Songs like In the Month of March - From Saigo no S by Toru Takemitsu
Based on a tempo of (+/- 10%) and a similar genre
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Toru Takemitsu
Gemeaux: III. Traces
89 bpm • C min • 06:19 • -30.03db
0% Popularity • 15% Danceability • 3% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 3% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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Francis Poulenc
Presto en si bémol majeur
89 bpm • F Maj • 01:28 • -24db
15% Popularity • 43% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
15% Popularity • 43% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Nico Muhly
Move
89 bpm • D Maj • 02:35 • -20.17db
11% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
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Henriette Renié
Danse des Lutins
89 bpm • D# min • 04:00 • -22db
9% Popularity • 22% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Takashi Yoshimatsu
White Landscapes, Op. 47a: II. Stillness...
88 bpm • E min • 03:15 • -32.56db
16% Popularity • 18% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Les yeux clos II
90 bpm • B Maj • 06:47 • -27.38db
9% Popularity • 44% Danceability • 1% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 44% Danceability • 1% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Luciano Berio
Sequenza III for Female Voice
88 bpm • F min • 08:16 • -24db
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana, Op. 12: 6. O Albion (Arr. Cle...
88 bpm • F Maj • 02:47 • -28db
28% Popularity • 16% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Leopold Godowsky
Java Suite: Part I: I. Gamelan
88 bpm • D min • 03:27 • -26db
17% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
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Irena And Vojtech Havlovi
Piano & Violoncello 3
88 bpm • G min • 01:37 • -22.63db
37% Popularity • 20% Danceability • 8% Energy • 43% Liveness
96% Instrumentalness • 4% Positiveness
37% Popularity • 20% Danceability • 8% Energy • 43% Liveness
96% Instrumentalness • 4% Positiveness
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Anja Lechner
Shadow
88 bpm • C# Maj • 01:18 • -32.22db
20% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
20% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Harry Partch
Two Studies on Ancient Greek Scales: 1) ...
88 bpm • C min • 03:41 • -32db
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
90 bpm • A# Maj • 03:46 • -22.1db
12% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Toward the Sea II: I. The Night
90 bpm • D min • 03:27 • -29.48db
0% Popularity • 11% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
36% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
21% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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Jennifer Higdon
String poetic: II. Nocturne
91 bpm • C Maj • 04:46 • -24db
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 1: To a W...
87 bpm • A Maj • 01:31 • -38.57db
34% Popularity • 36% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
34% Popularity • 36% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Philip Glass
Études: No. 18
87 bpm • G min • 06:02 • -30.06db
24% Popularity • 28% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
24% Popularity • 28% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Henry Cowell
The Tides of Manaunaun - 1912
91 bpm • C# Maj • 02:29 • -20db
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 3. Notturno
87 bpm • F# Maj • 04:01 • -28.67db
45% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
45% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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György Ligeti
Musica ricercata No. 7 in B-Flat Major
87 bpm • D# Maj • 02:49 • -35.21db
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
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Giacinto Scelsi
4 Pezzi (Su una nota sola): I. —
87 bpm • A# Maj • 02:56 • -35.32db
14% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
14% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Carlos Salzedo
Chanson dans la nuit (Song in the Night)
91 bpm • F Maj • 03:30 • -27.7db
12% Popularity • 32% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 32% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quartet for the End of Time
86 bpm • E Maj • 09:29 • -24db
10% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
92 bpm • C# Maj • 08:23 • -20.7db
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Takashi Yoshimatsu
And Birds Are Still . . ., Op. 72
86 bpm • G Maj • 07:43 • -26db
31% Popularity • 9% Danceability • 6% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 6% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
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György Ligeti
Musica ricercata: 4. Tempo de Valse. Poc...
91 bpm • D# Maj • 01:56 • -20.38db
11% Popularity • 44% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 44% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Folios: II. —
86 bpm • A min • 03:00 • -28.21db
4% Popularity • 48% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 9% Positiveness
4% Popularity • 48% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 9% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Glass
Tiquie River
92 bpm • A min • 01:28 • -19.79db
20% Popularity • 20% Danceability • 20% Energy • 27% Liveness
94% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 20% Energy • 27% Liveness
94% Instrumentalness • 10% Positiveness
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Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
48% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Fazıl Say
New Life Piano Sonata, Op. 99: II. Pesan...
93 bpm • C# Maj • 03:34 • -19.59db
13% Popularity • 38% Danceability • 3% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
13% Popularity • 38% Danceability • 3% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Der Bote
86 bpm • C Maj • 09:13 • -39db
9% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Federico Mompou
Musica callada I Angelico
93 bpm • A min • 02:00 • -47db
39% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
39% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Ernest John Moeran
Prelude for Cello & Piano
93 bpm • E Maj • 04:49 • -26.43db
18% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Ame no ki sobyo II (Rain Tree Sketch II)...
85 bpm • F# min • 04:15 • -32db
8% Popularity • 44% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
8% Popularity • 44% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Takashi Yoshimatsu
Piano Concerto, Op. 67 "Memo Flora": III...
85 bpm • D# Maj • 07:02 • -22.96db
21% Popularity • 24% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 11% Positiveness
21% Popularity • 24% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 11% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Imogen Holst
String Quartet "Phantasy"
85 bpm • C Maj • 09:59 • -20.93db
8% Popularity • 19% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Claude Debussy
Images inédites, L. 87: II. Souvenir du...
94 bpm • E Maj • 05:08 • -25.41db
22% Popularity • 43% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Gita no tame no juni no uta (12 Songs fo...
94 bpm • A Maj • 03:17 • -32.19db
14% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
14% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
18% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossiennes: No. 5, Modéré
94 bpm • E min • 03:03 • -31.87db
31% Popularity • 32% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
31% Popularity • 32% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Gita no tame no juni no uta (12 Songs fo...
94 bpm • G Maj • 02:55 • -29.88db
9% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
9% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Arvo Pärt
Lamentate: Fragile e conciliante
94 bpm • C# Maj • 06:31 • -40.22db
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
22% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
22% Instrumentalness • 5% Positiveness
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Pierre Boulez
Douze Notations Pour Piano (1945): Hiér...
84 bpm • G Maj • 01:01 • -24.86db
13% Popularity • 53% Danceability • 0% Energy • 8% Liveness
17% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 0% Energy • 8% Liveness
17% Instrumentalness • 33% Positiveness
► Preview
György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
► Preview
Toru Takemitsu
Attendance at the Funeral / Flute of Dar...
95 bpm • B Maj • 02:28 • -26.08db
5% Popularity • 19% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
5% Popularity • 19% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Lili Boulanger
Nocturne
95 bpm • F Maj • 03:03 • -22.88db
17% Popularity • 19% Danceability • 5% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Takashi Yoshimatsu
White Landscapes, Op. 47a: I. Divination...
83 bpm • E min • 04:06 • -34db
19% Popularity • 8% Danceability • 2% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Lajos Lencsés
4 Vocalises, Op. 212 (arr. L. Lencses): ...
95 bpm • F# min • 01:16 • -19db
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
9% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Toru Takemitsu
Subete wa usuakari no naka de (All in Tw...
95 bpm • G min • 02:38 • -29.76db
6% Popularity • 36% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
6% Popularity • 36% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
83 bpm • G Maj • 01:46 • -30db
35% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
35% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
► Preview
Francis Poulenc
Sonata for Four Hands, FP 8: I. Prelude
83 bpm • C min • 02:01 • -20.4db
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Lili Boulanger
D'un vieux jardin
83 bpm • D Maj • 03:30 • -30db
29% Popularity • 41% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 41% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Marcel Grandjany
Rhapsodie
96 bpm • F min • 08:18 • -23db
14% Popularity • 32% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Toru Takemitsu
Subete wa usuakari no naka de (All in Tw...
82 bpm • G min • 01:50 • -27.06db
7% Popularity • 41% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 22% Positiveness
7% Popularity • 41% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 22% Positiveness
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Luciano Berio
Six Encores: Wasserklavier
82 bpm • C# Maj • 02:02 • -41.51db
23% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
23% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
49% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
49% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Igor Stravinsky
Elegy for Solo Viola
82 bpm • C min • 05:29 • -25db
14% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Pierre Boulez
Répons: Section 1
82 bpm • G# min • 02:58 • -20.75db
15% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Toru Takemitsu
海へ: 1. 夜 - Live At 札幌市民会...
82 bpm • F# Maj • 04:14 • -27.63db
1% Popularity • 10% Danceability • 8% Energy • 20% Liveness
95% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 8% Energy • 20% Liveness
95% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
20% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Philip Glass
Etude No.3
98 bpm • F Maj • 04:31 • -17.62db
18% Popularity • 40% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Isaac Albéniz
Iberia: X. Malaga
82 bpm • F# Maj • 05:03 • -24db
9% Popularity • 37% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
9% Popularity • 37% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Hikaru Hayashi
Twilight
98 bpm • A min • 01:29 • -26.44db
20% Popularity • 58% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
20% Popularity • 58% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Toru Takemitsu
Gemeaux: II. Genesis
81 bpm • A Maj • 09:03 • -27.59db
1% Popularity • 9% Danceability • 5% Energy • 17% Liveness
36% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 5% Energy • 17% Liveness
36% Instrumentalness • 4% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
81 bpm • E min • 02:36 • -24.6db
8% Popularity • 34% Danceability • 2% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 2% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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Les Reed
ラスト・ワルツ
81 bpm • E Maj • 04:07 • -20.56db
2% Popularity • 50% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
2% Popularity • 50% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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William Grant Still
3 Visions: No. 2. Summerland
81 bpm • G Maj • 04:21 • -23.13db
39% Popularity • 48% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
39% Popularity • 48% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
