Songs like I'm Goin' Down - Recorded at Electric Lady Studios NYC by Vampire Weekend
Based on a tempo of (+/- 10%) and a similar genre
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Current Swell
High Life
125 bpm • F Maj • 03:41 • -5.7db
18% Popularity • 49% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
18% Popularity • 49% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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David Ramirez
People Call Who They Wanna Talk To
125 bpm • C Maj • 03:30 • -4.55db
21% Popularity • 45% Danceability • 71% Energy • 12% Liveness
33% Instrumentalness • 40% Positiveness
21% Popularity • 45% Danceability • 71% Energy • 12% Liveness
33% Instrumentalness • 40% Positiveness
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The Avett Brothers
Tell The Truth
125 bpm • E Maj • 03:22 • -8.5db
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Low Cut Connie
Beverly
125 bpm • B Maj • 03:49 • -4.87db
25% Popularity • 46% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 46% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Bleachers
I Miss Those Days
125 bpm • C Maj • 03:37 • -5.71db
49% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Nathaniel Rateliff & The Night Sweats
Don't Care Darlin'
125 bpm • E min • 03:43 • -7db
39% Popularity • 57% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
39% Popularity • 57% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Vampire Weekend
I'm Goin' Down - Recorded at Electric La...
125 bpm • G Maj • 03:27 • -7db
44% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
34% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Low Cut Connie
Private Lives
125 bpm • G Maj • 04:17 • -4.79db
26% Popularity • 64% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 64% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Bleachers
I Miss Those Days - MTV Unplugged
125 bpm • C Maj • 03:54 • -6.74db
27% Popularity • 56% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 56% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
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The Shins
Young Pilgrims - 2023 Remaster
124 bpm • D Maj • 02:47 • -8.79db
45% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Ben Lee
You're The Reason
124 bpm • F Maj • 04:32 • -8.33db
22% Popularity • 77% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 77% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Fruit Bats
Shane
126 bpm • D Maj • 03:41 • -10.24db
37% Popularity • 68% Danceability • 79% Energy • 32% Liveness
57% Instrumentalness • 73% Positiveness
37% Popularity • 68% Danceability • 79% Energy • 32% Liveness
57% Instrumentalness • 73% Positiveness
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Hiss Golden Messenger
Lost Out in the Darkness
124 bpm • C Maj • 03:22 • -7.61db
29% Popularity • 69% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 69% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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The Weeks
Two Moons
126 bpm • E Maj • 04:01 • -7.37db
23% Popularity • 59% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 59% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Wilco
If I Ever Was A Child - Recorded at Spot...
126 bpm • G# Maj • 03:12 • -14db
24% Popularity • 74% Danceability • 49% Energy • 11% Liveness
31% Instrumentalness • 79% Positiveness
24% Popularity • 74% Danceability • 49% Energy • 11% Liveness
31% Instrumentalness • 79% Positiveness
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The Shins
Panic - Recorded at Spotify Studios NYC
124 bpm • C# Maj • 02:31 • -14db
30% Popularity • 67% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 67% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Bahamas
Not Cool Anymore
127 bpm • F Maj • 02:06 • -9.98db
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Kathleen Edwards
Options Open
127 bpm • E Maj • 03:48 • -5db
25% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Head And The Heart
Running Through Hell
123 bpm • G Maj • 03:39 • -6.69db
30% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Iron & Wine
Last of Your Rock 'n' Roll Heroes
127 bpm • F Maj • 03:20 • -9db
21% Popularity • 74% Danceability • 55% Energy • 9% Liveness
66% Instrumentalness • 80% Positiveness
21% Popularity • 74% Danceability • 55% Energy • 9% Liveness
66% Instrumentalness • 80% Positiveness
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Belle and Sebastian
Sister Buddha
123 bpm • G Maj • 04:08 • -5.96db
23% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Dennen
Comeback Kid (Acoustic)
123 bpm • C Maj • 04:37 • -13db
14% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ruen Brothers
Summer Sun
122 bpm • G min • 03:21 • -2.62db
41% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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The Lumineers
Leader Of The Landslide
127 bpm • C# Maj • 05:54 • -8.82db
47% Popularity • 46% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 46% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Kuinka
Spaces
128 bpm • G Maj • 03:54 • -6.72db
33% Popularity • 76% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
33% Popularity • 76% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
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Horse Feathers
Broken Beak
122 bpm • A Maj • 03:11 • -7db
33% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Japanese Breakfast
Dreams - Recorded at Spotify Studios NYC
128 bpm • E Maj • 04:39 • -9db
41% Popularity • 52% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
41% Popularity • 52% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Spoon
I Summon You
128 bpm • E min • 03:55 • -6db
48% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Shins
Turn On Me
122 bpm • C Maj • 03:41 • -5db
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rayland Baxter
Casanova
122 bpm • C Maj • 03:49 • -5.35db
31% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Weepies
Learning to Fly
128 bpm • A# min • 03:09 • -9.2db
43% Popularity • 64% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
43% Popularity • 64% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
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Jenny Lewis
Heads Gonna Roll
128 bpm • C Maj • 05:13 • -6.24db
32% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Ruen Brothers
All My Shades Of Blue
121 bpm • G Maj • 03:55 • -2.39db
31% Popularity • 47% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 47% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Elizabeth & the Catapult
Underwater
121 bpm • A min • 04:02 • -6db
21% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Citizen Cope
Justice
129 bpm • D Maj • 04:05 • -3.38db
24% Popularity • 69% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 69% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Low Cut Connie
Help Me
129 bpm • C# Maj • 03:24 • -3.85db
29% Popularity • 58% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 58% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Spoon
Don't You Evah
121 bpm • F# Maj • 03:36 • -6.27db
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Vampire Weekend
Prep-School Gangsters
121 bpm • A# Maj • 03:48 • -3.84db
69% Popularity • 71% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 28% Positiveness
69% Popularity • 71% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 28% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jenny Lewis
Red Bull & Hennessy
130 bpm • E min • 04:48 • -5.63db
36% Popularity • 51% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 51% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Houndmouth
McKenzie
120 bpm • F Maj • 03:14 • -7.34db
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Fruit Bats
The Balcony
130 bpm • D# Maj • 04:08 • -8db
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
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Kirby Brown
Joni
130 bpm • A Maj • 02:55 • -3.22db
10% Popularity • 53% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 53% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Bahamas
Up With The Jones
120 bpm • G Maj • 04:10 • -8.37db
31% Popularity • 96% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 96% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Manchester Orchestra
The Gold - Nick Waterhouse Remix
120 bpm • A Maj • 04:09 • -9.88db
42% Popularity • 69% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
42% Popularity • 69% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Mondo Cozmo
Black Cadillac
120 bpm • G# Maj • 04:16 • -3.76db
21% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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River Whyless
Van Dyke Brown
120 bpm • A Maj • 04:07 • -6.9db
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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Fruit Bats
Getting in a Van Again
120 bpm • F Maj • 03:14 • -6db
19% Popularity • 47% Danceability • 83% Energy • 21% Liveness
36% Instrumentalness • 43% Positiveness
19% Popularity • 47% Danceability • 83% Energy • 21% Liveness
36% Instrumentalness • 43% Positiveness
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The Shins
Waimanalo (Fug Yep)
120 bpm • A Maj • 01:31 • -4.53db
26% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Dashboard Confessional
Circles - Recorded at Electric Lady Stud...
120 bpm • C Maj • 03:52 • -8.56db
46% Popularity • 80% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 80% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Hawksley Workman
Battlefords
120 bpm • G Maj • 05:15 • -7.88db
22% Popularity • 54% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 54% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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Young Mister
What If I?
120 bpm • C# min • 03:55 • -6.68db
19% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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![This Must Be the Place (Naive Melody) [by Talking Heads] cover art](https://i.scdn.co/image/ab67616d00001e027f8ea36129927ebd640a1d63)
Kishi Bashi
This Must Be the Place (Naive Melody) [b...
120 bpm • E min • 03:26 • -9db
49% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Vampire Weekend
Horchata
120 bpm • C Maj • 03:26 • -7db
45% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Ben Folds
2020
130 bpm • C Maj • 02:23 • -9.29db
19% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Ray LaMontagne
Strong Enough
131 bpm • D Maj • 03:34 • -8.61db
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Arcade Fire
Mind Games - Recorded at Spotify Studios...
131 bpm • C Maj • 05:20 • -9.18db
29% Popularity • 34% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Vampire Weekend
Sympathy
120 bpm • B min • 03:46 • -5.51db
43% Popularity • 71% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Ten Fé
Coasting
131 bpm • G Maj • 04:19 • -6.6db
39% Popularity • 64% Danceability • 59% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
39% Popularity • 64% Danceability • 59% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
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The Shins
New Slang (When You Notice The Stripes)
130 bpm • B Maj • 03:49 • -12db
31% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Lumineers
Classy Girls - B Version
119 bpm • A Maj • 02:45 • -9.02db
25% Popularity • 40% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 40% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Avett Brothers
Roses And Sacrifice
119 bpm • G Maj • 02:52 • -5.3db
24% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dr. Dog
Survive
119 bpm • D Maj • 04:03 • -6.44db
37% Popularity • 59% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 59% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
58% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
51% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Wild Reeds
Telepathic Mail
132 bpm • B min • 03:48 • -5db
14% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Avett Brothers
Trouble Letting Go
132 bpm • C Maj • 03:41 • -4.08db
25% Popularity • 61% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 61% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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DISPATCH
Letter to Lady J
132 bpm • E Maj • 04:15 • -7db
39% Popularity • 50% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 50% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
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Houndmouth
Honey Slider
132 bpm • G# Maj • 03:36 • -8db
31% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Vampire Weekend
Spring Snow
118 bpm • C# Maj • 02:41 • -9.74db
38% Popularity • 82% Danceability • 58% Energy • 15% Liveness
22% Instrumentalness • 61% Positiveness
38% Popularity • 82% Danceability • 58% Energy • 15% Liveness
22% Instrumentalness • 61% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Hiss Golden Messenger
My Wing
118 bpm • A Maj • 04:26 • -8.53db
26% Popularity • 56% Danceability • 74% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Bleachers
Wake Me
118 bpm • C# min • 02:43 • -10.67db
57% Popularity • 82% Danceability • 37% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
57% Popularity • 82% Danceability • 37% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
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Sure Sure
Giants
118 bpm • B Maj • 04:10 • -5.24db
36% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jenny Lewis
Handle With Care
133 bpm • G Maj • 02:56 • -5db
39% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Vampire Weekend
Giant
118 bpm • A Maj • 02:49 • -7.2db
39% Popularity • 74% Danceability • 75% Energy • 28% Liveness
1% Instrumentalness • 89% Positiveness
39% Popularity • 74% Danceability • 75% Energy • 28% Liveness
1% Instrumentalness • 89% Positiveness
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Dan Auerbach
Stand by My Girl
117 bpm • D Maj • 03:53 • -5.59db
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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The Decemberists
Traveling On
117 bpm • F min • 04:28 • -7.59db
31% Popularity • 58% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 58% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Bleachers
All My Heroes - MTV Unplugged
118 bpm • A# Maj • 03:31 • -9.1db
28% Popularity • 60% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 60% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
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Bombay Bicycle Club
Eat, Sleep, Wake (Nothing But You)
117 bpm • C# min • 03:39 • -7.89db
59% Popularity • 60% Danceability • 81% Energy • 31% Liveness
26% Instrumentalness • 29% Positiveness
59% Popularity • 60% Danceability • 81% Energy • 31% Liveness
26% Instrumentalness • 29% Positiveness
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Jenny Lewis
Rabbit Hole
117 bpm • B Maj • 02:46 • -6.3db
24% Popularity • 65% Danceability • 62% Energy • 9% Liveness
6% Instrumentalness • 66% Positiveness
24% Popularity • 65% Danceability • 62% Energy • 9% Liveness
6% Instrumentalness • 66% Positiveness
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The New Pornographers
Falling Down The Stairs Of Your Smile
117 bpm • C# min • 03:44 • -5.82db
38% Popularity • 74% Danceability • 71% Energy • 35% Liveness
48% Instrumentalness • 90% Positiveness
38% Popularity • 74% Danceability • 71% Energy • 35% Liveness
48% Instrumentalness • 90% Positiveness
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Jeff Tweedy
I Know What It's Like
117 bpm • A Maj • 03:46 • -9.31db
27% Popularity • 68% Danceability • 75% Energy • 9% Liveness
24% Instrumentalness • 90% Positiveness
27% Popularity • 68% Danceability • 75% Energy • 9% Liveness
24% Instrumentalness • 90% Positiveness
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The Head And The Heart
Honeybee - Piano Version
134 bpm • A Maj • 03:39 • -10.24db
29% Popularity • 40% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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HAIM
The Steps
117 bpm • D Maj • 04:07 • -4.97db
47% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Vampire Weekend
Jerusalem, New York, Berlin
134 bpm • A Maj • 02:54 • -10.4db
42% Popularity • 56% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 56% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Ruen Brothers
A Million Things
134 bpm • F Maj • 03:11 • -3.65db
16% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Blitzen Trapper
War Is Placebo
117 bpm • E min • 02:17 • -7.34db
13% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Sylvan Esso
PARAD(w/m)E
116 bpm • F# min • 03:28 • -9.69db
42% Popularity • 96% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 96% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
