Songs like In the Clear by Tom Salta
Based on a tempo of (+/- 10%) and a similar genre
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Keith Power
Gene Molds
105 bpm • G Maj • 03:11 • -13.94db
17% Popularity • 70% Danceability • 53% Energy • 11% Liveness
80% Instrumentalness • 41% Positiveness
17% Popularity • 70% Danceability • 53% Energy • 11% Liveness
80% Instrumentalness • 41% Positiveness
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Jeremy Soule
One They Fear
105 bpm • B min • 03:14 • -11db
47% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
47% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
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Tom Salta
Clear as a Sandstorm
105 bpm • A# min • 01:37 • -14db
10% Popularity • 56% Danceability • 41% Energy • 18% Liveness
95% Instrumentalness • 31% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 18% Liveness
95% Instrumentalness • 31% Positiveness
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Paul Leonard-Morgan
Arrival of the Blood Ravens
105 bpm • C Maj • 03:58 • -17.48db
24% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
24% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Justin Burnett
A Burning Escape
105 bpm • A Maj • 09:05 • -18.83db
16% Popularity • 21% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Sean Murray
Beheaded
104 bpm • G Maj • 03:56 • -9.84db
18% Popularity • 33% Danceability • 59% Energy • 39% Liveness
53% Instrumentalness • 6% Positiveness
18% Popularity • 33% Danceability • 59% Energy • 39% Liveness
53% Instrumentalness • 6% Positiveness
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Geoff Knorr
Neptune’s Glory
105 bpm • G# Maj • 05:00 • -11.2db
9% Popularity • 15% Danceability • 48% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 48% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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SIE Sound Team
Penetrator
106 bpm • G# Maj • 02:29 • -9.89db
30% Popularity • 34% Danceability • 52% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 34% Danceability • 52% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Borislav Slavov
Dancing with the Source
104 bpm • F# min • 02:26 • -16.88db
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Ludvig Forssell
Kept You Waiting Huh?
104 bpm • C# Maj • 03:25 • -20.41db
19% Popularity • 52% Danceability • 35% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
19% Popularity • 52% Danceability • 35% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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The Flight
Heat Trace
104 bpm • A Maj • 02:50 • -25.2db
16% Popularity • 36% Danceability • 28% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 36% Danceability • 28% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Henry Jackman
The Twelve Towers
103 bpm • C# Maj • 03:59 • -11.02db
29% Popularity • 25% Danceability • 65% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 25% Danceability • 65% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
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Danny Cocke
1v5
104 bpm • F# min • 02:46 • -18.67db
16% Popularity • 43% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
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SIE Sound Team
Tower Knight
106 bpm • G min • 03:16 • -9.17db
29% Popularity • 20% Danceability • 61% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
29% Popularity • 20% Danceability • 61% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Borislav Slavov
SOS New York
104 bpm • F min • 02:06 • -12db
28% Popularity • 45% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
28% Popularity • 45% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Tom Salta
The Menagerie of Legends
103 bpm • G Maj • 01:51 • -19.55db
3% Popularity • 36% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
3% Popularity • 36% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Chad Cannon
The Battle for Iki Island
108 bpm • C min • 04:16 • -13.66db
20% Popularity • 27% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
20% Popularity • 27% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Jason Hayes
The Keystone
102 bpm • A# min • 02:14 • -18.89db
19% Popularity • 41% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 41% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Ludvig Forssell
OKB Zero
108 bpm • F min • 02:10 • -13db
21% Popularity • 44% Danceability • 95% Energy • 37% Liveness
85% Instrumentalness • 8% Positiveness
21% Popularity • 44% Danceability • 95% Energy • 37% Liveness
85% Instrumentalness • 8% Positiveness
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SIE Sound Team
Old King Allant
106 bpm • G# Maj • 03:20 • -9.18db
30% Popularity • 20% Danceability • 65% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
30% Popularity • 20% Danceability • 65% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Wilbert Roget, II
Birds of Prey
102 bpm • D Maj • 02:56 • -10.31db
26% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
26% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
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Frank Klepacki
Mother of All Weapons
102 bpm • D Maj • 03:20 • -13.81db
23% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
23% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Nick Arundel
Evening the Odds
102 bpm • E min • 03:40 • -21.63db
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Brian Tyler
Path of the Warrior
102 bpm • D Maj • 07:10 • -13.6db
14% Popularity • 37% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
14% Popularity • 37% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Halo
Legacy
101 bpm • G min • 01:03 • -12.31db
19% Popularity • 17% Danceability • 36% Energy • 11% Liveness
100% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 36% Energy • 11% Liveness
100% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Lord Shimura
101 bpm • C min • 02:15 • -13db
34% Popularity • 47% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 9% Positiveness
34% Popularity • 47% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 9% Positiveness
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Ron Fish
A Monument to Your Failure
110 bpm • B min • 01:56 • -14.82db
27% Popularity • 33% Danceability • 45% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
27% Popularity • 33% Danceability • 45% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Bear McCreary
Stone Mason
110 bpm • A Maj • 03:48 • -14db
33% Popularity • 33% Danceability • 42% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
33% Popularity • 33% Danceability • 42% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Yuka Kitamura
Dragonslayer Armour
110 bpm • C min • 04:20 • -9.51db
34% Popularity • 17% Danceability • 53% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
34% Popularity • 17% Danceability • 53% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Daniel James
Metal Gear Online
110 bpm • F# Maj • 03:26 • -15.94db
18% Popularity • 27% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Tyler Bates
Madness of the Fury Queen
100 bpm • C# min • 02:33 • -9.7db
22% Popularity • 24% Danceability • 84% Energy • 25% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 24% Danceability • 84% Energy • 25% Liveness
94% Instrumentalness • 24% Positiveness
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Tom Salta
Ambush In the Caves
110 bpm • G# min • 01:16 • -9.35db
4% Popularity • 62% Danceability • 90% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
4% Popularity • 62% Danceability • 90% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
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Stuart Chatwood
The Cove Battle
110 bpm • D Maj • 04:34 • -13db
37% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
37% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
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Jason Hayes
Khala's End
110 bpm • F# min • 03:06 • -15.1db
22% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Andreas Waldetoft
Assembling The Fleet
110 bpm • A min • 05:15 • -14.96db
26% Popularity • 57% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
26% Popularity • 57% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Cris Velasco
Reaper Chase
110 bpm • C min • 02:04 • -8.63db
26% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
26% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
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Nick Arundel
Predator
110 bpm • C# Maj • 02:22 • -19.63db
27% Popularity • 57% Danceability • 59% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
27% Popularity • 57% Danceability • 59% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
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Tom Salta
Taking the High Road
110 bpm • D Maj • 01:27 • -17.16db
16% Popularity • 59% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
16% Popularity • 59% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Michael McCann
And Away We Go
100 bpm • F# min • 01:17 • -11.31db
35% Popularity • 35% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 35% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sean Murray
Eagle Claw, Pt. 2
100 bpm • G Maj • 02:16 • -10.31db
24% Popularity • 42% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
24% Popularity • 42% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
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Bill Hemstapat
The Forbidden Ritual
100 bpm • C# min • 03:05 • -16.55db
14% Popularity • 40% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 40% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Jason Hayes
The Spear of Adun
110 bpm • F min • 01:46 • -14.46db
24% Popularity • 29% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
24% Popularity • 29% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
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Borislav Slavov
Sneak And Shoot!
100 bpm • C# Maj • 03:46 • -14.19db
13% Popularity • 62% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 22% Positiveness
13% Popularity • 62% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 22% Positiveness
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Tom Salta
Ember Hunt
100 bpm • G Maj • 03:19 • -17.54db
9% Popularity • 64% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 18% Positiveness
9% Popularity • 64% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 18% Positiveness
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Andreas Waldetoft
Dragon Breath
100 bpm • A# min • 06:38 • -12.17db
25% Popularity • 54% Danceability • 63% Energy • 10% Liveness
85% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 63% Energy • 10% Liveness
85% Instrumentalness • 33% Positiveness
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Halo
Moon Over Mombasa
100 bpm • F Maj • 01:57 • -8.5db
34% Popularity • 56% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 56% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Justin E. Bell
Terraforming, One Bullet at a Time
100 bpm • G Maj • 01:49 • -12.68db
32% Popularity • 61% Danceability • 79% Energy • 13% Liveness
94% Instrumentalness • 46% Positiveness
32% Popularity • 61% Danceability • 79% Energy • 13% Liveness
94% Instrumentalness • 46% Positiveness
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Todd Masten
Holy Man (Hunt)
100 bpm • D# Maj • 02:39 • -15.16db
18% Popularity • 63% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
18% Popularity • 63% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Jeremy Soule
Tooth and Claw
100 bpm • G# Maj • 01:48 • -21.2db
48% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
48% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Johan Skugge
Dunn's Down
100 bpm • F min • 04:52 • -12.12db
17% Popularity • 27% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 27% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Tom Salta
Valkyrie Theme
111 bpm • C# Maj • 02:46 • -9.39db
8% Popularity • 27% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
8% Popularity • 27% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Michael McCann
Main Menu
99 bpm • G min • 01:50 • -22.58db
41% Popularity • 13% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
41% Popularity • 13% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Henry Jackman
Meet Me in Paradise
99 bpm • A# min • 02:05 • -9.73db
24% Popularity • 54% Danceability • 61% Energy • 34% Liveness
79% Instrumentalness • 20% Positiveness
24% Popularity • 54% Danceability • 61% Energy • 34% Liveness
79% Instrumentalness • 20% Positiveness
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Todd Masten
Ride Lawrence Ride
100 bpm • G# Maj • 04:19 • -15db
25% Popularity • 32% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 11% Positiveness
25% Popularity • 32% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 11% Positiveness
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Scott R. Morgan
Resurrection
112 bpm • G# Maj • 03:14 • -10.9db
22% Popularity • 22% Danceability • 60% Energy • 10% Liveness
68% Instrumentalness • 14% Positiveness
22% Popularity • 22% Danceability • 60% Energy • 10% Liveness
68% Instrumentalness • 14% Positiveness
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Ludvig Forssell
Venom
112 bpm • A min • 04:13 • -22.86db
14% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Tom Salta
Menu (Break the Loop)
111 bpm • G# Maj • 03:33 • -17db
22% Popularity • 28% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 28% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Power Changes Everything
98 bpm • G Maj • 01:19 • -18.07db
30% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
30% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Henry Jackman
Lure of Adventure
112 bpm • A min • 02:54 • -17.04db
31% Popularity • 41% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
31% Popularity • 41% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Halo
Bravery, Brotherhood
113 bpm • F min • 01:29 • -8db
29% Popularity • 42% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
29% Popularity • 42% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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John Paesano
First Contact Protocol
113 bpm • D Maj • 03:51 • -18.22db
15% Popularity • 43% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 43% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Hyperduck Soundworks
Boss Theme
98 bpm • F Maj • 01:38 • -13.08db
12% Popularity • 57% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
12% Popularity • 57% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
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Tom Salta
Welcome to Blackreef
111 bpm • F min • 03:04 • -12db
23% Popularity • 50% Danceability • 41% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
23% Popularity • 50% Danceability • 41% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
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Sascha Dikiciyan
Bonus - Exploring the Overlook
113 bpm • D min • 01:36 • -22.83db
17% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
17% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Kaveh Cohen
Spies vs. Mercs
113 bpm • D Maj • 02:04 • -13.09db
16% Popularity • 57% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Bear McCreary
The Dragon
114 bpm • A Maj • 03:43 • -11.22db
38% Popularity • 52% Danceability • 59% Energy • 21% Liveness
80% Instrumentalness • 12% Positiveness
38% Popularity • 52% Danceability • 59% Energy • 21% Liveness
80% Instrumentalness • 12% Positiveness
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Keith Power
Wretched Things
114 bpm • C Maj • 01:31 • -15.63db
25% Popularity • 57% Danceability • 72% Energy • 9% Liveness
85% Instrumentalness • 46% Positiveness
25% Popularity • 57% Danceability • 72% Energy • 9% Liveness
85% Instrumentalness • 46% Positiveness
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Mick Gordon
Adrift
114 bpm • C# Maj • 01:46 • -31.57db
29% Popularity • 40% Danceability • 4% Energy • 18% Liveness
80% Instrumentalness • 5% Positiveness
29% Popularity • 40% Danceability • 4% Energy • 18% Liveness
80% Instrumentalness • 5% Positiveness
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Tom Salta
Menu (Protect the Loop)
111 bpm • F min • 01:14 • -10.78db
32% Popularity • 52% Danceability • 64% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 52% Danceability • 64% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Kevin Riepl
Ephyra Streets II
96 bpm • C# Maj • 01:39 • -13.81db
17% Popularity • 39% Danceability • 36% Energy • 23% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 39% Danceability • 36% Energy • 23% Liveness
95% Instrumentalness • 28% Positiveness
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Sean Murray
Revenge
114 bpm • C# Maj • 03:18 • -12.12db
24% Popularity • 33% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
24% Popularity • 33% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Brian Tuey
Safehouse
115 bpm • F min • 02:01 • -15.94db
28% Popularity • 19% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Keith Power
Sentient Tombs
114 bpm • G Maj • 03:34 • -14.36db
18% Popularity • 57% Danceability • 77% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
18% Popularity • 57% Danceability • 77% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Inon Zur
Rise and Prevail
96 bpm • G Maj • 02:14 • -17.3db
23% Popularity • 18% Danceability • 55% Energy • 17% Liveness
88% Instrumentalness • 20% Positiveness
23% Popularity • 18% Danceability • 55% Energy • 17% Liveness
88% Instrumentalness • 20% Positiveness
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Tom Salta
Interlude III
111 bpm • G Maj • 00:58 • -29.87db
2% Popularity • 17% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Erasmus Talbot
Combat & Extras: E:D Menus
115 bpm • A min • 03:37 • -19db
16% Popularity • 39% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Jeremy Soule
Caught off Guard
96 bpm • A# min • 01:10 • -16.68db
43% Popularity • 47% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 19% Positiveness
43% Popularity • 47% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 19% Positiveness
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Christopher Drake
See You...In Hell
115 bpm • D min • 07:47 • -13.28db
25% Popularity • 27% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Cris Velasco
Titan
115 bpm • G# Maj • 02:05 • -10.46db
23% Popularity • 54% Danceability • 68% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
23% Popularity • 54% Danceability • 68% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
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Christopher Lennertz
The View Of Palaven
115 bpm • D min • 03:36 • -13.15db
27% Popularity • 26% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Brian Tyler
The Will Of A Single Man
115 bpm • D Maj • 02:10 • -11.57db
24% Popularity • 58% Danceability • 77% Energy • 13% Liveness
78% Instrumentalness • 26% Positiveness
24% Popularity • 58% Danceability • 77% Energy • 13% Liveness
78% Instrumentalness • 26% Positiveness
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Inon Zur
The Savage Divide
115 bpm • F min • 04:10 • -23.52db
22% Popularity • 17% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Jeremy Soule
Steel on Steel
115 bpm • C min • 01:43 • -19.35db
48% Popularity • 52% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
48% Popularity • 52% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Ludvig Forssell
Bloodstained Anthem
95 bpm • C Maj • 01:23 • -15.68db
30% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
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Christopher Lennertz
The Cerberus Plot
115 bpm • D Maj • 03:49 • -12.29db
24% Popularity • 25% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Brian Tyler
Scouting The Enemy
95 bpm • A Maj • 06:52 • -14.47db
22% Popularity • 31% Danceability • 42% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 42% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
32% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
32% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Tom Salta
Sacred Ascent
95 bpm • C# Maj • 04:02 • -15.47db
3% Popularity • 66% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
3% Popularity • 66% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Andreas Waldetoft
The Imperial Fleet Second Coming
95 bpm • E min • 06:52 • -17.32db
23% Popularity • 43% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Kevin Riepl
Jacinto Prison
95 bpm • D Maj • 02:48 • -23.9db
16% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
16% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Christopher Lennertz
A Future For The Krogan
96 bpm • B min • 03:29 • -15.86db
34% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Michael Nielsen
Conviction (Main Theme)
95 bpm • D Maj • 02:25 • -15.39db
19% Popularity • 48% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Tom Salta
Water Bearer
95 bpm • A# min • 01:00 • -24.57db
4% Popularity • 50% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
4% Popularity • 50% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Andreas Waldetoft
The Imperial Fleet
95 bpm • E min • 05:27 • -16.65db
28% Popularity • 46% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
28% Popularity • 46% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Christopher Drake
Arkham Origins End Titles
94 bpm • D Maj • 01:49 • -14db
25% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness