Songs like In His Care-O by William L. Dawson
Based on a tempo of (+/- 10%) and a similar genre
► Preview
The Choir of Trinity College, Melbourne
God That Madest Earth and Heaven
76 bpm • G Maj • 01:57 • -23.44db
16% Popularity • 15% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
16% Popularity • 15% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
► Preview
Nicolas Fayolle
Peace To Love
76 bpm • C# Maj • 02:47 • -17.76db
25% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): XII. The hop...
76 bpm • A# Maj • 05:08 • -19.3db
10% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Crown & Covenant
Lord, From the Depths to You I Cried (Ps...
76 bpm • D Maj • 01:58 • -20.96db
11% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ronaldo Miranda
Suite Nordestina: III. Bumba chora
76 bpm • A# min • 02:18 • -18.69db
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
► Preview
University of Bielsko-Biala Choir
Kiss from a rose
76 bpm • F# Maj • 06:00 • -16.71db
7% Popularity • 13% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 13% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Millennial Choirs & Orchestras
America the Beautiful
76 bpm • F Maj • 07:31 • -15.37db
9% Popularity • 9% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Jaakko Mäntyjärvi
Pseudo-Yoik
76 bpm • A Maj • 02:30 • -10.45db
9% Popularity • 30% Danceability • 47% Energy • 33% Liveness
92% Instrumentalness • 31% Positiveness
9% Popularity • 30% Danceability • 47% Energy • 33% Liveness
92% Instrumentalness • 31% Positiveness
► Preview
BBC Radio 4 Daily Service Singers
Be Still For The Presence Of The Lord (T...
76 bpm • D Maj • 03:09 • -28.27db
10% Popularity • 12% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 5% Positiveness
10% Popularity • 12% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 5% Positiveness
► Preview
Benjamin Britten
Folk Song Arrangements: O Waly, Waly
76 bpm • A Maj • 03:22 • -28.3db
20% Popularity • 22% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
12% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Crown & Covenant
Behold How Very Good It Is (Psalm 133b)
76 bpm • D Maj • 01:04 • -19.04db
17% Popularity • 24% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 24% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Sexteto Cantábile
Exultate Deo (Alessandro Scarlatti)
76 bpm • B Maj • 01:45 • -18.18db
25% Popularity • 23% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Laestadian Lutheran Church
O Shepherd of the Sheep SHZ 269
75 bpm • G min • 05:44 • -22db
7% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
7% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
John Lindberg
Pingst
77 bpm • F# Maj • 02:10 • -28.82db
8% Popularity • 20% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
► Preview
William L. Dawson
In His Care-O
76 bpm • B Maj • 03:05 • -24db
5% Popularity • 26% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 26% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Urmas Sisask
Heliseb Väljadel
77 bpm • F Maj • 02:55 • -30.86db
7% Popularity • 10% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 10% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Christopher Walker
Lord, Let Me Love You More and More
75 bpm • F# min • 03:08 • -20.5db
8% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Michał Ziółkowski
In Taberna
75 bpm • F# Maj • 04:47 • -20.48db
9% Popularity • 29% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
George Malcolm
Ingrediente Domino
77 bpm • A# Maj • 02:48 • -19db
9% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Laestadian Lutheran Church
O Jesus, Dearest Friend to Me SHZ 320
77 bpm • E min • 04:02 • -17.52db
14% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
14% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Patrick Vu
On the Hillside - Live
77 bpm • C# Maj • 05:28 • -25.38db
7% Popularity • 12% Danceability • 4% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 4% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alejandro D. Consolacion II
Misteryo ng Pananampalataya
77 bpm • C# Maj • 01:06 • -11.09db
8% Popularity • 18% Danceability • 31% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
8% Popularity • 18% Danceability • 31% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
► Preview
Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
7% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
7% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Harmonious Chorale Ghana
Love Divine, All Loves Excelling
75 bpm • C Maj • 03:02 • -10.9db
18% Popularity • 15% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 15% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Henrik Rung
I al sin glans nu stråler solen
77 bpm • G Maj • 04:48 • -19db
9% Popularity • 23% Danceability • 11% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
► Preview
Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
Sumphonia
Seraphim
77 bpm • C min • 02:13 • -21.23db
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • F# min • 01:32 • -32.66db
14% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Alejandro D. Consolacion II
Ama Namin
75 bpm • A# Maj • 03:07 • -17.43db
8% Popularity • 7% Danceability • 14% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 14% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Jeronimas Kačinskas
Missa Brevis. Benedictus
75 bpm • D min • 01:07 • -18.12db
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
Robert Walker
As The Apple Tree
75 bpm • G# Maj • 03:21 • -30.42db
7% Popularity • 15% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Suviseuralaulu
Siionin laulu 300 b Laula, kansa Jumalan
77 bpm • C# min • 02:42 • -18.65db
10% Popularity • 19% Danceability • 27% Energy • 22% Liveness
6% Instrumentalness • 45% Positiveness
10% Popularity • 19% Danceability • 27% Energy • 22% Liveness
6% Instrumentalness • 45% Positiveness
► Preview
Rejike
In the Lord
77 bpm • F# Maj • 02:25 • -14.84db
26% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
The Redeemer Choir Austin Texas
And Can It Be That I Should Gain (SAGINA...
77 bpm • G Maj • 04:38 • -17.87db
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
39% Instrumentalness • 23% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
39% Instrumentalness • 23% Positiveness
► Preview
Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Teitur Lassen
Undiscovered
77 bpm • C Maj • 02:27 • -24db
9% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Yves Castagnet
Castagnet: Guéris nos cœurs, Seigneur ...
77 bpm • G Maj • 03:56 • -15db
9% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Karl Jenkins
The Armed Man (Ensemble Version): III. K...
74 bpm • D min • 08:43 • -25.47db
14% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
9% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
9% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
► Preview
James MacMillan
St Anne’s Mass: II. Gloria
78 bpm • D Maj • 02:30 • -27.08db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
9% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Sumphonia
Let Us Go to the Mount
78 bpm • D Maj • 02:28 • -19.19db
10% Popularity • 20% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 20% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Nicolas Fayolle
Let It Be Written Down
74 bpm • C# Maj • 03:27 • -12.89db
25% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Dallas Chamber Choir
Gravedigger
74 bpm • A min • 04:53 • -19.93db
8% Popularity • 12% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Larry Nickel
Come Unto Me
74 bpm • D# Maj • 01:57 • -21.89db
11% Popularity • 25% Danceability • 12% Energy • 14% Liveness
13% Instrumentalness • 10% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 14% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
74 bpm • F Maj • 03:42 • -14.19db
16% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
16% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
William L. Dawson
Soon I will done
78 bpm • E min • 03:29 • -19.28db
0% Popularity • 22% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 22% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Robert Schumann
Romanzen und Balladen, Book 3, Op. 145: ...
78 bpm • A# Maj • 02:12 • -40.47db
15% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Vestre Aker kammerkor
Herre Jesus gi meg nåde
74 bpm • F# min • 03:21 • -29.89db
8% Popularity • 27% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 11% Positiveness
► Preview
BBC Radio 4 Daily Service Singers
Abide With Me Fast Falls The Eventide
78 bpm • D# Maj • 03:28 • -22.12db
8% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Wells
Now Is the Hour
78 bpm • D# Maj • 02:24 • -25.74db
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Laestadian Lutheran Church
I Recall the Day of Rapture SHZ 315
78 bpm • G min • 03:22 • -22db
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
The Choir of Trinity College, Melbourne
Inspired by Love and Anger
74 bpm • C Maj • 04:11 • -17.42db
9% Popularity • 13% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
9% Popularity • 13% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
► Preview
Will Todd
Jazz Missa Brevis: Sanctus
78 bpm • A# Maj • 02:18 • -19.29db
8% Popularity • 21% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 13% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 13% Positiveness
► Preview
Clement Cotterill Scholefield
The Day You Gave Us, Lord, Is Ended (Arr...
78 bpm • G Maj • 03:32 • -16.01db
8% Popularity • 21% Danceability • 16% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 16% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
► Preview
Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
14% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
► Preview
Benedict Sheehan
Vespers: No. 1, The Opening Psalm
74 bpm • A min • 09:08 • -19.01db
9% Popularity • 12% Danceability • 21% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 21% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Plotipu usnuv (Having Fallen Asleep)
74 bpm • C Maj • 01:48 • -30db
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Cecilia McDowall
The Girl from Aleppo: No. 1, Orphans of ...
78 bpm • B min • 08:05 • -17.37db
8% Popularity • 17% Danceability • 22% Energy • 6% Liveness
3% Instrumentalness • 11% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 6% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Leoš Janáček
Láska opravdivá, JW IV/8
78 bpm • G Maj • 01:54 • -37db
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Ralph Vaughan Williams
A Song of Thanksgiving: Land of Our Birt...
78 bpm • D Maj • 03:39 • -20.87db
7% Popularity • 16% Danceability • 10% Energy • 8% Liveness
36% Instrumentalness • 6% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 8% Liveness
36% Instrumentalness • 6% Positiveness
► Preview
John Bell
Come and Let Us Worship God
73 bpm • D Maj • 02:15 • -18.37db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
BBC Radio 4 Daily Service Singers
Dear Lord And Father Of Mankind
74 bpm • D# Maj • 03:46 • -25.69db
11% Popularity • 17% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Margaret Rizza
Thou Art All Things
79 bpm • G min • 04:27 • -26.27db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Michael Joncas
St. Francis Evening Prayer (Lucernarium)...
73 bpm • D# Maj • 02:05 • -22.9db
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Knut Nystedt
I Will Praise Thee, Oh Lord
79 bpm • E min • 01:39 • -17db
10% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
10% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Geirr Tveitt
Geirr Tveitt / Håkon Berge: Vé no velk...
79 bpm • C# min • 02:40 • -19.79db
9% Popularity • 19% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Nothing Is Here for Tears
79 bpm • C Maj • 02:25 • -16.57db
7% Popularity • 11% Danceability • 20% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
7% Popularity • 11% Danceability • 20% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
► Preview
Laestadian Lutheran Church
He Shall Feed His Flock
79 bpm • G Maj • 04:49 • -22db
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Harvard University Choir
God, That Madest Earth and Heaven
73 bpm • G Maj • 01:53 • -22.04db
15% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
15% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
► Preview
Mårten Jansson
Requiem Novum: III. Dies irae
79 bpm • F min • 08:43 • -18.57db
7% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Daniel Walker
The Unicorn
73 bpm • A# Maj • 03:10 • -23.09db
9% Popularity • 29% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 15% Positiveness
9% Popularity • 29% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 15% Positiveness
► Preview
Gheorghe Popescu Branesti
Kyrie
73 bpm • D# min • 01:37 • -35.91db
12% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Laestadian Lutheran Church
O Jesus, Thou My Comfort Sweet SHZ 496
79 bpm • B min • 03:14 • -18.89db
16% Popularity • 9% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
16% Popularity • 9% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Samuel Sebastian Wesley
Blessed be the God and Father
73 bpm • A# Maj • 08:04 • -20.87db
9% Popularity • 7% Danceability • 11% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Crown & Covenant
Now to the Lord's House Let Us Go (Psalm...
73 bpm • G min • 01:30 • -20.52db
14% Popularity • 21% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 21% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109, IJR 75 "C...
73 bpm • D# Maj • 01:47 • -20.79db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Jacobus Vaet
Musica Dei donum optimi - Live
73 bpm • G min • 04:32 • -17.96db
9% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
9% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Millennial Choirs & Orchestras
God Bless America
73 bpm • F Maj • 06:35 • -14.19db
8% Popularity • 13% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
12% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Caroline Charrière
Flowers
73 bpm • F Maj • 02:29 • -23.55db
9% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Jakarta Oratorio Society
God will Take Care of You
80 bpm • A# Maj • 02:43 • -25.84db
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
► Preview
John Stainer
The Crucifixion: Chorus: The Appeal of t...
80 bpm • G Maj • 06:11 • -24.69db
10% Popularity • 19% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Harmonious Chorale Ghana
When All Thy Mercies, O My God
80 bpm • D# Maj • 04:37 • -14.96db
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Percy Whitlock
The Lord is King (Psalm 99)
80 bpm • G# Maj • 02:48 • -23.56db
1% Popularity • 14% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
1% Popularity • 14% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
► Preview
Mannenensemble Espressione
Did you Think to Pray
72 bpm • E Maj • 04:22 • -21.85db
15% Popularity • 21% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Trond Kverno
Det Hellige Kors Vår Herre Han Bar
80 bpm • C# min • 02:40 • -22.01db
7% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
7% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
15% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Crucifixion: Hymn: The Adoration of ...
80 bpm • D# Maj • 01:46 • -27db
15% Popularity • 20% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 20% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
