Songs like I'm Just A Lucky So And So by Wes Montgomery
Based on a tempo of (+/- 10%) and a similar genre
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Benny Golson
Alone Together
131 bpm • D min • 07:34 • -18db
26% Popularity • 54% Danceability • 19% Energy • 30% Liveness
87% Instrumentalness • 46% Positiveness
26% Popularity • 54% Danceability • 19% Energy • 30% Liveness
87% Instrumentalness • 46% Positiveness
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Wynton Kelly Trio
Jingles - Live
131 bpm • E min • 04:32 • -11.73db
12% Popularity • 55% Danceability • 45% Energy • 31% Liveness
76% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 31% Liveness
76% Instrumentalness • 68% Positiveness
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Wes Montgomery
I'm Just A Lucky So And So
131 bpm • D min • 05:53 • -24.2db
23% Popularity • 60% Danceability • 14% Energy • 8% Liveness
60% Instrumentalness • 64% Positiveness
23% Popularity • 60% Danceability • 14% Energy • 8% Liveness
60% Instrumentalness • 64% Positiveness
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Bud Powell Trio
Nice Work If You Can Get It - 1990 Remas...
131 bpm • G# Maj • 02:20 • -20db
46% Popularity • 50% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 92% Positiveness
46% Popularity • 50% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 92% Positiveness
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Oliver Nelson
March On, March On
131 bpm • D min • 04:59 • -10.7db
25% Popularity • 50% Danceability • 34% Energy • 11% Liveness
15% Instrumentalness • 53% Positiveness
25% Popularity • 50% Danceability • 34% Energy • 11% Liveness
15% Instrumentalness • 53% Positiveness
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Bobby Timmons Trio
Groovin' High
132 bpm • G Maj • 03:33 • -16db
43% Popularity • 53% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 93% Positiveness
43% Popularity • 53% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 93% Positiveness
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Kenny Drew
Funk-Cosity - Rudy Van Gelder Edition/20...
132 bpm • F Maj • 08:25 • -9db
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Parker Quartet
Cosmic Rays
132 bpm • F Maj • 03:06 • -13.32db
43% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Milt Jackson
Jingles (Take 9)
132 bpm • E min • 06:56 • -17.69db
13% Popularity • 45% Danceability • 32% Energy • 18% Liveness
4% Instrumentalness • 59% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 18% Liveness
4% Instrumentalness • 59% Positiveness
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Wes Montgomery
Gone With The Wind
132 bpm • G# Maj • 06:21 • -20.12db
28% Popularity • 60% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 69% Positiveness
28% Popularity • 60% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 69% Positiveness
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McCoy Tyner Trio
Blues Back
132 bpm • A# Maj • 06:55 • -16.29db
26% Popularity • 54% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 31% Positiveness
26% Popularity • 54% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 31% Positiveness
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Bobby Timmons Trio
Easy Does It
130 bpm • A# min • 04:53 • -18db
28% Popularity • 54% Danceability • 38% Energy • 11% Liveness
75% Instrumentalness • 88% Positiveness
28% Popularity • 54% Danceability • 38% Energy • 11% Liveness
75% Instrumentalness • 88% Positiveness
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John Lewis
Two Degrees East, Three Degrees West
130 bpm • D min • 05:37 • -24.46db
15% Popularity • 54% Danceability • 10% Energy • 8% Liveness
24% Instrumentalness • 49% Positiveness
15% Popularity • 54% Danceability • 10% Energy • 8% Liveness
24% Instrumentalness • 49% Positiveness
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Kenny Drew
Chartreuse
130 bpm • D Maj • 04:33 • -18.37db
39% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
39% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Chet Baker Quartet
Bea's Flat
132 bpm • F min • 03:01 • -10.86db
39% Popularity • 70% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
39% Popularity • 70% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
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John Coltrane Quartet
Too Young To Go Steady
130 bpm • F Maj • 04:19 • -12.48db
51% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
51% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Bobby Timmons Trio
Pretty Memory
132 bpm • G min • 03:32 • -19.29db
45% Popularity • 54% Danceability • 30% Energy • 13% Liveness
81% Instrumentalness • 59% Positiveness
45% Popularity • 54% Danceability • 30% Energy • 13% Liveness
81% Instrumentalness • 59% Positiveness
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Nat Adderley
Mean To Me
133 bpm • F min • 05:01 • -16.07db
10% Popularity • 65% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 53% Positiveness
10% Popularity • 65% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 53% Positiveness
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Tommy Flanagan Trio
Willow Weep for Me
129 bpm • G Maj • 06:27 • -14.24db
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Chet Baker Quartet
Band Aid
129 bpm • C# Maj • 02:46 • -14.69db
39% Popularity • 74% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 83% Positiveness
39% Popularity • 74% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 83% Positiveness
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Hampton Hawes Trio
Feelin' Fine
129 bpm • G min • 03:03 • -19db
40% Popularity • 47% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
40% Popularity • 47% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
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Miles Davis Sextet
Tempus Fugit - Alternate Take
133 bpm • D min • 03:56 • -11.3db
24% Popularity • 46% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 46% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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John Coltrane Quartet
It's Easy To Remember - Take 13
133 bpm • G# Maj • 02:41 • -12.78db
43% Popularity • 47% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Blue Mitchell
Scrapple From The Apple
129 bpm • D Maj • 03:58 • -15db
25% Popularity • 61% Danceability • 38% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
25% Popularity • 61% Danceability • 38% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
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Tommy Flanagan Trio
Relaxin' at Camarillo
129 bpm • G Maj • 03:21 • -13db
35% Popularity • 57% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
35% Popularity • 57% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
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Horace Silver Quintet
Cookin' At The Continental - Rudy Van Ge...
129 bpm • F min • 04:54 • -10db
33% Popularity • 47% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
33% Popularity • 47% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
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Wayne Shorter
Yes Or No - Rudy Van Gelder 24 Bit Maste...
129 bpm • E min • 06:39 • -7.87db
41% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Dave Brubeck Trio
Body And Soul
128 bpm • C# Maj • 03:42 • -17.16db
39% Popularity • 50% Danceability • 42% Energy • 20% Liveness
79% Instrumentalness • 39% Positiveness
39% Popularity • 50% Danceability • 42% Energy • 20% Liveness
79% Instrumentalness • 39% Positiveness
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McCoy Tyner Trio
Changes
128 bpm • F Maj • 09:43 • -6.5db
12% Popularity • 41% Danceability • 87% Energy • 15% Liveness
86% Instrumentalness • 53% Positiveness
12% Popularity • 41% Danceability • 87% Energy • 15% Liveness
86% Instrumentalness • 53% Positiveness
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Wynton Kelly Trio
Moving Up
128 bpm • A# Maj • 03:52 • -19.36db
34% Popularity • 48% Danceability • 26% Energy • 7% Liveness
31% Instrumentalness • 78% Positiveness
34% Popularity • 48% Danceability • 26% Energy • 7% Liveness
31% Instrumentalness • 78% Positiveness
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Jimmy Raney
Stolen moments
128 bpm • C min • 05:54 • -21.35db
11% Popularity • 48% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 34% Positiveness
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Charlie Parker Quartet
The Song Is You
128 bpm • C Maj • 02:58 • -10.13db
44% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Wes Montgomery Trio
The Way You Look Tonight - Take 2
134 bpm • F Maj • 05:52 • -21.41db
34% Popularity • 36% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
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Philly Joe Jones
Two Bass Hit
128 bpm • C# Maj • 04:35 • -11.39db
27% Popularity • 50% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 50% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Elvin Jones
Feeling Good
134 bpm • A min • 04:09 • -22db
31% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
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Emily Remler
East To Wes
134 bpm • G min • 06:12 • -19.8db
19% Popularity • 53% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 53% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Wynton Kelly Trio
Oleo - Live
134 bpm • G# Maj • 02:08 • -9.82db
22% Popularity • 50% Danceability • 77% Energy • 21% Liveness
83% Instrumentalness • 82% Positiveness
22% Popularity • 50% Danceability • 77% Energy • 21% Liveness
83% Instrumentalness • 82% Positiveness
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Charlie Parker Quartet
Star Eyes - Incomplete
128 bpm • F min • 02:04 • -8.07db
49% Popularity • 59% Danceability • 34% Energy • 24% Liveness
7% Instrumentalness • 76% Positiveness
49% Popularity • 59% Danceability • 34% Energy • 24% Liveness
7% Instrumentalness • 76% Positiveness
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Tommy Flanagan Trio
Skål Brothers
127 bpm • C# Maj • 02:32 • -11.39db
51% Popularity • 71% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 52% Positiveness
51% Popularity • 71% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 52% Positiveness
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Bud Powell Trio
Stella by Starlight - 1990 Remaster
128 bpm • E min • 02:09 • -17.76db
45% Popularity • 48% Danceability • 10% Energy • 21% Liveness
91% Instrumentalness • 12% Positiveness
45% Popularity • 48% Danceability • 10% Energy • 21% Liveness
91% Instrumentalness • 12% Positiveness
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Oliver Nelson
Teenie's Blues
135 bpm • F min • 06:33 • -10db
27% Popularity • 64% Danceability • 34% Energy • 7% Liveness
30% Instrumentalness • 46% Positiveness
27% Popularity • 64% Danceability • 34% Energy • 7% Liveness
30% Instrumentalness • 46% Positiveness
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Miles Davis Quartet
Smooch
135 bpm • D min • 03:06 • -16.61db
36% Popularity • 49% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
36% Popularity • 49% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Bobby Timmons
The Sweetest Sounds
135 bpm • D min • 04:57 • -18.57db
18% Popularity • 47% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
18% Popularity • 47% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Wes Montgomery
Tune Up - Take 5
135 bpm • C Maj • 03:10 • -23.29db
12% Popularity • 59% Danceability • 14% Energy • 10% Liveness
37% Instrumentalness • 56% Positiveness
12% Popularity • 59% Danceability • 14% Energy • 10% Liveness
37% Instrumentalness • 56% Positiveness
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Tommy Flanagan Trio
In The Blue Of The Evening
135 bpm • F Maj • 03:41 • -20db
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
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Bud Powell Trio
I Want to Be Happy
135 bpm • A# Maj • 03:41 • -17db
23% Popularity • 45% Danceability • 41% Energy • 10% Liveness
47% Instrumentalness • 67% Positiveness
23% Popularity • 45% Danceability • 41% Energy • 10% Liveness
47% Instrumentalness • 67% Positiveness
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Jonathan Kreisberg
I'll Be Seeing You
135 bpm • C min • 07:23 • -19.78db
31% Popularity • 44% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
31% Popularity • 44% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Nat Adderley
My Heart Stood Still
135 bpm • F Maj • 06:23 • -21.31db
18% Popularity • 58% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 33% Positiveness
18% Popularity • 58% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 33% Positiveness
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Milt Jackson
Blue Roz
135 bpm • F Maj • 04:48 • -16.66db
14% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Wes Montgomery
Twisted Blues
127 bpm • F# min • 05:34 • -21.55db
25% Popularity • 48% Danceability • 26% Energy • 12% Liveness
66% Instrumentalness • 69% Positiveness
25% Popularity • 48% Danceability • 26% Energy • 12% Liveness
66% Instrumentalness • 69% Positiveness
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Howard Roberts
The More I See You
127 bpm • C Maj • 04:13 • -14db
26% Popularity • 58% Danceability • 22% Energy • 39% Liveness
8% Instrumentalness • 58% Positiveness
26% Popularity • 58% Danceability • 22% Energy • 39% Liveness
8% Instrumentalness • 58% Positiveness
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Herbie Nichols
2300 Skiddoo
136 bpm • G# min • 04:43 • -18.22db
18% Popularity • 59% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 59% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Bobby Timmons Trio
Autumn Leaves
136 bpm • G min • 07:57 • -23db
28% Popularity • 59% Danceability • 20% Energy • 78% Liveness
90% Instrumentalness • 22% Positiveness
28% Popularity • 59% Danceability • 20% Energy • 78% Liveness
90% Instrumentalness • 22% Positiveness
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Wynton Kelly Trio
Not a Tear - Live
136 bpm • F min • 06:32 • -11.87db
8% Popularity • 44% Danceability • 51% Energy • 71% Liveness
92% Instrumentalness • 46% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 71% Liveness
92% Instrumentalness • 46% Positiveness
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Wayne Shorter
502 Blues (Drinkin' And Drivin') - Rudy ...
126 bpm • A min • 06:34 • -15.02db
41% Popularity • 47% Danceability • 28% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
41% Popularity • 47% Danceability • 28% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
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Wes Montgomery
Twisted Blues
127 bpm • F# min • 05:38 • -16.27db
18% Popularity • 48% Danceability • 41% Energy • 32% Liveness
20% Instrumentalness • 71% Positiveness
18% Popularity • 48% Danceability • 41% Energy • 32% Liveness
20% Instrumentalness • 71% Positiveness
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Howard Roberts
Easy Living
127 bpm • G# Maj • 04:06 • -18db
14% Popularity • 51% Danceability • 10% Energy • 14% Liveness
60% Instrumentalness • 38% Positiveness
14% Popularity • 51% Danceability • 10% Energy • 14% Liveness
60% Instrumentalness • 38% Positiveness
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McCoy Tyner Trio
Blues Stride
126 bpm • F Maj • 03:35 • -14db
38% Popularity • 55% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
38% Popularity • 55% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Elmo Hope Trio
Hot Sauce
126 bpm • F min • 03:53 • -11db
32% Popularity • 52% Danceability • 62% Energy • 28% Liveness
33% Instrumentalness • 69% Positiveness
32% Popularity • 52% Danceability • 62% Energy • 28% Liveness
33% Instrumentalness • 69% Positiveness
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Pepper Adams Quintet
Unforgettable
126 bpm • A min • 06:22 • -16.69db
11% Popularity • 62% Danceability • 11% Energy • 6% Liveness
18% Instrumentalness • 40% Positiveness
11% Popularity • 62% Danceability • 11% Energy • 6% Liveness
18% Instrumentalness • 40% Positiveness
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Bud Powell Trio
Bud's Bubble - 1990 Remaster
137 bpm • F min • 02:36 • -19db
41% Popularity • 49% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 90% Positiveness
41% Popularity • 49% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 90% Positiveness
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Wes Montgomery
Con Alma
127 bpm • G# Maj • 03:21 • -14.82db
22% Popularity • 73% Danceability • 42% Energy • 24% Liveness
9% Instrumentalness • 75% Positiveness
22% Popularity • 73% Danceability • 42% Energy • 24% Liveness
9% Instrumentalness • 75% Positiveness
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Charlie Parker Quartet
Blues (Fast)
125 bpm • C min • 02:47 • -13.32db
38% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Gerry Mulligan Quartet
Walkin' Shoes
137 bpm • D Maj • 03:13 • -12db
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
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Oliver Nelson
Cascades
125 bpm • F min • 05:31 • -11.93db
32% Popularity • 60% Danceability • 43% Energy • 6% Liveness
69% Instrumentalness • 82% Positiveness
32% Popularity • 60% Danceability • 43% Energy • 6% Liveness
69% Instrumentalness • 82% Positiveness
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Chet Baker Quartet
All The Things You Are
137 bpm • G# Maj • 02:56 • -12.23db
43% Popularity • 60% Danceability • 41% Energy • 34% Liveness
92% Instrumentalness • 69% Positiveness
43% Popularity • 60% Danceability • 41% Energy • 34% Liveness
92% Instrumentalness • 69% Positiveness
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Junior Mance
Birk's Works
125 bpm • A# min • 05:43 • -17.69db
31% Popularity • 69% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
31% Popularity • 69% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
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Pat Metheny
Solar
137 bpm • F Maj • 08:25 • -21.28db
25% Popularity • 35% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
25% Popularity • 35% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Charlie Parker Quartet
Cosmic Rays - Alternate Take
125 bpm • F Maj • 03:17 • -14.17db
32% Popularity • 61% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 61% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Nat Adderley
I Should Care
125 bpm • A# Maj • 04:27 • -14db
31% Popularity • 57% Danceability • 11% Energy • 9% Liveness
29% Instrumentalness • 23% Positiveness
31% Popularity • 57% Danceability • 11% Energy • 9% Liveness
29% Instrumentalness • 23% Positiveness
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Oliver Nelson
Hoe Down
125 bpm • C Maj • 04:41 • -9db
43% Popularity • 58% Danceability • 57% Energy • 10% Liveness
54% Instrumentalness • 83% Positiveness
43% Popularity • 58% Danceability • 57% Energy • 10% Liveness
54% Instrumentalness • 83% Positiveness
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Joe Pass
Night And Day
137 bpm • F min • 03:44 • -14.09db
31% Popularity • 45% Danceability • 44% Energy • 11% Liveness
18% Instrumentalness • 80% Positiveness
31% Popularity • 45% Danceability • 44% Energy • 11% Liveness
18% Instrumentalness • 80% Positiveness
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Benny Golson
Easy Living
125 bpm • F min • 03:36 • -16.53db
21% Popularity • 44% Danceability • 10% Energy • 12% Liveness
74% Instrumentalness • 46% Positiveness
21% Popularity • 44% Danceability • 10% Energy • 12% Liveness
74% Instrumentalness • 46% Positiveness
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Junior Mance
Love For Sale
125 bpm • F min • 04:24 • -17.4db
27% Popularity • 58% Danceability • 32% Energy • 20% Liveness
85% Instrumentalness • 81% Positiveness
27% Popularity • 58% Danceability • 32% Energy • 20% Liveness
85% Instrumentalness • 81% Positiveness
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Wes Montgomery
The Thumb
138 bpm • G Maj • 04:49 • -18.72db
25% Popularity • 70% Danceability • 24% Energy • 18% Liveness
53% Instrumentalness • 56% Positiveness
25% Popularity • 70% Danceability • 24% Energy • 18% Liveness
53% Instrumentalness • 56% Positiveness
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McCoy Tyner Trio
Theme For Ernie
138 bpm • C# Maj • 06:00 • -17db
30% Popularity • 62% Danceability • 26% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
30% Popularity • 62% Danceability • 26% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
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Gerry Mulligan Quartet
Lullaby Of The Leaves
124 bpm • C Maj • 03:16 • -11.91db
40% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Johnny Griffin
The Boy Next Door - Remastered 2006/Rudy...
139 bpm • D min • 04:53 • -8.26db
24% Popularity • 52% Danceability • 44% Energy • 13% Liveness
28% Instrumentalness • 44% Positiveness
24% Popularity • 52% Danceability • 44% Energy • 13% Liveness
28% Instrumentalness • 44% Positiveness
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Benny Golson
Three Little Words
138 bpm • D min • 04:41 • -16.39db
30% Popularity • 55% Danceability • 30% Energy • 7% Liveness
85% Instrumentalness • 70% Positiveness
30% Popularity • 55% Danceability • 30% Energy • 7% Liveness
85% Instrumentalness • 70% Positiveness
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Junior Mance
A Smooth One
124 bpm • F min • 03:26 • -17db
44% Popularity • 78% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 57% Positiveness
44% Popularity • 78% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 57% Positiveness
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Bud Powell Trio
Bag's Groove - 1990 Remaster
139 bpm • D# Maj • 02:14 • -17.16db
36% Popularity • 54% Danceability • 22% Energy • 22% Liveness
89% Instrumentalness • 45% Positiveness
36% Popularity • 54% Danceability • 22% Energy • 22% Liveness
89% Instrumentalness • 45% Positiveness
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Leo Parker
Rollin' With Leo - Remastered
124 bpm • G min • 06:25 • -9.49db
22% Popularity • 61% Danceability • 33% Energy • 10% Liveness
80% Instrumentalness • 53% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 10% Liveness
80% Instrumentalness • 53% Positiveness
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Horace Parlan
Us Three - Remastered
123 bpm • D# Maj • 04:35 • -13db
24% Popularity • 65% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
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Johnny Griffin
Nice And Easy - Remastered 2006/Rudy Van...
124 bpm • F min • 04:19 • -9.24db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
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Red Garland Trio
My Romance - Instrumental
123 bpm • D# Maj • 06:48 • -18.98db
25% Popularity • 56% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 56% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Nat Adderley
Violets For Your Furs
139 bpm • F Maj • 03:49 • -15.96db
11% Popularity • 42% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
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Blue Mitchell
Tones For Joan's Bones - Rudy Van Gelder...
139 bpm • D Maj • 06:37 • -11.82db
14% Popularity • 47% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 18% Positiveness
14% Popularity • 47% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 18% Positiveness
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Charlie Parker Quartet
Love For Sale - Take 3 / Incomplete
123 bpm • F min • 01:03 • -11db
57% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Dave Brubeck Trio
Indiana
139 bpm • A# Maj • 02:32 • -12.48db
41% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Larry Coryell
How Insensitive
140 bpm • A# Maj • 08:30 • -18.34db
10% Popularity • 46% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
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Milt Jackson
Stablemates (Take 4)
123 bpm • A# min • 05:48 • -16.32db
14% Popularity • 49% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 49% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Raney
Body and Soul 2
140 bpm • C# Maj • 03:40 • -17.91db
28% Popularity • 51% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 57% Positiveness
28% Popularity • 51% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 57% Positiveness
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Emily Remler
Softly, As In A Morning Sunrise
140 bpm • E min • 08:10 • -27.71db
33% Popularity • 46% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
33% Popularity • 46% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
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Horace Silver Quintet
Ill Wind - Remastered
123 bpm • F Maj • 06:53 • -14db
19% Popularity • 51% Danceability • 35% Energy • 26% Liveness
2% Instrumentalness • 39% Positiveness
19% Popularity • 51% Danceability • 35% Energy • 26% Liveness
2% Instrumentalness • 39% Positiveness
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Don Thompson
What Is This Thing Called Love
122 bpm • C Maj • 06:32 • -28.95db
11% Popularity • 50% Danceability • 6% Energy • 69% Liveness
94% Instrumentalness • 38% Positiveness
11% Popularity • 50% Danceability • 6% Energy • 69% Liveness
94% Instrumentalness • 38% Positiveness
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McCoy Tyner Trio
Inception - 2018 Digitally Remastered
140 bpm • F min • 04:29 • -17.87db
27% Popularity • 37% Danceability • 36% Energy • 21% Liveness
15% Instrumentalness • 62% Positiveness
27% Popularity • 37% Danceability • 36% Energy • 21% Liveness
15% Instrumentalness • 62% Positiveness
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Johnny Griffin
Chicago Calling - Remastered 2006/Rudy V...
141 bpm • D# Maj • 05:36 • -8db
23% Popularity • 53% Danceability • 50% Energy • 12% Liveness
12% Instrumentalness • 64% Positiveness
23% Popularity • 53% Danceability • 50% Energy • 12% Liveness
12% Instrumentalness • 64% Positiveness
