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I’m Following You
Songs like
I’m Following You
by
Felicia Atkinson
Based on a tempo of (+/- 10%) and a similar genre
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Tomaga
Reverie for Fragile Houseplants
142 bpm • C Maj • 04:29 • -11.13db
27% Popularity • 29% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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KMRU
Degree of Change
142 bpm • C# Maj • 04:16 • -29db
19% Popularity • 14% Danceability • 1% Energy • 23% Liveness
96% Instrumentalness • 3% Positiveness
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Felicia Atkinson
I’m Following You
142 bpm • A min • 03:43 • -35db
11% Popularity • 15% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Tim Hecker
Shipyards of La Ceiba
142 bpm • F min • 01:56 • -27.02db
45% Popularity • 20% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 66% Positiveness
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Kelly Moran
Red Storm
143 bpm • B Maj • 01:50 • -14.56db
19% Popularity • 13% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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The Dead Texan
The Six Million Dollar Sandwich
143 bpm • G Maj • 03:02 • -19db
34% Popularity • 13% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Pablo's Eye
Blind And Quiet
143 bpm • D Maj • 01:27 • -19.95db
22% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
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Jonny Nash
Hanging Glass Structure
143 bpm • G# min • 03:27 • -25.62db
27% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Sofie Birch
Loph
141 bpm • C min • 04:32 • -12.42db
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Kuniyuki Takahashi
Day Dreams
141 bpm • B min • 05:29 • -17db
21% Popularity • 22% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Felicia Atkinson
E
140 bpm • A Maj • 01:38 • -19.58db
6% Popularity • 42% Danceability • 17% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Dylan Henner
Xochitlatcan
140 bpm • F# min • 04:02 • -17.8db
10% Popularity • 21% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Ana Roxanne
- - -
140 bpm • D Maj • 05:15 • -21.34db
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Dedekind Cut
MMXIX
140 bpm • C# Maj • 09:19 • -16.63db
8% Popularity • 17% Danceability • 35% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Loke Rahbek
Scarlett
140 bpm • A# Maj • 08:04 • -9.02db
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
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Molero
Phasma Gigas
140 bpm • A min • 04:29 • -12.83db
21% Popularity • 36% Danceability • 40% Energy • 6% Liveness
55% Instrumentalness • 13% Positiveness
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Felicia Atkinson
Aberdeen
144 bpm • D min • 05:55 • -20.56db
12% Popularity • 21% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Klein
Hope Dealers
140 bpm • A# Maj • 05:52 • -13.56db
9% Popularity • 14% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Ulla Straus
Petted
139 bpm • D# min • 02:37 • -29.74db
14% Popularity • 23% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Sarah Davachi
Midlands
138 bpm • G min • 09:45 • -23.87db
8% Popularity • 15% Danceability • 9% Energy • 34% Liveness
89% Instrumentalness • 3% Positiveness
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Roméo Poirier
Hotel Nota
138 bpm • B min • 03:33 • -15.19db
15% Popularity • 20% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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Akira Rabelais
Notturno (Loverly)
138 bpm • F Maj • 09:11 • -35.94db
9% Popularity • 14% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 2% Positiveness
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Felicia Atkinson
Entomology
140 bpm • C Maj • 03:08 • -13.8db
0% Popularity • 22% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Croatian Amor
Transit
138 bpm • A min • 05:44 • -21.82db
19% Popularity • 26% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Oval
Store Check
138 bpm • D# min • 04:00 • -21db
22% Popularity • 45% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Steve Hauschildt
Watertowers
146 bpm • A# min • 06:10 • -16db
14% Popularity • 30% Danceability • 40% Energy • 29% Liveness
10% Instrumentalness • 32% Positiveness
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Perila
Long Dizzying Air Through A Balcony Door
137 bpm • A min • 07:48 • -31.79db
22% Popularity • 22% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Akira Rabelais
Notturno
138 bpm • F Maj • 01:41 • -36db
27% Popularity • 16% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Benge
1975 Moog Polymoog
147 bpm • C Maj • 02:56 • -22db
20% Popularity • 61% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 48% Positiveness
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Felicia Atkinson
IQUES
144 bpm • F# Maj • 02:16 • -12.73db
3% Popularity • 64% Danceability • 98% Energy • 6% Liveness
94% Instrumentalness • 74% Positiveness
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Ian William Craig
On The Reach Of Explanations
137 bpm • F Maj • 06:02 • -14.29db
12% Popularity • 17% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Kelly Moran
Interlude 1 - WXAXRXP Session
137 bpm • C min • 01:20 • -14.7db
24% Popularity • 26% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Caterina Barbieri
The Landscape Listens
148 bpm • A min • 08:17 • -13db
19% Popularity • 12% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Carmen Villain
Dissolving Edges
148 bpm • C# Maj • 06:51 • -27.58db
10% Popularity • 51% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Tomaga
More Flowers
148 bpm • C# Maj • 04:55 • -9.36db
18% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Felicia Atkinson
L’Enfant Et Le Poulpe
139 bpm • E min • 05:58 • -19.76db
5% Popularity • 22% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Malibu
Nana (Like A Star Made For Me)
136 bpm • C# Maj • 03:50 • -20.4db
24% Popularity • 15% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Ulla
Falling Water Lullaby
136 bpm • G Maj • 06:40 • -29.68db
23% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Raum
Daughter
135 bpm • B Maj • 07:40 • -22.18db
15% Popularity • 27% Danceability • 22% Energy • 23% Liveness
46% Instrumentalness • 7% Positiveness
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David Toop
Slow Loris Versus Poison Snail
149 bpm • F Maj • 09:23 • -18db
18% Popularity • 37% Danceability • 31% Energy • 35% Liveness
70% Instrumentalness • 11% Positiveness
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Sky H1
Labyrinth
135 bpm • A min • 06:54 • -27db
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
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Bing & Ruth
Badwater Psalm
135 bpm • D# Maj • 05:28 • -18.26db
12% Popularity • 15% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Tim Hecker
Boreal Kiss Pt. 1
135 bpm • F min • 03:28 • -25.49db
43% Popularity • 20% Danceability • 2% Energy • 29% Liveness
8% Instrumentalness • 9% Positiveness
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Loke Rahbek
Solina
134 bpm • C Maj • 03:34 • -12.38db
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Samuel Organ
Guidance
135 bpm • C min • 03:42 • -21.52db
33% Popularity • 53% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Dylan Henner
With Her First Ever Steps She Walked To ...
150 bpm • G# Maj • 02:31 • -15.53db
39% Popularity • 56% Danceability • 43% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Perila
Every Something Is An Echo Of Nothing
134 bpm • C# Maj • 04:00 • -30db
18% Popularity • 23% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Christina Vantzou
Stone Circle
134 bpm • D# Maj • 04:28 • -18.94db
11% Popularity • 35% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
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Ana Roxanne
A Study in Vastness
134 bpm • A min • 06:50 • -22db
28% Popularity • 20% Danceability • 9% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Tujiko Noriko
Opening
134 bpm • D Maj • 01:20 • -20.11db
19% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Laurie Spiegel
Strand of Life ("Viroid")
151 bpm • G Maj • 01:21 • -35.21db
46% Popularity • 22% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Flutter
133 bpm • F min • 04:21 • -15db
21% Popularity • 19% Danceability • 39% Energy • 8% Liveness
58% Instrumentalness • 16% Positiveness
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Huerco S.
Marked For Life
151 bpm • G# Maj • 03:40 • -10.21db
19% Popularity • 62% Danceability • 39% Energy • 20% Liveness
88% Instrumentalness • 70% Positiveness
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Sarah Davachi
Evensong
133 bpm • D# Maj • 05:27 • -24.9db
17% Popularity • 25% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Not Waving
Tropic Of Desire
133 bpm • F# min • 06:13 • -13.16db
9% Popularity • 16% Danceability • 61% Energy • 48% Liveness
92% Instrumentalness • 8% Positiveness
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Biosphere
The Sudden Rush
133 bpm • A min • 03:28 • -23db
32% Popularity • 21% Danceability • 9% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
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Malibu
Tilting On Windmills
132 bpm • F min • 08:18 • -19db
23% Popularity • 16% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 2% Positiveness
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Visible Cloaks
Wintergreen
132 bpm • G# Maj • 02:46 • -23.18db
14% Popularity • 27% Danceability • 3% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
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Huerco S.
Lifeblood
151 bpm • A# min • 08:12 • -19.58db
22% Popularity • 17% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Sarah Davachi
Chorus Scene
133 bpm • C min • 02:47 • -21.91db
18% Popularity • 51% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 29% Positiveness
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Felicia Atkinson
Quelque Chose
132 bpm • A min • 05:40 • -20.85db
9% Popularity • 28% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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K. Leimer
From A Common Center
132 bpm • E min • 02:20 • -12.06db
34% Popularity • 20% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Jon Hassell
Empire I
131 bpm • E min • 02:00 • -27.85db
33% Popularity • 28% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 71% Positiveness
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William Basinski
O, My Daughter, O, My Sorrow
131 bpm • C min • 06:43 • -19.51db
24% Popularity • 24% Danceability • 32% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Emily A. Sprague
Huckleberry
131 bpm • F Maj • 03:03 • -18.05db
31% Popularity • 38% Danceability • 32% Energy • 61% Liveness
87% Instrumentalness • 28% Positiveness
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Malibu
Lost At Sea - Kelly Moran remix
131 bpm • G# min • 04:56 • -16.79db
33% Popularity • 16% Danceability • 25% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Felicia Atkinson
And All The Spirals Of The World
132 bpm • A min • 06:08 • -26.8db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Andrew Pekler
Description of Rain (Over Frisland)
131 bpm • D min • 04:26 • -21db
17% Popularity • 16% Danceability • 25% Energy • 34% Liveness
92% Instrumentalness • 10% Positiveness
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Perila
Floor Position
131 bpm • G# min • 02:56 • -22.9db
25% Popularity • 25% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Dylan Henner
We Could Hear Them Singing from Across t...
131 bpm • D Maj • 05:08 • -18.24db
12% Popularity • 19% Danceability • 13% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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June11
Who Is Still Dreaming?
131 bpm • B min • 03:32 • -19db
30% Popularity • 24% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Sofie Birch
Sugi
130 bpm • F min • 03:52 • -17.54db
25% Popularity • 30% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Ian William Craig
Before Meaning Comes
130 bpm • B Maj • 03:12 • -27db
21% Popularity • 30% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Internazionale
Bells of Addiction (Recalled)
130 bpm • C Maj • 02:51 • -14.24db
16% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Seefeel
Rough For Radio - Peel Session
157 bpm • E Maj • 04:11 • -14.04db
19% Popularity • 28% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Carla dal Forno
Italian Cinema
129 bpm • F# Maj • 01:50 • -19db
22% Popularity • 43% Danceability • 77% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Felicia Atkinson
Joan
128 bpm • A min • 06:44 • -25.1db
7% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Sofie Birch
Observatory
129 bpm • E min • 05:52 • -25.36db
22% Popularity • 30% Danceability • 15% Energy • 9% Liveness
66% Instrumentalness • 13% Positiveness
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Cybe
The Running Water
128 bpm • C Maj • 04:18 • -16.75db
21% Popularity • 33% Danceability • 30% Energy • 97% Liveness
92% Instrumentalness • 7% Positiveness
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Flora Yin-Wong
Bitterness
127 bpm • D min • 03:56 • -18.06db
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
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Space Afrika
Bly
127 bpm • E min • 07:10 • -24db
16% Popularity • 19% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Croatian Amor
With Eyes Unclouded By Longing
127 bpm • E Maj • 02:45 • -12.88db
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Jefre Cantu-Ledesma
Stained Glass Body
127 bpm • C Maj • 05:28 • -9.43db
21% Popularity • 16% Danceability • 47% Energy • 35% Liveness
77% Instrumentalness • 24% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ana Roxanne
Venus
127 bpm • F Maj • 07:57 • -19.63db
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
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Flora Yin-Wong
Tirta Empul
127 bpm • G# min • 04:00 • -20.61db
8% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
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Felicia Atkinson
And The Flower Have Time For Me
126 bpm • A Maj • 05:42 • -21db
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Ulla Straus
Billow
126 bpm • C# min • 04:27 • -24.55db
26% Popularity • 17% Danceability • 22% Energy • 20% Liveness
94% Instrumentalness • 14% Positiveness
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Dylan Henner
We're So Young That We'll Never Grow Old
126 bpm • F min • 05:04 • -19.68db
22% Popularity • 24% Danceability • 19% Energy • 37% Liveness
78% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Woven
160 bpm • D Maj • 05:51 • -23.81db
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Susumu Yokota
Sleepy Eye
125 bpm • F# min • 02:44 • -20db
36% Popularity • 42% Danceability • 40% Energy • 28% Liveness
99% Instrumentalness • 11% Positiveness
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Faten Kanaan
Night Tide / Anteros
125 bpm • A# Maj • 04:13 • -14db
9% Popularity • 20% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Tujiko Noriko
Romi and Kuro
125 bpm • F min • 02:16 • -28.51db
16% Popularity • 17% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Ulla Straus
Sister
160 bpm • F min • 05:22 • -17.28db
17% Popularity • 56% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 39% Positiveness
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Croatian Amor
LA Hills Burn At The Peak Of Winter
125 bpm • A min • 07:28 • -17.64db
33% Popularity • 20% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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D.Ã….R.F.D.H.S.
Minnen av morfar
125 bpm • G Maj • 06:38 • -15.06db
12% Popularity • 23% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Lucrecia Dalt
Seca
125 bpm • F# Maj • 02:18 • -21.16db
21% Popularity • 28% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
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Felicia Atkinson
Curious In Epidavros
125 bpm • D Maj • 03:04 • -21.43db
2% Popularity • 52% Danceability • 16% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Jefre Cantu-Ledesma
Dark From Daybreak
124 bpm • A# min • 03:17 • -22db
18% Popularity • 17% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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Carmen Villain
Future Memory
124 bpm • C# Maj • 05:02 • -24.41db
21% Popularity • 29% Danceability • 12% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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I’m Following You