Songs like In a Sentimental Mood by Vincent Herring
Based on a tempo of (+/- 10%) and a similar genre
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Erik Söderlind
Grandmother's Dream
104 bpm • B min • 04:18 • -18.73db
50% Popularity • 48% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
50% Popularity • 48% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Thomas Sejthen Trio
This Is Our Year
104 bpm • C min • 06:11 • -21.26db
20% Popularity • 38% Danceability • 11% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
20% Popularity • 38% Danceability • 11% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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David Lahm
Black Crow
104 bpm • B Maj • 06:31 • -10.7db
0% Popularity • 31% Danceability • 62% Energy • 56% Liveness
7% Instrumentalness • 39% Positiveness
0% Popularity • 31% Danceability • 62% Energy • 56% Liveness
7% Instrumentalness • 39% Positiveness
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Gathering in Jazz
Blue Sunday
104 bpm • D min • 04:27 • -19.51db
39% Popularity • 62% Danceability • 9% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
39% Popularity • 62% Danceability • 9% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
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Joris Dudli
Lee’s Dream
104 bpm • D# min • 06:37 • -7.18db
1% Popularity • 36% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
1% Popularity • 36% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
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Eve
Countryside
104 bpm • G Maj • 03:52 • -14.35db
38% Popularity • 33% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
38% Popularity • 33% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Vincent Herring
In a Sentimental Mood
104 bpm • D min • 06:26 • -11.9db
46% Popularity • 54% Danceability • 12% Energy • 22% Liveness
36% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 12% Energy • 22% Liveness
36% Instrumentalness • 26% Positiveness
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Owen Broder
Take the "A" Train
104 bpm • C Maj • 04:43 • -10.48db
22% Popularity • 72% Danceability • 35% Energy • 12% Liveness
66% Instrumentalness • 47% Positiveness
22% Popularity • 72% Danceability • 35% Energy • 12% Liveness
66% Instrumentalness • 47% Positiveness
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Glass Trio
Last Call
104 bpm • F# Maj • 02:49 • -15.78db
63% Popularity • 51% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
63% Popularity • 51% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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Eli Starr Trio
I Mean You
105 bpm • C Maj • 03:29 • -16.12db
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Dave Meder
If Ever I Would Leave You
105 bpm • A# Maj • 04:59 • -24.02db
35% Popularity • 44% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
35% Popularity • 44% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Vincent Herring
Don't Let It Go
104 bpm • F min • 09:10 • -11.38db
1% Popularity • 50% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 50% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
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Lainie Kazan
Embraceable You
105 bpm • D Maj • 04:30 • -14.27db
0% Popularity • 36% Danceability • 15% Energy • 15% Liveness
2% Instrumentalness • 5% Positiveness
0% Popularity • 36% Danceability • 15% Energy • 15% Liveness
2% Instrumentalness • 5% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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James Jackson Jazz Trio
On 14th Street
103 bpm • C min • 02:56 • -14.69db
48% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
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Jimmy Heath
When Sunny Gets Blue
103 bpm • D min • 06:29 • -16db
22% Popularity • 39% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
22% Popularity • 39% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
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Jacob Roved Quintet
Prelude
103 bpm • D Maj • 02:21 • -16.23db
36% Popularity • 33% Danceability • 8% Energy • 36% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 33% Danceability • 8% Energy • 36% Liveness
61% Instrumentalness • 15% Positiveness
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Vincent Herring
Central Park West
105 bpm • B Maj • 03:45 • -14.5db
1% Popularity • 66% Danceability • 29% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
1% Popularity • 66% Danceability • 29% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
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CLC TRIO
Nancy
103 bpm • D# Maj • 06:18 • -19.74db
32% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
32% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Jeff Laine & Co
You Confuse Me
103 bpm • A Maj • 03:11 • -15.69db
34% Popularity • 35% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
34% Popularity • 35% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Mareike Wiening
Future Memories
103 bpm • F Maj • 06:04 • -12.29db
45% Popularity • 54% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
45% Popularity • 54% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Jenny Jones
I'll Be Seeing You
105 bpm • F min • 03:33 • -18.9db
46% Popularity • 53% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
46% Popularity • 53% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Vernon Sanders
Everytime around
105 bpm • F min • 05:25 • -19.39db
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
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Vincent Herring
Fried Pies
103 bpm • C min • 07:37 • -9.88db
5% Popularity • 47% Danceability • 58% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
5% Popularity • 47% Danceability • 58% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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LaSalle Street Trio
Everything Happens To Me
103 bpm • A# Maj • 02:41 • -22.27db
46% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
46% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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David Robinson Trio
What Is This Thing Called Love
103 bpm • G# Maj • 03:18 • -13.65db
24% Popularity • 56% Danceability • 40% Energy • 19% Liveness
86% Instrumentalness • 55% Positiveness
24% Popularity • 56% Danceability • 40% Energy • 19% Liveness
86% Instrumentalness • 55% Positiveness
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Chad Lefkowitz-Brown
The Nearness of You
105 bpm • C Maj • 05:49 • -16.81db
9% Popularity • 51% Danceability • 8% Energy • 11% Liveness
66% Instrumentalness • 27% Positiveness
9% Popularity • 51% Danceability • 8% Energy • 11% Liveness
66% Instrumentalness • 27% Positiveness
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Art Roho
Ack Värmeland, Du Sköna
106 bpm • D min • 04:12 • -18.42db
47% Popularity • 48% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
47% Popularity • 48% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
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Holborns
Walking on Clouds
102 bpm • F Maj • 02:02 • -14.75db
48% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
48% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Vincent Herring
The Sun Will Rise Again
103 bpm • A min • 06:48 • -11.99db
3% Popularity • 49% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 31% Positiveness
3% Popularity • 49% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 31% Positiveness
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Henrik Gunde
Blame It on My Youth
106 bpm • F min • 08:06 • -22db
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
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Niclas Knudsen Trio
I Fall in Love Too Easily
106 bpm • C min • 06:21 • -20.78db
40% Popularity • 50% Danceability • 6% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
40% Popularity • 50% Danceability • 6% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
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Woody Shaw
There Will Never Be Another You
106 bpm • C min • 06:59 • -14.48db
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
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Hara Noda
Field
102 bpm • G min • 02:17 • -8.18db
43% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
43% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
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6th Street Jazz
It Rained All Night
102 bpm • C# Maj • 03:17 • -15.64db
40% Popularity • 48% Danceability • 17% Energy • 19% Liveness
58% Instrumentalness • 8% Positiveness
40% Popularity • 48% Danceability • 17% Energy • 19% Liveness
58% Instrumentalness • 8% Positiveness
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Vincent Herring
Night and Day
105 bpm • F min • 05:22 • -8.77db
3% Popularity • 52% Danceability • 49% Energy • 26% Liveness
68% Instrumentalness • 52% Positiveness
3% Popularity • 52% Danceability • 49% Energy • 26% Liveness
68% Instrumentalness • 52% Positiveness
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Marc Johnson
Swept Away
102 bpm • E min • 06:18 • -25db
40% Popularity • 37% Danceability • 12% Energy • 33% Liveness
93% Instrumentalness • 19% Positiveness
40% Popularity • 37% Danceability • 12% Energy • 33% Liveness
93% Instrumentalness • 19% Positiveness
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Mike Casey
Unforgettable
106 bpm • G Maj • 04:53 • -19.43db
31% Popularity • 40% Danceability • 15% Energy • 49% Liveness
38% Instrumentalness • 12% Positiveness
31% Popularity • 40% Danceability • 15% Energy • 49% Liveness
38% Instrumentalness • 12% Positiveness
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Rachel Silver
Shiny Stockings
102 bpm • G Maj • 04:17 • -13.75db
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
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Rob Van Bavel
Every time we say goodbye
106 bpm • G# Maj • 05:11 • -17db
33% Popularity • 41% Danceability • 12% Energy • 19% Liveness
48% Instrumentalness • 18% Positiveness
33% Popularity • 41% Danceability • 12% Energy • 19% Liveness
48% Instrumentalness • 18% Positiveness
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Lainie Kazan
Some of These Days/Livin' Alone
102 bpm • C# Maj • 05:54 • -15.55db
0% Popularity • 53% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 53% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Vincent Herring
The Unknown Ideal
102 bpm • C# min • 06:24 • -13.51db
0% Popularity • 38% Danceability • 40% Energy • 26% Liveness
87% Instrumentalness • 46% Positiveness
0% Popularity • 38% Danceability • 40% Energy • 26% Liveness
87% Instrumentalness • 46% Positiveness
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6th Street Jazz
Tip Your Hat
106 bpm • D min • 03:58 • -14.12db
64% Popularity • 41% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
64% Popularity • 41% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Enj Society
Lakeside
106 bpm • A# Maj • 06:08 • -18db
46% Popularity • 52% Danceability • 6% Energy • 28% Liveness
81% Instrumentalness • 16% Positiveness
46% Popularity • 52% Danceability • 6% Energy • 28% Liveness
81% Instrumentalness • 16% Positiveness
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Gustav Lundgren
Round Midnight
106 bpm • D# min • 06:19 • -17.86db
12% Popularity • 54% Danceability • 19% Energy • 38% Liveness
45% Instrumentalness • 16% Positiveness
12% Popularity • 54% Danceability • 19% Energy • 38% Liveness
45% Instrumentalness • 16% Positiveness
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Marcin Wasilewski Trio
January
102 bpm • B min • 08:38 • -24.26db
39% Popularity • 32% Danceability • 9% Energy • 16% Liveness
76% Instrumentalness • 5% Positiveness
39% Popularity • 32% Danceability • 9% Energy • 16% Liveness
76% Instrumentalness • 5% Positiveness
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Lainie Kazan
When Your Lover is Gone/Little Girl Blue
102 bpm • A# min • 06:11 • -18.02db
0% Popularity • 37% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 37% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 5% Positiveness
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John Engels
The Peacocks - Single Edit
102 bpm • A# min • 03:09 • -16.72db
44% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Vendla
After Winter Comes Spring
101 bpm • G min • 03:31 • -14.69db
48% Popularity • 53% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 53% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Donald Byrd
Night Flower - Remastered 2003/Rudy Van ...
101 bpm • A# Maj • 06:48 • -13.18db
32% Popularity • 44% Danceability • 11% Energy • 17% Liveness
88% Instrumentalness • 12% Positiveness
32% Popularity • 44% Danceability • 11% Energy • 17% Liveness
88% Instrumentalness • 12% Positiveness
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Kuipers & Winter
Maybe We'll Meet Again
107 bpm • F Maj • 03:37 • -11.48db
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Dan Cray Trio
Summer In Central Park
101 bpm • D Maj • 06:41 • -11.84db
32% Popularity • 45% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
32% Popularity • 45% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
33% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
33% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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The Jazz Seekers
In a Sentimental Mood
107 bpm • C Maj • 06:23 • -21.38db
42% Popularity • 58% Danceability • 4% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
42% Popularity • 58% Danceability • 4% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Armel Dupas Trio
Follow the Light
107 bpm • D Maj • 05:03 • -20.25db
22% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
22% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Gabriel Gonzalez
Midnight Passion
107 bpm • A# min • 02:29 • -20.18db
64% Popularity • 46% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 22% Positiveness
64% Popularity • 46% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 22% Positiveness
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Mason Embry Trio
It's You I Like
107 bpm • G min • 04:46 • -17.15db
34% Popularity • 46% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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George Cables
My One and Only Love
107 bpm • C Maj • 07:03 • -23.41db
13% Popularity • 43% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 43% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 11% Positiveness
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Arta Porting
Beautiful Sunrise
107 bpm • C min • 04:51 • -18.19db
60% Popularity • 36% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
60% Popularity • 36% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Vincent Herring
Tenderly
107 bpm • G# Maj • 10:18 • -14.19db
34% Popularity • 50% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 18% Positiveness
34% Popularity • 50% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 18% Positiveness
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Steve Davis
Peace
101 bpm • F Maj • 07:16 • -18.28db
27% Popularity • 47% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
27% Popularity • 47% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Yorkville
Morning Star
108 bpm • F min • 03:44 • -13.09db
40% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Besiakov
Emily
108 bpm • C Maj • 05:19 • -14.96db
36% Popularity • 48% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Peter Nordahl Trio
I Love You, Porgy
108 bpm • A min • 02:30 • -14.87db
37% Popularity • 54% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
37% Popularity • 54% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Owen Broder
Ballade for the Very Sad and Very Tired ...
108 bpm • G# Maj • 04:13 • -11.81db
52% Popularity • 42% Danceability • 11% Energy • 15% Liveness
31% Instrumentalness • 21% Positiveness
52% Popularity • 42% Danceability • 11% Energy • 15% Liveness
31% Instrumentalness • 21% Positiveness
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David Lahm
San Diego Holiday
108 bpm • C# Maj • 06:10 • -10.75db
0% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Vincent Herring
Into the Midnight
101 bpm • A min • 07:37 • -12.37db
1% Popularity • 38% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 55% Positiveness
1% Popularity • 38% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 55% Positiveness
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Cedar Walton Trio
Bleeker Street Team
108 bpm • C min • 05:10 • -21.26db
23% Popularity • 43% Danceability • 34% Energy • 11% Liveness
47% Instrumentalness • 58% Positiveness
23% Popularity • 43% Danceability • 34% Energy • 11% Liveness
47% Instrumentalness • 58% Positiveness
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Brandon's Three
the point above
100 bpm • D min • 02:48 • -22.48db
42% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
42% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
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Christophe Marguet
Beauté cachée
100 bpm • D Maj • 01:58 • -15.18db
11% Popularity • 28% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 28% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Joe Farnsworth
Softly, as in a Morning Sunrise
108 bpm • G min • 08:02 • -14.29db
36% Popularity • 50% Danceability • 41% Energy • 10% Liveness
10% Instrumentalness • 54% Positiveness
36% Popularity • 50% Danceability • 41% Energy • 10% Liveness
10% Instrumentalness • 54% Positiveness
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Courtney Salas Group
Worry and Gossip
108 bpm • F# Maj • 03:41 • -16.04db
56% Popularity • 38% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
56% Popularity • 38% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Vincent Herring
Brigas Nunca Mais
108 bpm • C Maj • 04:01 • -13.53db
6% Popularity • 51% Danceability • 40% Energy • 11% Liveness
57% Instrumentalness • 43% Positiveness
6% Popularity • 51% Danceability • 40% Energy • 11% Liveness
57% Instrumentalness • 43% Positiveness
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Richard Baratta
Alfie
108 bpm • A# Maj • 06:37 • -17db
22% Popularity • 50% Danceability • 11% Energy • 8% Liveness
6% Instrumentalness • 19% Positiveness
22% Popularity • 50% Danceability • 11% Energy • 8% Liveness
6% Instrumentalness • 19% Positiveness
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Marcus Bartelt
In The End
108 bpm • B Maj • 07:34 • -19.2db
37% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
37% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Connie Han
Captain’s Song
108 bpm • G# min • 05:22 • -15.77db
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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John Lee
Fabienne
100 bpm • D# Maj • 06:03 • -14.51db
12% Popularity • 53% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 53% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Cedar Walton
Got to Get to the Island
100 bpm • F min • 09:17 • -10.6db
1% Popularity • 43% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
1% Popularity • 43% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Vincent Herring
Eastern Joy Dance
108 bpm • G# Maj • 07:53 • -11.52db
2% Popularity • 43% Danceability • 44% Energy • 31% Liveness
55% Instrumentalness • 38% Positiveness
2% Popularity • 43% Danceability • 44% Energy • 31% Liveness
55% Instrumentalness • 38% Positiveness
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Eric Alexander
Shirley's Song - Recorded Live at Smoke,...
108 bpm • G Maj • 11:07 • -10.53db
4% Popularity • 51% Danceability • 36% Energy • 67% Liveness
25% Instrumentalness • 37% Positiveness
4% Popularity • 51% Danceability • 36% Energy • 67% Liveness
25% Instrumentalness • 37% Positiveness
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Gerlo Hesselink Quartet
Meant for You
109 bpm • D# Maj • 04:08 • -15.02db
18% Popularity • 46% Danceability • 11% Energy • 12% Liveness
14% Instrumentalness • 17% Positiveness
18% Popularity • 46% Danceability • 11% Energy • 12% Liveness
14% Instrumentalness • 17% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
42% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
42% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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Matthias Bublath
What Are You Doing for the Rest of Your ...
109 bpm • A min • 06:09 • -20.84db
37% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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Cedar Walton
Underground Memoirs
100 bpm • C# Maj • 07:18 • -10.42db
1% Popularity • 45% Danceability • 63% Energy • 9% Liveness
74% Instrumentalness • 58% Positiveness
1% Popularity • 45% Danceability • 63% Energy • 9% Liveness
74% Instrumentalness • 58% Positiveness
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Joe Farnsworth
Moonlight in Vermont
109 bpm • F min • 06:53 • -17db
42% Popularity • 52% Danceability • 18% Energy • 7% Liveness
42% Instrumentalness • 10% Positiveness
42% Popularity • 52% Danceability • 18% Energy • 7% Liveness
42% Instrumentalness • 10% Positiveness
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Vincent Herring
Almost Like The First
108 bpm • G Maj • 08:07 • -10.82db
1% Popularity • 42% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 42% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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6th Street Jazz
Mysterious Stranger
99 bpm • D# Maj • 04:00 • -15.69db
44% Popularity • 48% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
44% Popularity • 48% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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John B. Stewart
Salar de Uyuni
100 bpm • A min • 04:14 • -16.39db
36% Popularity • 45% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 22% Positiveness
36% Popularity • 45% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 22% Positiveness
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Trio Del Norte
Can't Say the Word
99 bpm • G min • 04:18 • -20.34db
46% Popularity • 37% Danceability • 10% Energy • 12% Liveness
59% Instrumentalness • 20% Positiveness
46% Popularity • 37% Danceability • 10% Energy • 12% Liveness
59% Instrumentalness • 20% Positiveness
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Most Iverson
All I See In You
99 bpm • D Maj • 03:55 • -27.51db
64% Popularity • 53% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
64% Popularity • 53% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Ronnie Mathews
In a Sentimental Mood
109 bpm • C Maj • 09:13 • -8.09db
0% Popularity • 55% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
0% Popularity • 55% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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Vincent Herring
Naima
108 bpm • C# Maj • 08:01 • -9.73db
0% Popularity • 37% Danceability • 65% Energy • 10% Liveness
72% Instrumentalness • 49% Positiveness
0% Popularity • 37% Danceability • 65% Energy • 10% Liveness
72% Instrumentalness • 49% Positiveness
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6th Street Jazz
A Bite-Sized Romance
99 bpm • G Maj • 04:11 • -15.02db
50% Popularity • 43% Danceability • 17% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
50% Popularity • 43% Danceability • 17% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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Billie Shaw
Nobody's Darling
109 bpm • D min • 03:11 • -15.33db
52% Popularity • 34% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
52% Popularity • 34% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Central Park Quartet
Sad December
109 bpm • D min • 03:56 • -12.93db
45% Popularity • 49% Danceability • 19% Energy • 17% Liveness
16% Instrumentalness • 18% Positiveness
45% Popularity • 49% Danceability • 19% Energy • 17% Liveness
16% Instrumentalness • 18% Positiveness
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The New Conrad Miller Trio
Summer Rain
109 bpm • G min • 06:19 • -11.64db
35% Popularity • 45% Danceability • 40% Energy • 20% Liveness
88% Instrumentalness • 14% Positiveness
35% Popularity • 45% Danceability • 40% Energy • 20% Liveness
88% Instrumentalness • 14% Positiveness
