Songs like I'm Gettin' Married by Jamie Coe
Based on a tempo of (+/- 10%) and a similar genre
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Huelyn Duvall
Friday Night On a Dollar Bill
133 bpm • C min • 02:13 • -7.16db
12% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Sharpe
Oh, My Baby's Gone
133 bpm • C Maj • 02:08 • -6db
16% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
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Larry Williams
Let Me Tell You, Baby
133 bpm • C Maj • 02:38 • -10.81db
14% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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Jamie Coe
I'm Gettin' Married
133 bpm • A# min • 02:28 • -4.25db
2% Popularity • 68% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 68% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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The Collins Kids
Mercy
133 bpm • B min • 02:04 • -4.09db
17% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Carnations
Long Tall Girl
133 bpm • F Maj • 02:20 • -6.22db
20% Popularity • 30% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 30% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Ral Donner
She's Everything
132 bpm • D Maj • 02:27 • -8.05db
16% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Sid King & The Five Strings
Good Rockin' Baby
133 bpm • D Maj • 02:30 • -10db
9% Popularity • 82% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 82% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Curtis Lee
Mr. Mistaker
132 bpm • C min • 02:51 • -8.42db
12% Popularity • 59% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 59% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Jack Scott
Now That I - Remastered
134 bpm • D Maj • 02:33 • -12.29db
16% Popularity • 56% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 56% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Jamie Coe
Green Back Dollar
132 bpm • G Maj • 02:42 • -6.65db
0% Popularity • 61% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
0% Popularity • 61% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
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Buddy Knox
Ling-Ting-Tong
134 bpm • B Maj • 02:08 • -10.92db
18% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Nutmegs
Shifting Sands - Version 2
132 bpm • D min • 02:13 • -8.29db
12% Popularity • 61% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 61% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 93% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Goldbugs
Stop That Wedding
132 bpm • C# min • 02:21 • -9.38db
11% Popularity • 53% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 53% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Collins Kids
Mercy - Remastered
131 bpm • B min • 02:04 • -7.06db
16% Popularity • 65% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 65% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Jamie Coe
There's Gonna be a Day
134 bpm • F# Maj • 01:44 • -4.83db
1% Popularity • 62% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 62% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Scott
Two Timin' Woman
135 bpm • E Maj • 01:59 • -11.01db
15% Popularity • 45% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 45% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
21% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Jackie Lee Cochran
Mama Don't You Think I Know
131 bpm • G Maj • 02:31 • -11db
11% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Clyde McPhatter
Ta Ta
131 bpm • G Maj • 02:13 • -6.82db
14% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Olympics
Big Boy Pete
131 bpm • G min • 02:28 • -7db
3% Popularity • 45% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 45% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Jamie Coe
Don't you Just Know It
134 bpm • D# Maj • 02:31 • -3.88db
0% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Jack Scott
Cry, Cry, Cry - Remastered
135 bpm • C# min • 02:45 • -11db
15% Popularity • 68% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 68% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Eden Kane
A New Kind Of Lovin'
131 bpm • D# min • 02:15 • -11.07db
9% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Ronnie Dawson
Congratulations to Me
135 bpm • G Maj • 02:25 • -7db
12% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Gene McDaniels
Come On Take a Chance
136 bpm • G# Maj • 02:13 • -8.1db
5% Popularity • 49% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 49% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Tommy Blake
Lordy Hoody
136 bpm • E Maj • 02:25 • -8.98db
10% Popularity • 49% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
10% Popularity • 49% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Jamie Coe
The Dealer - Instrumental
134 bpm • C Maj • 02:16 • -4.61db
1% Popularity • 55% Danceability • 91% Energy • 11% Liveness
95% Instrumentalness • 89% Positiveness
1% Popularity • 55% Danceability • 91% Energy • 11% Liveness
95% Instrumentalness • 89% Positiveness
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Jack Scott
Goodbye Baby
131 bpm • A Maj • 02:08 • -13db
20% Popularity • 74% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
20% Popularity • 74% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
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Ronnie Self
Flame of Love
130 bpm • F Maj • 02:14 • -9db
14% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Mann
Chick-A-Lou
129 bpm • A# Maj • 02:09 • -8.84db
7% Popularity • 51% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 51% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Barry Mann
Little Miss Usa
129 bpm • D Maj • 02:35 • -10.83db
13% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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The Danleers
(I Live) Half a Block from an Angel
137 bpm • E Maj • 02:13 • -8.68db
12% Popularity • 54% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 54% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
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Clarence "Frogman" Henry
Lonely Street
129 bpm • C Maj • 02:08 • -7db
29% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Gracie
Butterfly
129 bpm • E Maj • 02:25 • -6.28db
11% Popularity • 62% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 62% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Lee Trammell
I Sure Do Love You Baby
137 bpm • G Maj • 02:38 • -6db
8% Popularity • 60% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 60% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
7% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
7% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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The Dories
Stompin' Sh-Boom
137 bpm • C Maj • 02:00 • -8.91db
8% Popularity • 55% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 55% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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The Earls
Eyes
129 bpm • G min • 02:31 • -8db
21% Popularity • 50% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 50% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Preston
Let's Leave It That Way
129 bpm • C Maj • 02:19 • -4.69db
8% Popularity • 57% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 57% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie Gracie
Wanderin' Eyes
129 bpm • C# Maj • 02:26 • -8.21db
11% Popularity • 68% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 68% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Huey "Piano" Smith
Well I'll Be John Brown
137 bpm • C min • 02:29 • -4.59db
16% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Brenda Lee
Love And Learn
129 bpm • G# Maj • 02:06 • -7.7db
8% Popularity • 78% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 78% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Jamie Coe
The One Who Really Loves You
138 bpm • B min • 02:47 • -5.78db
0% Popularity • 52% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 52% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Parktowns
That Day Will Never Come
128 bpm • E Maj • 01:59 • -6.79db
17% Popularity • 58% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 58% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Dickey Lee
Good Lovin'
128 bpm • A Maj • 02:52 • -8.42db
30% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ivory Joe Hunter
Shooty Booty - Bonus Track
128 bpm • G Maj • 02:03 • -6db
28% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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The Velvets
Laugh
128 bpm • E Maj • 02:21 • -8db
13% Popularity • 54% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
13% Popularity • 54% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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The Safaris
The Girl with the Story in Her Eyes
128 bpm • A min • 01:58 • -10.97db
10% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Jamie Coe
How low is Low
138 bpm • A min • 02:26 • -6.82db
1% Popularity • 69% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 69% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Frankie Avalon
Dede Dinah
139 bpm • G Maj • 02:12 • -5.62db
22% Popularity • 53% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 53% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Clanton
Don't Look At Me
139 bpm • D# Maj • 02:15 • -6.2db
16% Popularity • 61% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 61% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Harlan
I Wanna Bop
139 bpm • E Maj • 02:11 • -6db
13% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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The Rays
Daddy Cool
139 bpm • F min • 02:40 • -9db
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Luman
Boston Rocker
139 bpm • G# Maj • 02:16 • -7db
10% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jamie Coe
How Low Is Low
139 bpm • F Maj • 02:26 • -10db
0% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Fabian
Turn Me Loose
127 bpm • G Maj • 02:21 • -13db
26% Popularity • 45% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 45% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Knox
Lovey Dovey
140 bpm • A Maj • 02:21 • -11.7db
21% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Nick Todd
Your Loves Got a Grip on Me
140 bpm • G Maj • 02:29 • -8db
9% Popularity • 47% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 47% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Tommy Sands
The Worryin' Kind
126 bpm • B min • 02:32 • -9db
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jack Scott
My King
126 bpm • C# min • 01:33 • -8db
7% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Jamie Coe
Make That Dream Come True
140 bpm • F Maj • 02:36 • -3.94db
0% Popularity • 46% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 46% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Ray Sharpe
Red Sails in the Sunset
126 bpm • G Maj • 02:11 • -6.4db
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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The Roomates
The Answer Is No
140 bpm • G min • 02:31 • -8.9db
8% Popularity • 47% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 47% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Pentagons
I Wonder
126 bpm • G min • 02:22 • -7.14db
9% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Tommy Sands
Goin' Steady
126 bpm • A# Maj • 02:36 • -9db
22% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Jarmels
Why Am I A Fool For You
141 bpm • D# Maj • 02:06 • -11.95db
9% Popularity • 62% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 62% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Flamingos with Orchestra
Nobody Loves Me Like You
141 bpm • B Maj • 02:18 • -9.78db
11% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Janis Martin
Billy Boy, My Billy Boy
141 bpm • C Maj • 02:11 • -5db
15% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jack Scott
Baby She's Gone
125 bpm • A Maj • 02:49 • -10.13db
15% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jamie Coe
The Fool
142 bpm • C Maj • 02:04 • -8db
8% Popularity • 63% Danceability • 79% Energy • 19% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 63% Danceability • 79% Energy • 19% Liveness
1% Instrumentalness • 93% Positiveness
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The Roomates
Echoes of the Past
142 bpm • G Maj • 03:30 • -7.54db
7% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Gene Vincent & His Blue Caps
Ain't She Sweet
125 bpm • D min • 02:29 • -12db
15% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ben E. King
Brace Yourself - 2013 Remaster
142 bpm • A# Maj • 02:04 • -8.22db
9% Popularity • 64% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 64% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Benny Joy
Give Me Back My Heart
124 bpm • F Maj • 02:43 • -5.15db
8% Popularity • 76% Danceability • 68% Energy • 20% Liveness
70% Instrumentalness • 73% Positiveness
8% Popularity • 76% Danceability • 68% Energy • 20% Liveness
70% Instrumentalness • 73% Positiveness
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Bob Luman
Class of '59
142 bpm • D Maj • 01:52 • -11.71db
11% Popularity • 52% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 52% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
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Jamie Coe
The Fool
142 bpm • C Maj • 02:04 • -10.9db
0% Popularity • 60% Danceability • 65% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
0% Popularity • 60% Danceability • 65% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
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The Elegants
It's Just a Matter of Time
123 bpm • B Maj • 02:04 • -8.3db
10% Popularity • 44% Danceability • 62% Energy • 80% Liveness
25% Instrumentalness • 78% Positiveness
10% Popularity • 44% Danceability • 62% Energy • 80% Liveness
25% Instrumentalness • 78% Positiveness
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Jack Scott
Oh, Little One - Remastered
123 bpm • E Maj • 02:50 • -12.9db
10% Popularity • 52% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 52% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Gracie
Angel of Love - Studio
123 bpm • A# min • 02:21 • -10.05db
8% Popularity • 69% Danceability • 54% Energy • 14% Liveness
5% Instrumentalness • 96% Positiveness
8% Popularity • 69% Danceability • 54% Energy • 14% Liveness
5% Instrumentalness • 96% Positiveness
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Don Woody
Morse Code
123 bpm • E Maj • 02:28 • -8db
11% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Teddy Randazzo
Next Stop Paradise
122 bpm • D Maj • 01:49 • -6.53db
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Jamie Coe
I'll Go on Loving You
142 bpm • F min • 02:17 • -7.14db
4% Popularity • 53% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 53% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Restivo
Last Night On the Back Porch
122 bpm • D# Maj • 02:12 • -9.1db
10% Popularity • 82% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 82% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jack Scott
With Your Love
144 bpm • A Maj • 02:02 • -14.07db
7% Popularity • 41% Danceability • 18% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
7% Popularity • 41% Danceability • 18% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
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Rusty York
Sugaree
145 bpm • C# min • 02:40 • -11.2db
10% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Peterson
I'm Gone
145 bpm • E Maj • 02:02 • -5db
14% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Smith
One Wonderful Love
145 bpm • A# Maj • 02:16 • -5db
17% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Jamie Coe
I'll Go On Loving You
143 bpm • F min • 02:19 • -9.99db
0% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Trini Lopez
Sinner Not a Saint
145 bpm • C Maj • 02:33 • -6db
22% Popularity • 82% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 82% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Jan & Dean
The Beat That Can't Be Beat (Jan & Arnie...
121 bpm • F Maj • 01:51 • -5.47db
16% Popularity • 66% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
16% Popularity • 66% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
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Benny Joy
Button Nose
121 bpm • B min • 02:50 • -5db
9% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Jo Ann Campbell
You're Driving Me Mad
146 bpm • F Maj • 01:59 • -5.36db
12% Popularity • 57% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 57% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Ronnie Self
Big Blon' Baby
146 bpm • E min • 01:48 • -7.77db
11% Popularity • 35% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 35% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Jamie Coe
But Yesterday
124 bpm • C Maj • 02:06 • -10.28db
0% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Lloyd Price
Have You Ever Had The Blues?
121 bpm • A# Maj • 02:09 • -12db
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Varetta Dillard
Scorched
147 bpm • C Maj • 02:42 • -7.25db
11% Popularity • 69% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
