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Imola
Songs like
Imola
by
Peter King
Based on a tempo of (+/- 10%) and a similar genre
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Rob
Bargain
104 bpm • F min • 05:17 • -10.88db
31% Popularity • 81% Danceability • 56% Energy • 13% Liveness
31% Instrumentalness • 42% Positiveness
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Les Sympathics de Porto Novo
A Min We Vo Nou We
104 bpm • A Maj • 06:16 • -10.78db
24% Popularity • 64% Danceability • 79% Energy • 63% Liveness
41% Instrumentalness • 74% Positiveness
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Peter King
Shango
104 bpm • B Maj • 05:39 • -6.93db
12% Popularity • 65% Danceability • 74% Energy • 33% Liveness
2% Instrumentalness • 84% Positiveness
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Orchestre Poly-Rythmo de Cotonou
Ou c'est lui ou c'est moi
104 bpm • A# min • 08:48 • -8.62db
8% Popularity • 65% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Gildas Scouarnec Quintet
Valse pour Margot
104 bpm • C Maj • 05:52 • -8.5db
0% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Hygrades
In The Jungle (Instrumental)
104 bpm • D min • 03:08 • -6.07db
38% Popularity • 73% Danceability • 81% Energy • 20% Liveness
23% Instrumentalness • 82% Positiveness
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Boncana Maïga
Zourou
103 bpm • G# Maj • 04:17 • -6.81db
13% Popularity • 61% Danceability • 86% Energy • 9% Liveness
20% Instrumentalness • 91% Positiveness
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Orlando Julius
Omo Oba Blues
103 bpm • C# Maj • 03:52 • -8.21db
24% Popularity • 79% Danceability • 70% Energy • 67% Liveness
80% Instrumentalness • 46% Positiveness
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Peter King
Shango
104 bpm • G# min • 05:38 • -6.75db
26% Popularity • 60% Danceability • 74% Energy • 34% Liveness
2% Instrumentalness • 81% Positiveness
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Jimi Tenor
Afroeuropean
103 bpm • A min • 04:49 • -9.66db
12% Popularity • 86% Danceability • 57% Energy • 8% Liveness
70% Instrumentalness • 97% Positiveness
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Orchestre Poly-Rythmo de Cotonou
Yeye We Nou Mi
104 bpm • F min • 06:20 • -8.68db
15% Popularity • 69% Danceability • 79% Energy • 6% Liveness
20% Instrumentalness • 90% Positiveness
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Samuel Sebastian Wesley
O Give Thanks unto the Lord
103 bpm • D# Maj • 08:38 • -23.09db
0% Popularity • 20% Danceability • 9% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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AVOMA
Mama
105 bpm • C Maj • 03:26 • -4.07db
0% Popularity • 82% Danceability • 89% Energy • 6% Liveness
2% Instrumentalness • 93% Positiveness
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The Lijadu Sisters
Not Any Longer
105 bpm • G# Maj • 04:55 • -13.31db
32% Popularity • 62% Danceability • 57% Energy • 8% Liveness
82% Instrumentalness • 94% Positiveness
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Peter King
'Round Midnight
105 bpm • F# Maj • 11:13 • -12.76db
0% Popularity • 49% Danceability • 33% Energy • 77% Liveness
81% Instrumentalness • 39% Positiveness
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Vis a Vis
Obi Agye Me Dofo
103 bpm • D min • 09:50 • -6.12db
32% Popularity • 63% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 70% Positiveness
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Eric Akaeze
Wetin De Watch Goat, Goat Dey Watcham
103 bpm • A# min • 10:09 • -7.49db
13% Popularity • 64% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Christy Essien Igbokwe
Take Life Easy
103 bpm • A min • 04:15 • -10.88db
41% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
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K.H.A.
Strong like a Woman - Marshall White Rem...
103 bpm • A# min • 03:33 • -7.62db
0% Popularity • 82% Danceability • 65% Energy • 9% Liveness
14% Instrumentalness • 56% Positiveness
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Manu Dibango
Soul Saxes Meeting
103 bpm • D# Maj • 02:58 • -7.49db
23% Popularity • 64% Danceability • 83% Energy • 14% Liveness
27% Instrumentalness • 73% Positiveness
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Peter King
After the Rain
105 bpm • G# Maj • 05:24 • -26.09db
0% Popularity • 26% Danceability • 2% Energy • 70% Liveness
14% Instrumentalness • 5% Positiveness
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The Don Isaac Ezekiel Combination
Ire
105 bpm • B min • 03:20 • -6.94db
18% Popularity • 76% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Ebo Taylor
Aboa Kyirbin
105 bpm • F min • 05:09 • -10.51db
35% Popularity • 68% Danceability • 84% Energy • 7% Liveness
16% Instrumentalness • 95% Positiveness
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King Sunny Ade
Ja Fun Mi - Instrumental
105 bpm • A# min • 07:13 • -12.3db
20% Popularity • 46% Danceability • 68% Energy • 23% Liveness
59% Instrumentalness • 83% Positiveness
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Nico Gomez And His Afro Percussion Inc.
Baila Chibiquiban
105 bpm • A min • 03:06 • -9db
30% Popularity • 60% Danceability • 82% Energy • 9% Liveness
63% Instrumentalness • 68% Positiveness
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Orlando Julius
In The Middle
106 bpm • C Maj • 04:52 • -7db
38% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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Peter King
No Se Que Hacer
106 bpm • C# min • 02:25 • -10.88db
0% Popularity • 72% Danceability • 83% Energy • 6% Liveness
5% Instrumentalness • 66% Positiveness
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Boncana Maïga
Koyma Hondo
106 bpm • C min • 04:00 • -8db
39% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
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Ebo Taylor
Love and Death
102 bpm • C Maj • 06:55 • -7.21db
48% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
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William Byrd
Exalt Thyself, O God
102 bpm • E Maj • 04:33 • -23.56db
0% Popularity • 20% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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The Daktaris
Quiet Man Is Dead Man
106 bpm • A# min • 02:36 • -6.93db
28% Popularity • 75% Danceability • 53% Energy • 9% Liveness
58% Instrumentalness • 96% Positiveness
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Marijata
No Condition Is Permanent
106 bpm • C Maj • 07:01 • -14db
31% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Kelenkye Band
Jungle Music
102 bpm • F min • 05:36 • -9db
35% Popularity • 76% Danceability • 73% Energy • 10% Liveness
25% Instrumentalness • 79% Positiveness
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Matata
Return To You
106 bpm • E min • 03:30 • -10.9db
10% Popularity • 82% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
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The Hygrades
In The Jungle
102 bpm • A# Maj • 03:17 • -8.54db
26% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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The Funkees
Dance with Me
106 bpm • D Maj • 04:00 • -10db
18% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Peter King
Let's Go For a Ride
102 bpm • E min • 03:41 • -8.35db
0% Popularity • 71% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Ebo Taylor
Nga Nga
106 bpm • G# Maj • 05:24 • -7db
32% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Pat Thomas
Atesem
106 bpm • C Maj • 04:56 • -9db
29% Popularity • 80% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Manu Dibango
African Pop Session
102 bpm • G# Maj • 02:52 • -10.26db
37% Popularity • 59% Danceability • 82% Energy • 13% Liveness
81% Instrumentalness • 66% Positiveness
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Gildas Scouarnec Quintet
93 / 94
106 bpm • F min • 03:40 • -5.84db
0% Popularity • 55% Danceability • 59% Energy • 16% Liveness
7% Instrumentalness • 42% Positiveness
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Gboyega Adelaja
Colourful Environment
106 bpm • F min • 05:21 • -8.66db
22% Popularity • 70% Danceability • 78% Energy • 14% Liveness
83% Instrumentalness • 85% Positiveness
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Peter King
Freedom Dance
102 bpm • C# Maj • 04:10 • -7.83db
3% Popularity • 68% Danceability • 84% Energy • 18% Liveness
34% Instrumentalness • 66% Positiveness
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The Psychedelic Aliens
We're Laughing
106 bpm • D min • 03:03 • -10.31db
27% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Orlando Julius
Jaiyede Afro
102 bpm • F min • 06:06 • -5.03db
23% Popularity • 74% Danceability • 88% Energy • 58% Liveness
80% Instrumentalness • 89% Positiveness
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Bokoor Band
Onukpa Shawarpo
106 bpm • G# min • 03:15 • -12.97db
27% Popularity • 77% Danceability • 63% Energy • 22% Liveness
24% Instrumentalness • 94% Positiveness
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Matata
I Want You
102 bpm • G Maj • 03:06 • -12.57db
16% Popularity • 76% Danceability • 52% Energy • 1% Liveness
61% Instrumentalness • 94% Positiveness
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Boncana Maïga
Yala M'le
106 bpm • F# min • 04:30 • -7.98db
19% Popularity • 78% Danceability • 88% Energy • 12% Liveness
16% Instrumentalness • 96% Positiveness
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Peter King
Reggae Limbo
102 bpm • F Maj • 02:29 • -8.49db
0% Popularity • 66% Danceability • 64% Energy • 19% Liveness
86% Instrumentalness • 68% Positiveness
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The Funkees
Baby I Need You
102 bpm • A# min • 03:36 • -9.39db
18% Popularity • 64% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Sir Shina Peters
Yabis
102 bpm • E min • 06:58 • -12.71db
21% Popularity • 78% Danceability • 57% Energy • 23% Liveness
7% Instrumentalness • 69% Positiveness
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The Hykkers
I Want a Break Thru
102 bpm • B min • 03:02 • -6.26db
34% Popularity • 79% Danceability • 85% Energy • 27% Liveness
80% Instrumentalness • 64% Positiveness
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Embryo
Wajang Woman
106 bpm • D min • 03:17 • -9.82db
28% Popularity • 73% Danceability • 89% Energy • 19% Liveness
4% Instrumentalness • 81% Positiveness
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Orlando Julius
Alo Mi Alo (Parts 1 & 2)
102 bpm • E Maj • 08:03 • -6.05db
25% Popularity • 68% Danceability • 53% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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Peter King
Congo
106 bpm • A min • 04:10 • -9.36db
5% Popularity • 72% Danceability • 84% Energy • 6% Liveness
35% Instrumentalness • 93% Positiveness
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Bala Miller
Ikom Allah
101 bpm • E min • 05:48 • -8.11db
15% Popularity • 54% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Hygrades
Somebody's Gonna Lose or Win
101 bpm • B min • 03:09 • -7.74db
19% Popularity • 82% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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BLO
It's Gonna Be a Good Day
101 bpm • A# min • 04:17 • -11.14db
24% Popularity • 60% Danceability • 79% Energy • 10% Liveness
28% Instrumentalness • 84% Positiveness
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K. Frimpong
Kyenkyen Bi Adi M'awu
101 bpm • D Maj • 06:54 • -12.44db
37% Popularity • 51% Danceability • 67% Energy • 23% Liveness
3% Instrumentalness • 80% Positiveness
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The Faces
Tug Of War
107 bpm • G# min • 04:19 • -8.63db
17% Popularity • 67% Danceability • 88% Energy • 24% Liveness
80% Instrumentalness • 96% Positiveness
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Peter King
Ajo
107 bpm • A# Maj • 03:57 • -9db
29% Popularity • 75% Danceability • 84% Energy • 35% Liveness
5% Instrumentalness • 96% Positiveness
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The Daktaris
Eltsuhg Ibal Lasiti
101 bpm • A# Maj • 05:07 • -10.88db
30% Popularity • 88% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 93% Positiveness
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Felix Mendelssohn
6 Motets, Op. 79: No. 1, Frohlocket, ihr...
101 bpm • C Maj • 01:28 • -21.78db
0% Popularity • 22% Danceability • 15% Energy • 18% Liveness
50% Instrumentalness • 16% Positiveness
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Herbert Howells
Magnificat in G Major
107 bpm • C Maj • 05:29 • -22.62db
0% Popularity • 17% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Ebo Taylor
Victory - Instrumental
101 bpm • G Maj • 03:24 • -5.89db
39% Popularity • 85% Danceability • 89% Energy • 20% Liveness
85% Instrumentalness • 80% Positiveness
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Bola Johnson
Lagos Sisi
107 bpm • A# min • 03:23 • -9.05db
37% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Peter King
El Gato Negro
107 bpm • A Maj • 03:05 • -12.84db
0% Popularity • 81% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Antibalas
Nesta. 75
107 bpm • C Maj • 04:05 • -10.96db
27% Popularity • 77% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
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Tunde Mabadu
Viva Disco - Instrumental
107 bpm • A min • 05:38 • -6.05db
17% Popularity • 51% Danceability • 82% Energy • 32% Liveness
74% Instrumentalness • 92% Positiveness
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Super Elcados
Afro Funk
101 bpm • C# Maj • 04:18 • -15.1db
25% Popularity • 60% Danceability • 64% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
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BLO
Gotta Get Me a Better Head
107 bpm • C Maj • 04:32 • -12.11db
12% Popularity • 78% Danceability • 49% Energy • 16% Liveness
14% Instrumentalness • 84% Positiveness
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Ebo Taylor
You Need Love
101 bpm • G Maj • 07:09 • -7.26db
34% Popularity • 72% Danceability • 83% Energy • 5% Liveness
34% Instrumentalness • 75% Positiveness
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Peter King
Yere Africa
107 bpm • C Maj • 04:28 • -8.25db
5% Popularity • 59% Danceability • 90% Energy • 34% Liveness
13% Instrumentalness • 96% Positiveness
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Gildas Scouarnec Quintet
U. Turn
101 bpm • D Maj • 06:28 • -5.34db
0% Popularity • 45% Danceability • 68% Energy • 4% Liveness
3% Instrumentalness • 40% Positiveness
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The Rwenzori's
Handsome Boy (E Wara) - Pt. 1 & 2
108 bpm • A# min • 06:44 • -8.31db
32% Popularity • 67% Danceability • 80% Energy • 20% Liveness
73% Instrumentalness • 85% Positiveness
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Moneyman
Life
108 bpm • D Maj • 06:16 • -7.59db
11% Popularity • 55% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Pat Thomas
Brebrebre
108 bpm • C Maj • 05:22 • -6db
24% Popularity • 88% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sir Victor Uwaifo
Akuyan Ekassa
100 bpm • A Maj • 03:09 • -4.64db
26% Popularity • 61% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Peter King
Go Go's Feast
101 bpm • A min • 07:46 • -8.99db
2% Popularity • 62% Danceability • 67% Energy • 8% Liveness
64% Instrumentalness • 43% Positiveness
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Kelenkye Band
Jungle Music
100 bpm • F Maj • 05:42 • -8db
15% Popularity • 75% Danceability • 77% Energy • 9% Liveness
37% Instrumentalness • 77% Positiveness
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Tunde Mabadu
Viva Disco - Instrumental
108 bpm • A min • 05:39 • -9.09db
19% Popularity • 55% Danceability • 68% Energy • 26% Liveness
80% Instrumentalness • 96% Positiveness
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Orlando Julius
Love Thy Neighbour
108 bpm • G min • 04:18 • -6.01db
28% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
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Pat Thomas
Obra E Yebo Yi
108 bpm • D# Maj • 03:21 • -7.05db
30% Popularity • 54% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Funkees
Slipping into Darkness
100 bpm • A# min • 04:24 • -9.63db
19% Popularity • 54% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Peter King
Omo Lewa
108 bpm • F min • 05:18 • -9.71db
24% Popularity • 71% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Monomono
Tire Loma da Nigbehin
108 bpm • B min • 04:48 • -8db
34% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Anansa Professionals
Enwan
100 bpm • D# min • 05:31 • -5.31db
24% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Tony Allen & His Afro Messengers
No Discrimination
108 bpm • C# Maj • 08:18 • -8db
23% Popularity • 68% Danceability • 75% Energy • 7% Liveness
13% Instrumentalness • 97% Positiveness
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Roger Damawuzan
Wait for Me
100 bpm • F Maj • 03:19 • -6.17db
13% Popularity • 56% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Ebo Taylor
Heaven
100 bpm • A min • 06:05 • -7.31db
41% Popularity • 64% Danceability • 77% Energy • 9% Liveness
56% Instrumentalness • 38% Positiveness
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Peter King
Reggie Limbo - Skinheads on the Danceflo...
100 bpm • C Maj • 02:31 • -10.25db
2% Popularity • 70% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
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Monomono
Plain Fighting
109 bpm • C Maj • 05:39 • -8.52db
12% Popularity • 72% Danceability • 64% Energy • 9% Liveness
17% Instrumentalness • 74% Positiveness
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Pat Thomas
Amaehu
100 bpm • E min • 05:40 • -7.02db
20% Popularity • 72% Danceability • 78% Energy • 9% Liveness
20% Instrumentalness • 96% Positiveness
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Dur-Dur Band
Yabaal
109 bpm • E Maj • 05:57 • -10db
32% Popularity • 62% Danceability • 78% Energy • 23% Liveness
10% Instrumentalness • 79% Positiveness
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Afro Cult Foundation
The Quest
99 bpm • C Maj • 08:12 • -10db
29% Popularity • 61% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 56% Positiveness
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Ebo Taylor
Saana
109 bpm • C Maj • 05:52 • -12.69db
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 86% Positiveness
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Manu Dibango
Oriental Sunset
109 bpm • D Maj • 01:47 • -8.5db
40% Popularity • 74% Danceability • 70% Energy • 6% Liveness
2% Instrumentalness • 57% Positiveness
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Peter King
Thank You St. Jude
100 bpm • G min • 04:13 • -9.01db
0% Popularity • 74% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Monomono
Awareness Is Wot You Need
100 bpm • D Maj • 06:18 • -7.32db
8% Popularity • 57% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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K. Frimpong & His Cubano Fiestas
Hwehwe Mu Na Yi Wo Mpena
109 bpm • C Maj • 07:50 • -9db
24% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Imola