Songs like I'm for Real by Howard Hewett
Based on a tempo of (+/- 10%) and a similar genre
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Blackstreet
Joy
95 bpm • G# min • 04:55 • -8db
44% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Billy Ocean
Love Zone
95 bpm • G Maj • 04:13 • -6.1db
38% Popularity • 73% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 73% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Howard Hewett
Shadow
95 bpm • G Maj • 05:42 • -9.29db
6% Popularity • 68% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 68% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Full Force
Float On With Us (F.F. Ladies Mix)
95 bpm • D Maj • 05:50 • -9db
20% Popularity • 65% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 65% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Tease
Firestarter
95 bpm • C Maj • 05:33 • -6db
19% Popularity • 69% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 69% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Jermaine Jackson
Don't Take It Personal
95 bpm • D# min • 04:31 • -8.63db
32% Popularity • 85% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 85% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Tavares
Never Had A Love Like This Before - Rema...
95 bpm • B min • 04:35 • -8db
36% Popularity • 70% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 70% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Al B. Sure!
Off on Your Own (Girl)
96 bpm • A# min • 04:09 • -14db
49% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Howard Hewett
I Commit to Love
95 bpm • G# min • 04:11 • -11.58db
20% Popularity • 86% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 86% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Silk
Happy Days
94 bpm • F# Maj • 05:18 • -8.88db
34% Popularity • 70% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Miki Howard
Until You Come Back to Me (That's What I...
96 bpm • G Maj • 04:07 • -7.78db
25% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Full Force
From These Lips to God's Ears
96 bpm • C# Maj • 05:22 • -6.3db
0% Popularity • 65% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 65% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Micki Free
God Is on the Phone (Gospel Mix)
96 bpm • D# min • 03:42 • -10.59db
0% Popularity • 62% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 62% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Surface
You Are My Everything
96 bpm • C# Maj • 04:31 • -10db
35% Popularity • 71% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 71% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Howard Hewett
I'm for Real
95 bpm • C# min • 04:48 • -10db
37% Popularity • 72% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 72% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Taylor
Whatever
94 bpm • F min • 05:32 • -8.62db
14% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Frederick
Gentle - Calling Your Name
97 bpm • A Maj • 05:39 • -11.51db
35% Popularity • 66% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Barry White
Practice What You Preach
94 bpm • G Maj • 03:59 • -10.34db
50% Popularity • 84% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 84% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Micki Free
God Is on the Phone
96 bpm • D# min • 03:57 • -5.44db
1% Popularity • 56% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 56% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Karyn White
Love Saw It
93 bpm • F# min • 05:20 • -14.55db
42% Popularity • 76% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 76% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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David Peaston
Don't Say No
93 bpm • C# min • 04:45 • -12.28db
12% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Eugene Wilde
Gotta Get You Home Tonight
93 bpm • C Maj • 05:14 • -6.77db
46% Popularity • 62% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 62% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Cooper
Dinner for Two
97 bpm • D min • 05:48 • -13.48db
27% Popularity • 73% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 73% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Troop
Spread My Wings
97 bpm • B Maj • 05:08 • -11db
42% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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![Quiet Time cover art]()
Regina Belle
Quiet Time
93 bpm • G min • 05:05 • -7.53db
22% Popularity • 59% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 59% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Loose Ends
The Sweetest Pain
97 bpm • G# min • 05:57 • -15db
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Heatwave
Mind Blowing Decisions
92 bpm • C Maj • 04:19 • -11.38db
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Al B. Sure!
Oooh This Love Is So
92 bpm • E min • 04:39 • -18.01db
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Force M.D.'s
Love Is A House
92 bpm • G# Maj • 05:12 • -15.69db
47% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Intro
Let Me Be the One
92 bpm • B Maj • 04:57 • -13db
36% Popularity • 63% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 63% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Regina Belle
All I Want Is Forever
92 bpm • C# Maj • 04:31 • -12db
39% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Juicy
Sugar Free
92 bpm • G# Maj • 04:33 • -11.94db
41% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Christopher Williams
Every Little Thing U Do
98 bpm • G# min • 04:45 • -8.01db
39% Popularity • 67% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 67% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Howard Hewett
Stay - Before Midnight Mix
98 bpm • G# min • 05:12 • -12.22db
10% Popularity • 65% Danceability • 70% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
10% Popularity • 65% Danceability • 70% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Ray, Goodman & Brown
Take It To The Limit
99 bpm • F min • 04:47 • -16.17db
15% Popularity • 74% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 74% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Shirley Murdock
The One I Need
91 bpm • C# Maj • 04:40 • -9db
15% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Loose Ends
Watching You
99 bpm • C Maj • 04:38 • -12.82db
36% Popularity • 76% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 76% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Hollister
One Woman Man
91 bpm • B Maj • 04:32 • -7db
47% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Cherrelle
Everything I Miss At Home
91 bpm • D min • 03:55 • -12.6db
39% Popularity • 66% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 66% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Howard Hewett
Stay
99 bpm • A# min • 04:34 • -9.6db
17% Popularity • 62% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 96% Positiveness
17% Popularity • 62% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 96% Positiveness
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Ledisi
Stay Together
91 bpm • C# Maj • 03:56 • -6.48db
45% Popularity • 69% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 69% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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El DeBarge
After the Dance
99 bpm • F# min • 06:02 • -11db
34% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Boney James
Ride
99 bpm • E min • 04:33 • -10db
39% Popularity • 71% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 71% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Anita Baker
No One in the World
90 bpm • A# Maj • 04:06 • -8.24db
45% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Stylistics
Mine All Mine
90 bpm • C Maj • 04:30 • -10db
40% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
40% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
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Doc Powell
Inner City Blues
90 bpm • C Maj • 04:12 • -6.8db
5% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
5% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Meli'sa Morgan
Fool's Paradise
100 bpm • F min • 05:00 • -14db
49% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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El DeBarge
Love Always
90 bpm • F min • 05:30 • -16db
33% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Howard Hewett
It's That Real R&B
90 bpm • C Maj • 03:55 • -7.8db
11% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jermaine Jackson
You Like Me Don't You
90 bpm • C# Maj • 05:00 • -13db
36% Popularity • 74% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 74% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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DeBarge
Stay With Me
90 bpm • F Maj • 03:45 • -16.48db
53% Popularity • 61% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 61% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Brown
Girlfriend
101 bpm • D Maj • 06:16 • -13db
33% Popularity • 66% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Freddie Jackson
Have You Ever Loved Somebody
90 bpm • E min • 04:37 • -12.85db
51% Popularity • 69% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 69% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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The S.O.S Band
No One's Gonna Love You
101 bpm • C# min • 06:46 • -10.11db
34% Popularity • 74% Danceability • 50% Energy • 7% Liveness
4% Instrumentalness • 87% Positiveness
34% Popularity • 74% Danceability • 50% Energy • 7% Liveness
4% Instrumentalness • 87% Positiveness
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D-Train
Something's On Your Mind
101 bpm • F min • 06:36 • -7db
31% Popularity • 80% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 80% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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![Show Me the Way cover art]()
Regina Belle
Show Me the Way
89 bpm • B min • 04:09 • -6.62db
32% Popularity • 59% Danceability • 63% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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Miles Jaye
Heaven - Ed's Edit
101 bpm • C# Maj • 03:44 • -7.17db
23% Popularity • 74% Danceability • 62% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
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Jeffrey Osborne
You Should Be Mine (The Woo Woo Song)
89 bpm • C Maj • 04:26 • -11db
41% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Anita Baker
Will You Be Mine
89 bpm • A min • 05:29 • -13.88db
29% Popularity • 72% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 72% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Lionel Richie
Love Will Find A Way
102 bpm • C# min • 06:10 • -16db
41% Popularity • 84% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 84% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Isley, Jasper, Isley
Caravan of Love
88 bpm • D Maj • 05:44 • -7db
43% Popularity • 68% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 68% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Kem
You're On My Mind
88 bpm • A# min • 04:32 • -7db
48% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Miles Jaye
Let's Start Love Over
89 bpm • G# Maj • 05:02 • -12.24db
39% Popularity • 70% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 70% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Howard Hewett
I Got 2 Go
102 bpm • A# min • 04:38 • -10.52db
13% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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![This Is Love cover art]()
Regina Belle
This Is Love
88 bpm • C min • 04:43 • -8.69db
28% Popularity • 60% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 60% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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O'Bryan
Still Water (Love)
88 bpm • A Maj • 04:08 • -7db
27% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Loose Ends
Slow Down
103 bpm • B min • 05:03 • -11.2db
44% Popularity • 74% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 74% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Kashif
Send Me Your Love
87 bpm • A# min • 05:11 • -13.18db
24% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Kem
Lie To Me
87 bpm • F Maj • 03:51 • -7.58db
50% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Howard Hewett
I'll Be Right Here
88 bpm • E min • 04:06 • -7.66db
15% Popularity • 67% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 67% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Al B. Sure!
If I'm Not Your Lover
104 bpm • B Maj • 04:05 • -13.89db
34% Popularity • 84% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 84% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Peabo Bryson
Crosswinds
87 bpm • G Maj • 06:28 • -12.22db
22% Popularity • 50% Danceability • 58% Energy • 58% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 50% Danceability • 58% Energy • 58% Liveness
0% Instrumentalness • 62% Positiveness
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Loose Ends
Stay A Little While, Child
104 bpm • A min • 05:07 • -11.35db
43% Popularity • 66% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 66% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Dazz Band
Heartbeat
87 bpm • E min • 05:15 • -11db
24% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Anita Baker
Soul Inspiration
104 bpm • F# Maj • 05:19 • -7db
25% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Chuckii Booker
I Should Have Loved You
104 bpm • G min • 05:39 • -12db
16% Popularity • 40% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 40% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The Time
Gigolos Get Lonely Too
87 bpm • B min • 04:41 • -12.69db
39% Popularity • 62% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 62% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Howard Hewett
When Will It Be
87 bpm • C min • 05:02 • -8.48db
20% Popularity • 59% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 59% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Rachelle Ferrell
Welcome To My Love
104 bpm • C# Maj • 05:39 • -16.76db
30% Popularity • 74% Danceability • 39% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 74% Danceability • 39% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
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Vesta Williams
You Make Me Want To (Love Again)
87 bpm • G# Maj • 04:59 • -14db
12% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Eugene Wilde
Don't Say No Tonight
86 bpm • F# Maj • 05:13 • -6.23db
29% Popularity • 59% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 59% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Miles Jaye
I've Been A Fool For You
86 bpm • B min • 05:27 • -12.57db
19% Popularity • 20% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
19% Popularity • 20% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Meli'sa Morgan
Back Together Gain - Freddie Jackson
105 bpm • C# Maj • 05:00 • -8db
14% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Guy
Yearning For Your Love
86 bpm • D Maj • 04:56 • -13.26db
42% Popularity • 61% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 61% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Karyn White
The Way You Love Me
105 bpm • F# Maj • 04:54 • -7.52db
46% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Curtis Hairston
(You're My) Shining Star
86 bpm • D# Maj • 05:48 • -14db
15% Popularity • 66% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 66% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
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Anita Baker
Giving You the Best That I Got (Single V...
105 bpm • A Maj • 03:53 • -8.17db
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Cherrelle
Keep It Inside
106 bpm • F min • 04:13 • -12db
24% Popularity • 74% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 74% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Jean Carn
Don't Let It Go to Your Head - 12" Versi...
106 bpm • E Maj • 04:51 • -10db
42% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Melba Moore
Falling
106 bpm • A min • 04:41 • -6db
35% Popularity • 77% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 77% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Kem
My Favorite Thing
85 bpm • F min • 03:44 • -9db
40% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Pebbles
Always - Single Version
85 bpm • G# min • 04:46 • -6.34db
29% Popularity • 46% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 46% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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Glenn Jones
Show Me
84 bpm • C# min • 03:58 • -11db
40% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Harold Melvin & The Blue Notes
I Really Love You
84 bpm • F# Maj • 05:22 • -9.18db
23% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Euge Groove
Baby If You Only Knew (What I Could Do)
84 bpm • C Maj • 04:16 • -8.71db
35% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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The Jones Girls
Children of the Night
83 bpm • G min • 05:11 • -11db
27% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Gladys Knight & The Pips
Love Overboard
108 bpm • D# min • 05:26 • -12db
39% Popularity • 81% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 81% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Karyn White
How I Want You
83 bpm • F# Maj • 04:57 • -9db
25% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
