Songs like I'm in the Mood to Move by Ween
Based on a tempo of (+/- 10%) and a similar genre
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The Frogs
Hot Cock Annie
151 bpm • E Maj • 02:21 • -19db
12% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Wipers
Potential Suicide
151 bpm • B min • 03:35 • -9db
29% Popularity • 44% Danceability • 57% Energy • 11% Liveness
35% Instrumentalness • 62% Positiveness
29% Popularity • 44% Danceability • 57% Energy • 11% Liveness
35% Instrumentalness • 62% Positiveness
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Ween
I'm in the Mood to Move
151 bpm • D Maj • 01:16 • -7.2db
26% Popularity • 67% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
26% Popularity • 67% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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The Dead Milkmen
Tiny Town
150 bpm • E Maj • 01:45 • -14db
25% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Brainiac
Sexual Frustration
150 bpm • A Maj • 03:13 • -7.4db
16% Popularity • 42% Danceability • 97% Energy • 80% Liveness
66% Instrumentalness • 21% Positiveness
16% Popularity • 42% Danceability • 97% Energy • 80% Liveness
66% Instrumentalness • 21% Positiveness
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XTC
When You're Near Me I Have Difficulty - ...
153 bpm • A min • 03:22 • -8.02db
40% Popularity • 52% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 52% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Porno for Pyros
Blood Rag
153 bpm • C# Maj • 03:31 • -10.72db
28% Popularity • 54% Danceability • 53% Energy • 16% Liveness
56% Instrumentalness • 38% Positiveness
28% Popularity • 54% Danceability • 53% Energy • 16% Liveness
56% Instrumentalness • 38% Positiveness
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The Unicorns
The Clap
154 bpm • D Maj • 01:26 • -6.56db
28% Popularity • 32% Danceability • 90% Energy • 32% Liveness
54% Instrumentalness • 11% Positiveness
28% Popularity • 32% Danceability • 90% Energy • 32% Liveness
54% Instrumentalness • 11% Positiveness
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Mike Watt
Tuff Gnarl
148 bpm • E Maj • 03:10 • -8.33db
11% Popularity • 21% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
11% Popularity • 21% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
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The Dead Milkmen
If You Love Somebody, Set Them on Fire
152 bpm • A Maj • 02:09 • -9db
36% Popularity • 54% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 54% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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of Montreal
Suffer For Fashion
148 bpm • D Maj • 02:58 • -4db
38% Popularity • 57% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 57% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Pavement
Flux = Rad
148 bpm • B min • 01:45 • -8.37db
25% Popularity • 49% Danceability • 87% Energy • 8% Liveness
76% Instrumentalness • 73% Positiveness
25% Popularity • 49% Danceability • 87% Energy • 8% Liveness
76% Instrumentalness • 73% Positiveness
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Tom Waits
All Stripped Down - 2023 Remaster
148 bpm • D# min • 03:02 • -15.65db
26% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Toadies
Mister Love
155 bpm • B Maj • 02:51 • -9.22db
39% Popularity • 44% Danceability • 94% Energy • 7% Liveness
39% Instrumentalness • 56% Positiveness
39% Popularity • 44% Danceability • 94% Energy • 7% Liveness
39% Instrumentalness • 56% Positiveness
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The Breeders
New Year
147 bpm • E Maj • 01:56 • -10.47db
38% Popularity • 21% Danceability • 66% Energy • 14% Liveness
65% Instrumentalness • 32% Positiveness
38% Popularity • 21% Danceability • 66% Energy • 14% Liveness
65% Instrumentalness • 32% Positiveness
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The Dead Milkmen
The Woman Who Was Also A Mongoose
148 bpm • D Maj • 03:39 • -14db
29% Popularity • 74% Danceability • 56% Energy • 10% Liveness
10% Instrumentalness • 82% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 10% Liveness
10% Instrumentalness • 82% Positiveness
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Ween
Boing
147 bpm • A# min • 01:33 • -32db
21% Popularity • 60% Danceability • 2% Energy • 8% Liveness
75% Instrumentalness • 11% Positiveness
21% Popularity • 60% Danceability • 2% Energy • 8% Liveness
75% Instrumentalness • 11% Positiveness
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Mike Watt
Piss-Bottle Man
146 bpm • D Maj • 03:16 • -7db
19% Popularity • 30% Danceability • 92% Energy • 8% Liveness
23% Instrumentalness • 62% Positiveness
19% Popularity • 30% Danceability • 92% Energy • 8% Liveness
23% Instrumentalness • 62% Positiveness
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Oysterhead
Army's on Ecstasy
147 bpm • G Maj • 04:29 • -7.35db
26% Popularity • 44% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 44% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Toadies
Quitter
147 bpm • B Maj • 03:33 • -9.34db
33% Popularity • 49% Danceability • 92% Energy • 22% Liveness
33% Instrumentalness • 58% Positiveness
33% Popularity • 49% Danceability • 92% Energy • 22% Liveness
33% Instrumentalness • 58% Positiveness
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black midi
Of Schlagenheim
146 bpm • C# min • 06:24 • -7db
36% Popularity • 29% Danceability • 81% Energy • 22% Liveness
46% Instrumentalness • 19% Positiveness
36% Popularity • 29% Danceability • 81% Energy • 22% Liveness
46% Instrumentalness • 19% Positiveness
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The Dead Milkmen
Swordfish
148 bpm • B Maj • 01:31 • -18db
22% Popularity • 67% Danceability • 48% Energy • 15% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 67% Danceability • 48% Energy • 15% Liveness
2% Instrumentalness • 87% Positiveness
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Frank Zappa
Father O'Blivion
146 bpm • F# min • 02:17 • -9.89db
39% Popularity • 45% Danceability • 89% Energy • 82% Liveness
3% Instrumentalness • 68% Positiveness
39% Popularity • 45% Danceability • 89% Energy • 82% Liveness
3% Instrumentalness • 68% Positiveness
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The Jesus Lizard
Nub
156 bpm • C Maj • 02:30 • -8.69db
32% Popularity • 36% Danceability • 84% Energy • 19% Liveness
74% Instrumentalness • 66% Positiveness
32% Popularity • 36% Danceability • 84% Energy • 19% Liveness
74% Instrumentalness • 66% Positiveness
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Ween
Captain Fantasy
146 bpm • F# Maj • 03:18 • -12.85db
28% Popularity • 50% Danceability • 52% Energy • 13% Liveness
21% Instrumentalness • 44% Positiveness
28% Popularity • 50% Danceability • 52% Energy • 13% Liveness
21% Instrumentalness • 44% Positiveness
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Polvo
Tragic Carpet Ride
145 bpm • D# min • 03:20 • -8.38db
32% Popularity • 23% Danceability • 95% Energy • 50% Liveness
20% Instrumentalness • 45% Positiveness
32% Popularity • 23% Danceability • 95% Energy • 50% Liveness
20% Instrumentalness • 45% Positiveness
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Pavement
Space Ghost Theme I - WFNX February 12, ...
156 bpm • A Maj • 01:43 • -5.55db
16% Popularity • 26% Danceability • 89% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
16% Popularity • 26% Danceability • 89% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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The Dead Milkmen
Bitchin' Camaro
155 bpm • C Maj • 03:01 • -16.77db
27% Popularity • 55% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 55% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Marcy Playground
The Vampires Of New York
157 bpm • C Maj • 02:55 • -10.7db
33% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Jesus Lizard
Lady Shoes
156 bpm • G# min • 02:41 • -8.51db
23% Popularity • 25% Danceability • 88% Energy • 8% Liveness
94% Instrumentalness • 57% Positiveness
23% Popularity • 25% Danceability • 88% Energy • 8% Liveness
94% Instrumentalness • 57% Positiveness
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XTC
Scissor Man - 2001 Digital Remaster
157 bpm • G Maj • 04:00 • -9.64db
27% Popularity • 53% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 53% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Watt
Tell 'Em, Boy!
157 bpm • A Maj • 03:32 • -6.52db
8% Popularity • 43% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 43% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Daniel Johnston
Wicked World
157 bpm • C Maj • 02:33 • -11.37db
13% Popularity • 32% Danceability • 49% Energy • 15% Liveness
32% Instrumentalness • 77% Positiveness
13% Popularity • 32% Danceability • 49% Energy • 15% Liveness
32% Instrumentalness • 77% Positiveness
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King Missile
Mr. Johnson
145 bpm • G Maj • 01:53 • -11.55db
13% Popularity • 43% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
13% Popularity • 43% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Wipers
Wait a Minute
158 bpm • E Maj • 03:02 • -3.75db
35% Popularity • 49% Danceability • 89% Energy • 9% Liveness
89% Instrumentalness • 69% Positiveness
35% Popularity • 49% Danceability • 89% Energy • 9% Liveness
89% Instrumentalness • 69% Positiveness
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Ween
So Many People In The Neighborhood
144 bpm • C# Maj • 03:30 • -11.08db
36% Popularity • 92% Danceability • 36% Energy • 19% Liveness
92% Instrumentalness • 64% Positiveness
36% Popularity • 92% Danceability • 36% Energy • 19% Liveness
92% Instrumentalness • 64% Positiveness
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Wesley Willis
Girls On Film
145 bpm • D Maj • 03:40 • -6.86db
11% Popularity • 48% Danceability • 91% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
11% Popularity • 48% Danceability • 91% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
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Silver Jews
Blue Arrangements
144 bpm • E Maj • 04:38 • -8.75db
34% Popularity • 47% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 47% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Frank Black
Thalassocracy
159 bpm • C# Maj • 01:33 • -4.68db
28% Popularity • 32% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 32% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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King Missile
Rock-n-Roll Will Never Die
145 bpm • G Maj • 01:54 • -11.81db
12% Popularity • 37% Danceability • 96% Energy • 22% Liveness
76% Instrumentalness • 29% Positiveness
12% Popularity • 37% Danceability • 96% Energy • 22% Liveness
76% Instrumentalness • 29% Positiveness
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R. Stevie Moore
Part of the Problem
143 bpm • B min • 03:41 • -9.74db
30% Popularity • 46% Danceability • 83% Energy • 75% Liveness
49% Instrumentalness • 38% Positiveness
30% Popularity • 46% Danceability • 83% Energy • 75% Liveness
49% Instrumentalness • 38% Positiveness
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King Kong
Scooba Dooba Diver
143 bpm • A Maj • 03:45 • -16.12db
12% Popularity • 61% Danceability • 32% Energy • 5% Liveness
6% Instrumentalness • 86% Positiveness
12% Popularity • 61% Danceability • 32% Energy • 5% Liveness
6% Instrumentalness • 86% Positiveness
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DEVO
Shrivel-Up
160 bpm • F Maj • 03:05 • -14.46db
25% Popularity • 56% Danceability • 73% Energy • 39% Liveness
23% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 73% Energy • 39% Liveness
23% Instrumentalness • 47% Positiveness
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The Olivia Tremor Control
Courtyard
142 bpm • G Maj • 02:57 • -5.62db
21% Popularity • 51% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Fugazi
Life And Limb
142 bpm • C# Maj • 03:09 • -12db
44% Popularity • 54% Danceability • 57% Energy • 15% Liveness
79% Instrumentalness • 84% Positiveness
44% Popularity • 54% Danceability • 57% Energy • 15% Liveness
79% Instrumentalness • 84% Positiveness
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Aaron Freeman
As I Love My Own
142 bpm • D Maj • 03:11 • -11.45db
1% Popularity • 53% Danceability • 60% Energy • 27% Liveness
3% Instrumentalness • 62% Positiveness
1% Popularity • 53% Danceability • 60% Energy • 27% Liveness
3% Instrumentalness • 62% Positiveness
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Wesley Willis
Vampire Bat
142 bpm • G Maj • 02:39 • -6.87db
10% Popularity • 78% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 78% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Brainiac
Radio Apeshot
142 bpm • G# min • 03:22 • -8.88db
19% Popularity • 35% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 35% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Guided By Voices
Motor Away
142 bpm • B Maj • 02:06 • -6db
35% Popularity • 26% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 26% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Beck
Sweet Sunshine
142 bpm • C# Maj • 04:13 • -9.01db
32% Popularity • 81% Danceability • 84% Energy • 25% Liveness
89% Instrumentalness • 50% Positiveness
32% Popularity • 81% Danceability • 84% Energy • 25% Liveness
89% Instrumentalness • 50% Positiveness
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Dismemberment Plan
8 1/2 Minutes
142 bpm • C# Maj • 02:57 • -6.94db
26% Popularity • 55% Danceability • 90% Energy • 65% Liveness
27% Instrumentalness • 30% Positiveness
26% Popularity • 55% Danceability • 90% Energy • 65% Liveness
27% Instrumentalness • 30% Positiveness
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Liam Lynch
Fake Pixies Song
141 bpm • G Maj • 01:45 • -5.82db
16% Popularity • 74% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 74% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Wesley Willis
Cut The Mullet
160 bpm • G Maj • 02:54 • -11db
18% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Built To Spill
Sidewalk
141 bpm • A Maj • 03:51 • -6.12db
37% Popularity • 31% Danceability • 89% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
37% Popularity • 31% Danceability • 89% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
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Thinking Fellers Union Local 282
My Pal the Tortoise
141 bpm • A min • 02:47 • -8.08db
23% Popularity • 67% Danceability • 70% Energy • 32% Liveness
38% Instrumentalness • 96% Positiveness
23% Popularity • 67% Danceability • 70% Energy • 32% Liveness
38% Instrumentalness • 96% Positiveness
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Oysterhead
Pseudo Suicide
141 bpm • A Maj • 04:52 • -5.68db
26% Popularity • 28% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 28% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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XTC
Helicopter - 2001 Digital Remaster
141 bpm • B min • 03:54 • -6.02db
35% Popularity • 76% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 76% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Mr. Bungle
Squeeze Me Macaroni
140 bpm • G# Maj • 05:38 • -10db
38% Popularity • 44% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 44% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Brainiac
PU55YFOOT1N'
140 bpm • F# min • 02:36 • -7.8db
19% Popularity • 50% Danceability • 96% Energy • 32% Liveness
4% Instrumentalness • 43% Positiveness
19% Popularity • 50% Danceability • 96% Energy • 32% Liveness
4% Instrumentalness • 43% Positiveness
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Dismemberment Plan
I Love A Magician
141 bpm • E min • 02:38 • -5.57db
27% Popularity • 39% Danceability • 99% Energy • 33% Liveness
1% Instrumentalness • 35% Positiveness
27% Popularity • 39% Danceability • 99% Energy • 33% Liveness
1% Instrumentalness • 35% Positiveness
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Animal Collective
Peacebone
163 bpm • E Maj • 05:13 • -4db
36% Popularity • 59% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 59% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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The Olivia Tremor Control
NYC - 25
140 bpm • D Maj • 04:37 • -12.63db
28% Popularity • 52% Danceability • 47% Energy • 15% Liveness
2% Instrumentalness • 51% Positiveness
28% Popularity • 52% Danceability • 47% Energy • 15% Liveness
2% Instrumentalness • 51% Positiveness
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Ween
Tick
140 bpm • A Maj • 01:52 • -7db
29% Popularity • 26% Danceability • 85% Energy • 33% Liveness
47% Instrumentalness • 68% Positiveness
29% Popularity • 26% Danceability • 85% Energy • 33% Liveness
47% Instrumentalness • 68% Positiveness
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Wipers
Is This Real?
163 bpm • F Maj • 02:38 • -5.51db
36% Popularity • 46% Danceability • 70% Energy • 13% Liveness
71% Instrumentalness • 86% Positiveness
36% Popularity • 46% Danceability • 70% Energy • 13% Liveness
71% Instrumentalness • 86% Positiveness
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Fugazi
Arpeggiator
163 bpm • A Maj • 04:28 • -8.27db
29% Popularity • 28% Danceability • 90% Energy • 30% Liveness
82% Instrumentalness • 43% Positiveness
29% Popularity • 28% Danceability • 90% Energy • 30% Liveness
82% Instrumentalness • 43% Positiveness
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Guided By Voices
A Good Flying Bird
163 bpm • F Maj • 01:07 • -7.56db
34% Popularity • 16% Danceability • 88% Energy • 61% Liveness
22% Instrumentalness • 57% Positiveness
34% Popularity • 16% Danceability • 88% Energy • 61% Liveness
22% Instrumentalness • 57% Positiveness
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The Jesus Lizard
Thumper
139 bpm • C# min • 03:31 • -2.85db
28% Popularity • 38% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 38% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nuclear Rabbit
Supermarket
139 bpm • B Maj • 03:50 • -6db
19% Popularity • 58% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 58% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Ween
I'll Be Your Jonny on the Spot
164 bpm • F# min • 02:00 • -6.85db
40% Popularity • 51% Danceability • 95% Energy • 21% Liveness
86% Instrumentalness • 65% Positiveness
40% Popularity • 51% Danceability • 95% Energy • 21% Liveness
86% Instrumentalness • 65% Positiveness
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Frank Zappa
St. Alfonzo's Pancake Breakfast
139 bpm • C Maj • 01:50 • -9db
44% Popularity • 55% Danceability • 84% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
44% Popularity • 55% Danceability • 84% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
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The Breeders
Flipside
165 bpm • F# Maj • 01:59 • -7.23db
36% Popularity • 10% Danceability • 77% Energy • 12% Liveness
82% Instrumentalness • 49% Positiveness
36% Popularity • 10% Danceability • 77% Energy • 12% Liveness
82% Instrumentalness • 49% Positiveness
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Guided By Voices
Gold Star For Robot Boy
139 bpm • D Maj • 01:39 • -11db
34% Popularity • 26% Danceability • 90% Energy • 83% Liveness
90% Instrumentalness • 53% Positiveness
34% Popularity • 26% Danceability • 90% Energy • 83% Liveness
90% Instrumentalness • 53% Positiveness
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Gang Of Four
Ether
165 bpm • E Maj • 03:51 • -11db
33% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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King Missile
It's Saturday
138 bpm • C# Maj • 02:32 • -13db
15% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Ween
She Fucks Me
139 bpm • G min • 03:57 • -17.02db
22% Popularity • 68% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Captain Beefheart & His Magic Band
Lick My Decals Off, Baby
165 bpm • G# min • 02:38 • -11.89db
19% Popularity • 51% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 51% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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DEVO
Praying Hands
165 bpm • D min • 02:48 • -11db
31% Popularity • 62% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
31% Popularity • 62% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
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Wipers
Alien Boy
165 bpm • A Maj • 03:22 • -9db
30% Popularity • 49% Danceability • 62% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
30% Popularity • 49% Danceability • 62% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
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The Olivia Tremor Control
The Opera House
138 bpm • A Maj • 03:12 • -9.25db
26% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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King Missile
Sink
138 bpm • G Maj • 02:58 • -6.28db
12% Popularity • 45% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 45% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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The Dead Milkmen
Do the Brown Nose
138 bpm • E Maj • 04:41 • -5.66db
2% Popularity • 47% Danceability • 88% Energy • 83% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 47% Danceability • 88% Energy • 83% Liveness
0% Instrumentalness • 79% Positiveness
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Built To Spill
I Would Hurt A Fly
138 bpm • G min • 06:14 • -9db
17% Popularity • 35% Danceability • 58% Energy • 5% Liveness
69% Instrumentalness • 54% Positiveness
17% Popularity • 35% Danceability • 58% Energy • 5% Liveness
69% Instrumentalness • 54% Positiveness
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DEVO
Gut Feeling / (Slap Your Mammy)
165 bpm • G Maj • 04:57 • -10.27db
44% Popularity • 30% Danceability • 81% Energy • 11% Liveness
54% Instrumentalness • 72% Positiveness
44% Popularity • 30% Danceability • 81% Energy • 11% Liveness
54% Instrumentalness • 72% Positiveness
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Ween
L.m.l.y.p.
166 bpm • C# Maj • 08:48 • -4.89db
28% Popularity • 67% Danceability • 76% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 67% Danceability • 76% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
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Porno for Pyros
Sadness
138 bpm • F# Maj • 02:33 • -9.77db
33% Popularity • 30% Danceability • 55% Energy • 24% Liveness
88% Instrumentalness • 49% Positiveness
33% Popularity • 30% Danceability • 55% Energy • 24% Liveness
88% Instrumentalness • 49% Positiveness
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Slint
Kent
138 bpm • G Maj • 05:48 • -17.93db
23% Popularity • 50% Danceability • 37% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
23% Popularity • 50% Danceability • 37% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
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Guided By Voices
Evil Speakers
138 bpm • E min • 00:58 • -6.57db
28% Popularity • 49% Danceability • 96% Energy • 44% Liveness
2% Instrumentalness • 94% Positiveness
28% Popularity • 49% Danceability • 96% Energy • 44% Liveness
2% Instrumentalness • 94% Positiveness
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The Dead Milkmen
Beach Song
137 bpm • G Maj • 01:59 • -15.21db
15% Popularity • 61% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 61% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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DEVO
Smart Patrol / Mr. DNA
137 bpm • G Maj • 06:06 • -14.98db
28% Popularity • 50% Danceability • 50% Energy • 12% Liveness
8% Instrumentalness • 29% Positiveness
28% Popularity • 50% Danceability • 50% Energy • 12% Liveness
8% Instrumentalness • 29% Positiveness
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The Frogs
Bear
166 bpm • C# Maj • 03:09 • -13.67db
10% Popularity • 59% Danceability • 60% Energy • 48% Liveness
2% Instrumentalness • 65% Positiveness
10% Popularity • 59% Danceability • 60% Energy • 48% Liveness
2% Instrumentalness • 65% Positiveness
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Silver Jews
Federal Dust
137 bpm • F# Maj • 04:01 • -11.9db
35% Popularity • 55% Danceability • 34% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
35% Popularity • 55% Danceability • 34% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
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The Mothers Of Invention
Let's Make The Water Turn Black
137 bpm • A min • 02:01 • -14.4db
32% Popularity • 72% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
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Pavement
Half a Canyon
137 bpm • A Maj • 06:10 • -7.24db
24% Popularity • 25% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 41% Positiveness
24% Popularity • 25% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 41% Positiveness
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Sebadoh
License to Confuse - Remastered
136 bpm • G# min • 01:46 • -5.81db
44% Popularity • 33% Danceability • 87% Energy • 35% Liveness
13% Instrumentalness • 88% Positiveness
44% Popularity • 33% Danceability • 87% Energy • 35% Liveness
13% Instrumentalness • 88% Positiveness
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Ween
Dr. Rock
137 bpm • A Maj • 03:10 • -13.75db
30% Popularity • 53% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 53% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Daniel Johnston
Despair Came Knocking
136 bpm • E Maj • 02:44 • -18db
33% Popularity • 64% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 67% Positiveness
33% Popularity • 64% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 67% Positiveness
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Brainiac
Hands Of The Genius
167 bpm • A min • 02:24 • -7db
21% Popularity • 25% Danceability • 97% Energy • 35% Liveness
19% Instrumentalness • 31% Positiveness
21% Popularity • 25% Danceability • 97% Energy • 35% Liveness
19% Instrumentalness • 31% Positiveness
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Frank Zappa
Can't Afford No Shoes
136 bpm • A Maj • 02:38 • -10db
35% Popularity • 56% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 56% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
