Songs like I'm Yours by Keke Palmer
Based on a tempo of (+/- 10%) and a similar genre
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Keke Palmer
I'm Yours
112 bpm • D Maj • 03:18 • -7.24db
26% Popularity • 82% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 82% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jamie Foxx
Family
112 bpm • G Maj • 03:22 • -9.3db
35% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Cheetah Girls
Step Up
112 bpm • F# Maj • 03:08 • -4.15db
44% Popularity • 78% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 78% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Francesca Battistelli
Blue Sky
112 bpm • G Maj • 03:55 • -5.37db
27% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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ACM Gospel Choir
Joyful Joyful
112 bpm • F# Maj • 04:03 • -4.59db
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Kandi
Leave U
112 bpm • B min • 04:02 • -6.94db
28% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Melanie Fiona
Wrong Side Of A Love Song
112 bpm • G Maj • 04:30 • -6db
38% Popularity • 52% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 52% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Naomi Raine
Finish Strong
112 bpm • D# Maj • 04:32 • -3.92db
18% Popularity • 59% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 59% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Anita Wilson
You Love Me (Best Of My Love)
113 bpm • C Maj • 04:13 • -3db
34% Popularity • 81% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 81% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Kurt Carr
If I Tell God
113 bpm • G# Maj • 04:39 • -5db
28% Popularity • 72% Danceability • 91% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 72% Danceability • 91% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Raven-Symoné
Everyone's a Star
111 bpm • F min • 03:51 • -3.42db
24% Popularity • 77% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 77% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Maurice Griffin
Love Peace Happiness
111 bpm • C# Maj • 03:31 • -2.18db
11% Popularity • 66% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 66% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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LaShun Pace
Act Like You Know
111 bpm • C# Maj • 03:17 • -5.43db
30% Popularity • 65% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 65% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jason Champion
Are You Ready?
113 bpm • A Maj • 03:26 • -7.69db
20% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jennifer Hudson
Effie, Sing My Song
113 bpm • A# Maj • 01:31 • -10.35db
22% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Keke Palmer
Grew From You
111 bpm • C Maj • 03:15 • -7.06db
13% Popularity • 53% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 53% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Spensha Baker
Strong Tower
110 bpm • F Maj • 03:29 • -5.59db
8% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Dolly Parton
From Here To The Moon and Back
114 bpm • D Maj • 04:24 • -13.54db
38% Popularity • 49% Danceability • 22% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
38% Popularity • 49% Danceability • 22% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
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George Huff
A Brighter Day
110 bpm • A# min • 03:22 • -4.44db
34% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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The Cheetah Girls
Dance Me If You Can - Soundtrack
110 bpm • C# Maj • 03:31 • -4db
42% Popularity • 81% Danceability • 91% Energy • 6% Liveness
12% Instrumentalness • 69% Positiveness
42% Popularity • 81% Danceability • 91% Energy • 6% Liveness
12% Instrumentalness • 69% Positiveness
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Jennifer Hudson
Believe
113 bpm • F Maj • 04:58 • -7.88db
30% Popularity • 43% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 43% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Julie Andrews
Your Crowning Glory
110 bpm • D Maj • 02:42 • -7.41db
41% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Immeasurable
He Loves Us
110 bpm • E Maj • 04:29 • -5.63db
7% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Boyz II Men
I Will Get There
110 bpm • C# Maj • 04:23 • -7.36db
32% Popularity • 65% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 65% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Louise "Candy" Davis
Better Than Blessed
109 bpm • D# Maj • 06:20 • -12.6db
18% Popularity • 53% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 53% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Cheetah Girls
Fuego
110 bpm • C# Maj • 03:28 • -5.74db
42% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Keke Palmer
Jumpin' - Soundtrack
115 bpm • F min • 02:56 • -5.61db
29% Popularity • 82% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 82% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The Georgia Mass Choir
I Sing Because I'm Happy
116 bpm • A# Maj • 05:29 • -14.28db
18% Popularity • 41% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 41% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Raven-Symoné
Double Dutch Bus
116 bpm • G# Maj • 03:02 • -4.42db
29% Popularity • 78% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 78% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Boyz II Men
I Will Get There - A Cappella
110 bpm • C# Maj • 04:20 • -13.7db
34% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Travis Cottrell
Take Me to the King
116 bpm • F# Maj • 05:31 • -8.73db
20% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Cheetah Girls
Dig a Little Deeper - Soundtrack
115 bpm • C Maj • 02:30 • -3.44db
34% Popularity • 73% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 73% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Karen Peck
Mighty High
116 bpm • C# Maj • 03:06 • -5.67db
22% Popularity • 67% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 67% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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ACM Gospel Choir
I Just Can't Give Up Now
116 bpm • D# Maj • 05:01 • -5.19db
17% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Commissioned
Charge It To My Head
108 bpm • A# Maj • 04:17 • -9.91db
10% Popularity • 62% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 62% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jennifer Hudson
Still Here
108 bpm • C Maj • 03:41 • -8.45db
23% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jordan Pruitt
Jump To The Rhythm
108 bpm • C Maj • 03:47 • -3db
44% Popularity • 76% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 76% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Lee Williams & The Spiritual QC's
Another Blessing - Live
108 bpm • F min • 04:58 • -7db
24% Popularity • 79% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 79% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Jamie Foxx
When I First Saw You - Duet
108 bpm • D Maj • 03:01 • -8.92db
34% Popularity • 61% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 61% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Raven-Symoné
This Is My Time
108 bpm • C# min • 04:24 • -3.18db
28% Popularity • 49% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 49% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Orlando Brown
True To Your Heart
107 bpm • B Maj • 03:44 • -7db
23% Popularity • 61% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Queen Latifah
Higher Medley
117 bpm • C Maj • 05:32 • -6db
35% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Cheetah Girls
Cheetah Sisters - Barcelona Mix
107 bpm • G min • 02:42 • -3.61db
34% Popularity • 59% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 59% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Williams & The Spiritual QC's
Another Blessing - Remix
108 bpm • A# Maj • 04:09 • -4.63db
10% Popularity • 70% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 70% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Jennifer Hudson
Love You I Do
117 bpm • A# Maj • 02:48 • -4.14db
47% Popularity • 82% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 82% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Marisha Wallace
Miles and Miles
117 bpm • F Maj • 02:33 • -3.85db
25% Popularity • 74% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 74% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Keke Palmer
Freddy My Love
117 bpm • C# Maj • 02:47 • -4.65db
33% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Callie Day
Hear My Prayer (Acoustic Version)
118 bpm • D# Maj • 05:22 • -14.05db
23% Popularity • 32% Danceability • 14% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
23% Popularity • 32% Danceability • 14% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
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The Cheetah Girls
Cheetah Sisters
107 bpm • G min • 03:06 • -4.73db
41% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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AJ Michalka
Desert Song
118 bpm • D Maj • 03:14 • -4.36db
24% Popularity • 66% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 66% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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William McDowell
I Give Myself Away / Yes
118 bpm • A# Maj • 07:59 • -6.36db
28% Popularity • 33% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 33% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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James Moss
Give You More
118 bpm • F# Maj • 04:15 • -6.11db
28% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Annaleigh Ashford
Positive
106 bpm • A# min • 03:12 • -10.18db
47% Popularity • 88% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 88% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Jonathan Butler
I Don't Mind Waiting
106 bpm • C# Maj • 06:18 • -6.06db
26% Popularity • 27% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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The Cheetah Girls
Amigas Cheetahs
117 bpm • F# min • 04:06 • -4.64db
48% Popularity • 36% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 36% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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Chanté Moore
Jesus, I Want You
106 bpm • G# Maj • 05:40 • -10.03db
16% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Damita
Won't Turn Back
106 bpm • G# Maj • 04:07 • -6.07db
15% Popularity • 77% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 77% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Helen Baylor
Highly Recommended
119 bpm • C Maj • 05:12 • -10.08db
16% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Radical For Christ
We Lift Up Your Name
106 bpm • G min • 04:19 • -6.46db
15% Popularity • 63% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 63% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 52% Positiveness
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Oil Factory
Total Praise
119 bpm • F# Maj • 01:36 • -11.97db
26% Popularity • 29% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 29% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Keke Palmer
True to Your Heart
105 bpm • G Maj • 03:22 • -4.12db
21% Popularity • 53% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 53% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Marvin Winans
I'm Over It Now
105 bpm • F# Maj • 04:46 • -9db
39% Popularity • 52% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Raven-Symoné
Some Call It Magic - Original Version
105 bpm • G# Maj • 03:14 • -3.4db
38% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Ayiesha Woods
The Remedy
105 bpm • C Maj • 04:14 • -7.08db
10% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Coko
Clap Your Hands
105 bpm • D Maj • 03:15 • -4.18db
18% Popularity • 80% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 92% Positiveness
18% Popularity • 80% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 92% Positiveness
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Lexi
In The Room
105 bpm • F# min • 04:13 • -4db
29% Popularity • 63% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 63% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Keke Palmer
Got Me Fucked Up
105 bpm • G# Maj • 03:23 • -10.36db
19% Popularity • 84% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 84% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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The Queens Of Harmony
Oh, Lord, I Want You To Help Me
105 bpm • D Maj • 03:29 • -9.12db
10% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Whitney Houston, Cissy Houston & Dionne Warwick and Family
Family First
120 bpm • A# Maj • 04:05 • -6db
24% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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LeToya
Over
120 bpm • F min • 03:48 • -5db
33% Popularity • 72% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 72% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Cherish
Only One
120 bpm • C# min • 03:39 • -7db
29% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Frontline Worship
Whisper Your Name
120 bpm • C# Maj • 05:00 • -11.18db
9% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Keke Palmer
How Will I Know
120 bpm • G# Maj • 03:44 • -6db
27% Popularity • 47% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 47% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Resound
Keep on Lovin'
120 bpm • B min • 05:32 • -8.99db
10% Popularity • 58% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 58% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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![I Believe I Can Fly (LP Version) [feat. Gerald Levert] cover art](https://i.scdn.co/image/ab67616d00001e02a9ca9679f5ff10d585cb997b)
Yolanda Adams with Gerald Levert
I Believe I Can Fly (LP Version)
120 bpm • C# Maj • 05:58 • -5.61db
12% Popularity • 61% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 61% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
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Maranatha! Praise Band
You Are My All In All - Top 25 Praise So...
120 bpm • C Maj • 03:49 • -9.72db
8% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Evans
Never Fail
120 bpm • E Maj • 04:37 • -3.53db
22% Popularity • 68% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 68% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Cheetah Girls
One World - Soundtrack
120 bpm • B min • 03:47 • -2db
39% Popularity • 72% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 72% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Danity Kane
Damaged
120 bpm • G# min • 04:04 • -5.16db
56% Popularity • 77% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 77% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Coko
The Winner In Me
120 bpm • F# Maj • 05:15 • -6.39db
10% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Dondria
Where Did We Go Wrong
120 bpm • G min • 04:01 • -6.28db
34% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Deborah Joy Winans
Shine The Light
120 bpm • A# min • 03:09 • -4.84db
13% Popularity • 68% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 68% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
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Charice
Note to God
120 bpm • A Maj • 03:58 • -5db
27% Popularity • 52% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 52% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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The Cheetah Girls
Strut
120 bpm • D# min • 03:18 • -5.16db
52% Popularity • 67% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 67% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tramaine Hawkins
Goin' Up Yonder
104 bpm • C# Maj • 09:42 • -9.23db
36% Popularity • 33% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 33% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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McClain Sisters
Electronic Apology
104 bpm • A# min • 03:22 • -5db
20% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jules Juda
Alright Alright
104 bpm • B Maj • 05:32 • -7db
19% Popularity • 67% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 67% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 78% Positiveness
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Tonéx
'Bout A Thang
104 bpm • D Maj • 03:26 • -3.65db
26% Popularity • 78% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 78% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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B Chase Williams & ShaBach
The Birthday Anthem
104 bpm • A Maj • 02:21 • -8.12db
13% Popularity • 52% Danceability • 82% Energy • 98% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 52% Danceability • 82% Energy • 98% Liveness
0% Instrumentalness • 50% Positiveness
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The Cheetah Girls
The Party's Just Begun
104 bpm • C# Maj • 03:09 • -4.44db
49% Popularity • 75% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 75% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Keke Palmer
Better to Have Loved
121 bpm • C Maj • 03:23 • -7.76db
33% Popularity • 68% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 68% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Tramaine Hawkins
Goin' Up Yonder
104 bpm • C# Maj • 05:09 • -13.57db
28% Popularity • 46% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 46% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Rev. F.C. Barnes
Rough Side of the Mountain
103 bpm • D# Maj • 05:24 • -14.15db
29% Popularity • 67% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 67% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Remember Hymn
Men Who Dream
103 bpm • F Maj • 05:09 • -14.86db
15% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Sheri Jones-Moffett
Grace Of God
122 bpm • D Maj • 04:01 • -6db
44% Popularity • 47% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 47% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Troy Sneed
You Are Awesome (Awesome God)
103 bpm • C min • 04:16 • -3.66db
7% Popularity • 69% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 69% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Keke Palmer
Enemiez
103 bpm • C# min • 03:30 • -2.72db
30% Popularity • 75% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 75% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Drew Seeley
Dance With Me
103 bpm • C# Maj • 03:12 • -4.94db
46% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
