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In Dulci Jubilo
Songs like
In Dulci Jubilo
by
Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Jessica Baran-Surel
Saltarello
130 bpm • D min • 04:45 • -9db
28% Popularity • 51% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 46% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Mack Wilberg
Beautiful Savior (Arr. M. Wilberg)
130 bpm • E Maj • 03:21 • -26db
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Traditional
Antienne: Nigra Sum Sed Formosa - Psaume...
130 bpm • C Maj • 04:05 • -28.62db
4% Popularity • 27% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Lord Have Mercy
130 bpm • C Maj • 03:47 • -17.15db
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Hosanna filio David Antiphona (Palmsonnt...
131 bpm • D# Maj • 02:23 • -17db
35% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
24% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Traditional
Byzantine Liturgy: Dostoino est (It is w...
130 bpm • A Maj • 01:46 • -17.79db
33% Popularity • 22% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
24% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Da pacem domine
129 bpm • E min • 01:21 • -23.47db
30% Popularity • 34% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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"The Orthodox Singers" Male Choir
Eternal Memory
131 bpm • C# min • 02:30 • -32.25db
19% Popularity • 19% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
20% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Luis Cobos
Mexicano. Guadalajara y Otras - Remaster...
132 bpm • C Maj • 02:29 • -9db
31% Popularity • 63% Danceability • 50% Energy • 30% Liveness
50% Instrumentalness • 79% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
9% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Traditional
The Swingle Singers: Bella Ciao (Arr. fo...
129 bpm • F min • 04:52 • -10.36db
37% Popularity • 34% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Credo Chamber Choir
Holy God
132 bpm • B Maj • 05:48 • -20.01db
31% Popularity • 19% Danceability • 11% Energy • 13% Liveness
60% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
How Glorious Is Our Lord In Zion
128 bpm • F Maj • 04:35 • -19.88db
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Cantarte Regensburg
Offertorium: Ave Maria
132 bpm • A min • 02:19 • -18.09db
34% Popularity • 24% Danceability • 12% Energy • 14% Liveness
35% Instrumentalness • 14% Positiveness
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Traditional
O Maria, stella maris
129 bpm • F Maj • 03:43 • -27.71db
20% Popularity • 22% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Luis Cobos
Mexicano - Remasterizado
132 bpm • C Maj • 06:27 • -9db
29% Popularity • 65% Danceability • 59% Energy • 19% Liveness
67% Instrumentalness • 88% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
25% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Moscow Cathedral Choir
O Gentle Light
127 bpm • B Maj • 03:25 • -20.17db
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Traditional
Kyrie - Rex aeterno
128 bpm • D Maj • 03:45 • -25.49db
6% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
Serenade
127 bpm • A# Maj • 02:02 • -26.74db
21% Popularity • 24% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Monks Of The Abbey Of Notre Dame
Regina Mundi
133 bpm • B Maj • 01:31 • -24db
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Traditional
Sekstur from Vendsyssel - The Peat Dance
132 bpm • A Maj • 04:01 • -16.87db
24% Popularity • 45% Danceability • 21% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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Cappella Romana
Prokeimenon
133 bpm • E Maj • 05:23 • -18.2db
19% Popularity • 22% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Traditional
Salve Regina
128 bpm • A min • 02:58 • -17.45db
11% Popularity • 26% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
31% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
42% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Traditional
Proprium Missae in Dominica: Introitus -...
132 bpm • A min • 03:39 • -24.28db
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
19% Instrumentalness • 5% Positiveness
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Gregorian Chants
Miss De Angelis: V. Agnus Dei
126 bpm • F Maj • 01:18 • -21db
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Traditional
Last Post
128 bpm • A# Maj • 01:27 • -16.9db
32% Popularity • 68% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Schola Gregoriana Mediolanensis & Giovanni Vianini
Stella Splendens In Monte
134 bpm • D Maj • 02:43 • -20.94db
14% Popularity • 20% Danceability • 22% Energy • 15% Liveness
12% Instrumentalness • 19% Positiveness
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Juliette Pochin
Veni Creator Spiritus
126 bpm • G# Maj • 02:13 • -22db
38% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Dan Forrest
Good Night, Dear Heart
126 bpm • B Maj • 03:59 • -27.84db
29% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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Traditional
Auld Lang Syne (Arr. Knigge for Sopranin...
133 bpm • D Maj • 03:21 • -21.44db
20% Popularity • 18% Danceability • 11% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
28% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Introït "Dignus est Agnus"
126 bpm • F# Maj • 01:42 • -20db
41% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
135 bpm • F Maj • 01:31 • -20db
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Maximilian Steinberg
Passion Week, Op. 13: VI. Of Thy Mystica...
135 bpm • D min • 04:43 • -25.58db
3% Popularity • 16% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
24% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Traditional
Shenandoah
133 bpm • E Maj • 03:36 • -39db
25% Popularity • 16% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
10% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Choir of Beirut
Hymnus, Ave Maria
125 bpm • C Maj • 01:07 • -26.53db
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sally Beamish
In the Stillness
125 bpm • A min • 02:19 • -31.93db
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Traditional
Proprium Missae in Dominica: Offertorium...
133 bpm • G min • 02:30 • -33.13db
22% Popularity • 20% Danceability • 1% Energy • 33% Liveness
5% Instrumentalness • 6% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Nowadays Forces Heavenly
137 bpm • F min • 03:25 • -23db
21% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Traditional
Loch Lomond (Arr. J. Quick)
127 bpm • G# Maj • 04:35 • -32.01db
9% Popularity • 25% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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"The Orthodox Singers" Male Choir
The Legend Of Twelve Robbers
136 bpm • G Maj • 04:47 • -21.71db
10% Popularity • 23% Danceability • 14% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
37% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Parce Domine
137 bpm • C# min • 01:27 • -25.24db
43% Popularity • 20% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Traditional
Salve Regina
134 bpm • A Maj • 02:04 • -22.91db
31% Popularity • 20% Danceability • 14% Energy • 16% Liveness
95% Instrumentalness • 6% Positiveness
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Kassia
Troparion for Holy Wednesday
137 bpm • C Maj • 05:51 • -24db
12% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Indianapolis Children's Choir
Jubilate Deo: II. Ve adthdor vador
123 bpm • G Maj • 08:14 • -20.91db
8% Popularity • 18% Danceability • 14% Energy • 37% Liveness
17% Instrumentalness • 4% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Traditional
Proprium Missae in Dominica: Graduale - ...
134 bpm • C Maj • 02:36 • -20.81db
25% Popularity • 25% Danceability • 4% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Psalterium
Dindirindin
122 bpm • D# min • 01:44 • -18db
13% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Divna Ljubojević
Heruvimska pesma
138 bpm • D# min • 02:12 • -12db
14% Popularity • 21% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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John Alexander
Earth Song
122 bpm • F Maj • 03:49 • -24.63db
31% Popularity • 20% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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In Dulci Jubilo