Songs like In A Landscape by John Cage
Based on a tempo of (+/- 10%) and a similar genre
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Morton Feldman
Triadic Memories: I
160 bpm • G# Maj • 08:09 • -26.54db
9% Popularity • 38% Danceability • 1% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 38% Danceability • 1% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
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Meredith Monk
Obsolete Objects
162 bpm • A min • 01:59 • -21.04db
33% Popularity • 34% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
33% Popularity • 34% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
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Jacob Druckman
Reflections on the Nature of Water: IV. ...
157 bpm • C min • 02:10 • -28.95db
23% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Toru Takemitsu
Romance
164 bpm • G min • 04:13 • -24db
20% Popularity • 41% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 41% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Preludes and Fugues for Piano, Op. 87: P...
165 bpm • C Maj • 02:28 • -33.74db
11% Popularity • 49% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
11% Popularity • 49% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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John Cage
Totem Ancestor
155 bpm • A# Maj • 02:09 • -23.91db
10% Popularity • 45% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 45% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 2. Menuetto I
155 bpm • A min • 01:40 • -24db
27% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
27% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Meredith Monk
Eon
157 bpm • A min • 02:55 • -23.54db
32% Popularity • 53% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 49% Positiveness
32% Popularity • 53% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 49% Positiveness
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Nico Muhly
Four Studies: II. Fast Canons
164 bpm • A min • 03:51 • -19.8db
14% Popularity • 43% Danceability • 17% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
14% Popularity • 43% Danceability • 17% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
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Anton Webern
Six Pieces For Orchestra, Op. 6 - Origin...
167 bpm • B Maj • 01:05 • -31db
21% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
154 bpm • D Maj • 01:22 • -47.69db
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
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John Adams
Adams: Shaker Loops: I. Shaking and Trem...
153 bpm • G Maj • 08:25 • -26.65db
9% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Sulkhan Tsintsadze
Chonguri
169 bpm • E min • 01:22 • -32.62db
33% Popularity • 42% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 66% Positiveness
33% Popularity • 42% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 66% Positiveness
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Meredith Monk
Dark/Light 2
166 bpm • F min • 03:06 • -25.49db
19% Popularity • 12% Danceability • 0% Energy • 9% Liveness
66% Instrumentalness • 15% Positiveness
19% Popularity • 12% Danceability • 0% Energy • 9% Liveness
66% Instrumentalness • 15% Positiveness
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Kaija Saariaho
Sept papillons: Papillons II
169 bpm • D Maj • 01:27 • -26.58db
12% Popularity • 18% Danceability • 13% Energy • 4% Liveness
71% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 4% Liveness
71% Instrumentalness • 7% Positiveness
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La Monte Young
Compositions 1960: No. 9 - Arr. for Guit...
169 bpm • D Maj • 07:30 • -15db
21% Popularity • 45% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
21% Popularity • 45% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Witold Lutosławski
3 Fragmente: I. Magie
150 bpm • C min • 01:27 • -24db
18% Popularity • 24% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
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John Adams
Short Ride in a Fast Machine
152 bpm • D Maj • 04:06 • -12.51db
22% Popularity • 39% Danceability • 50% Energy • 44% Liveness
91% Instrumentalness • 11% Positiveness
22% Popularity • 39% Danceability • 50% Energy • 44% Liveness
91% Instrumentalness • 11% Positiveness
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Gavin Bryars
Tre Laude Dolce: I
171 bpm • C Maj • 06:26 • -25.52db
23% Popularity • 11% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
23% Popularity • 11% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Steve Reich
Different Trains: Europe, During the War
171 bpm • F# Maj • 07:30 • -15db
22% Popularity • 21% Danceability • 45% Energy • 20% Liveness
66% Instrumentalness • 34% Positiveness
22% Popularity • 21% Danceability • 45% Energy • 20% Liveness
66% Instrumentalness • 34% Positiveness
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Pauline Oliveros
Sound Patterns
172 bpm • F Maj • 04:00 • -20db
17% Popularity • 26% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Leoš Janáček
V mlhach (In the Mists), JW VIII/22: I. ...
171 bpm • C# min • 03:47 • -27db
13% Popularity • 29% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
13% Popularity • 29% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Kronos Quartet
Galaxies
172 bpm • G# Maj • 01:06 • -13.9db
30% Popularity • 9% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Adams
China Gates
152 bpm • C# Maj • 05:24 • -26db
26% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
26% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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Balanescu Quartet
Love In The Afternoon
173 bpm • F Maj • 01:20 • -21.19db
28% Popularity • 12% Danceability • 16% Energy • 70% Liveness
71% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 16% Energy • 70% Liveness
71% Instrumentalness • 5% Positiveness
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Pierre Boulez
Le marteau sans maître: Avant "l'Artisa...
173 bpm • F min • 01:54 • -29.3db
18% Popularity • 34% Danceability • 3% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
18% Popularity • 34% Danceability • 3% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
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Terry Riley
Riley: Keyboard Study 2 - Brubaker Versi...
173 bpm • C min • 03:40 • -32db
33% Popularity • 8% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
33% Popularity • 8% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Ivan Wyschnegradsky
Preludes in Quarter-Tone System: IV
148 bpm • F# Maj • 01:08 • -17.37db
12% Popularity • 50% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 73% Positiveness
12% Popularity • 50% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 73% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: I. ...
174 bpm • D min • 06:37 • -24db
32% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
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John Adams
China Gates
168 bpm • D# min • 04:33 • -27.97db
30% Popularity • 26% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Philip Glass Ensemble
Act IV: Bed, Aria
174 bpm • G Maj • 08:12 • -26.4db
10% Popularity • 9% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Caroline Shaw
Limestone & Felt
147 bpm • D Maj • 05:42 • -25.22db
19% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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John Cage
A Room: From She Is Asleep
147 bpm • C# min • 02:18 • -44.83db
21% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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György Ligeti
Ligeti: Requiem: IV. Lacrimosa. Molto le...
147 bpm • C# Maj • 05:32 • -37db
12% Popularity • 12% Danceability • 1% Energy • 13% Liveness
24% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 13% Liveness
24% Instrumentalness • 3% Positiveness
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Luciano Berio
Six Encores: Erdenklavier
175 bpm • C min • 01:17 • -29db
15% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
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John Adams
Shaker Loops (version for string orchest...
146 bpm • C Maj • 08:27 • -27db
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Presto in C Minor, H.230 Wq.114/3
146 bpm • C# Maj • 01:51 • -36.46db
26% Popularity • 39% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
26% Popularity • 39% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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György Kurtág
Officium breve in memoriam Andreae Szerv...
176 bpm • C Maj • 01:14 • -33.73db
24% Popularity • 8% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
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John Cage
Ophelia
147 bpm • A min • 06:46 • -21.78db
7% Popularity • 49% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
7% Popularity • 49% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Brian Ferneyhough
Sonatas for String Quartet: I. Alpha
176 bpm • G min • 02:03 • -27db
10% Popularity • 23% Danceability • 1% Energy • 12% Liveness
36% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 1% Energy • 12% Liveness
36% Instrumentalness • 11% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
176 bpm • F Maj • 02:12 • -16.99db
29% Popularity • 44% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 93% Positiveness
29% Popularity • 44% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 93% Positiveness
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Meredith Monk
The Games: Spaceship (Arr. M. Gordon for...
145 bpm • A min • 04:18 • -14.72db
18% Popularity • 39% Danceability • 21% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 21% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
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Terry Riley
Keyboard Study 2 - Brubaker Version 1
177 bpm • D# Maj • 02:31 • -32.2db
12% Popularity • 20% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Arnold Schoenberg
Three Piano Pieces, Op. 11: Massig
144 bpm • A Maj • 04:28 • -27.21db
10% Popularity • 46% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
10% Popularity • 46% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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John Cage
The Perilous Night: No. 1. —
176 bpm • F# Maj • 02:32 • -29.8db
10% Popularity • 37% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 37% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 14% Positiveness
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Karlheinz Stockhausen
Gesang der Jünlinge
143 bpm • G# Maj • 12:57 • -24.04db
20% Popularity • 36% Danceability • 11% Energy • 33% Liveness
3% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 11% Energy • 33% Liveness
3% Instrumentalness • 9% Positiveness
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Caroline Shaw
Plan & Elevation: II. The Cutting Garden
144 bpm • A min • 02:56 • -19.59db
20% Popularity • 26% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
20% Popularity • 26% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Olivier Messiaen
Turangalîla Symphonie: 1. Introduction
143 bpm • D# min • 06:25 • -19db
16% Popularity • 27% Danceability • 36% Energy • 14% Liveness
34% Instrumentalness • 10% Positiveness
16% Popularity • 27% Danceability • 36% Energy • 14% Liveness
34% Instrumentalness • 10% Positiveness
► Preview
Hans Otte
Das Buch der Klange: Part 1
180 bpm • C Maj • 08:40 • -28.95db
10% Popularity • 18% Danceability • 10% Energy • 4% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 4% Liveness
93% Instrumentalness • 3% Positiveness
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VERGESSENHEIT
A Fire Long Dead
142 bpm • C Maj • 07:50 • -16.14db
4% Popularity • 28% Danceability • 29% Energy • 56% Liveness
2% Instrumentalness • 17% Positiveness
4% Popularity • 28% Danceability • 29% Energy • 56% Liveness
2% Instrumentalness • 17% Positiveness
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The Manhattan Percussion Ensemble
Imaginary Landscape No. 1
142 bpm • C Maj • 09:04 • -24.26db
16% Popularity • 24% Danceability • 29% Energy • 55% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 29% Energy • 55% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Iannis Xenakis
6 Chansons: No. 2. J'avais un amour autr...
142 bpm • D Maj • 00:56 • -22.47db
12% Popularity • 37% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
12% Popularity • 37% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
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Morton Feldman
Rothko Chapel 2
141 bpm • B min • 04:35 • -39db
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
György Kurtág
Játékok / 3.: 39. Hommage à Christian...
141 bpm • D min • 01:07 • -45.02db
22% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
22% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
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Karlheinz Stockhausen
Stimmung: Model 2
182 bpm • D min • 01:33 • -35db
17% Popularity • 14% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
► Preview
Jonny Greenwood
Greenwood: 48 Responses to Polymorphia: ...
139 bpm • D# min • 01:37 • -23.73db
15% Popularity • 14% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
15% Popularity • 14% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
► Preview
Gunild Keetman
Orff-Schulwerk: Spielstücke für Xyloph...
140 bpm • G min • 01:07 • -24.62db
26% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
26% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
► Preview
Anna Thorvaldsdottir
In the Light of Air: III. Existence
139 bpm • C Maj • 03:43 • -36db
24% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Giacinto Scelsi
Aion: I. —
139 bpm • G# Maj • 07:57 • -22db
9% Popularity • 14% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Salvatore Sciarrino
Perduto in una citta d'acque
139 bpm • C Maj • 08:52 • -43.87db
8% Popularity • 52% Danceability • 0% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
8% Popularity • 52% Danceability • 0% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
► Preview
Steve Reich
New York Counterpoint (Version for Clari...
184 bpm • F# min • 02:40 • -19.72db
21% Popularity • 32% Danceability • 16% Energy • 15% Liveness
59% Instrumentalness • 8% Positiveness
21% Popularity • 32% Danceability • 16% Energy • 15% Liveness
59% Instrumentalness • 8% Positiveness
► Preview
Alfred Schnittke
Concerto grosso no.1 (1976-77): 5. Rondo...
138 bpm • F min • 07:07 • -13.83db
11% Popularity • 36% Danceability • 40% Energy • 13% Liveness
86% Instrumentalness • 15% Positiveness
11% Popularity • 36% Danceability • 40% Energy • 13% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Kaija Saariaho
7 Papillons: No. 7. —
185 bpm • G Maj • 01:10 • -22.83db
24% Popularity • 23% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 15% Positiveness
► Preview
Giovanni Battista Pergolesi
Qui Est Homo
138 bpm • G min • 04:19 • -23db
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
György Ligeti
Violin Concerto: I. Praeludium
138 bpm • C Maj • 04:11 • -30.84db
11% Popularity • 38% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
11% Popularity • 38% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
► Preview
Toru Takemitsu
Lento in due movimenti: I. Adagio
137 bpm • F min • 04:27 • -33db
13% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
13% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Einojuhani Rautavaara
Harp Concerto: I. Pesante
137 bpm • B Maj • 09:59 • -30.66db
7% Popularity • 28% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 28% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Giya Kancheli
Simple Music for Piano, N. 26: Herio Bic...
137 bpm • B min • 01:55 • -40.85db
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 56% Positiveness
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 56% Positiveness
► Preview
Víkingur Ólafsson
Above and Below, B Minor
137 bpm • B min • 03:01 • -22db
31% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
John Cage
Sonatas and Interludes for Prepared Pian...
137 bpm • A# min • 02:26 • -37.06db
13% Popularity • 47% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
13% Popularity • 47% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
► Preview
Ivan Wyschnegradsky
Preludes in Quarter-Tone System: I
137 bpm • A# min • 01:02 • -19db
9% Popularity • 38% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
9% Popularity • 38% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Meredith Monk
Ellis Island
136 bpm • A min • 03:01 • -20db
27% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness