Songs like i’m not where you are by Marika Hackman
Based on a tempo of (+/- 10%) and a similar genre
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Marika Hackman
i’m not where you are
121 bpm • G Maj • 03:46 • -7.14db
26% Popularity • 55% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 55% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Sivan Levy
Swimming Backwards
121 bpm • F Maj • 03:42 • -10.81db
16% Popularity • 70% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
16% Popularity • 70% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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TORRES
Three Futures
121 bpm • G Maj • 04:04 • -11.5db
34% Popularity • 54% Danceability • 29% Energy • 9% Liveness
20% Instrumentalness • 21% Positiveness
34% Popularity • 54% Danceability • 29% Energy • 9% Liveness
20% Instrumentalness • 21% Positiveness
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Caveman
You Got a Feeling
121 bpm • B min • 03:32 • -8.09db
13% Popularity • 46% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 46% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Katy J Pearson
Hey You
121 bpm • D Maj • 04:39 • -5.9db
23% Popularity • 68% Danceability • 78% Energy • 6% Liveness
58% Instrumentalness • 34% Positiveness
23% Popularity • 68% Danceability • 78% Energy • 6% Liveness
58% Instrumentalness • 34% Positiveness
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Porridge Radio
Give/Take
120 bpm • F min • 03:53 • -6.31db
30% Popularity • 57% Danceability • 81% Energy • 11% Liveness
48% Instrumentalness • 54% Positiveness
30% Popularity • 57% Danceability • 81% Energy • 11% Liveness
48% Instrumentalness • 54% Positiveness
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Geowulf
He's 31
122 bpm • F Maj • 04:28 • -6.12db
19% Popularity • 54% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 54% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
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Phantastic Ferniture
Dark Corner Dance Floor
120 bpm • A min • 03:25 • -7.9db
26% Popularity • 46% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
26% Popularity • 46% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Nilüfer Yanya
The Florist
120 bpm • A Maj • 03:21 • -10.95db
36% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Oscar Scheller
Only Friend
120 bpm • C Maj • 04:11 • -9.17db
4% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Lawrence
Want
120 bpm • G Maj • 03:11 • -7.31db
15% Popularity • 76% Danceability • 80% Energy • 24% Liveness
57% Instrumentalness • 76% Positiveness
15% Popularity • 76% Danceability • 80% Energy • 24% Liveness
57% Instrumentalness • 76% Positiveness
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Porridge Radio
Long
122 bpm • G Maj • 04:50 • -5.45db
25% Popularity • 47% Danceability • 90% Energy • 5% Liveness
16% Instrumentalness • 52% Positiveness
25% Popularity • 47% Danceability • 90% Energy • 5% Liveness
16% Instrumentalness • 52% Positiveness
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Cardioid
Old Records
120 bpm • G# min • 04:32 • -10db
10% Popularity • 56% Danceability • 72% Energy • 18% Liveness
90% Instrumentalness • 47% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 18% Liveness
90% Instrumentalness • 47% Positiveness
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Land of Talk
Footnotes
120 bpm • A# Maj • 03:33 • -10.49db
31% Popularity • 61% Danceability • 63% Energy • 20% Liveness
64% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 63% Energy • 20% Liveness
64% Instrumentalness • 56% Positiveness
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Stef Chura
Sweet Sweet Midnight
120 bpm • B Maj • 05:29 • -9db
20% Popularity • 75% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 75% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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NewDad
Slowly
122 bpm • A min • 03:05 • -8db
38% Popularity • 60% Danceability • 76% Energy • 8% Liveness
54% Instrumentalness • 57% Positiveness
38% Popularity • 60% Danceability • 76% Energy • 8% Liveness
54% Instrumentalness • 57% Positiveness
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Liz Lawrence
10 Breaths
120 bpm • D Maj • 04:03 • -8.17db
13% Popularity • 61% Danceability • 56% Energy • 9% Liveness
13% Instrumentalness • 26% Positiveness
13% Popularity • 61% Danceability • 56% Energy • 9% Liveness
13% Instrumentalness • 26% Positiveness
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BC Camplight
Back To Work
120 bpm • C min • 04:10 • -8.67db
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Frances Quinlan
Rare Thing
120 bpm • F Maj • 03:30 • -5db
25% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Land of Talk
Weight of That Weekend
122 bpm • D Maj • 03:46 • -10.21db
23% Popularity • 61% Danceability • 44% Energy • 46% Liveness
1% Instrumentalness • 59% Positiveness
23% Popularity • 61% Danceability • 44% Energy • 46% Liveness
1% Instrumentalness • 59% Positiveness
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Speedy Ortiz
Lucky 88
120 bpm • G# Maj • 03:11 • -4.95db
20% Popularity • 58% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 58% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Lower Dens
I Drive
122 bpm • G Maj • 03:49 • -6.07db
13% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Erthlings
Bridges
120 bpm • C# min • 03:23 • -7.95db
33% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Cherry Glazerr
Daddi
120 bpm • G min • 03:11 • -4db
36% Popularity • 69% Danceability • 73% Energy • 11% Liveness
14% Instrumentalness • 42% Positiveness
36% Popularity • 69% Danceability • 73% Energy • 11% Liveness
14% Instrumentalness • 42% Positiveness
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Miya Folick
Stop Talking
122 bpm • C Maj • 02:45 • -2db
33% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Grace Turner
Dead or Alive
120 bpm • D Maj • 03:05 • -7db
18% Popularity • 67% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 67% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Virginia Wing
Be Released
120 bpm • G Maj • 04:26 • -5.9db
10% Popularity • 63% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 63% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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SASAMI
Mess
120 bpm • G Maj • 03:32 • -6.01db
16% Popularity • 63% Danceability • 58% Energy • 18% Liveness
6% Instrumentalness • 45% Positiveness
16% Popularity • 63% Danceability • 58% Energy • 18% Liveness
6% Instrumentalness • 45% Positiveness
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Emily Haines & The Soft Skeleton
Statuette
122 bpm • A min • 05:40 • -10.13db
23% Popularity • 66% Danceability • 65% Energy • 12% Liveness
16% Instrumentalness • 79% Positiveness
23% Popularity • 66% Danceability • 65% Energy • 12% Liveness
16% Instrumentalness • 79% Positiveness
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Liz Lawrence
Navigator
122 bpm • D Maj • 03:19 • -8.99db
27% Popularity • 75% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 75% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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John Grant
Love Is Magic
120 bpm • C# Maj • 06:21 • -6.02db
17% Popularity • 70% Danceability • 71% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
17% Popularity • 70% Danceability • 71% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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Toothless
Palm's Backside
120 bpm • D Maj • 04:02 • -8.13db
10% Popularity • 66% Danceability • 65% Energy • 26% Liveness
23% Instrumentalness • 49% Positiveness
10% Popularity • 66% Danceability • 65% Energy • 26% Liveness
23% Instrumentalness • 49% Positiveness
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Villagers
Real Go-Getter
120 bpm • G Maj • 03:25 • -9.93db
23% Popularity • 56% Danceability • 58% Energy • 13% Liveness
64% Instrumentalness • 35% Positiveness
23% Popularity • 56% Danceability • 58% Energy • 13% Liveness
64% Instrumentalness • 35% Positiveness
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C Duncan
Impossible
120 bpm • C Maj • 03:17 • -7.44db
12% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Big Moon
Suckerpunch - Marika Hackman Remix
120 bpm • E min • 03:38 • -9.49db
23% Popularity • 36% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
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Black Belt Eagle Scout
I Said I Wouldn’t Write This Song
122 bpm • F Maj • 03:22 • -6.18db
25% Popularity • 57% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
25% Popularity • 57% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Tomberlin
Self-Help
120 bpm • B Maj • 03:17 • -8.91db
25% Popularity • 34% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
25% Popularity • 34% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Sorry
Perfect
122 bpm • G Maj • 02:45 • -5.13db
32% Popularity • 49% Danceability • 85% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
32% Popularity • 49% Danceability • 85% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Cass McCombs
Sleeping Volcanoes
122 bpm • B Maj • 04:27 • -9.11db
27% Popularity • 60% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
27% Popularity • 60% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
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Hand Habits
what lovers do
123 bpm • C# Maj • 04:09 • -9.13db
19% Popularity • 46% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 46% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Muzz
Red Western Sky
123 bpm • F Maj • 03:12 • -5.33db
32% Popularity • 46% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 49% Positiveness
32% Popularity • 46% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 49% Positiveness
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MAITA
Someone's Lost Their Goddamn Wallet
119 bpm • C# Maj • 04:00 • -7.99db
11% Popularity • 70% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 70% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Olympia
Shoot To Forget
123 bpm • F Maj • 02:58 • -2.77db
11% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Black Belt Eagle Scout
I Don't Have You In My Life
123 bpm • E min • 04:23 • -10.34db
22% Popularity • 63% Danceability • 29% Energy • 11% Liveness
41% Instrumentalness • 11% Positiveness
22% Popularity • 63% Danceability • 29% Energy • 11% Liveness
41% Instrumentalness • 11% Positiveness
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Art d'Ecco
Nobody's Home
123 bpm • A min • 04:53 • -8db
12% Popularity • 69% Danceability • 69% Energy • 16% Liveness
4% Instrumentalness • 90% Positiveness
12% Popularity • 69% Danceability • 69% Energy • 16% Liveness
4% Instrumentalness • 90% Positiveness
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Cherry Glazerr
Juicy Socks
123 bpm • D min • 03:13 • -4.46db
30% Popularity • 66% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 66% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Miya Folick
Premonitions
119 bpm • F Maj • 03:46 • -5.18db
28% Popularity • 72% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 72% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Lower Dens
Young Republicans
119 bpm • D Maj • 03:44 • -4.81db
12% Popularity • 55% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 55% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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TORRES
Righteous Woman
119 bpm • G Maj • 03:50 • -8.47db
12% Popularity • 71% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 71% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Pillow Queens
Handsome Wife
124 bpm • C Maj • 04:13 • -5.88db
22% Popularity • 44% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 44% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Lanterns on the Lake
Swimming Lessons
124 bpm • G# Maj • 04:22 • -10.89db
18% Popularity • 54% Danceability • 60% Energy • 12% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 54% Danceability • 60% Energy • 12% Liveness
5% Instrumentalness • 33% Positiveness
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Marika Hackman
Round We Go
118 bpm • B Maj • 03:36 • -11.66db
18% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Miya Folick
Trouble Adjusting
119 bpm • E Maj • 03:42 • -3.4db
21% Popularity • 36% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 36% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mass Gothic
Dark Window - Single Version
118 bpm • A Maj • 04:12 • -5.74db
9% Popularity • 64% Danceability • 80% Energy • 17% Liveness
2% Instrumentalness • 67% Positiveness
9% Popularity • 64% Danceability • 80% Energy • 17% Liveness
2% Instrumentalness • 67% Positiveness
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TORRES
Dressing America
124 bpm • B Maj • 03:59 • -7db
18% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Perfume Genius
On the Floor - Edit
118 bpm • A Maj • 03:45 • -6db
24% Popularity • 62% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 62% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Pavo Pavo
Close To Your Ego
118 bpm • A# min • 02:33 • -8.89db
14% Popularity • 71% Danceability • 58% Energy • 22% Liveness
48% Instrumentalness • 83% Positiveness
14% Popularity • 71% Danceability • 58% Energy • 22% Liveness
48% Instrumentalness • 83% Positiveness
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Karen O
Redeemer
118 bpm • C min • 03:49 • -7.84db
24% Popularity • 69% Danceability • 66% Energy • 19% Liveness
25% Instrumentalness • 78% Positiveness
24% Popularity • 69% Danceability • 66% Energy • 19% Liveness
25% Instrumentalness • 78% Positiveness
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Yumi Zouma
Bruise
118 bpm • G Maj • 03:52 • -8.4db
36% Popularity • 76% Danceability • 53% Energy • 14% Liveness
13% Instrumentalness • 63% Positiveness
36% Popularity • 76% Danceability • 53% Energy • 14% Liveness
13% Instrumentalness • 63% Positiveness
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Marika Hackman
Time's Been Reckless
118 bpm • D Maj • 03:54 • -7.64db
26% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Black Belt Eagle Scout
Soft Stud
124 bpm • D Maj • 06:08 • -7.09db
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
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The Big Moon
Barcelona
118 bpm • F Maj • 03:46 • -8.39db
32% Popularity • 57% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Hater
Blushing
118 bpm • C min • 04:39 • -7.23db
17% Popularity • 45% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
17% Popularity • 45% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Perfume Genius
On the Floor
118 bpm • A Maj • 05:03 • -6db
45% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Twen
Waste
117 bpm • C# min • 04:20 • -5.94db
13% Popularity • 38% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 38% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Marika Hackman
Drown
118 bpm • G Maj • 03:51 • -15db
34% Popularity • 29% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
34% Popularity • 29% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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LUMP
Curse of the Contemporary
125 bpm • B min • 04:13 • -7.28db
35% Popularity • 65% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 65% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Nilüfer Yanya
Baby Blu
125 bpm • A min • 04:41 • -7db
40% Popularity • 78% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 78% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Kevin Morby
OMG Rock n Roll
125 bpm • A Maj • 02:29 • -4.38db
25% Popularity • 41% Danceability • 78% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
25% Popularity • 41% Danceability • 78% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
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Pillow Queens
HowDoILook
125 bpm • D Maj • 05:13 • -8db
30% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Eleanor Friedberger
Everything
125 bpm • A Maj • 03:51 • -6.62db
8% Popularity • 63% Danceability • 66% Energy • 26% Liveness
30% Instrumentalness • 60% Positiveness
8% Popularity • 63% Danceability • 66% Energy • 26% Liveness
30% Instrumentalness • 60% Positiveness
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Marika Hackman
any human friend
118 bpm • E Maj • 03:12 • -11.08db
24% Popularity • 57% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
24% Popularity • 57% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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Flyte
Victoria Falls
125 bpm • F# Maj • 03:34 • -5.05db
37% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Bat For Lashes
Desert Man
125 bpm • C# Maj • 03:26 • -10db
28% Popularity • 47% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 47% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Other Lives
Hey Hey I
125 bpm • G Maj • 03:05 • -6db
23% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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BODEGA
Shiny New Model
125 bpm • A# min • 02:48 • -7.1db
35% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Kate Davis
Cloud
117 bpm • F Maj • 03:31 • -10.58db
14% Popularity • 66% Danceability • 54% Energy • 14% Liveness
6% Instrumentalness • 28% Positiveness
14% Popularity • 66% Danceability • 54% Energy • 14% Liveness
6% Instrumentalness • 28% Positiveness
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Marika Hackman
Majesty
125 bpm • C Maj • 03:17 • -9.61db
13% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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annie hamilton
Kitchen
117 bpm • A Maj • 03:37 • -4.82db
17% Popularity • 38% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 38% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Little May
As Loving Should
117 bpm • G min • 03:36 • -5.57db
14% Popularity • 62% Danceability • 68% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
14% Popularity • 62% Danceability • 68% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
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Porridge Radio
Pop Song
125 bpm • A min • 05:02 • -7.58db
22% Popularity • 51% Danceability • 46% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
22% Popularity • 51% Danceability • 46% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
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Bessie Turner
Nino
117 bpm • D Maj • 02:46 • -4db
10% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Let's Eat Grandma
It's Not Just Me
126 bpm • C Maj • 03:55 • -7db
31% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Boy Azooga
Waitin'
126 bpm • F# Maj • 04:09 • -6.53db
12% Popularity • 34% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 34% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Nation of Language
I've Thought About Chicago
126 bpm • A Maj • 04:31 • -7db
31% Popularity • 61% Danceability • 71% Energy • 10% Liveness
75% Instrumentalness • 78% Positiveness
31% Popularity • 61% Danceability • 71% Energy • 10% Liveness
75% Instrumentalness • 78% Positiveness
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Pale Honey
Lesson Learned
126 bpm • C Maj • 04:10 • -8.01db
11% Popularity • 61% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 44% Positiveness
11% Popularity • 61% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 44% Positiveness
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Patience
White of an Eye
126 bpm • C Maj • 03:26 • -6.84db
8% Popularity • 64% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 64% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Wye Oak
The Instrument
126 bpm • C Maj • 03:21 • -7.2db
17% Popularity • 50% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 50% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Madeline Kenney
Big One
126 bpm • E Maj • 02:58 • -5.36db
20% Popularity • 38% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 38% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Boy Azooga
Waitin' - Edit
126 bpm • F# Maj • 03:25 • -8.35db
21% Popularity • 35% Danceability • 68% Energy • 15% Liveness
7% Instrumentalness • 61% Positiveness
21% Popularity • 35% Danceability • 68% Energy • 15% Liveness
7% Instrumentalness • 61% Positiveness
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Bombay Bicycle Club
Do You Feel Loved?
116 bpm • G Maj • 04:22 • -8.85db
31% Popularity • 46% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 46% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Marika Hackman
Slime - Acoustic
116 bpm • A min • 03:32 • -10.68db
38% Popularity • 61% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 61% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Geowulf
My Resignation
116 bpm • D Maj • 04:50 • -6.56db
15% Popularity • 55% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 55% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Metric
Dressed to Suppress
116 bpm • F# Maj • 05:42 • -5.61db
39% Popularity • 39% Danceability • 78% Energy • 21% Liveness
65% Instrumentalness • 11% Positiveness
39% Popularity • 39% Danceability • 78% Energy • 21% Liveness
65% Instrumentalness • 11% Positiveness
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Thao
Temple
116 bpm • D Maj • 04:10 • -8db
32% Popularity • 67% Danceability • 64% Energy • 37% Liveness
12% Instrumentalness • 44% Positiveness
32% Popularity • 67% Danceability • 64% Energy • 37% Liveness
12% Instrumentalness • 44% Positiveness
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Hot Chip
Why Does My Mind
116 bpm • G# Maj • 04:14 • -7.44db
19% Popularity • 48% Danceability • 73% Energy • 69% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 48% Danceability • 73% Energy • 69% Liveness
0% Instrumentalness • 65% Positiveness
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Nilüfer Yanya
Baby Luv
116 bpm • C# Maj • 03:27 • -8.3db
32% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Marika Hackman
the one
116 bpm • D Maj • 03:37 • -6.5db
23% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
