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In Nomine
Songs like
In Nomine
by
John Taverner
Based on a tempo of (+/- 10%) and a similar genre
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
31% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Stephen Stubbs
Improvisation II on the Folia bass
107 bpm • B Maj • 06:44 • -23.25db
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Henry Purcell
9 Fantasia a 4: IV. Fantazia in G Minor,...
108 bpm • F# min • 03:44 • -24.17db
1% Popularity • 16% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia artificioso-ariosa / Partia I: ...
107 bpm • C# min • 02:40 • -18db
18% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
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Henricus Isaac
Palle, Palle
107 bpm • C Maj • 02:03 • -22.96db
3% Popularity • 23% Danceability • 6% Energy • 14% Liveness
4% Instrumentalness • 18% Positiveness
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Guillaume de Machaut
Kyrie III
109 bpm • G Maj • 01:06 • -21.2db
13% Popularity • 20% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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John Taverner
In Nomine
107 bpm • A# Maj • 02:21 • -42.5db
2% Popularity • 50% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 42% Positiveness
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Giovanni Girolamo Kapsberger
Libro I d'intavolatura di lauto: Toccata...
107 bpm • E Maj • 02:40 • -24.65db
23% Popularity • 47% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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Clément Janequin
La Battaglia
109 bpm • G Maj • 03:30 • -20db
9% Popularity • 30% Danceability • 20% Energy • 7% Liveness
94% Instrumentalness • 46% Positiveness
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Christopher Tye
Christ Rising Again from the Dead: Chris...
107 bpm • G# min • 03:45 • -17.03db
2% Popularity • 24% Danceability • 15% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Robert Parsons
Pour down, you pow'rs divine
106 bpm • G# min • 05:14 • -22.22db
7% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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John Taverner
Mater Christi
109 bpm • C Maj • 06:01 • -25.19db
3% Popularity • 20% Danceability • 12% Energy • 7% Liveness
23% Instrumentalness • 4% Positiveness
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Piffaro
Ach Elslein, Liebes Elselein Mein
110 bpm • E min • 01:01 • -21.29db
27% Popularity • 16% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 40% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Tobias Hume
Adue Sweet Love
110 bpm • C# min • 02:14 • -30.26db
24% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
29% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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John Dowland
The Frog Galliard, P 23a
106 bpm • F Maj • 01:59 • -30.5db
17% Popularity • 33% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 61% Positiveness
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Osbert Parsley
In Nomine A 4 No. 2
110 bpm • D min • 02:54 • -26.17db
2% Popularity • 16% Danceability • 2% Energy • 13% Liveness
39% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Josquin des Prez
Qui habitat à 24
106 bpm • F Maj • 05:39 • -18.33db
13% Popularity • 16% Danceability • 27% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
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Thomas Morley
Canzonets to Three Voyces: XI. O Fly Not
105 bpm • B Maj • 01:18 • -18.31db
19% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Ludwig Senfl
Ich Stund An Einem Morgen A 4
105 bpm • A min • 01:42 • -27.45db
2% Popularity • 15% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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John Dowland
Mr. Thomas Collier his Galliard with 2 T...
105 bpm • F min • 01:36 • -24.77db
2% Popularity • 30% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Cipriano de Rore
Ancor che col partire (Arr. The Dowland ...
111 bpm • A min • 03:57 • -24db
8% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Christopher Tye
In Nomine a 6: In Nomine a 6
105 bpm • C# min • 02:15 • -22.51db
2% Popularity • 22% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 13% Positiveness
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Jacques Champion de Chambonnières
Pavane L'entretien des Dieux
105 bpm • G# Maj • 06:04 • -20.69db
9% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: a. Bransle Gay 1 b. Bransl...
105 bpm • D# Maj • 02:35 • -22.93db
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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John Cage
Apartment House 1776: Harmony No. 1, Coo...
104 bpm • G Maj • 01:33 • -27db
31% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
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Clément Janequin
L'amour, la mort et la vie
111 bpm • D# Maj • 01:50 • -24db
12% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
104 bpm • A min • 03:07 • -31.12db
18% Popularity • 14% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
28% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Michael Praetorius
Suite No. 1 in C Major: II. Spagnoletta
112 bpm • C Maj • 02:59 • -18.51db
34% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Tobias Hume
An Almaine
112 bpm • C# min • 03:08 • -33db
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
112 bpm • C# min • 03:27 • -18.18db
20% Popularity • 39% Danceability • 20% Energy • 11% Liveness
57% Instrumentalness • 13% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
9 Fantasia a 4: VII. Fantazia in C Minor...
104 bpm • B min • 04:08 • -24.18db
2% Popularity • 15% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Vater unser im Himmelreich, BWV 737
113 bpm • C# min • 02:06 • -28.45db
35% Popularity • 23% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Thomas Tomkins
Woe Is Me: Woe Is Me
113 bpm • G# min • 03:29 • -16.81db
3% Popularity • 18% Danceability • 13% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Julian Bream
Benjamin Britten: Gloriana:Courtly Dance...
113 bpm • A Maj • 02:36 • -27.79db
6% Popularity • 39% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 9% Positiveness
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William Lawes
Royal Consort in D Minor for 2 theorbos:...
103 bpm • E Maj • 01:49 • -22.11db
3% Popularity • 27% Danceability • 8% Energy • 15% Liveness
56% Instrumentalness • 29% Positiveness
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Josquin des Prez
VI. 1557 Retiro en San Jerónimo de Yust...
104 bpm • A min • 03:02 • -33.48db
15% Popularity • 35% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
38% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Paolo Pandolfo
Toccata di tutti musici
113 bpm • D min • 03:07 • -20db
23% Popularity • 25% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Guillaume de Machaut
Kyrie I
103 bpm • C Maj • 00:55 • -21.96db
23% Popularity • 25% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
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Henry Purcell
Circe, Z. 575: Magicians' Dance
113 bpm • A Maj • 01:34 • -35.82db
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Rolf Lislevand
Tarantela II
103 bpm • C# Maj • 04:02 • -23.76db
22% Popularity • 34% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
20% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: V. ...
103 bpm • B min • 03:03 • -21.43db
30% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Paolo Pandolfo
Foliandalus
113 bpm • G min • 07:31 • -26db
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Monsieur de Sainte-Colombe
Prélude à 7 cordes
114 bpm • C# Maj • 01:36 • -39db
26% Popularity • 17% Danceability • 0% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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William Byrd
Pavan
114 bpm • F# Maj • 03:02 • -27db
14% Popularity • 17% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Robert Parsons
De la Court: De la court
102 bpm • F# min • 05:51 • -26db
5% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Costanzo Festa
Three Contrapuncti On ‘La Spagna’: I...
102 bpm • D min • 01:51 • -27.26db
3% Popularity • 17% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
30% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Paolo Pandolfo
Passemezzo … nei boschi del Re
102 bpm • D min • 06:50 • -25db
24% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
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Hopkinson Smith
Lachrimae Pavin
115 bpm • G min • 04:10 • -23.88db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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John Taverner
Quemadmodum
115 bpm • G# min • 04:13 • -27db
3% Popularity • 17% Danceability • 2% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
29% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Robert Parsons
Ut re mi
101 bpm • B Maj • 06:09 • -29db
6% Popularity • 14% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 19% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Charles Wuorinen
Josquiniana: I. Helas madame
101 bpm • D min • 03:16 • -30db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for violoncello piccolo in G Ma...
101 bpm • D# min • 03:00 • -13.85db
38% Popularity • 18% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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John Taverner
Mater Christi
101 bpm • C Maj • 06:21 • -17.96db
2% Popularity • 20% Danceability • 21% Energy • 11% Liveness
62% Instrumentalness • 6% Positiveness
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John Dowland
Lachrimae, or Seven Tears: No. 1, Lachri...
101 bpm • G min • 04:04 • -28.27db
2% Popularity • 14% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
115 bpm • F Maj • 02:39 • -39.9db
13% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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William Lawes
The Royall Consort Sett No. 6 in D Major...
116 bpm • C# Maj • 01:54 • -22.7db
2% Popularity • 23% Danceability • 8% Energy • 15% Liveness
59% Instrumentalness • 32% Positiveness
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Paolo Pandolfo
Dialogo sopra un Pass'emezzo
116 bpm • G min • 06:25 • -25.19db
12% Popularity • 34% Danceability • 8% Energy • 9% Liveness
48% Instrumentalness • 26% Positiveness
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Orlande de Lassus
Im Mayen
116 bpm • C Maj • 01:06 • -23.65db
4% Popularity • 37% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Carl Orff
Musik zur Nacht: Siziliano (Carl Orff) f...
100 bpm • C Maj • 01:34 • -36.75db
33% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
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Diego Oritz
Recercada primera, quarta, ottava
116 bpm • C# min • 04:33 • -25db
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Andrew Lawrence-King
Improvisació arpa
116 bpm • E min • 01:27 • -27db
20% Popularity • 41% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 17% Positiveness
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Thomas Tomkins
In Nomine No. 1: In Nomine No. 1
116 bpm • C# min • 02:18 • -24.13db
3% Popularity • 20% Danceability • 4% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Jan Pieterszoon Sweelinck
Toccata primi toni, SwWV 286
116 bpm • C# min • 03:56 • -16.98db
10% Popularity • 18% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Heinrich Ignaz Franz von Biber
Passagalia in G Minor
100 bpm • F# min • 08:18 • -20db
27% Popularity • 42% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Henry Purcell
In Nomine a 7 in G Minor, Z. 747, "Doria...
117 bpm • C# min • 04:07 • -22db
14% Popularity • 17% Danceability • 4% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 12. Dona...
100 bpm • D# Maj • 01:44 • -20.49db
4% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Rolf Lislevand
Exit Passacaille en si mineur
117 bpm • C# Maj • 01:01 • -29db
29% Popularity • 35% Danceability • 16% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
31% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Kassia
Using the Apostate Tyrant as His Tool
118 bpm • A min • 03:54 • -32.43db
8% Popularity • 17% Danceability • 1% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Giacomo Gorzanis
Saltarello I & II
99 bpm • A# Maj • 03:24 • -32db
33% Popularity • 34% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
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Henry Purcell
In Nomine a 6 in G Minor, Z. 746: Six-Pa...
117 bpm • F# min • 02:21 • -23.2db
1% Popularity • 17% Danceability • 3% Energy • 12% Liveness
57% Instrumentalness • 5% Positiveness
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Adrian Le Roy
Passemeze
117 bpm • A# Maj • 03:35 • -28db
22% Popularity • 42% Danceability • 9% Energy • 15% Liveness
79% Instrumentalness • 76% Positiveness
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Hopkinson Smith
Frogg Galliard
119 bpm • G Maj • 02:44 • -22db
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
82% Instrumentalness • 44% Positiveness
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Monsieur de Sainte-Colombe
Concert XLI: Le Retour
119 bpm • C Maj • 06:32 • -23.63db
13% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
119 bpm • F Maj • 02:54 • -22db
25% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
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Ludwig Senfl
Ich Stund An Einem Morgen A 3
98 bpm • A min • 03:44 • -28.54db
3% Popularity • 13% Danceability • 1% Energy • 7% Liveness
20% Instrumentalness • 18% Positiveness
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Thomas Weelkes
Lament and Elegy: Death Hath Deprived Me
98 bpm • D# min • 03:13 • -21db
19% Popularity • 13% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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François Dufaut
Suite in G minor: I. Prélude
119 bpm • F Maj • 01:54 • -30.22db
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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In Nomine