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In the City
Songs like
In the City
by
Anika
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Williams
Changes
112 bpm • G Maj • 04:08 • -7.13db
47% Popularity • 74% Danceability • 75% Energy • 18% Liveness
20% Instrumentalness • 74% Positiveness
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Geneva Jacuzzi
I'm a TV
112 bpm • F# min • 01:58 • -7.36db
18% Popularity • 92% Danceability • 33% Energy • 16% Liveness
11% Instrumentalness • 93% Positiveness
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LA Vampires
Lovedbyyou
112 bpm • G min • 04:00 • -8.52db
14% Popularity • 89% Danceability • 40% Energy • 13% Liveness
86% Instrumentalness • 33% Positiveness
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Anna Domino
Everyday, I Don't
112 bpm • F Maj • 04:39 • -17.99db
37% Popularity • 79% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
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Suicide
Surrender ('88 Version) (2023 Remaster)
112 bpm • F# min • 03:47 • -6.96db
48% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Molly Nilsson
(Won't Somebody) Take Me Out Tonight
112 bpm • C Maj • 04:42 • -7.61db
29% Popularity • 97% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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John Maus
Do Your Best
112 bpm • C# min • 02:47 • -11.31db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
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Harumi
Fire By The River
111 bpm • F Maj • 03:34 • -16db
42% Popularity • 62% Danceability • 45% Energy • 25% Liveness
93% Instrumentalness • 46% Positiveness
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Sun Ra
Door To The Cosmos - Mixed
113 bpm • G# Maj • 01:25 • -14.07db
41% Popularity • 82% Danceability • 39% Energy • 29% Liveness
5% Instrumentalness • 50% Positiveness
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Electrelane
The Valleys
113 bpm • F# min • 05:20 • -12.64db
36% Popularity • 51% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 29% Positiveness
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The Cleaners From Venus
The Mercury Girl
113 bpm • C# min • 04:22 • -9.05db
36% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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ex.girls
Autopilot
111 bpm • D Maj • 04:26 • -8.47db
31% Popularity • 90% Danceability • 77% Energy • 6% Liveness
14% Instrumentalness • 88% Positiveness
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Nice Guys
Makes You Fly
111 bpm • C# Maj • 06:08 • -5db
46% Popularity • 61% Danceability • 93% Energy • 12% Liveness
29% Instrumentalness • 49% Positiveness
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Deux
Le Camion
111 bpm • G# min • 05:26 • -10.06db
16% Popularity • 81% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Broadcast
Before We Begin
111 bpm • F Maj • 03:22 • -6.7db
45% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Electrelane
Birds
114 bpm • G Maj • 03:53 • -16db
40% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
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The Cleaners From Venus
A Personal Issue
111 bpm • G# Maj • 03:07 • -10.74db
41% Popularity • 70% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Geneva Jacuzzi
Love Caboose
114 bpm • D# Maj • 04:11 • -5.88db
21% Popularity • 83% Danceability • 81% Energy • 8% Liveness
49% Instrumentalness • 92% Positiveness
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Gina X Performance
No G.D.M.
110 bpm • G min • 05:57 • -12.04db
34% Popularity • 77% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
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Deux
Dance With Me
114 bpm • G# min • 04:02 • -10db
32% Popularity • 77% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 90% Positiveness
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Baxter Dury
Other Men's Girls
110 bpm • B min • 03:45 • -11db
38% Popularity • 71% Danceability • 44% Energy • 32% Liveness
57% Instrumentalness • 52% Positiveness
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Lizzy Mercier Descloux
Torso Corso
114 bpm • D Maj • 01:43 • -12.16db
36% Popularity • 87% Danceability • 57% Energy • 42% Liveness
72% Instrumentalness • 53% Positiveness
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CCFX
Venetian Screens
114 bpm • F min • 04:29 • -6db
32% Popularity • 58% Danceability • 71% Energy • 41% Liveness
67% Instrumentalness • 19% Positiveness
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Algebra Suicide
No War Bride
110 bpm • E min • 01:23 • -16.03db
36% Popularity • 72% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 78% Positiveness
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Saâda Bonaire
You Could Be More As You Are
110 bpm • C Maj • 05:56 • -9.64db
47% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Broadcast
Poem Of Dead Song
110 bpm • F min • 02:31 • -10db
40% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
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Folly Group
Fashionista
114 bpm • G Maj • 02:27 • -9db
45% Popularity • 75% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 38% Positiveness
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DRINKS
Real Outside
110 bpm • E Maj • 04:27 • -9.24db
21% Popularity • 91% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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AUA
Islands Song
110 bpm • E min • 04:12 • -15db
12% Popularity • 59% Danceability • 29% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
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John Maus
Sensitive Recollections
110 bpm • C min • 02:46 • -12.27db
36% Popularity • 65% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 81% Positiveness
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Reymour
Je te tiens, Tu me tiens
114 bpm • G# min • 03:27 • -9.6db
30% Popularity • 73% Danceability • 66% Energy • 12% Liveness
73% Instrumentalness • 77% Positiveness
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Black Marble
A Great Design
110 bpm • B Maj • 04:30 • -11db
49% Popularity • 57% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Choir Boy
Hellmouth
110 bpm • C Maj • 03:57 • -8.32db
39% Popularity • 78% Danceability • 55% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
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Easter
The Softest Hard
110 bpm • G Maj • 04:44 • -18.76db
33% Popularity • 72% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Automatic
Electrocution (John Dwyer Remix)
114 bpm • C# Maj • 02:24 • -7.78db
30% Popularity • 68% Danceability • 64% Energy • 14% Liveness
84% Instrumentalness • 57% Positiveness
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Algebra Suicide
No War Bride
110 bpm • E min • 01:25 • -23.6db
33% Popularity • 70% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Deux
Lassitude
114 bpm • G Maj • 03:49 • -9.11db
15% Popularity • 69% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Exploded View
Orlando
114 bpm • F Maj • 03:44 • -8.21db
30% Popularity • 54% Danceability • 74% Energy • 7% Liveness
76% Instrumentalness • 19% Positiveness
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Saâda Bonaire
Little Sister
114 bpm • B min • 04:30 • -7db
35% Popularity • 86% Danceability • 65% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
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ESG
You're No Good
115 bpm • F# min • 03:11 • -11db
29% Popularity • 88% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
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Automatic
Electrocution
114 bpm • A# min • 02:30 • -6.58db
40% Popularity • 72% Danceability • 72% Energy • 14% Liveness
19% Instrumentalness • 20% Positiveness
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John Maus
Old Town
115 bpm • G# min • 02:00 • -18.53db
35% Popularity • 78% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 93% Positiveness
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Mariah
心臓の扉
109 bpm • F Maj • 04:40 • -11.13db
42% Popularity • 72% Danceability • 74% Energy • 36% Liveness
60% Instrumentalness • 58% Positiveness
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EXEK
Several Souvenirs
115 bpm • E min • 04:09 • -9.43db
12% Popularity • 62% Danceability • 58% Energy • 10% Liveness
47% Instrumentalness • 43% Positiveness
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Molly Nilsson
Gun Control
109 bpm • C Maj • 03:52 • -8.45db
37% Popularity • 79% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 72% Positiveness
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Antena
To Climb the Cliff
109 bpm • G# Maj • 03:43 • -12.93db
29% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Deux
Golden Dreams
109 bpm • B min • 06:46 • -11.54db
29% Popularity • 62% Danceability • 79% Energy • 14% Liveness
56% Instrumentalness • 81% Positiveness
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Angel Olsen
Sweet Dreams
115 bpm • C min • 03:11 • -2.83db
38% Popularity • 33% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Omni
Wire
115 bpm • G Maj • 03:03 • -4.45db
35% Popularity • 82% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Ladytron
He Took Her to a Movie
115 bpm • B min • 03:10 • -5.29db
35% Popularity • 81% Danceability • 95% Energy • 27% Liveness
18% Instrumentalness • 98% Positiveness
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Preoccupations
Unconscious Melody
115 bpm • F Maj • 03:00 • -8.11db
39% Popularity • 63% Danceability • 80% Energy • 11% Liveness
30% Instrumentalness • 84% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Clinic
Ferryboat of the Mind
109 bpm • C# Maj • 02:09 • -6.1db
41% Popularity • 51% Danceability • 62% Energy • 17% Liveness
80% Instrumentalness • 22% Positiveness
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Broadcast
Man Is Not A Bird
115 bpm • D Maj • 04:52 • -10.51db
29% Popularity • 36% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Molly Nilsson
Wounds Itch When They Heal
116 bpm • C Maj • 02:13 • -8.12db
38% Popularity • 92% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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The Units
High Pressure Days
116 bpm • G Maj • 03:17 • -4.54db
33% Popularity • 76% Danceability • 80% Energy • 10% Liveness
14% Instrumentalness • 80% Positiveness
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Dirty Beaches
Night Walk
108 bpm • A# Maj • 03:55 • -5.83db
22% Popularity • 57% Danceability • 94% Energy • 37% Liveness
84% Instrumentalness • 38% Positiveness
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Deux
Everybody's Night
116 bpm • C# min • 05:35 • -12.45db
25% Popularity • 81% Danceability • 59% Energy • 10% Liveness
83% Instrumentalness • 83% Positiveness
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Geoffrey Landers
Say You'll Say So
108 bpm • D Maj • 05:09 • -10.57db
34% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
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Glass Candy
Miss Broadway
108 bpm • A min • 06:45 • -6.41db
34% Popularity • 80% Danceability • 67% Energy • 22% Liveness
55% Instrumentalness • 70% Positiveness
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Electrelane
Enter Laughing
116 bpm • E Maj • 03:42 • -15.43db
41% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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SPELLLING
Under the Sun
116 bpm • A# min • 05:55 • -10db
34% Popularity • 55% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Cindy
2y & 6m
116 bpm • C Maj • 04:02 • -8.68db
31% Popularity • 80% Danceability • 72% Energy • 14% Liveness
77% Instrumentalness • 86% Positiveness
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The Durutti Column
Bordeaux
108 bpm • D Maj • 03:31 • -17db
31% Popularity • 79% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Saâda Bonaire
The Facts
108 bpm • F Maj • 05:13 • -7db
30% Popularity • 73% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Pink Industry
Don't Let Go - 12” Version
108 bpm • A Maj • 04:04 • -6.9db
31% Popularity • 65% Danceability • 84% Energy • 29% Liveness
89% Instrumentalness • 63% Positiveness
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Earth Girl Helen Brown
Feed Me
116 bpm • E min • 06:55 • -10.46db
21% Popularity • 75% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 91% Positiveness
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Connan Mockasin
Do I Make You Feel Shy?
107 bpm • G Maj • 03:14 • -13db
28% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Deux
Fam Fam
117 bpm • D Maj • 04:48 • -11db
22% Popularity • 89% Danceability • 57% Energy • 20% Liveness
84% Instrumentalness • 68% Positiveness
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The Durutti Column
Sketch for Summer
108 bpm • D min • 02:58 • -9.9db
48% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
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Alex Cameron
Mongrel
107 bpm • F# Maj • 03:37 • -9.02db
29% Popularity • 76% Danceability • 47% Energy • 11% Liveness
60% Instrumentalness • 65% Positiveness
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Saâda Bonaire
Invitation
108 bpm • E min • 05:21 • -9.35db
34% Popularity • 74% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Algebra Suicide
After Charles
117 bpm • G Maj • 01:30 • -10.76db
35% Popularity • 88% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 98% Positiveness
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Exploded View
Open Road
117 bpm • D Maj • 04:19 • -11.48db
13% Popularity • 56% Danceability • 50% Energy • 32% Liveness
92% Instrumentalness • 41% Positiveness
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The Cleaners From Venus
Kool of the Night
117 bpm • A min • 02:21 • -8.13db
32% Popularity • 78% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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ESG
Be Good to Me
117 bpm • A min • 03:54 • -10.26db
28% Popularity • 80% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Alex Cameron
Real Bad Lookin'
107 bpm • D Maj • 04:33 • -8db
38% Popularity • 96% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
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Dirty Beaches
True Blue
107 bpm • C Maj • 02:51 • -10.31db
43% Popularity • 64% Danceability • 59% Energy • 10% Liveness
96% Instrumentalness • 98% Positiveness
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Vanishing Twin
Magician's Success
107 bpm • F# Maj • 03:55 • -8.93db
38% Popularity • 55% Danceability • 68% Energy • 39% Liveness
12% Instrumentalness • 70% Positiveness
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Exploded View
Summer Came Early
107 bpm • D Maj • 03:26 • -9.24db
31% Popularity • 52% Danceability • 52% Energy • 11% Liveness
71% Instrumentalness • 55% Positiveness
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The Cleaners From Venus
Helpless
118 bpm • C Maj • 02:39 • -8.27db
44% Popularity • 80% Danceability • 68% Energy • 46% Liveness
74% Instrumentalness • 64% Positiveness
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Algebra Suicide
Tuesday Tastes Good
118 bpm • C Maj • 02:53 • -16.03db
18% Popularity • 60% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 58% Positiveness
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Suburban Lawns
Flavor Crystals
118 bpm • F Maj • 03:47 • -11db
29% Popularity • 80% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 97% Positiveness
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El Michels Affair
Murkit Gem
118 bpm • D# min • 03:12 • -10.07db
40% Popularity • 54% Danceability • 63% Energy • 16% Liveness
92% Instrumentalness • 57% Positiveness
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Rexy
Running Out Of Time
118 bpm • D min • 04:16 • -11.39db
31% Popularity • 67% Danceability • 53% Energy • 7% Liveness
51% Instrumentalness • 37% Positiveness
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Lizzy Mercier Descloux
Hard Boiled Babe
118 bpm • D Maj • 04:25 • -10.21db
29% Popularity • 62% Danceability • 74% Energy • 7% Liveness
6% Instrumentalness • 52% Positiveness
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Yves Tumor
Strawberry Privilege
118 bpm • F min • 03:52 • -11db
45% Popularity • 75% Danceability • 53% Energy • 13% Liveness
80% Instrumentalness • 34% Positiveness
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Algebra Suicide
True Romance At The World's Fair
118 bpm • G Maj • 01:45 • -12.46db
21% Popularity • 58% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Monika Werkstatt
I Will Be Your Only One - Monika Werksta...
118 bpm • B Maj • 03:42 • -14.61db
0% Popularity • 66% Danceability • 26% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
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Connan Mockasin
Charlotte's Thong
106 bpm • E min • 08:56 • -15.98db
47% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
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Hierophants
Shoemaker Levy 9
118 bpm • D# Maj • 03:00 • -8db
29% Popularity • 60% Danceability • 52% Energy • 36% Liveness
89% Instrumentalness • 92% Positiveness
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Anika
Wait For Something
106 bpm • F Maj • 03:56 • -8.21db
8% Popularity • 45% Danceability • 49% Energy • 11% Liveness
22% Instrumentalness • 8% Positiveness
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Geneva Jacuzzi
Swanface
106 bpm • F# Maj • 02:32 • -6.27db
17% Popularity • 73% Danceability • 86% Energy • 10% Liveness
54% Instrumentalness • 97% Positiveness
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Young Marble Giants
N.I.T.A.
119 bpm • F Maj • 03:31 • -14.37db
34% Popularity • 58% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
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Solid Space
New Statue
119 bpm • F# Maj • 05:42 • -6.29db
25% Popularity • 72% Danceability • 70% Energy • 24% Liveness
73% Instrumentalness • 60% Positiveness
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Bnny
Time Walk
119 bpm • D Maj • 01:33 • -9.05db
50% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
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Automatic
Calling It
119 bpm • D Maj • 02:29 • -6.15db
41% Popularity • 68% Danceability • 73% Energy • 37% Liveness
60% Instrumentalness • 66% Positiveness
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Damaged Bug
Eggs at Night
119 bpm • B min • 02:58 • -6.41db
27% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
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Arthur Russell
Make 1,2
105 bpm • G Maj • 02:49 • -9db
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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In the City