Songs like Impressions d'Italie: I. Sérénade by Gustave Charpentier
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Rossini: Guillaume Tell, Act 4 Scene 11:...
78 bpm • C Maj • 03:37 • -15.5db
16% Popularity • 14% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 1: "Voce di donna o d'...
78 bpm • D# Maj • 04:05 • -22.26db
12% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Gustave Charpentier
La Fete des myrtes
78 bpm • D Maj • 04:18 • -16.63db
1% Popularity • 20% Danceability • 23% Energy • 20% Liveness
35% Instrumentalness • 12% Positiveness
1% Popularity • 20% Danceability • 23% Energy • 20% Liveness
35% Instrumentalness • 12% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act I: "Qual fiamma avea nel...
78 bpm • A Maj • 04:31 • -16.68db
8% Popularity • 26% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act II: (...
78 bpm • E min • 10:11 • -19.71db
15% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte / Act 2: "Ach, ich füh...
79 bpm • C min • 05:38 • -26.47db
11% Popularity • 31% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Prologue: Prelude..."Si può...
79 bpm • G Maj • 07:52 • -18db
20% Popularity • 22% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
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Arrigo Boito
Mefistofele / Act III: "L'altra notte in...
78 bpm • C Maj • 06:52 • -22db
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Cilea
L´Arlesiana: È la solita storia
77 bpm • A min • 04:20 • -17db
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
19% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
La Favorite / Act 3: Oh! Mon Fernand - E...
77 bpm • C Maj • 03:36 • -25db
9% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Léo Delibes
Lakmé / Act 1: A l'heure accoutumée
77 bpm • F# Maj • 03:11 • -21.51db
8% Popularity • 22% Danceability • 7% Energy • 49% Liveness
1% Instrumentalness • 11% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 49% Liveness
1% Instrumentalness • 11% Positiveness
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Jules Massenet
Poème d'amour: No. 3, Ouvre tes yeux bl...
79 bpm • G Maj • 02:09 • -18.77db
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act 1: "La dolcissi...
79 bpm • G# Maj • 02:31 • -17db
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Franz Lehár
Zigeunerliebe (Gipsy Love) / Act II: Hö...
79 bpm • F min • 04:33 • -20db
10% Popularity • 26% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 26% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Eccomi in liet...
77 bpm • G min • 04:19 • -28db
12% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gustave Charpentier
Louise: Scène V: Bonjour! Bonjour! Comm...
77 bpm • E Maj • 01:19 • -21.6db
0% Popularity • 37% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
0% Popularity • 37% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
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Jules Massenet
Werther / Act 3: Massenet: Werther: Va !...
80 bpm • D min • 02:35 • -23.26db
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
80 bpm • C# Maj • 06:03 • -19.88db
12% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72, Act I: Quartet: Mir ist...
76 bpm • G Maj • 04:43 • -24.59db
17% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Gustave Charpentier
Didon: Scene 3: Trio: Prends pitie de me...
80 bpm • A# Maj • 07:49 • -14.16db
0% Popularity • 21% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
80 bpm • F# min • 02:52 • -14.98db
14% Popularity • 20% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
14% Popularity • 20% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Charles Gounod
Faust, CG 4 / Act 3: "Quel trouble incon...
80 bpm • G# Maj • 06:14 • -17.77db
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Richard Strauss
Sechs Lieder op.19: 2. Breit über mein ...
76 bpm • C# Maj • 02:45 • -23.37db
12% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act I - Scene ...
80 bpm • G min • 04:12 • -30.32db
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les Troyens, H 133 / Act V: "Ah! Ah! Je ...
80 bpm • G# Maj • 06:45 • -23.17db
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31, Act I: Seguidilla. Près ...
76 bpm • D Maj • 04:29 • -24.22db
16% Popularity • 41% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 41% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: VI. Hébé
80 bpm • A min • 02:28 • -24db
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: Voyez - l...
76 bpm • D Maj • 03:54 • -23.17db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
14% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Quanto è bel...
80 bpm • C Maj • 03:18 • -21db
17% Popularity • 31% Danceability • 17% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Mazeppa, TH 7 / Act 3: "Spi, mladyenits ...
76 bpm • C# Maj • 02:55 • -19db
15% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 2 Scene 3: "Deh non volerli ...
80 bpm • B Maj • 05:02 • -14.64db
7% Popularity • 22% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Träume
76 bpm • G# Maj • 04:50 • -25.98db
10% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Carlos Guastavino
La rosa y el sauce
81 bpm • F# min • 02:24 • -20db
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527, Act I Scene 14: Dal...
75 bpm • G Maj • 04:20 • -13.16db
11% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen / Act 1: "Monsieur le brigadier?"...
81 bpm • C min • 01:43 • -30.09db
14% Popularity • 35% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 35% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Gustave Charpentier
Louise - Act 3: "Depuis le jour"
81 bpm • G Maj • 05:41 • -23.14db
1% Popularity • 14% Danceability • 12% Energy • 96% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 12% Energy • 96% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: 5 Lieder, Op. 41: No. 1, Wie...
81 bpm • D Maj • 04:49 • -23.73db
9% Popularity • 13% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
9% Popularity • 13% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
► Preview
Antonín Dvořák
Rusalka, Op. 114 / Act 1: Sem casto pric...
75 bpm • F Maj • 04:08 • -18.34db
18% Popularity • 18% Danceability • 15% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 15% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
81 bpm • C# Maj • 03:51 • -17.65db
10% Popularity • 28% Danceability • 22% Energy • 21% Liveness
18% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 22% Energy • 21% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Le Cid, Acte III, Scène 3: "Ah! tout es...
81 bpm • G Maj • 05:06 • -15.88db
7% Popularity • 22% Danceability • 21% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 21% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Gustave Charpentier
Louise / Act 3: "Depuis le jour"
81 bpm • G Maj • 05:19 • -16.55db
0% Popularity • 23% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor / Act 3: Ardon gl’...
81 bpm • D# Maj • 06:08 • -27db
4% Popularity • 28% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 28% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Die Meistersinger von Nürnberg, WWV 96 ...
75 bpm • F# min • 06:17 • -18db
22% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Nikolai Rimsky-Korsakov
'T was Not the Wind
81 bpm • F Maj • 02:09 • -22db
14% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gustave Charpentier
Louise: (Andante tranquillo) Ainsi tout ...
81 bpm • D# Maj • 08:49 • -16.69db
1% Popularity • 18% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 18% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act 1: "Benedette que...
75 bpm • E Maj • 05:04 • -16.2db
20% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: E Su...
75 bpm • C Maj • 06:16 • -22db
11% Popularity • 27% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 27% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Gustave Charpentier
Depuis le jour
81 bpm • G Maj • 06:01 • -11.86db
1% Popularity • 15% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jules Massenet
Manon / Act 2: "En fermant les yeux"
82 bpm • D Maj • 02:46 • -22.42db
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 2 Scene 2: ...
74 bpm • G# Maj • 04:57 • -20.35db
11% Popularity • 21% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
I Puritani / Act 1: Ah! per sempre io ti...
74 bpm • G Maj • 07:54 • -16db
10% Popularity • 22% Danceability • 22% Energy • 20% Liveness
20% Instrumentalness • 16% Positiveness
10% Popularity • 22% Danceability • 22% Energy • 20% Liveness
20% Instrumentalness • 16% Positiveness
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Mirella Freni
La Bohème: Mi chiamano Mimi
74 bpm • D Maj • 05:07 • -15.42db
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Gustave Charpentier
Louise / Act 3: Depuis le jour
74 bpm • G Maj • 04:05 • -14.75db
1% Popularity • 19% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Hector Berlioz
La Damnation de Faust, Part III, Scène ...
82 bpm • F Maj • 05:51 • -23.22db
8% Popularity • 17% Danceability • 3% Energy • 5% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 5% Liveness
46% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: III. Sanctus
82 bpm • D# Maj • 02:42 • -20.54db
17% Popularity • 13% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnanbula - Prendi, l'anel ti dono
82 bpm • G# Maj • 05:17 • -20.14db
7% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
74 bpm • E min • 05:39 • -26.2db
11% Popularity • 7% Danceability • 2% Energy • 13% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 2% Energy • 13% Liveness
65% Instrumentalness • 4% Positiveness
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Reinhold Glière
Concerto for Coloratura and Orchestra, O...
82 bpm • A# min • 06:28 • -17.95db
7% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gustave Charpentier
Louise: Scène III: Par Mercure aux pied...
75 bpm • G Maj • 04:43 • -17.64db
0% Popularity • 20% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Cielo, a...
82 bpm • G Maj • 02:08 • -24.25db
16% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 2 Scene 1: "Mira, O Norma" (...
74 bpm • F Maj • 04:32 • -19.79db
12% Popularity • 30% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "La cloche a sonn�...
82 bpm • E Maj • 04:33 • -25.91db
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
20% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Gustave Charpentier
Louise: Scène II: Moi, je vous avais re...
81 bpm • G# Maj • 05:03 • -21.14db
1% Popularity • 27% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 27% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Roberto Devereux / Act I: "All'afflitto ...
82 bpm • G Maj • 03:35 • -26.61db
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: VI. Sancta Mater,...
82 bpm • G# Maj • 07:47 • -21.4db
11% Popularity • 20% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Franz Lehár
Die lustige Witwe / Act II: "Ich bitte, ...
74 bpm • G Maj • 09:30 • -22.08db
9% Popularity • 20% Danceability • 11% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 20% Danceability • 11% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
