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In America
Songs like
In America
by
The Charlie Daniels Band
Based on a tempo of (+/- 10%) and a similar genre
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Ricky Skaggs
Highway 40 Blues
118 bpm • E Maj • 03:08 • -12db
48% Popularity • 65% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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The Charlie Daniels Band
In America
118 bpm • C Maj • 03:18 • -10db
38% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Bare
Marie Laveau
118 bpm • A Maj • 03:09 • -10.33db
47% Popularity • 59% Danceability • 52% Energy • 71% Liveness
0% Instrumentalness • 86% Positiveness
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Eddy Raven
Operator, Operator
118 bpm • A Maj • 03:05 • -13db
40% Popularity • 84% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Pure Prairie League
I'll Change Your Flat Tire, Merle
118 bpm • A Maj • 02:09 • -10.59db
25% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Montgomery Gentry
She Couldn't Change Me
117 bpm • F Maj • 04:20 • -11db
45% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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The Charlie Daniels Band
Texas
118 bpm • E min • 03:00 • -6db
38% Popularity • 63% Danceability • 87% Energy • 5% Liveness
43% Instrumentalness • 85% Positiveness
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Steve Wariner
Lonely Women Make Good Lovers
118 bpm • C# Maj • 03:14 • -12db
45% Popularity • 73% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Hank Williams III
I Don't Know
117 bpm • B Maj • 03:23 • -8.31db
39% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Atlanta Rhythm Section
Georgia Rhythm
117 bpm • C Maj • 04:52 • -13db
37% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Moe Bandy
Hey Joe (Hey Moe)
117 bpm • F Maj • 02:18 • -7db
32% Popularity • 72% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Eddy Raven
Bayou Boys
117 bpm • A Maj • 02:47 • -8db
31% Popularity • 73% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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The Charlie Daniels Band
Money
119 bpm • G Maj • 03:56 • -7.91db
8% Popularity • 66% Danceability • 81% Energy • 32% Liveness
24% Instrumentalness • 83% Positiveness
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Ricky Van Shelton
I Am A Simple Man
117 bpm • G Maj • 03:26 • -7db
36% Popularity • 79% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
51% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Whitey Morgan and the 78's
Where Do Ya Want It?
117 bpm • D Maj • 02:45 • -6.61db
55% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Seger
Sunspot Baby
119 bpm • A Maj • 04:36 • -5db
50% Popularity • 61% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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BlackHawk
Every Once In a While
117 bpm • E Maj • 03:40 • -10.38db
48% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Charlie Daniels Band
Texas
117 bpm • B min • 03:03 • -6.92db
18% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Patty Loveless
Chains
117 bpm • D Maj • 02:29 • -12db
46% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Sammy Kershaw
Third Rate Romance
117 bpm • A# Maj • 03:23 • -7.93db
54% Popularity • 81% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Little Texas
Amy's Back in Austin
117 bpm • G Maj • 04:37 • -9db
36% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Diffie
Bigger Than the Beatles
119 bpm • G Maj • 03:57 • -8db
50% Popularity • 74% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Keith Whitley
It Ain't Nothin'
119 bpm • A Maj • 04:05 • -16.66db
29% Popularity • 80% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Earl Thomas Conley
Heavenly Bodies
116 bpm • G Maj • 03:05 • -12db
35% Popularity • 70% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
55% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The Judds
Turn It Loose
120 bpm • B Maj • 03:44 • -9db
43% Popularity • 89% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Diamond Rio
Bubba Hyde
116 bpm • D min • 03:44 • -10db
36% Popularity • 74% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Old Dogs
She'd Rather Be Homeless
116 bpm • B Maj • 03:59 • -8.06db
10% Popularity • 38% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
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T.G. Sheppard
Fooled Around and Fell in Love
120 bpm • F Maj • 03:32 • -10.9db
18% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Montgomery Gentry
Daddy Won't Sell the Farm
120 bpm • G Maj • 04:18 • -7.04db
38% Popularity • 71% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Conway with Moose Malone
Living On Tulsa Time
116 bpm • F# min • 03:13 • -11db
22% Popularity • 72% Danceability • 66% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Lee
You Could've Heard a Heart Break
116 bpm • D Maj • 03:16 • -15.23db
35% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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John Conlee
Old School
116 bpm • D# Maj • 03:50 • -8.55db
32% Popularity • 70% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
56% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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C.W. McCall
Four Wheel Cowboy
120 bpm • F Maj • 03:30 • -13.35db
21% Popularity • 66% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Montgomery Gentry
Hillbilly Shoes
116 bpm • G Maj • 03:12 • -6.07db
51% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Randy Travis
King of the Road
120 bpm • D Maj • 03:47 • -11db
45% Popularity • 84% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Charlie Daniels Band
In America
116 bpm • C Maj • 03:19 • -5.59db
21% Popularity • 56% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Ricky Van Shelton
Wild Man
121 bpm • A Maj • 03:18 • -7.25db
31% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
50% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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C.W. McCall
Jackson Hole
121 bpm • C Maj • 02:42 • -12.66db
22% Popularity • 63% Danceability • 68% Energy • 26% Liveness
1% Instrumentalness • 97% Positiveness
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Chris LeDoux
Stampede
121 bpm • G Maj • 05:13 • -11.5db
29% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
51% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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The Good Brothers
I-95 Song (The Asshole Song)
115 bpm • G Maj • 03:14 • -4db
24% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Buffett
Why Don't We Get Drunk
121 bpm • D Maj • 02:45 • -10db
48% Popularity • 56% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Big & Rich
Big Time
121 bpm • D Maj • 03:56 • -1.39db
37% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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C.W. McCall
There Won't Be No Country Music (There W...
121 bpm • G Maj • 03:47 • -17.04db
31% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Ozark Mountain Daredevils
Chicken Train
121 bpm • D Maj • 03:03 • -17.21db
30% Popularity • 68% Danceability • 82% Energy • 31% Liveness
17% Instrumentalness • 90% Positiveness
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Earl Thomas Conley
Fire and Smoke
115 bpm • G Maj • 03:13 • -10db
43% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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The Georgia Satellites
Keep Your Hands to Yourself
115 bpm • D Maj • 03:25 • -9.28db
63% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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John Michael Montgomery
Beer and Bones
121 bpm • G Maj • 03:38 • -8.65db
20% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Mickey Gilley
You've Really Got a Hold on Me
115 bpm • G Maj • 02:58 • -12db
26% Popularity • 48% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Blackfoot
Train, Train
122 bpm • A Maj • 03:36 • -8db
54% Popularity • 61% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Ray Cyrus
Some Gave All
122 bpm • G Maj • 04:05 • -13.96db
45% Popularity • 63% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Seals
My Baby's Got Good Timing
114 bpm • G# Maj • 03:27 • -14.67db
41% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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John Conlee
Miss Emily's Picture
122 bpm • A Maj • 06:30 • -11.11db
35% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Collie
Even The Man In The Moon Is Crying
122 bpm • F Maj • 03:41 • -11.7db
41% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Tom T. Hall
Redneck Riviera
114 bpm • G Maj • 03:39 • -6db
25% Popularity • 78% Danceability • 66% Energy • 77% Liveness
0% Instrumentalness • 91% Positiveness
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The Charlie Daniels Band
You Can't Pick Cotton
114 bpm • G Maj • 03:51 • -12.26db
24% Popularity • 65% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Tippin
I Got It Honest
123 bpm • A Maj • 03:46 • -9.98db
34% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Big House
You Ain't Lonely Yet
123 bpm • C Maj • 03:46 • -7.58db
18% Popularity • 75% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Little Texas
Country Crazy
123 bpm • A Maj • 03:45 • -5.53db
11% Popularity • 74% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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John Conlee
Old School
113 bpm • D# Maj • 03:56 • -11db
48% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:37 • -12.06db
49% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Dan Seals
Bop
123 bpm • C# Maj • 03:46 • -11.88db
54% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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The Highwaymen
It Is What It Is
123 bpm • A Maj • 03:39 • -6.94db
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Joe Shaver
I Been to Georgia on a Fast Train
123 bpm • F min • 02:56 • -10.9db
45% Popularity • 77% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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The Judds
Have Mercy
123 bpm • D Maj • 03:21 • -7.95db
52% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Ricky Skaggs
Don't Cheat In Our Hometown
123 bpm • F Maj • 03:17 • -11db
32% Popularity • 70% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:39 • -8db
28% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Tippin
Workin' Man's Ph.D
123 bpm • C Maj • 03:29 • -8.63db
40% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Diffie
Tearin' It Up
123 bpm • A min • 03:49 • -9.11db
10% Popularity • 68% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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C.W. McCall
Crispy Critters
113 bpm • G Maj • 02:56 • -13db
33% Popularity • 71% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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The Ozark Mountain Daredevils
If You Wanna Get To Heaven
124 bpm • C Maj • 03:04 • -12.56db
56% Popularity • 77% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Mel McDaniel
Baby Got Her Blue Jeans On
112 bpm • A# Maj • 02:47 • -4.31db
34% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Aaron Tippin
Working Man's Ph.d.
123 bpm • G# Maj • 03:51 • -5.26db
33% Popularity • 70% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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John Conlee
Common Man
124 bpm • G Maj • 03:03 • -5.61db
32% Popularity • 70% Danceability • 87% Energy • 92% Liveness
0% Instrumentalness • 66% Positiveness
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T. H. Music Festival
White Knight
124 bpm • F Maj • 04:10 • -10.74db
29% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Dan Seals
Meet Me In Montana
124 bpm • A# Maj • 03:56 • -12.29db
53% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Cash
I've Been Everywhere
112 bpm • E min • 03:17 • -5.88db
62% Popularity • 73% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Mel McDaniel
Real Good Feel Good Song
112 bpm • F# Maj • 02:25 • -18db
41% Popularity • 73% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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The Bellamy Brothers
When I'm Away From You
112 bpm • G# Maj • 03:50 • -6.23db
39% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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C.W. McCall
Convoy
112 bpm • F Maj • 03:50 • -14.88db
62% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Patty Loveless
Timber I'm Falling In Love
125 bpm • C# Maj • 02:32 • -11.87db
47% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Sammy Kershaw
Don't Go Near The Water
125 bpm • C Maj • 03:07 • -10.61db
40% Popularity • 75% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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The Charlie Daniels Band
Blue Star
125 bpm • D min • 03:38 • -11.06db
17% Popularity • 50% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Ricochet
Seven Bridges Road
111 bpm • G Maj • 03:07 • -8.75db
36% Popularity • 42% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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John Conlee
I'm Only In It For Love
125 bpm • A# Maj • 03:19 • -7.69db
40% Popularity • 73% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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C.W. McCall
Wolf Creek Pass
125 bpm • C Maj • 04:00 • -16.64db
44% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jerry Reed
She Got the Goldmine (I Got the Shaft)
111 bpm • A Maj • 03:16 • -13.79db
47% Popularity • 77% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Earl Thomas Conley
Smokey Mountain Memories
111 bpm • G Maj • 03:27 • -9.81db
29% Popularity • 70% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Charlie Daniels Band
Stroker's Theme
126 bpm • G# Maj • 02:49 • -10.02db
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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John Conlee
Busted
126 bpm • D Maj • 02:31 • -10.47db
45% Popularity • 87% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Marshall Tucker Band
Desert Skies
110 bpm • E Maj • 06:23 • -8.49db
42% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Brooks Jefferson
Two of a Kind (Workin' On a Full House)
126 bpm • D Maj • 02:31 • -3.73db
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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In America