Songs like In New Orleans by Alan Young
Based on a tempo of (+/- 10%) and a similar genre
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Joyce Blair
I'd Do Anything
136 bpm • F Maj • 03:14 • -9.3db
0% Popularity • 42% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 42% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Ned Washington
Spread Your Wings
136 bpm • C# Maj • 01:08 • -4db
27% Popularity • 70% Danceability • 49% Energy • 11% Liveness
83% Instrumentalness • 93% Positiveness
27% Popularity • 70% Danceability • 49% Energy • 11% Liveness
83% Instrumentalness • 93% Positiveness
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Alan Young
In New Orleans
136 bpm • C Maj • 02:57 • -13.75db
0% Popularity • 49% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 49% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Monaco
Lights Out
137 bpm • F# Maj • 01:57 • -12db
31% Popularity • 41% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
31% Popularity • 41% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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The Bobby Gordon Sextet
I'm Just Wild About Harry
135 bpm • C Maj • 02:52 • -16.85db
5% Popularity • 63% Danceability • 53% Energy • 15% Liveness
95% Instrumentalness • 94% Positiveness
5% Popularity • 63% Danceability • 53% Energy • 15% Liveness
95% Instrumentalness • 94% Positiveness
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Roy Dotrice
The Little Mermaid - Storyteller
135 bpm • F Maj • 59:07 • -15.8db
35% Popularity • 56% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 56% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Janiee James
The Frog and the Ox
135 bpm • F# min • 01:04 • -8.14db
24% Popularity • 70% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 70% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Oliver Wallace
The Muzzle / Wrong Side of the Tracks
138 bpm • C Maj • 01:56 • -14.47db
26% Popularity • 47% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
26% Popularity • 47% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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William Walton
Henry V, A Shakespeare Scenario: III. Em...
134 bpm • C Maj • 03:31 • -13.7db
4% Popularity • 48% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 48% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Alan Young
I Sing To You
134 bpm • G Maj • 06:07 • -12.22db
0% Popularity • 60% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 60% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Ian Carmichael
Shady Grove
134 bpm • C Maj • 02:53 • -10.78db
2% Popularity • 42% Danceability • 71% Energy • 22% Liveness
36% Instrumentalness • 81% Positiveness
2% Popularity • 42% Danceability • 71% Energy • 22% Liveness
36% Instrumentalness • 81% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jonathan Groff
Reindeer(s) Are Better Than People
139 bpm • D Maj • 00:50 • -14db
63% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Spike Jones & His City Slickers
Der Führer's Face
139 bpm • A# Maj • 02:41 • -5.23db
8% Popularity • 70% Danceability • 84% Energy • 37% Liveness
6% Instrumentalness • 91% Positiveness
8% Popularity • 70% Danceability • 84% Energy • 37% Liveness
6% Instrumentalness • 91% Positiveness
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Chorus - Pocahontas
Savages - Pt. 1
140 bpm • C Maj • 01:43 • -15db
46% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Young
Ain't Misbehavin'
139 bpm • G Maj • 06:58 • -13db
0% Popularity • 45% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 45% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Mel Blanc
Woody Woodpecker - Remastered 2005
140 bpm • F Maj • 02:19 • -12.14db
17% Popularity • 70% Danceability • 48% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 70% Danceability • 48% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
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Angela Lansbury
Reprise: Eglantine / Portebello Road
140 bpm • A# Maj • 01:14 • -18.78db
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Bibi and Tina
Chapter 01: Everyone Love Cuddles
132 bpm • G Maj • 03:04 • -19.8db
14% Popularity • 67% Danceability • 40% Energy • 92% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 67% Danceability • 40% Energy • 92% Liveness
0% Instrumentalness • 80% Positiveness
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Keith Ingham
Meet Me Tonight in Dreamland
132 bpm • F min • 03:13 • -13.29db
5% Popularity • 55% Danceability • 44% Energy • 8% Liveness
68% Instrumentalness • 39% Positiveness
5% Popularity • 55% Danceability • 44% Energy • 8% Liveness
68% Instrumentalness • 39% Positiveness
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Oompa Loompa Cast
Everlasting Gobstoppers/Oompa-Loompa
132 bpm • D Maj • 03:17 • -16.19db
38% Popularity • 46% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
38% Popularity • 46% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
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Shel Silverstein
My Hobby
132 bpm • E min • 00:59 • -19.63db
15% Popularity • 62% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 62% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Rosemary Clooney
Mountain Greenery
132 bpm • G Maj • 02:18 • -17.24db
3% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Alan Young
Special Streamline
141 bpm • D# Maj • 05:49 • -16.42db
0% Popularity • 31% Danceability • 42% Energy • 14% Liveness
81% Instrumentalness • 43% Positiveness
0% Popularity • 31% Danceability • 42% Energy • 14% Liveness
81% Instrumentalness • 43% Positiveness
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Buddy Cole
I'll Remember April
140 bpm • G Maj • 03:15 • -12.06db
4% Popularity • 41% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 67% Positiveness
4% Popularity • 41% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 67% Positiveness
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Marlin
Finale - The Big Blue World (Reprise) - ...
141 bpm • D# Maj • 02:15 • -13db
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Aubrey Woods
The Candy Man
140 bpm • G Maj • 02:31 • -15.05db
42% Popularity • 54% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 54% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 66% Positiveness
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Jeff Gunn
Dancing on a Cloud
141 bpm • D Maj • 04:10 • -15.51db
11% Popularity • 23% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 23% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Ned Washington
Clown Song
131 bpm • F Maj • 01:02 • -10.04db
26% Popularity • 86% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 86% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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The Mouseketeers
Mickey Mouse March
131 bpm • D# Maj • 02:41 • -13.79db
41% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Barbara Lea
Jazz Me Blues
141 bpm • G# Maj • 03:10 • -13.83db
4% Popularity • 58% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 58% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Julie Andrews
So Long, Farewell - Reprise
131 bpm • A# Maj • 01:52 • -13.92db
41% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Germaine Franco
¡Hola Casita!
130 bpm • C Maj • 00:46 • -11.9db
53% Popularity • 16% Danceability • 38% Energy • 40% Liveness
76% Instrumentalness • 6% Positiveness
53% Popularity • 16% Danceability • 38% Energy • 40% Liveness
76% Instrumentalness • 6% Positiveness
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Will Ferrell
Present’s Lament
142 bpm • G Maj • 02:02 • -9.32db
26% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ned Washington
Look out for Mister Stork
131 bpm • C min • 02:17 • -6.39db
22% Popularity • 59% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Debbie Reynolds
Good Morning
130 bpm • D Maj • 04:14 • -10db
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Hugh Grant
Oompa Loompa (Reprise)
142 bpm • A min • 01:05 • -11.88db
57% Popularity • 90% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 90% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Alan Young
Jesus on the Main Line
130 bpm • C min • 05:23 • -12.91db
0% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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The Cast of Peter Pan
Main Title (The Second Star to the Right...
130 bpm • F# Maj • 02:18 • -14.99db
27% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Oliver Wallace
Watch The Birdie / Visitors
130 bpm • D Maj • 02:07 • -15.2db
29% Popularity • 48% Danceability • 11% Energy • 12% Liveness
54% Instrumentalness • 38% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 12% Liveness
54% Instrumentalness • 38% Positiveness
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Rabbi Yoel Ferber
Queen Mechashefa
130 bpm • F min • 08:13 • -7.94db
20% Popularity • 69% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 69% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Ray Walston
It's Not Easy Being Me
130 bpm • G Maj • 02:19 • -11.91db
10% Popularity • 56% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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David Ogden Stiers
Things Are Not What They Appear
143 bpm • D# Maj • 02:19 • -12db
26% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Benjamin Bratt
Remember Me (Ernesto de la Cruz)
129 bpm • D Maj • 01:49 • -6.66db
50% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Bad Lip Reading
La-Bibbida-Bibba-Dum (On Broadway)
129 bpm • C# Maj • 02:40 • -5db
32% Popularity • 73% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 73% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Carmichael
Colored Aristocracy
144 bpm • E min • 02:43 • -11.85db
3% Popularity • 51% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 96% Positiveness
3% Popularity • 51% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 96% Positiveness
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The Bobby Gordon Sextet
On the Sunny Side of the Street
129 bpm • C Maj • 03:28 • -17.69db
4% Popularity • 59% Danceability • 19% Energy • 10% Liveness
26% Instrumentalness • 54% Positiveness
4% Popularity • 59% Danceability • 19% Energy • 10% Liveness
26% Instrumentalness • 54% Positiveness
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Leigh Harline
Little Wooden Head
144 bpm • D Maj • 05:45 • -14.37db
31% Popularity • 33% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 43% Positiveness
31% Popularity • 33% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 43% Positiveness
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Ned Washington
Circus Parade
144 bpm • A# Maj • 01:30 • -3.7db
28% Popularity • 60% Danceability • 92% Energy • 14% Liveness
82% Instrumentalness • 89% Positiveness
28% Popularity • 60% Danceability • 92% Energy • 14% Liveness
82% Instrumentalness • 89% Positiveness
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Oompa Loompa Cast
Wonkamobile, Wonkavision/Oompa-Loompa
128 bpm • E min • 01:49 • -13db
36% Popularity • 52% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 52% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Leo - Cast
Last Year
144 bpm • F# Maj • 03:18 • -12.45db
38% Popularity • 58% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 58% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Gorilly
Fast Freddie and Steady Eddie
144 bpm • A# Maj • 02:56 • -7.59db
17% Popularity • 68% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 68% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Detromental
Move (Rebuilt)
128 bpm • A# min • 04:48 • -9.98db
1% Popularity • 60% Danceability • 81% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
1% Popularity • 60% Danceability • 81% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Julie Andrews
Do-Re-Mi - Reprise
145 bpm • C min • 01:00 • -10.04db
34% Popularity • 37% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 37% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Thurl Ravenscroft
The Adventurous Jungle Cruise (Pt. 1)
128 bpm • C Maj • 04:51 • -15db
26% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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Bibi and Tina
Chapter 04: Everyone Love Cuddles
128 bpm • C# Maj • 03:02 • -18.41db
15% Popularity • 65% Danceability • 36% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 65% Danceability • 36% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
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Christopher Plummer
Scene V, Part II
127 bpm • F Maj • 01:05 • -25.13db
11% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Rosemary Clooney
It's All Right With Me
145 bpm • G min • 02:10 • -17.06db
3% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Julie Andrews
Do-Re-Mi
128 bpm • A# Maj • 05:35 • -12.15db
55% Popularity • 51% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 51% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Frees
Various Pirates
145 bpm • A# min • 01:24 • -22.55db
12% Popularity • 68% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 68% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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Alan Young
Caught Us Doing It
127 bpm • A# min • 02:25 • -15.46db
6% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
6% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Cliff Edwards
When You Wish Upon a Star
127 bpm • D Maj • 03:15 • -11.96db
48% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
48% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
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Christopher Plummer
Scene V, Part III
146 bpm • C Maj • 02:58 • -22.15db
3% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bad Wolf Press
We're Argonauts - Vocals
146 bpm • E min • 01:47 • -12.1db
14% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Wayne Allwine
Closing
125 bpm • F Maj • 01:14 • -11db
33% Popularity • 68% Danceability • 26% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 26% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
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Shel Silverstein
Prehistoric
148 bpm • F# Maj • 01:04 • -27.92db
20% Popularity • 66% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 66% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Young
All My Doors
126 bpm • G Maj • 03:28 • -11.9db
0% Popularity • 43% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Burt Reynolds
You Can't Keep A Good Dog Down
125 bpm • C# Maj • 02:35 • -14.14db
25% Popularity • 60% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 60% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Farmer Jason
Get Up Up Up!
148 bpm • C Maj • 01:37 • -7.59db
36% Popularity • 63% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 63% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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The Cartoonz
The Brady Bunch
125 bpm • F Maj • 01:01 • -12.26db
17% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Simpsons
They'll Never Stop The Simpsons
149 bpm • C Maj • 01:16 • -11db
26% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Bob and Tom
Paging Richard Smoker
124 bpm • G Maj • 04:34 • -7.74db
12% Popularity • 67% Danceability • 67% Energy • 91% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 67% Danceability • 67% Energy • 91% Liveness
0% Instrumentalness • 71% Positiveness
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Alan Young
Po' Boy
125 bpm • G Maj • 03:07 • -14.82db
6% Popularity • 57% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 55% Positiveness
6% Popularity • 57% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 55% Positiveness
► Preview
Angela Lansbury
Eglantine, Don't Let Me Down (Reprise: E...
124 bpm • G# Maj • 03:41 • -11db
27% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Daveed Diggs
Night of the Lights
149 bpm • D Maj • 02:13 • -6.66db
20% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Rosemary Clooney
I Get A Kick Out Of You
149 bpm • A# Maj • 02:49 • -17.12db
7% Popularity • 52% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 52% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Peter's Farm
Horse Next Door
124 bpm • E Maj • 01:47 • -12.52db
9% Popularity • 88% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 88% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Julie Andrews
Edelweiss - Reprise
124 bpm • A# Maj • 01:52 • -15.8db
48% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Alan Young
Sylvester's 'C' Piece
124 bpm • C# Maj • 03:20 • -14.43db
0% Popularity • 41% Danceability • 38% Energy • 35% Liveness
89% Instrumentalness • 46% Positiveness
0% Popularity • 41% Danceability • 38% Energy • 35% Liveness
89% Instrumentalness • 46% Positiveness
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Craig Smith
Eating
124 bpm • D# Maj • 02:29 • -6.4db
32% Popularity • 78% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 78% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Infectiouss
Boarding Olympiad Starways
150 bpm • G# Maj • 01:18 • -11.46db
16% Popularity • 44% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 44% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Kate Higgins
Easy To Save
150 bpm • F Maj • 04:04 • -12.59db
0% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Kevin Hart
Saturday - Cast Version
150 bpm • C Maj • 00:48 • -4.85db
47% Popularity • 55% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 55% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Roy Dotrice
Beauty And The Beast - Storyteller
123 bpm • C Maj • 44:00 • -19.89db
35% Popularity • 60% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 60% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Alan Young
Love Changing Blues
124 bpm • F Maj • 03:28 • -16.55db
0% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Ingham
A Mellow Bit of Rhythm
123 bpm • A# min • 04:11 • -14.68db
3% Popularity • 67% Danceability • 25% Energy • 12% Liveness
9% Instrumentalness • 49% Positiveness
3% Popularity • 67% Danceability • 25% Energy • 12% Liveness
9% Instrumentalness • 49% Positiveness
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William Woodson
Oliver and Company - Storyteller
123 bpm • G# Maj • 45:13 • -14.77db
29% Popularity • 61% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 61% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Max Casella
Tip And Dash
122 bpm • C Maj • 01:59 • -7.86db
34% Popularity • 49% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 49% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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They Might Be Giants
Why Does the Sun Shine? (The Sun Is a Ma...
122 bpm • F Maj • 02:54 • -10.1db
20% Popularity • 72% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 72% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Crystal
If I Didn't Have You
122 bpm • G# Maj • 03:37 • -10db
59% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Alan Young
Heal Yourself
123 bpm • A Maj • 06:31 • -15.62db
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Walt Disney
Walt Disney and the Sherman Brothers Sin...
122 bpm • C Maj • 01:10 • -9.99db
32% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
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Christopher Plummer
The Owls’ Picnic
122 bpm • F Maj • 00:46 • -9.5db
11% Popularity • 87% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 87% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Walter Catlett
Hi-Diddle-Dee-Dee (An Actor's Life for M...
122 bpm • D# Maj • 01:40 • -14.3db
39% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Dav Pilkey
Chapter 2 - Captain Underpants and the P...
121 bpm • G# Maj • 03:04 • -18.13db
31% Popularity • 72% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 72% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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David Tomlinson
With A Flair
121 bpm • A min • 02:34 • -8.89db
27% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Young
Maui Chimes
123 bpm • G Maj • 03:05 • -22.36db
7% Popularity • 54% Danceability • 26% Energy • 15% Liveness
98% Instrumentalness • 90% Positiveness
7% Popularity • 54% Danceability • 26% Energy • 15% Liveness
98% Instrumentalness • 90% Positiveness
