Songs like In The Still Of The Night - Remastered 1996 by Jo Stafford
Based on a tempo of (+/- 10%) and a similar genre
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The Cast
The Five Pennies
95 bpm • D Maj • 02:18 • -12.43db
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
33% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Jo Stafford
In The Still Of The Night
95 bpm • C Maj • 02:42 • -11.39db
17% Popularity • 31% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Joni James
There Goes My Heart
95 bpm • F# Maj • 02:33 • -8db
21% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Rita Hayworth
My Funny Valentine
95 bpm • G# Maj • 03:21 • -9.94db
11% Popularity • 26% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 26% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Ruby Murray
You Are My First Love
94 bpm • C# Maj • 02:23 • -11.86db
18% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Dakota Staton
When Lights Are Low
96 bpm • C min • 01:56 • -9db
46% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Jo Stafford
Give Me Something To Dream About
96 bpm • E min • 02:57 • -10db
29% Popularity • 44% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 44% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Teddy Wilson
When You're Smiling (01-06-38)
94 bpm • D# Maj • 02:52 • -12db
35% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
35% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Doris Day with Les Brown and His Orchestra
A Kiss To Remember
96 bpm • F min • 01:46 • -8.59db
12% Popularity • 25% Danceability • 38% Energy • 15% Liveness
4% Instrumentalness • 54% Positiveness
12% Popularity • 25% Danceability • 38% Energy • 15% Liveness
4% Instrumentalness • 54% Positiveness
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Tony Martin
There's No Tomorrow
94 bpm • A# Maj • 03:15 • -10.17db
14% Popularity • 27% Danceability • 21% Energy • 44% Liveness
3% Instrumentalness • 20% Positiveness
14% Popularity • 27% Danceability • 21% Energy • 44% Liveness
3% Instrumentalness • 20% Positiveness
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Nancy Wilson
This Time The Dream's On Me - Remastered
96 bpm • A# min • 02:19 • -8.85db
37% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Ruth Etting
Love Me or Leave Me
96 bpm • D Maj • 03:20 • -10.76db
23% Popularity • 53% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 53% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Teddy Wilson
Foolin' Myself (06-01-37)
94 bpm • A# Maj • 03:02 • -14.55db
23% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
23% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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The Boswell Sisters
That's What I Like About You
94 bpm • G# Maj • 02:53 • -11.34db
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Blossom Dearie
Tout Doucement
97 bpm • G# Maj • 02:23 • -18db
51% Popularity • 49% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 49% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Durante
The Glory of Love
97 bpm • F Maj • 02:49 • -12db
49% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Pat Boone
April Love
93 bpm • G# Maj • 02:43 • -17.86db
43% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
43% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Dakota Staton
Willow Weep For Me
97 bpm • C Maj • 02:30 • -12db
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
97 bpm • F Maj • 02:37 • -17db
50% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Dorothy Lamour
Moon over Burma
93 bpm • G Maj • 03:43 • -18db
22% Popularity • 21% Danceability • 16% Energy • 30% Liveness
10% Instrumentalness • 34% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 30% Liveness
10% Instrumentalness • 34% Positiveness
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Al Martino
My Cherie
93 bpm • G# Maj • 02:34 • -10db
33% Popularity • 20% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 20% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Jimmy Durante
When Day Is Done
98 bpm • G Maj • 02:33 • -12.14db
21% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Helen Merrill
Comes Love
92 bpm • D min • 03:01 • -16.16db
27% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Joni James
Let Me Call You Sweetheart - Remastered
92 bpm • C Maj • 02:23 • -12.09db
20% Popularity • 37% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 37% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sammy Kaye
The Old Lamp-Lighter
92 bpm • D Maj • 03:00 • -17.87db
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
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Jo Stafford
Almost Like Being In Love
92 bpm • F Maj • 02:59 • -10.48db
28% Popularity • 34% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 34% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Al Martino
I Have But One Heart
98 bpm • C Maj • 02:57 • -14.9db
46% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Brenda Lee
Break It To Me Gently
92 bpm • C min • 02:44 • -10db
55% Popularity • 54% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 54% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jimmy Durante
September Song
98 bpm • G Maj • 03:09 • -10db
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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Blossom Dearie
Someone To Watch Over Me
98 bpm • G Maj • 05:57 • -20.37db
36% Popularity • 48% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 48% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Alice Faye
You'll Never Know
92 bpm • G# Maj • 02:25 • -20.36db
9% Popularity • 31% Danceability • 9% Energy • 10% Liveness
7% Instrumentalness • 32% Positiveness
9% Popularity • 31% Danceability • 9% Energy • 10% Liveness
7% Instrumentalness • 32% Positiveness
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Joni James
Is It Any Wonder
92 bpm • A# Maj • 02:35 • -13.24db
15% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Teddy Wilson
I Can't Give You Anything But Love (11-1...
98 bpm • D# min • 03:27 • -15.21db
24% Popularity • 71% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
24% Popularity • 71% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
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Jo Stafford
Promise
92 bpm • F Maj • 03:02 • -12.46db
15% Popularity • 46% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
15% Popularity • 46% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
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The Fleetwoods
Mr. Blue
99 bpm • E Maj • 02:23 • -17.55db
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
14% Instrumentalness • 22% Positiveness
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
14% Instrumentalness • 22% Positiveness
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Ruth Etting
Shine On, Harvest Moon
98 bpm • F min • 02:49 • -11db
30% Popularity • 49% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
30% Popularity • 49% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Jimmy Dorsey
Blue Champagne
99 bpm • D# Maj • 03:04 • -12db
26% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Blossom Dearie
Lover Man (Oh Where Can You Be)
99 bpm • G min • 02:46 • -18.73db
40% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Dinah Shore
Candy
91 bpm • D# Maj • 03:01 • -14db
26% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Al Martino
The More I See You
100 bpm • D Maj • 02:53 • -16.85db
27% Popularity • 30% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 30% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Jo Stafford
Symphony
90 bpm • G Maj • 02:30 • -10.42db
16% Popularity • 30% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 30% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Joan Regan
Someone Elses Roses
100 bpm • F# Maj • 02:23 • -9.99db
31% Popularity • 29% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 29% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Mel Torme & the Mel-Tones
Heart & Soul
90 bpm • D# Maj • 02:58 • -22.44db
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Judy Garland
Embraceable You - 1940 Single Version
100 bpm • C# Maj • 02:48 • -11.56db
47% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmy Durante
I'll Be Seeing You
90 bpm • E min • 03:12 • -14db
41% Popularity • 38% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 38% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jimmy Dorsey
Maria Elena
90 bpm • D min • 03:03 • -15.94db
19% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
19% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
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Jo Stafford
Make Believe
100 bpm • G Maj • 02:28 • -15.64db
19% Popularity • 26% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 26% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Peggy Lee
Till There Was You - Remastered
100 bpm • C Maj • 02:31 • -19.33db
56% Popularity • 67% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 67% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Dinah Shore
Georgia On My Mind - 78rpm Version
100 bpm • A# Maj • 03:21 • -23.83db
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmy Durante
In the Other Fellow's Yard
100 bpm • E Maj • 02:28 • -12.5db
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jo Stafford
Dream a Little Dream of Me
100 bpm • D Maj • 02:35 • -11.58db
22% Popularity • 41% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 41% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
Keep Me In Mind
89 bpm • C Maj • 02:56 • -16db
22% Popularity • 53% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 53% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Jimmy Durante
My Wish
100 bpm • C Maj • 02:27 • -11.98db
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Jo Stafford
The Boy Next Door - 1996 Digital Remaste...
89 bpm • D Maj • 03:04 • -15.1db
8% Popularity • 19% Danceability • 11% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 19% Danceability • 11% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
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Ray Noble & His Orchestra
Linda
101 bpm • F Maj • 03:15 • -19db
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Eddy Howard
I Wonder I Wonder I Wonder
89 bpm • C Maj • 03:04 • -12.69db
12% Popularity • 65% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 65% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Starlighters
Open Door, Open Arms
89 bpm • D# Maj • 03:02 • -13.94db
8% Popularity • 25% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Carroll Gibbons
The Moon Got in My Eyes
89 bpm • F Maj • 03:10 • -20.26db
21% Popularity • 36% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
21% Popularity • 36% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Jo Stafford
There's No You - Remastered 1991
89 bpm • D# Maj • 03:16 • -14.86db
10% Popularity • 27% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Mildred Bailey
A Cigarette and a Silhouette
102 bpm • F Maj • 03:04 • -7.44db
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Kay Kyser
How Long Did I Dream
89 bpm • F min • 03:21 • -10.71db
7% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Petula Clark
Suddenly There's a Valley
102 bpm • G# Maj • 02:38 • -12.67db
27% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
13% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Jo Stafford
Ain't Misbehavin'
102 bpm • F min • 02:34 • -8.11db
22% Popularity • 54% Danceability • 22% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 54% Danceability • 22% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
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Mildred Bailey
Willow tree
88 bpm • G# Maj • 03:19 • -16.1db
24% Popularity • 72% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
24% Popularity • 72% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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The Andrews Sisters
I Can Dream, Can't I? - 1949 Single Vers...
88 bpm • A min • 02:38 • -10db
30% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Doris Day
Tea for Two
103 bpm • C# Maj • 01:49 • -13db
38% Popularity • 65% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 65% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Maxine Sullivan
When Your Lover Has Gone
103 bpm • G Maj • 02:45 • -14.9db
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Teresa Brewer
Till I Waltz Again with You
88 bpm • D# Maj • 03:00 • -13db
22% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jo Stafford
Too Marvelous For Words
88 bpm • F min • 03:16 • -12.11db
9% Popularity • 26% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 26% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth Etting
Guilty
103 bpm • F Maj • 03:20 • -12.05db
16% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jane Morgan
Fascination - 2024 Remastered
88 bpm • F Maj • 02:23 • -13.45db
16% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Malcolm Vaughan
If You Were the Only Girl in the World a...
103 bpm • F min • 02:25 • -21.55db
18% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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June Christy
It's Been a Long Long Time
87 bpm • D min • 02:47 • -8.83db
15% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Teresa Brewer
Till I Waltz Again With You
87 bpm • D Maj • 03:01 • -11db
32% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Jo Stafford
Tell Me Why
103 bpm • C Maj • 02:33 • -12.7db
10% Popularity • 30% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 30% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
