Songs like Im Zweifel für den Zweifel by Tocotronic
Based on a tempo of (+/- 10%) and a similar genre
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Judith Holofernes
Oder an die Freude
90 bpm • A# Maj • 04:25 • -6.02db
19% Popularity • 56% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 56% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Käptn Peng
Der Anfang ist nah
89 bpm • C# Maj • 05:11 • -6.88db
36% Popularity • 60% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Betterov
Angst
89 bpm • G Maj • 03:20 • -3db
35% Popularity • 56% Danceability • 88% Energy • 8% Liveness
29% Instrumentalness • 69% Positiveness
35% Popularity • 56% Danceability • 88% Energy • 8% Liveness
29% Instrumentalness • 69% Positiveness
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Tocotronic
Im Zweifel für den Zweifel
90 bpm • B min • 04:26 • -10db
36% Popularity • 41% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 41% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Viech
Steuermann
89 bpm • F min • 03:17 • -9.35db
8% Popularity • 58% Danceability • 59% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
8% Popularity • 58% Danceability • 59% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
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Funny Van Dannen
Schilddrüsenunterfunktion
89 bpm • C Maj • 04:48 • -9.35db
22% Popularity • 43% Danceability • 38% Energy • 92% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 43% Danceability • 38% Energy • 92% Liveness
0% Instrumentalness • 61% Positiveness
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Christiane Rösinger
Joy of Ageing
89 bpm • B min • 03:53 • -8.05db
15% Popularity • 59% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 59% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Voodoo Jürgens
Es geht ma ned ei
92 bpm • A min • 03:24 • -6.24db
30% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Schnipo Schranke
Gast
88 bpm • A# Maj • 04:23 • -9.93db
20% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Fortuna Ehrenfeld
Helm ab zum Gebet
92 bpm • C Maj • 02:48 • -13.5db
26% Popularity • 75% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 75% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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PeterLicht
An meine Freunde vom leidenden Leben
92 bpm • E Maj • 04:50 • -8.11db
22% Popularity • 62% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
22% Popularity • 62% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Wir sind Helden
Guten Tag
92 bpm • C Maj • 03:35 • -4.68db
46% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Isolation Berlin
Produkt
87 bpm • C Maj • 03:00 • -6.52db
9% Popularity • 21% Danceability • 69% Energy • 11% Liveness
35% Instrumentalness • 17% Positiveness
9% Popularity • 21% Danceability • 69% Energy • 11% Liveness
35% Instrumentalness • 17% Positiveness
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Faber
Es könnte schöner sein
93 bpm • E min • 04:08 • -8.22db
36% Popularity • 64% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
36% Popularity • 64% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Granada
Eh ok
93 bpm • D Maj • 02:37 • -5.55db
41% Popularity • 70% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 70% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Wolfgang Müller
Leben wie Franzosen Auto fahren
93 bpm • B min • 02:55 • -13.46db
18% Popularity • 54% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 33% Positiveness
18% Popularity • 54% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 33% Positiveness
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Vierkanttretlager
Fotoalbum - Shanty Version
93 bpm • E min • 03:02 • -4.57db
22% Popularity • 56% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 56% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Wir sind Helden
Die Zeit heilt alle Wunder
93 bpm • A Maj • 04:09 • -6.76db
35% Popularity • 66% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 66% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Tocotronic
Spiralen
87 bpm • B Maj • 03:08 • -9.99db
23% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Faber
Sei ein Faber im Wind
93 bpm • A min • 04:06 • -15.01db
38% Popularity • 41% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 41% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Käptn Peng
Sockosophie
93 bpm • D Maj • 07:06 • -8db
44% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Alexander Scheer und Band
Ich mache meinen Frieden
86 bpm • A min • 03:59 • -11.6db
21% Popularity • 47% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 47% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Vierkanttretlager
Fotoalbum
93 bpm • C Maj • 02:43 • -5.07db
31% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Tomte
Die Bastarde, die dich jetzt nach Hause ...
94 bpm • A min • 05:01 • -6.79db
16% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tocotronic
Ausgerechnet du hast mich gerettet
93 bpm • G# min • 03:18 • -6.91db
19% Popularity • 19% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 19% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Albrecht Schrader
Marijke Amado
94 bpm • C min • 03:16 • -14.49db
14% Popularity • 46% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
14% Popularity • 46% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
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Wir sind Helden
Bring mich nach Hause
86 bpm • A# Maj • 05:02 • -9.63db
31% Popularity • 40% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 40% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Niels Frevert
Du kannst mich an der Ecke rauslassen
86 bpm • E min • 02:51 • -10.7db
15% Popularity • 45% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 45% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Dino Brandão
Derfi di hebe
85 bpm • F# min • 04:16 • -19.69db
40% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tomte
Walter & Gail
94 bpm • E min • 04:57 • -6.57db
17% Popularity • 53% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 53% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Tocotronic
Harmonie ist eine Strategie
86 bpm • A min • 04:31 • -7.19db
18% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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kettcar
Deiche
95 bpm • F Maj • 03:12 • -5db
41% Popularity • 63% Danceability • 79% Energy • 7% Liveness
18% Instrumentalness • 82% Positiveness
41% Popularity • 63% Danceability • 79% Energy • 7% Liveness
18% Instrumentalness • 82% Positiveness
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Fiva
Das Beste ist noch nicht vorbei
95 bpm • A min • 03:59 • -5db
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Garish
Dann Fass Ich Mir Ein Herz
85 bpm • D Maj • 03:33 • -9.06db
14% Popularity • 47% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 47% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Husten
Manchmal träum ich von Träumen
95 bpm • E Maj • 03:45 • -7.95db
18% Popularity • 53% Danceability • 74% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
18% Popularity • 53% Danceability • 74% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
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Olli Schulz
Koks & Nutten
85 bpm • A# Maj • 05:45 • -14.21db
37% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tocotronic
Solidarität
85 bpm • E Maj • 03:52 • -12db
20% Popularity • 43% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 43% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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kettcar
Balu
85 bpm • A# Maj • 04:35 • -10.93db
37% Popularity • 65% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
37% Popularity • 65% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Hannes Wittmer // Spaceman Spiff
Teesatz
96 bpm • A Maj • 03:50 • -10.93db
20% Popularity • 58% Danceability • 51% Energy • 15% Liveness
21% Instrumentalness • 56% Positiveness
20% Popularity • 58% Danceability • 51% Energy • 15% Liveness
21% Instrumentalness • 56% Positiveness
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Isolation Berlin
Enfant terrible
96 bpm • A Maj • 04:43 • -9.8db
18% Popularity • 56% Danceability • 56% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 56% Danceability • 56% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
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PeterLicht
Wir werden siegen
84 bpm • C Maj • 03:07 • -8.4db
33% Popularity • 53% Danceability • 88% Energy • 17% Liveness
45% Instrumentalness • 94% Positiveness
33% Popularity • 53% Danceability • 88% Energy • 17% Liveness
45% Instrumentalness • 94% Positiveness
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Knarf Rellöm
Autobiographie Einer Heizung
96 bpm • G# Maj • 04:54 • -8.37db
17% Popularity • 78% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 78% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Tocotronic
Auf dem Pfad der Dämmerung
84 bpm • E Maj • 03:58 • -4.67db
13% Popularity • 27% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 27% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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kettcar
Sommer '89 (Er schnitt Löcher in den Za...
96 bpm • C min • 04:58 • -6.36db
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Wir sind Helden
Bist du nicht müde
84 bpm • A Maj • 03:53 • -9db
32% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Fiva
Die Stadt gehört wieder mir
97 bpm • C Maj • 02:48 • -5db
31% Popularity • 69% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 69% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Fortuna Ehrenfeld
Zwei Himmel
97 bpm • F Maj • 03:30 • -16db
39% Popularity • 68% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 68% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Moop Mama
Stadt die immer schläft
83 bpm • C Maj • 05:18 • -10db
35% Popularity • 45% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 45% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Tocotronic
Alles wird in Flammen stehen
83 bpm • D Maj • 05:50 • -8.48db
18% Popularity • 27% Danceability • 59% Energy • 14% Liveness
48% Instrumentalness • 15% Positiveness
18% Popularity • 27% Danceability • 59% Energy • 14% Liveness
48% Instrumentalness • 15% Positiveness
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Jacques Palminger
Wann strahlst Du?
97 bpm • G Maj • 03:35 • -9.18db
43% Popularity • 65% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
43% Popularity • 65% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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Judith Holofernes
Der Krieg ist vorbei
98 bpm • C Maj • 04:39 • -10.47db
17% Popularity • 57% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 57% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Funny Van Dannen
Kapitalismus
83 bpm • E Maj • 02:48 • -9.79db
16% Popularity • 66% Danceability • 33% Energy • 90% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 66% Danceability • 33% Energy • 90% Liveness
0% Instrumentalness • 91% Positiveness
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Tomte
Geigen bei Wonderful World
98 bpm • C# min • 04:15 • -8.07db
16% Popularity • 55% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 55% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Schnipo Schranke
Murmelbahn
98 bpm • B Maj • 03:29 • -8db
25% Popularity • 62% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 62% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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PeterLicht
Lied vom Ende des Kapitalismus
98 bpm • A Maj • 03:45 • -8db
28% Popularity • 59% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 59% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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kettcar
Rettung
98 bpm • C Maj • 03:26 • -7db
33% Popularity • 73% Danceability • 65% Energy • 26% Liveness
6% Instrumentalness • 76% Positiveness
33% Popularity • 73% Danceability • 65% Energy • 26% Liveness
6% Instrumentalness • 76% Positiveness
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Die Nerven
Barfuß durch die Scherben
98 bpm • C min • 03:51 • -7.27db
16% Popularity • 42% Danceability • 63% Energy • 8% Liveness
4% Instrumentalness • 44% Positiveness
16% Popularity • 42% Danceability • 63% Energy • 8% Liveness
4% Instrumentalness • 44% Positiveness
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Olli Schulz
Weil die Zeit sich so beeilt
82 bpm • C# Maj • 03:16 • -10db
29% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Tocotronic
Pure Vernunft darf niemals siegen
82 bpm • D Maj • 04:20 • -6.57db
39% Popularity • 29% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 29% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Schnipo Schranke
Intro
98 bpm • B Maj • 01:29 • -10.93db
12% Popularity • 86% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
12% Popularity • 86% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
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Herrenmagazin
Keine Angst
82 bpm • A# Maj • 02:58 • -7.62db
35% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Fiva
Dein Lächeln verdreht Köpfe
82 bpm • F Maj • 05:09 • -7db
29% Popularity • 51% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 51% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Steiner & Madlaina
Herz vorus id Wand
82 bpm • A Maj • 02:42 • -7.04db
26% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Isolation Berlin
Marie
99 bpm • C# Maj • 04:15 • -7db
17% Popularity • 55% Danceability • 67% Energy • 12% Liveness
8% Instrumentalness • 57% Positiveness
17% Popularity • 55% Danceability • 67% Energy • 12% Liveness
8% Instrumentalness • 57% Positiveness
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Tocotronic
Wir sind hier nicht in Seattle, Dirk
99 bpm • C Maj • 03:14 • -5.9db
23% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Faber
Alles Gute
99 bpm • E min • 03:59 • -6.93db
49% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Stereo Total
Liebe zu Dritt
99 bpm • A Maj • 03:11 • -6.26db
36% Popularity • 70% Danceability • 70% Energy • 88% Liveness
1% Instrumentalness • 78% Positiveness
36% Popularity • 70% Danceability • 70% Energy • 88% Liveness
1% Instrumentalness • 78% Positiveness
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Käptn Peng
Dank mir
99 bpm • C Maj • 01:03 • -17.92db
46% Popularity • 56% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 56% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Danger Dan
Lauf davon
81 bpm • D# Maj • 04:11 • -16.49db
47% Popularity • 67% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 67% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Die Höchste Eisenbahn
Vergangenheit
100 bpm • E min • 04:49 • -8.84db
32% Popularity • 65% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 65% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tocotronic
Die Welt kann mich nicht mehr verstehen
99 bpm • G Maj • 01:38 • -4.68db
36% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Niels Frevert
Baukran
81 bpm • E Maj • 03:53 • -9.75db
8% Popularity • 43% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
8% Popularity • 43% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Faber
Alles Gute
99 bpm • E min • 04:00 • -7.29db
40% Popularity • 55% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 55% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Charlotte Brandi
WIND
100 bpm • E min • 04:16 • -8db
29% Popularity • 57% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 57% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Rainald Grebe
Meganice Zeit
100 bpm • G min • 05:33 • -13.29db
23% Popularity • 67% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 67% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 17% Positiveness
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Nils Koppruch
Komm Küssen
81 bpm • C Maj • 02:04 • -7db
31% Popularity • 63% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
31% Popularity • 63% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
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Tocotronic
Schatten werfen keine Schatten
81 bpm • G Maj • 07:28 • -9.39db
17% Popularity • 53% Danceability • 50% Energy • 17% Liveness
13% Instrumentalness • 33% Positiveness
17% Popularity • 53% Danceability • 50% Energy • 17% Liveness
13% Instrumentalness • 33% Positiveness
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Kante
Warmer Abend
81 bpm • F min • 04:14 • -10db
19% Popularity • 56% Danceability • 80% Energy • 16% Liveness
7% Instrumentalness • 62% Positiveness
19% Popularity • 56% Danceability • 80% Energy • 16% Liveness
7% Instrumentalness • 62% Positiveness
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Get Well Soon
When You're Near to Me
100 bpm • C min • 03:20 • -6.58db
24% Popularity • 37% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tele
Die Nacht ist jung
81 bpm • A Maj • 03:07 • -8db
20% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Niels Frevert
Ich würde dir helfen, eine Leiche zu ve...
81 bpm • G# Maj • 04:25 • -10.11db
39% Popularity • 66% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
39% Popularity • 66% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Ton Steine Scherben
Mein Name ist Mensch
101 bpm • E min • 06:50 • -6.34db
27% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tocotronic
Let There Be Rock
100 bpm • G Maj • 03:58 • -3.66db
33% Popularity • 41% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 41% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Garish
Junge Römer
101 bpm • C min • 04:52 • -17.24db
25% Popularity • 43% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 43% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
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Faber
Bratislava
101 bpm • F min • 03:19 • -7.21db
33% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Die Höchste Eisenbahn
Wir haben so lange nachgedacht bis wir w...
101 bpm • C Maj • 03:30 • -8.18db
23% Popularity • 65% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 65% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Marcus Wiebusch
Der Tag wird kommen
80 bpm • C min • 07:03 • -8db
33% Popularity • 64% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 64% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Liwa
Eh egal
101 bpm • A min • 05:16 • -10.88db
14% Popularity • 54% Danceability • 74% Energy • 13% Liveness
28% Instrumentalness • 57% Positiveness
14% Popularity • 54% Danceability • 74% Energy • 13% Liveness
28% Instrumentalness • 57% Positiveness
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Tocotronic
Das Blut an meinen Händen
81 bpm • E Maj • 04:38 • -6.57db
10% Popularity • 22% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Garish
Spuk
101 bpm • D min • 03:36 • -9.89db
14% Popularity • 53% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Felix Meyer
Irgendwas immerhin
101 bpm • C min • 04:03 • -10.68db
22% Popularity • 68% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 68% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Husten
Weit leuchten die Felder
102 bpm • F# Maj • 03:20 • -9.35db
19% Popularity • 24% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 24% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Das Trojanische Pferd
Wien brennt
102 bpm • A Maj • 02:56 • -8.4db
20% Popularity • 51% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Rio Reiser
Junimond
79 bpm • F# Maj • 03:54 • -14db
21% Popularity • 70% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 70% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Tocotronic
Der schönste Tag in meinem Leben
79 bpm • C Maj • 03:13 • -11.11db
17% Popularity • 28% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 28% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Max Prosa
Totgesagte Welt
79 bpm • D Maj • 04:21 • -10db
10% Popularity • 46% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 46% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Dino Brandão
Mega Happy
102 bpm • A min • 03:39 • -18.12db
39% Popularity • 45% Danceability • 19% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
39% Popularity • 45% Danceability • 19% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
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Steiner & Madlaina
Wenn du mir glaubst
79 bpm • G# min • 03:36 • -6.72db
34% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness