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I'm With You
Songs like
I'm With You
by
Alex Goot
Based on a tempo of (+/- 10%) and a similar genre
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Mia Rainn
Those Eyes
102 bpm • A Maj • 02:44 • -9.17db
27% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Mother's Daughter
A Sky Full of Stars
102 bpm • F# Maj • 02:45 • -14db
55% Popularity • 64% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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James Smith
Got The Love - acoustic
102 bpm • B Maj • 02:29 • -9db
48% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lewis Capaldi
Forget Me - Piano Acoustic
102 bpm • E Maj • 03:27 • -5.11db
51% Popularity • 72% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Goot
I'm With You
102 bpm • A Maj • 02:53 • -8.18db
40% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Madeline Consoer
How Do I Not.
102 bpm • C Maj • 02:43 • -8.3db
30% Popularity • 45% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Cian Ducrot
All For You - Acoustic
103 bpm • D Maj • 03:40 • -9db
33% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rosie Darling
Too Hot For You To Hold
101 bpm • A# Maj • 01:57 • -10db
56% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sam DeRosa
After the Tears Dry (Acoustic)
101 bpm • E Maj • 02:39 • -10.64db
16% Popularity • 53% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Leire
I Found You
101 bpm • A Maj • 03:48 • -10db
35% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ali Brustofski
Back To You - Acoustic
101 bpm • G# Maj • 03:12 • -6.34db
21% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Goot
Something Just Like This
103 bpm • A min • 02:59 • -7.71db
41% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Maygen Lacey
Wolves
103 bpm • G# Maj • 03:37 • -10.28db
34% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Fly By Nightcore
better brother (Sped Up Version)
104 bpm • A# Maj • 03:06 • -5.52db
21% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Natalie Taylor
Latch
104 bpm • G# Maj • 02:57 • -8db
43% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Alexi Blue
22
104 bpm • G Maj • 03:46 • -10.56db
19% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Brent Morgan
I2I
100 bpm • F Maj • 02:57 • -10.42db
38% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Mother's Daughter
Hollywood's Bleeding
100 bpm • F# min • 03:37 • -10.53db
30% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Eva Snyder
gives you hell
100 bpm • E Maj • 03:28 • -10.87db
16% Popularity • 82% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kurt Hugo Schneider
Like I'm Gonna Lose You
104 bpm • C Maj • 02:56 • -5.42db
25% Popularity • 51% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Nightbirde
Fly
100 bpm • A min • 03:23 • -8db
38% Popularity • 67% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Missy & Blonde
Something Just Like This
100 bpm • F min • 03:09 • -10.86db
58% Popularity • 61% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Sheena Melwani
Find Your Happy
100 bpm • A Maj • 03:43 • -9.99db
21% Popularity • 63% Danceability • 45% Energy • 9% Liveness
26% Instrumentalness • 10% Positiveness
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Brent Morgan
I See the Light
100 bpm • C Maj • 02:53 • -14db
50% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Cassandra Coleman
The Way It Was
100 bpm • F Maj • 03:49 • -10db
27% Popularity • 52% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Alex Goot
Unwritten
100 bpm • A# Maj • 03:18 • -6.51db
10% Popularity • 49% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Dermot Kennedy
Something to Someone - Piano
99 bpm • C Maj • 03:03 • -5.88db
45% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Norah Davis
All of me - Acoustic
99 bpm • B Maj • 04:28 • -10.57db
44% Popularity • 34% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Rachel Grae
Outsider
105 bpm • G# Maj • 02:56 • -6.9db
63% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Clementine Duo
Frozen
105 bpm • D# Maj • 03:55 • -11.61db
30% Popularity • 72% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Carly Lyman
Landslide
105 bpm • C# Maj • 03:14 • -11.54db
43% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Alex Goot
Hey There Delilah
99 bpm • D Maj • 03:38 • -9.7db
20% Popularity • 53% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Kim & Otto
We Found Love - Acoustic
105 bpm • D Maj • 02:37 • -13.49db
38% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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McKenna Breinholt
Save Me
105 bpm • G# Maj • 05:04 • -13.15db
37% Popularity • 39% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tiffany Alvord
Call Your Girlfriend - Acoustic
99 bpm • F# Maj • 03:14 • -11.41db
33% Popularity • 67% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Declan J Donovan
Perfectly Imperfect - Gospel Choir Versi...
105 bpm • D Maj • 03:14 • -5db
30% Popularity • 52% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Lola Rhodes
Be Alright
105 bpm • C# Maj • 03:00 • -13.54db
50% Popularity • 66% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Hannah Trigwell
Torn
99 bpm • F Maj • 03:05 • -6.21db
34% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rachel Grae
Bad Timing
105 bpm • D Maj • 02:45 • -9.57db
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ill-Advised Poetry
All That I Am
105 bpm • A Maj • 03:30 • -8.07db
19% Popularity • 47% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Leroy Sanchez
Til Death Do Us Part
105 bpm • C Maj • 03:10 • -9.73db
46% Popularity • 50% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Becky CJ
Boom, Boom, Boom, Boom!!
106 bpm • E Maj • 02:40 • -10.18db
34% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Hannah's Yard
Don't Start Now - Acoustic
98 bpm • D Maj • 03:42 • -10.26db
37% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Lola Rhodes
Marina del Rey
106 bpm • D Maj • 02:50 • -8db
26% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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VDVM
She Will Be Loved - Acoustic
98 bpm • C Maj • 04:18 • -10.38db
39% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Plamina
Someone You Loved - Acoustic
106 bpm • D# Maj • 02:49 • -7.91db
59% Popularity • 65% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Leroy Sanchez
I Will Always Love You
107 bpm • D# Maj • 03:12 • -7.24db
54% Popularity • 43% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Clementine Duo
There She Goes
107 bpm • A Maj • 02:25 • -12.79db
48% Popularity • 72% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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elijah woods
matthew
107 bpm • A Maj • 03:13 • -12.13db
53% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Robinson
Lost Without You
97 bpm • A Maj • 03:55 • -11.27db
39% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Phil Halo
Dance The Night - Acoustic
107 bpm • B min • 02:52 • -10.72db
44% Popularity • 63% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Plamina
When You Say Nothing At All - Acoustic
97 bpm • C Maj • 04:02 • -9db
47% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Frawley
Just Like That
97 bpm • F Maj • 03:05 • -7db
53% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Zocca
Love Is a Battlefield
107 bpm • A min • 03:41 • -13.18db
34% Popularity • 47% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Moncrieff
Ruin - Acoustic
96 bpm • F Maj • 04:04 • -7.66db
26% Popularity • 49% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Daniel Robinson
Here With Me - Acoustic
97 bpm • G Maj • 02:44 • -9.43db
55% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Madilyn
My Last Hate Comment Song
97 bpm • C# Maj • 02:24 • -7.91db
26% Popularity • 70% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Rasmus Hagen
Learn to Love - Stripped
108 bpm • C Maj • 03:32 • -8db
32% Popularity • 66% Danceability • 42% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
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Kurt Hugo Schneider
Running Up That Hill (A Deal With God)
108 bpm • D min • 03:21 • -9.36db
0% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Brent Morgan
Everytime We Touch
108 bpm • G# Maj • 02:28 • -12db
60% Popularity • 60% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Jillian Rossi
Hurt Again
96 bpm • A Maj • 02:06 • -5.88db
50% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Sinclair
Matilda
108 bpm • G Maj • 04:03 • -14.86db
17% Popularity • 72% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Madilyn
True Crime
108 bpm • D Maj • 02:51 • -7.24db
45% Popularity • 82% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Fancy Cars
I'll Follow - Acoustic Version
96 bpm • A# Maj • 03:18 • -4.08db
45% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Tiffany Alvord
Put Your Records On - Acoustic
96 bpm • A Maj • 03:13 • -8.35db
44% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kina Grannis
Elliot's Song
96 bpm • A# Maj • 02:33 • -19.13db
36% Popularity • 62% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Madilyn Bailey
Too Good at Goodbyes
96 bpm • G Maj • 02:57 • -8.95db
39% Popularity • 64% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Joel Adams
Just A Man
96 bpm • C# min • 02:53 • -6.43db
12% Popularity • 64% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Savannah Outen
Turning Tables
109 bpm • D# Maj • 03:35 • -8.36db
18% Popularity • 37% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Ill-Advised Poetry
Built to Last
95 bpm • C Maj • 04:11 • -8db
7% Popularity • 57% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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James TW
Easy
109 bpm • D Maj • 03:20 • -8db
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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OSIS
Eyes Closed
95 bpm • C Maj • 03:26 • -6.27db
43% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Scottie
Call Me Maybe - Acoustic
95 bpm • G# Maj • 03:30 • -8.74db
47% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Alex Goot
Just Give Me a Reason
95 bpm • G Maj • 03:16 • -6.68db
20% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Daniel
Since U Been Gone - Acoustic Version
95 bpm • F Maj • 03:41 • -13.31db
42% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Roses & Frey
Another Love
95 bpm • D Maj • 03:25 • -12.22db
22% Popularity • 53% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Nicole Cross
Dancing on My Own
110 bpm • F# Maj • 03:43 • -9.71db
29% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Dean Lewis
How Do I Say Goodbye - Guitar Acoustic
110 bpm • D# Maj • 02:43 • -8db
36% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Loren Allred
Since U Been Gone
110 bpm • G Maj • 03:02 • -7.3db
31% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Goot
Closer
95 bpm • G# Maj • 03:19 • -6.25db
30% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Halloran & Kate
Love In the Dark - Acoustic Version
110 bpm • E min • 04:26 • -9.28db
19% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gardiner Sisters
Because Of You
110 bpm • G# Maj • 03:12 • -9db
41% Popularity • 71% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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OSIS
Numb
110 bpm • D min • 02:49 • -6.98db
38% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Molly Hocking
Bad Romance - Acoustic
110 bpm • A# min • 02:50 • -8.74db
40% Popularity • 74% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Leroy Sanchez
Afterglow
110 bpm • B Maj • 03:06 • -6.35db
52% Popularity • 66% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Goot
Bring Me To Life (Acoustic)
95 bpm • E min • 03:43 • -7.1db
18% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Laurence O’Brien
There She Goes - Acoustic
94 bpm • A# Maj • 02:54 • -11.87db
46% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Hannah's Yard
Dynamite - Acoustic
94 bpm • D Maj • 02:35 • -7.93db
44% Popularity • 74% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Tiffany Alvord
I Forgot That You Existed - Acoustic
94 bpm • F Maj • 02:51 • -10.77db
27% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Plamina
Forget Me - Acoustic
94 bpm • F Maj • 03:19 • -10.73db
21% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Savannah Outen
Sorry
94 bpm • F Maj • 03:12 • -6.83db
27% Popularity • 55% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Goot
Someone You Loved
110 bpm • C# Maj • 02:37 • -7.72db
10% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Madilyn Bailey
A Thousand Miles
93 bpm • F Maj • 03:08 • -9.56db
17% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Pitera
Dancing On My Own / I Wanna Dance With S...
112 bpm • E Maj • 04:10 • -7db
22% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Caleb Hearn
It Wasn't Me at All
93 bpm • B Maj • 03:05 • -10.92db
45% Popularity • 62% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Tiffany Alvord
Just Another Love Song
112 bpm • D Maj • 02:48 • -9.48db
41% Popularity • 83% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Daniel
Wake Up Alone
112 bpm • A Maj • 03:31 • -12db
21% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Alex Goot
Payphone
110 bpm • B Maj • 03:53 • -7.37db
19% Popularity • 67% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Jamie Grey
If I Never Said Goodbye
112 bpm • A Maj • 03:22 • -8db
36% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Roses & Revolutions
Something Real
112 bpm • G Maj • 03:25 • -10.78db
20% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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I'm With You