Songs like I’m Your Only Flaw by Josh Abbott Band
Based on a tempo of (+/- 10%) and a similar genre
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Eli Young Band
Small Town Kid
83 bpm • G Maj • 03:44 • -6.16db
37% Popularity • 65% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 65% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Drake White
Girl In Pieces
83 bpm • F Maj • 02:57 • -4.62db
35% Popularity • 68% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 68% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Easton Corbin
Tulsa Texas
83 bpm • G Maj • 04:33 • -5db
41% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Abbott Band
Dance with You All Night Long
83 bpm • E Maj • 02:55 • -9.74db
12% Popularity • 16% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 16% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Randall King
Takin' It As It Comes
83 bpm • F# Maj • 03:27 • -5db
38% Popularity • 53% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 53% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Carson Jeffrey
Ranch Girl Dream
82 bpm • F# Maj • 03:43 • -7.31db
48% Popularity • 48% Danceability • 49% Energy • 37% Liveness
2% Instrumentalness • 27% Positiveness
48% Popularity • 48% Danceability • 49% Energy • 37% Liveness
2% Instrumentalness • 27% Positiveness
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Eli Young Band
So Close Now
84 bpm • C# min • 03:37 • -5.33db
30% Popularity • 46% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ward
More Than I Deserved
82 bpm • D Maj • 03:17 • -8.44db
29% Popularity • 57% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Mike Ryan
Blink You'll Miss It
82 bpm • G Maj • 04:07 • -6db
37% Popularity • 53% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 53% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Abbott Band
I’m Your Only Flaw
83 bpm • E Maj • 03:10 • -4.39db
37% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Old Dominion
Half Empty
84 bpm • F Maj • 02:50 • -4.82db
39% Popularity • 58% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 58% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Austin Upchurch
Pearson Road
84 bpm • A Maj • 03:32 • -8.26db
22% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Dalton Domino
Best I Ever Had
81 bpm • C Maj • 04:09 • -15.05db
18% Popularity • 52% Danceability • 30% Energy • 15% Liveness
30% Instrumentalness • 21% Positiveness
18% Popularity • 52% Danceability • 30% Energy • 15% Liveness
30% Instrumentalness • 21% Positiveness
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Kody West
Green
81 bpm • F Maj • 03:36 • -4.9db
55% Popularity • 48% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 48% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Ryan
Dear Country Music,
82 bpm • C# Maj • 03:25 • -6.94db
40% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Pardi
Borrowed Time
85 bpm • G# Maj • 03:15 • -7.65db
40% Popularity • 65% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 65% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Josh Abbott Band
Girl Down in Texas
84 bpm • D Maj • 03:26 • -5db
29% Popularity • 39% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 39% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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No Justice
Don't Walk Away
80 bpm • D# min • 04:04 • -8db
24% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Carly Pearce
If My Name Was Whiskey
86 bpm • G Maj • 03:17 • -7db
41% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Kody West
Ledges
80 bpm • B Maj • 04:08 • -5.05db
43% Popularity • 43% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 43% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Church
These Boots
86 bpm • A# Maj • 03:48 • -10.46db
47% Popularity • 61% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
47% Popularity • 61% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Jon Pardi
Don't Blame It On Whiskey
80 bpm • C# Maj • 03:42 • -7.49db
46% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Abbott Band
Until My Voice Goes Out
86 bpm • D Maj • 04:22 • -4.95db
28% Popularity • 46% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
28% Popularity • 46% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
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No Justice
Who I Want To Be
79 bpm • G Maj • 03:41 • -6.74db
24% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Flatland Cavalry
One I Want
87 bpm • G Maj • 03:51 • -7.95db
54% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Wolfe
Play Me Something I Can Drink To
88 bpm • C Maj • 03:28 • -7.01db
44% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Roger Creager
River Song
79 bpm • A# Maj • 03:13 • -4.72db
29% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Dalton Domino
All I Need
78 bpm • G Maj • 04:20 • -6.12db
21% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Josh Abbott Band
The Luckiest
87 bpm • F Maj • 03:53 • -5db
42% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Langston
Southern Drawl
78 bpm • G Maj • 03:36 • -3.76db
31% Popularity • 51% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 51% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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LANCO
What I See
78 bpm • D Maj • 03:49 • -6.77db
41% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Wolfe
Feels Like Country Music
88 bpm • D# Maj • 03:58 • -5.41db
29% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Curtis Grimes
Irresponsible
78 bpm • C# Maj • 03:59 • -6.25db
37% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Randall King
Burn It At Both Ends
78 bpm • F# Maj • 03:04 • -4.75db
36% Popularity • 56% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Jacob Stelly
Fade Away
78 bpm • F Maj • 03:20 • -8.83db
32% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Flatland Cavalry
Some Things Never Change
89 bpm • D Maj • 03:20 • -5.27db
51% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Randy Rogers Band
Lost And Found
77 bpm • A Maj • 03:33 • -5db
41% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bart Crow
Run With the Devil
77 bpm • E Maj • 03:15 • -7db
46% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
When I Drink Beer
77 bpm • E Maj • 03:54 • -7db
39% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Micky & The Motorcars
Rodeo Girl
77 bpm • G Maj • 03:29 • -5.8db
31% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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LANCO
Greatest Love Story - Single Mix
77 bpm • A# Maj • 03:33 • -7.03db
39% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Ward
One More Shot of Whiskey
77 bpm • D Maj • 03:58 • -8db
35% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Old Dominion
Still Writing Songs About You
77 bpm • G# Maj • 03:35 • -5db
40% Popularity • 53% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 53% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Brian Davis
I'm All In
90 bpm • F# Maj • 03:36 • -5.97db
26% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Randall King
Freightline
90 bpm • A Maj • 02:59 • -5db
44% Popularity • 60% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 49% Positiveness
44% Popularity • 60% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 49% Positiveness
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Josh Abbott Band
Road Trippin
90 bpm • D Maj • 03:10 • -6.53db
34% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Wolfe
Heart to Steal Tonight
90 bpm • A Maj • 03:18 • -5db
29% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Eric Church
Those I've Loved
76 bpm • A# Maj • 05:03 • -6db
39% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dalton Domino
Rain
76 bpm • D Maj • 03:53 • -11.2db
16% Popularity • 42% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 42% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Booth
Long Comes a Girl
76 bpm • D Maj • 03:23 • -5db
27% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
27% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
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Joe Stamm
First Saw You
76 bpm • E Maj • 03:52 • -6db
21% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Steve Moakler
Suitcase
76 bpm • G Maj • 03:27 • -5.67db
32% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Stoney LaRue
Box #10
76 bpm • D Maj • 03:01 • -5.66db
32% Popularity • 64% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 64% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Ian Munsick
If I Was a Gun
76 bpm • G Maj • 03:17 • -7.23db
37% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Abbott Band
I Just Wanna Love You
91 bpm • D Maj • 03:09 • -5.6db
28% Popularity • 52% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 52% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Cory Morrow
21 Days
91 bpm • G Maj • 03:44 • -4.48db
39% Popularity • 51% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 51% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Southall
Moon and Back
92 bpm • G# Maj • 05:12 • -13.54db
40% Popularity • 48% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 48% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Walker McGuire
Mama's Kitchen Table
75 bpm • B Maj • 03:15 • -6db
27% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Ward
Between An Old Memory & Me
75 bpm • G# Maj • 04:01 • -7.01db
37% Popularity • 48% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 48% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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JB and the Moonshine Band
Perfect Girl
75 bpm • G Maj • 03:18 • -4.51db
33% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Randall King
Takin’ Me a Heartbreak
75 bpm • E Maj • 03:34 • -7db
45% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sundance Head
Everything To Lose
92 bpm • G Maj • 02:53 • -5.98db
16% Popularity • 60% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 60% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Bart Crow
Loving You's A Crime
92 bpm • D Maj • 02:45 • -4.24db
34% Popularity • 66% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 66% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Cross Canadian Ragweed
Broken
74 bpm • G Maj • 05:44 • -7db
35% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Nichols
Never Gets Old
92 bpm • C# Maj • 03:37 • -7.86db
31% Popularity • 60% Danceability • 71% Energy • 29% Liveness
1% Instrumentalness • 33% Positiveness
31% Popularity • 60% Danceability • 71% Energy • 29% Liveness
1% Instrumentalness • 33% Positiveness
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Josh Abbott Band
Real Damn Good
93 bpm • G Maj • 03:02 • -3.23db
45% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Dalton Domino
All That Matters
74 bpm • D Maj • 04:15 • -9.22db
15% Popularity • 57% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 57% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Cody Jinks
We're Gonna Dance
74 bpm • C# Maj • 03:31 • -6.94db
40% Popularity • 41% Danceability • 72% Energy • 8% Liveness
44% Instrumentalness • 44% Positiveness
40% Popularity • 41% Danceability • 72% Energy • 8% Liveness
44% Instrumentalness • 44% Positiveness
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Dylan Wheeler
Tell Me If I'm Wrong
74 bpm • F Maj • 04:17 • -5.36db
34% Popularity • 32% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 32% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Kody West
The Prayer
73 bpm • F Maj • 03:55 • -7.3db
49% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Young
What If I Stay
94 bpm • E Maj • 03:25 • -6.05db
42% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Abbott Band
The Night Is Ours
74 bpm • G Maj • 03:12 • -4.44db
19% Popularity • 39% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 39% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Jerrod Niemann
But I Do
94 bpm • B min • 03:44 • -7.65db
34% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Jon Wolfe
I Don't Dance
73 bpm • G Maj • 03:20 • -3.97db
42% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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DERYL DODD
Loveletters and Cigarettes
73 bpm • G# Maj • 04:16 • -7.64db
22% Popularity • 51% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 51% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Randall King
Hey Cowgirl
95 bpm • G# Maj • 03:20 • -5.8db
46% Popularity • 63% Danceability • 65% Energy • 15% Liveness
19% Instrumentalness • 40% Positiveness
46% Popularity • 63% Danceability • 65% Energy • 15% Liveness
19% Instrumentalness • 40% Positiveness
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Jason Boland & The Stragglers
Somewhere Down in Texas
72 bpm • E Maj • 05:53 • -11.2db
45% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Abbott Band
Heartbeatin’
95 bpm • A Maj • 03:07 • -3.33db
13% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Cole Swindell
Dad's Old Number
72 bpm • D Maj • 03:29 • -7db
48% Popularity • 53% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 53% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Mike Ryan
Easy
96 bpm • G Maj • 02:47 • -6db
38% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Sundance Head
Leave Her Wild
96 bpm • A# Maj • 03:20 • -2.55db
25% Popularity • 67% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 67% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Randall King
Around Forever
72 bpm • A# Maj • 03:44 • -8.31db
43% Popularity • 62% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Riley Green
Atlantic City
96 bpm • F# Maj • 03:26 • -4.56db
46% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Abbott Band
Kinda Missing You
97 bpm • D Maj • 03:37 • -4.4db
17% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Roger Creager
Love
97 bpm • A Maj • 03:50 • -8.47db
34% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
47% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Bart Crow
Wear My Ring - New Version
98 bpm • G# Maj • 03:47 • -5.76db
30% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Triston Marez
Where Rivers Are Red and Cowboys Are Blu...
98 bpm • D# Maj • 03:42 • -6.02db
27% Popularity • 56% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 56% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Riley Green
Trouble With You
96 bpm • F# Maj • 02:48 • -6.92db
41% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kyle Park
Leavin' Stephenville
98 bpm • G Maj • 03:28 • -3.89db
38% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Young
Text Me Texas
98 bpm • F# Maj • 03:27 • -8.63db
38% Popularity • 67% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 67% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Robert Counts
Backseat Driver
98 bpm • C# Maj • 04:22 • -6.73db
37% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Kevin Fowler
Beach Please
99 bpm • E Maj • 03:09 • -6.21db
20% Popularity • 75% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 75% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Jon Wolfe
I Can't Take My Eyes off You
99 bpm • C Maj • 03:09 • -6db
36% Popularity • 73% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 73% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Ian Munsick
Come Home To You - Stripped
98 bpm • C Maj • 03:25 • -6db
49% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Flatland Cavalry
Stompin’ Grounds
100 bpm • B Maj • 04:36 • -9.5db
40% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Lane
Fishin'
100 bpm • D Maj • 02:42 • -5.11db
37% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness