Songs like I’m In The Mood For Love by Helen Forrest
Based on a tempo of (+/- 10%) and a similar genre
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Frankie Carle
In the Cool, Cool, Cool of the Evening
132 bpm • F Maj • 03:16 • -10.13db
6% Popularity • 77% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 77% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
We'll Meet Again
132 bpm • A min • 03:18 • -11db
23% Popularity • 70% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
23% Popularity • 70% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Mills Blue Rhythm Band
Let's Have a Jubilee
132 bpm • F min • 02:52 • -12.34db
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
30% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
30% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
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Ella Mae Morse
The Patty Cake Man
133 bpm • G# Maj • 02:53 • -9.33db
10% Popularity • 71% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
19% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
30% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
22% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
22% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Harry James
I Had the Craziest Dream
130 bpm • G# Maj • 03:25 • -9.79db
27% Popularity • 37% Danceability • 19% Energy • 7% Liveness
58% Instrumentalness • 22% Positiveness
27% Popularity • 37% Danceability • 19% Energy • 7% Liveness
58% Instrumentalness • 22% Positiveness
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Gene Krupa & His Orchestra
He's Funny That Way
130 bpm • A min • 02:35 • -16.05db
9% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Rudy Vallee
Stein Song
130 bpm • G# Maj • 03:17 • -12db
13% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Mercer & The Pied Pipers
A Gal In Calico
130 bpm • D# Maj • 02:36 • -11.61db
11% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
8% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Roy Fox
My Sweet (Roy Fox)
130 bpm • G Maj • 03:04 • -21db
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Buddy Clark
Ballerina
135 bpm • A# Maj • 03:06 • -17.08db
15% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kay Kyser
If I Only Had a Brain
135 bpm • C Maj • 02:42 • -12.27db
8% Popularity • 70% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 70% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
24% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Ted Lewis & His Orchestra
In a shanty in old shanty town
136 bpm • G Maj • 03:04 • -7.9db
3% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Ella Mae Morse
Captain Kidd
129 bpm • A# min • 02:54 • -5.47db
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Annette Hanshaw
Daddy Won't You Please Come Home
136 bpm • C Maj • 03:02 • -14.96db
23% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Cab Calloway
Between the Devil & the Deep Blue Sea
136 bpm • F Maj • 03:05 • -11.87db
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Tex Beneke
The Beautiful Blond from Bashful Bend
128 bpm • D Maj • 02:55 • -9.6db
16% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The McGuire Sisters
Something's Gotta Give
128 bpm • A# Maj • 02:56 • -8.75db
27% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Annette Hanshaw
Daddy Won't You Please Come Home
136 bpm • G Maj • 02:58 • -11db
27% Popularity • 65% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 65% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Johnny Mercer
They Didn't Believe Me - Remastered
128 bpm • D# Maj • 02:47 • -9.24db
29% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
It Started All Over Again
137 bpm • D Maj • 02:57 • -16.9db
6% Popularity • 31% Danceability • 12% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
6% Popularity • 31% Danceability • 12% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
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Ella Mae Morse
Mister Five by Five
128 bpm • D Maj • 03:02 • -10.26db
24% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Annette Hanshaw
Am I Blue
127 bpm • F Maj • 03:14 • -12.17db
21% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Lew Stone & His Band
Pop Goes Your Heart
137 bpm • G# Maj • 02:48 • -19.16db
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
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Larry Clinton
Saving Myself for You
137 bpm • G# Maj • 02:48 • -10.92db
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Crosby
The Old Master Painter
127 bpm • C Maj • 01:58 • -11.43db
27% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
27% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
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Johnny Mercer & The Pied Pipers
I'm Gonna See My Baby
137 bpm • C# Maj • 02:29 • -9.29db
13% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Wiley
Sugar
137 bpm • C Maj • 03:08 • -15.32db
14% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Helen Forrest
On the Sunny Side of the Street
127 bpm • G Maj • 02:00 • -5.17db
7% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Ella Mae Morse
Rip Van Winkle
138 bpm • F min • 02:57 • -7.75db
13% Popularity • 67% Danceability • 22% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 67% Danceability • 22% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
23% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Tennessee Ernie Ford
A Hundred Years from Today
127 bpm • F Maj • 02:40 • -15.81db
0% Popularity • 43% Danceability • 4% Energy • 83% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 43% Danceability • 4% Energy • 83% Liveness
0% Instrumentalness • 16% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
15% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
15% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Kay Kyser & His Orchestra
The umbrella man
138 bpm • C Maj • 02:46 • -18.5db
3% Popularity • 55% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 55% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
44% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Helen Forrest
The Lady from 29 Palms
126 bpm • D min • 02:04 • -12db
5% Popularity • 73% Danceability • 13% Energy • 96% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 73% Danceability • 13% Energy • 96% Liveness
0% Instrumentalness • 69% Positiveness
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Ethel Waters
Taking A Chance On Love
139 bpm • G# Maj • 04:22 • -16db
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Rudy Vallee
Honey
125 bpm • C min • 03:24 • -15db
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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Les Brown & His Orchestra
I've Got The Sun In The Morning - R...
140 bpm • D Maj • 02:35 • -12.31db
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Helen Forrest
Dancing on the Ceiling
124 bpm • C# Maj • 02:21 • -9.35db
20% Popularity • 41% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 41% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
22% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Frankie Carle and His Orchestra
Saturday Night
140 bpm • G min • 02:48 • -12.09db
10% Popularity • 61% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 61% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
32% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Les Brown
Moonglow
124 bpm • E min • 02:28 • -16db
17% Popularity • 59% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
17% Popularity • 59% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
There Won't Be A Shortage Of Love
141 bpm • A# min • 02:41 • -11db
3% Popularity • 70% Danceability • 33% Energy • 50% Liveness
3% Instrumentalness • 74% Positiveness
3% Popularity • 70% Danceability • 33% Energy • 50% Liveness
3% Instrumentalness • 74% Positiveness
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The Andrews Sisters with Orchestra
In The Mood
141 bpm • C min • 02:53 • -10db
21% Popularity • 80% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 80% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Mercer & The Pied Pipers
Ac-cent-tchu-ate The Positive
124 bpm • F Maj • 02:46 • -10.6db
15% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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Nat King Cole Trio
Jet - 1992 Digital Remaster
123 bpm • C Maj • 02:48 • -14.22db
10% Popularity • 28% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 28% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
22% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Rudy Vallee and His Connecticut Yankees
Brother Can You Spare a Dime
123 bpm • G min • 03:40 • -19.74db
19% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Artie Shaw & His Ochestra
They Say
123 bpm • D Maj • 02:46 • -13.52db
6% Popularity • 57% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 57% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
On The Sunny Side Of The Street
122 bpm • G min • 03:12 • -13.59db
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
26% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Annette Hanshaw
You're the Cream in My Coffee
143 bpm • G min • 02:59 • -14.79db
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Snootie Little Cutie
121 bpm • F Maj • 03:20 • -11.2db
4% Popularity • 65% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 65% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Larry Clinton
Glen Island Hop
144 bpm • F# Maj • 03:13 • -9.61db
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bob Crosby
Politics
122 bpm • G Maj • 02:05 • -13.14db
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmie Lunceford
Twenty Four Robbers
144 bpm • D# Maj • 03:07 • -11.45db
16% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Connee Boswell
Fare Thee, Honey, Fare Thee Well
121 bpm • D# Maj • 03:04 • -26.71db
18% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
18% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
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Artie Shaw & His Orchestra
Do I Love You
144 bpm • G# Maj • 03:03 • -12.05db
3% Popularity • 46% Danceability • 20% Energy • 30% Liveness
35% Instrumentalness • 32% Positiveness
3% Popularity • 46% Danceability • 20% Energy • 30% Liveness
35% Instrumentalness • 32% Positiveness
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Dick Haymes
I'll Get By (As Long As I Have You)
121 bpm • A# Maj • 02:41 • -17.74db
31% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Betty Hutton
It's a Man
144 bpm • D Maj • 02:29 • -9.77db
20% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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Freddy Martin & His Orchestra
I'll Remember April
120 bpm • F# Maj • 02:05 • -6db
9% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Annette Hanshaw
Ain’t He Sweet
120 bpm • F Maj • 02:17 • -19.72db
28% Popularity • 73% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 72% Positiveness
28% Popularity • 73% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 72% Positiveness
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Artie Shaw
A Room With A View
120 bpm • G min • 03:28 • -11.52db
33% Popularity • 55% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Rudy Vallee and His Connecticut Yankees
I Can't Remember
120 bpm • A# Maj • 03:17 • -21db
27% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
27% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
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Betty Hutton
It's a Man (Alternate Take)
145 bpm • D Maj • 02:23 • -6.98db
17% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Helen Forrest
Taking A Chance On Love
120 bpm • G# Maj • 02:28 • -8.05db
14% Popularity • 67% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 67% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kay Kyser
Indian Summer
120 bpm • G# Maj • 02:55 • -12db
5% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
5% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
