Songs like I'm Leavin' U (Gotta Go, Gotta Go) (feat. MC Lyte) - C & J Fulltime Mix by Bootsy Collins
Based on a tempo of (+/- 10%) and a similar genre
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Brandy
I Wanna Be Down - Remix
86 bpm • B min • 04:16 • -5.88db
47% Popularity • 89% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 89% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Sleepy Brown
Sunday Morning
86 bpm • C Maj • 03:57 • -5db
11% Popularity • 76% Danceability • 54% Energy • 3% Liveness
1% Instrumentalness • 52% Positiveness
11% Popularity • 76% Danceability • 54% Energy • 3% Liveness
1% Instrumentalness • 52% Positiveness
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Donell Jones
All About You
86 bpm • B min • 04:46 • -6db
35% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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The Spooks
Sweet Revenge
86 bpm • F Maj • 05:58 • -8.35db
24% Popularity • 83% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 83% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Koffee Brown
All I Need (Bonnie & Clyde)
86 bpm • B Maj • 03:36 • -5.84db
20% Popularity • 78% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 78% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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![I'm Leavin' U (feat. MC Lyte) - Gotta Go, Gotta Go [Mousse T's Mix] cover art](https://i.scdn.co/image/ab67616d00001e02ef64445db605d541920fde39)
Bootsy Collins
I'm Leavin' U - Gotta Go, Gotta Go [Mou...
86 bpm • F# Maj • 04:04 • -6.82db
7% Popularity • 81% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 81% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Notorious B.I.G.
Big Poppa - Club Mix; 2014 Remaster
86 bpm • G Maj • 04:12 • -4.77db
27% Popularity • 81% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 81% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Somethin' For The People
Damned If I Do
87 bpm • F min • 04:05 • -8db
20% Popularity • 75% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 75% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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VERONICA VITALE
Nobody Is Perfect
85 bpm • C# Maj • 04:45 • -9.18db
6% Popularity • 24% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 24% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Chubb Rock
I'm Too Much
85 bpm • A min • 03:31 • -9db
26% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Special Ed
Neva Go Back
85 bpm • F# Maj • 03:46 • -8db
23% Popularity • 74% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 74% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Bootsy Collins
I'm Leavin' U (Gotta Go, Gotta Go) - C ...
86 bpm • F# Maj • 04:33 • -6db
31% Popularity • 84% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 84% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Heavy D
Waterbed Hev
87 bpm • D Maj • 04:28 • -7db
21% Popularity • 86% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 86% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Barry White
Which Way is Up
88 bpm • F min • 05:42 • -12.39db
37% Popularity • 81% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
37% Popularity • 81% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Missy Elliott
All N My Grill
84 bpm • A# min • 04:32 • -8.71db
48% Popularity • 54% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 54% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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MC Lyte
Have U Ever
84 bpm • A# min • 03:33 • -9.52db
18% Popularity • 77% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 77% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Fantaazma
Rocketship
84 bpm • E min • 03:41 • -10.25db
7% Popularity • 66% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 66% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Bootsy Collins
I'm Leavin' U (Gotta Go, Gotta Go) - C&...
86 bpm • F# Maj • 03:50 • -8.66db
18% Popularity • 86% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 86% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lynden David Hall
Do I Qualify?
84 bpm • G min • 04:47 • -8.6db
32% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Da Brat
Let's All Get High
88 bpm • C min • 03:42 • -9db
33% Popularity • 78% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 78% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Davina
Come Over To My Place
84 bpm • D Maj • 03:56 • -9db
20% Popularity • 78% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 78% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Jaguar Wright
The What If's
84 bpm • C min • 04:17 • -9db
38% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Erick Sermon
I Confess Remix
84 bpm • F min • 03:58 • -9.43db
19% Popularity • 84% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 84% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Bootsy Collins
If Looks Could Kill
88 bpm • C Maj • 04:06 • -10.22db
6% Popularity • 69% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 69% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Raphael Saadiq
Still Ray
84 bpm • A# min • 03:03 • -8.35db
47% Popularity • 83% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 83% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Bahamadia
I Confess
84 bpm • G Maj • 04:05 • -4db
31% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Davina
So Good
84 bpm • C# Maj • 04:19 • -8.41db
13% Popularity • 75% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 75% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Fugees
Fu-Gee-La - Refugee Camp Global Mix
88 bpm • C# Maj • 04:20 • -15db
40% Popularity • 73% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 73% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Heavy D
Keep It Comin
88 bpm • B min • 04:26 • -5db
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Myron
We Can Get Down
84 bpm • C# Maj • 04:01 • -8.73db
23% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Bob Marley & The Wailers
Jammin'
84 bpm • B min • 04:08 • -4.45db
40% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Lord Finesse
Taking It Lyte
89 bpm • C# Maj • 01:06 • -10.14db
22% Popularity • 79% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 79% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Horace Brown
Taste Your Love
89 bpm • G# Maj • 04:46 • -7.88db
29% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Lucy Pearl
Without You
89 bpm • G min • 03:57 • -5db
50% Popularity • 74% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 74% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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Bootsy Collins
Heaven Yes
89 bpm • F# min • 04:21 • -5.44db
10% Popularity • 55% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 30% Positiveness
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Raheem DeVaughn
When a Man
89 bpm • C# min • 03:00 • -10.64db
31% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Alfonzo Hunter
Just The Way
89 bpm • G# min • 03:55 • -8.75db
40% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Lord Finesse
Taking It Lyte - Interlude
89 bpm • C# Maj • 01:06 • -9.84db
44% Popularity • 78% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 78% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Whodini
Be My Lady
89 bpm • C# min • 03:48 • -7.07db
13% Popularity • 85% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 85% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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New Edition
Hit Me Off
89 bpm • G min • 04:21 • -4.57db
51% Popularity • 72% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 72% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
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Erick Sermon
Just the Way Remix
89 bpm • B Maj • 02:59 • -6.77db
18% Popularity • 77% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 77% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Davina
When It Rains
89 bpm • F min • 03:55 • -12.49db
12% Popularity • 76% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 76% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Alfonzo Hunter
Just The Way
89 bpm • F# Maj • 03:56 • -9.56db
18% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sirens Of Lesbos
8 Billion
89 bpm • C Maj • 04:05 • -11.5db
32% Popularity • 77% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 77% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Gerald Alston
Sugar
89 bpm • C Maj • 03:34 • -7.61db
15% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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A Tribe Called Quest
Bonita Applebum - Hootie Mix
89 bpm • B Maj • 03:15 • -13.11db
33% Popularity • 83% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 83% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Sleepy's Theme
Choked Out Saturday Night
83 bpm • E min • 04:55 • -5.78db
17% Popularity • 73% Danceability • 58% Energy • 15% Liveness
29% Instrumentalness • 65% Positiveness
17% Popularity • 73% Danceability • 58% Energy • 15% Liveness
29% Instrumentalness • 65% Positiveness
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Bobby Brown
Feelin' Inside
83 bpm • B min • 04:09 • -7db
22% Popularity • 68% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 68% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Davina
So Good
83 bpm • C# Maj • 04:22 • -4.99db
26% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Bahamadia
True Honey Buns (Dat Freak Shit)
83 bpm • D# min • 03:41 • -9.17db
37% Popularity • 77% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 77% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Patra
Scent Of Attraction
83 bpm • B min • 04:46 • -5db
27% Popularity • 66% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 66% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Ginuwine
Holler
89 bpm • F# min • 05:04 • -9.03db
29% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Lucy Pearl
Trippin'
83 bpm • D min • 03:04 • -4db
50% Popularity • 76% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 76% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Bootsy Collins
Hollywood Squares
89 bpm • G# min • 06:16 • -10.04db
9% Popularity • 70% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 70% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Davina
Give Me Love
83 bpm • A# min • 03:56 • -9.75db
8% Popularity • 78% Danceability • 50% Energy • 7% Liveness
5% Instrumentalness • 74% Positiveness
8% Popularity • 78% Danceability • 50% Energy • 7% Liveness
5% Instrumentalness • 74% Positiveness
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Macy Gray
Really?
89 bpm • F# Maj • 02:21 • -18.94db
7% Popularity • 70% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 70% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Shola Ama
You Might Need Somebody - Mousse T's Sou...
83 bpm • F# Maj • 04:07 • -5.96db
11% Popularity • 80% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 80% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Dazz Band
What's Up In Your World
83 bpm • C# Maj • 04:32 • -6.22db
8% Popularity • 76% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 76% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Lucy Pearl
Can't Stand Your Mother
90 bpm • G# min • 03:43 • -3db
36% Popularity • 83% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 83% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Next
Penetration
90 bpm • D# min • 04:32 • -10db
31% Popularity • 77% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 77% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Davina
So Good
83 bpm • C# Maj • 04:34 • -8db
38% Popularity • 78% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 78% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Queen Pen
My Melody
90 bpm • F# Maj • 03:45 • -5db
18% Popularity • 82% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 82% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Sweet Sable
Old Time's Sake
82 bpm • F# min • 04:19 • -6db
36% Popularity • 67% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 67% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron Hall
Curiosity - Marley Marl Remix
90 bpm • B min • 03:10 • -6.31db
22% Popularity • 80% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 80% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Naughty By Nature
Mourn You 'Til I Join You
90 bpm • A# min • 05:16 • -7db
39% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Bootsy Collins
Hollywood Squares
90 bpm • G# min • 05:06 • -9.57db
14% Popularity • 78% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 78% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Poor Righteous Teachers
Shakiyla (JRH) - Vocal
90 bpm • A# Maj • 04:00 • -10db
20% Popularity • 73% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 73% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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MC Lyte
It's All Yours
90 bpm • F# min • 04:40 • -9db
35% Popularity • 88% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 88% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Rahsaan Patterson
Stop By
90 bpm • A Maj • 05:54 • -6.67db
34% Popularity • 84% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 84% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Keith Murray
Candi Bar
90 bpm • B Maj • 03:45 • -4.79db
36% Popularity • 80% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 80% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Horace Brown
One For The Money
90 bpm • D# Maj • 04:25 • -8.59db
38% Popularity • 76% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 76% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Bootsy Collins
Holly-Wood-If-She-Could
90 bpm • C# Maj • 03:54 • -5.16db
4% Popularity • 82% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 82% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Heavy D & The Boyz
Got Me Waiting
90 bpm • D Maj • 04:31 • -15.76db
37% Popularity • 81% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 81% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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MC Lyte
One on One
90 bpm • C# min • 03:46 • -7.69db
14% Popularity • 90% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 90% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Hi-Tek
Round & Round
90 bpm • C min • 03:30 • -7db
42% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Lord Finesse
Hip 2 Da Game
90 bpm • B Maj • 04:03 • -6db
20% Popularity • 76% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 76% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Betty Wright
Real Woman
82 bpm • B min • 05:35 • -10.19db
20% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Bootsy Collins
Lips Turn Blue
90 bpm • C# Maj • 04:10 • -5.8db
14% Popularity • 66% Danceability • 76% Energy • 33% Liveness
5% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 76% Energy • 33% Liveness
5% Instrumentalness • 61% Positiveness
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Missy Elliott
Sock It 2 Me
82 bpm • G# Maj • 04:17 • -9.11db
51% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lucy Pearl
Everyday
82 bpm • G# min • 04:00 • -4.87db
48% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Jonell
Round And Round - Remix
91 bpm • F min • 03:50 • -4db
41% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Foxy Brown
(Holy Matrimony) Letter To The Firm
91 bpm • B min • 03:26 • -7.5db
41% Popularity • 82% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 82% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Raphael Saadiq
Rifle Love
91 bpm • C Maj • 04:18 • -7.99db
27% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Chubb Rock
Just The Two Of Us
90 bpm • D Maj • 03:35 • -12.53db
36% Popularity • 86% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 86% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Bootsy Collins
Penetration - In Funk We Thrust
91 bpm • G Maj • 05:43 • -5.2db
5% Popularity • 73% Danceability • 86% Energy • 7% Liveness
57% Instrumentalness • 54% Positiveness
5% Popularity • 73% Danceability • 86% Energy • 7% Liveness
57% Instrumentalness • 54% Positiveness
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Midnight Star
Out Tonight
91 bpm • C# Maj • 03:43 • -8db
16% Popularity • 81% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 81% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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MC Lyte
Keep On, Keepin' On - JD Remix
91 bpm • C# min • 04:57 • -9.87db
12% Popularity • 82% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 82% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Kris Kross
Tonite's tha Night
91 bpm • F min • 03:16 • -9db
35% Popularity • 74% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 77% Positiveness
35% Popularity • 74% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 77% Positiveness
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Da Brat
Funkdafied
91 bpm • B min • 03:05 • -12.37db
52% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Adina Howard
Freak Like Me
91 bpm • B min • 04:13 • -6.04db
59% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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COLLINS, BOOTSY FEAT. DRU DOWN
I'm Busy - Off Dah Hook
91 bpm • G Maj • 04:24 • -4.93db
10% Popularity • 85% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 85% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Martine Girault
Been Thinking About You
91 bpm • C Maj • 05:00 • -8.94db
34% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
34% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Bootsy Collins
I'm Leavin' U (Gotta Go, Gotta Go) - Me...
91 bpm • G# Maj • 03:57 • -9.56db
6% Popularity • 72% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
6% Popularity • 72% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Kris Kross
Tonite's Tha Night - Kris Kross Redman R...
91 bpm • G Maj • 03:21 • -7db
18% Popularity • 84% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 84% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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MC Lyte
Keep On, Keepin' On
91 bpm • C# min • 04:31 • -6db
45% Popularity • 88% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 88% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Keith Murray
The Rhyme
91 bpm • B min • 03:37 • -9.96db
25% Popularity • 76% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 76% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Lynden David Hall
Are We Still Cool?
91 bpm • G# min • 03:43 • -10db
11% Popularity • 82% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 82% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Alfonzo Hunter
Weekend Thang
81 bpm • G# min • 03:23 • -9db
26% Popularity • 78% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 78% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
