% Danceability • 94% Energy • 34% Liveness
19% Instrumentalness • 39% Positiveness
38% Popularity • 49% Danceability • 94% Energy • 34% Liveness
19% Instrumentalness • 39% Positiveness
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The Human League
Only After Dark - 2003 Remaster
146 bpm • A Maj • 03:50 • -8.79db
24% Popularity • 63% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 63% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Siouxsie
Here Comes That Day
176 bpm • G min • 04:03 • -6.74db
20% Popularity • 40% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 40% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Sheep On Drugs
15 Minutes of Fame (Alt. Mix - Previousl...
145 bpm • D Maj • 05:19 • -5db
15% Popularity • 54% Danceability • 85% Energy • 37% Liveness
30% Instrumentalness • 20% Positiveness
15% Popularity • 54% Danceability • 85% Energy • 37% Liveness
30% Instrumentalness • 20% Positiveness
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Dalis Car
The Judgement Is The Mirror
145 bpm • A Maj • 04:38 • -16.3db
18% Popularity • 69% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 69% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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DEVO
Peek-A-Boo
145 bpm • C Maj • 03:00 • -11.89db
34% Popularity • 77% Danceability • 77% Energy • 9% Liveness
70% Instrumentalness • 71% Positiveness
34% Popularity • 77% Danceability • 77% Energy • 9% Liveness
70% Instrumentalness • 71% Positiveness
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David Bowie
Looking for Satellites
172 bpm • G Maj • 05:20 • -6db
28% Popularity • 38% Danceability • 82% Energy • 18% Liveness
56% Instrumentalness • 22% Positiveness
28% Popularity • 38% Danceability • 82% Energy • 18% Liveness
56% Instrumentalness • 22% Positiveness
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The Human League
The Sound Of The Crowd - Remastered 2002
145 bpm • G Maj • 04:06 • -10.15db
45% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Siouxsie
Loveless
176 bpm • G Maj • 04:24 • -7.55db
19% Popularity • 45% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
19% Popularity • 45% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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The Cult
Bone Bag - Lyceum Live
177 bpm • B Maj • 04:16 • -9.54db
9% Popularity • 28% Danceability • 65% Energy • 94% Liveness
3% Instrumentalness • 58% Positiveness
9% Popularity • 28% Danceability • 65% Energy • 94% Liveness
3% Instrumentalness • 58% Positiveness
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Ultravox
Rage in Eden - 2008 Remaster
145 bpm • A min • 04:12 • -12.14db
25% Popularity • 59% Danceability • 59% Energy • 65% Liveness
60% Instrumentalness • 56% Positiveness
25% Popularity • 59% Danceability • 59% Energy • 65% Liveness
60% Instrumentalness • 56% Positiveness
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Joy Division
She's Lost Control - 2007 Remaster
144 bpm • B min • 03:57 • -7.63db
58% Popularity • 48% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
58% Popularity • 48% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness